Opis proizvoda: Dynacord PowerMate 1000-3 je mikser sa pojačavačem i 6 mikrofonskih/linijskih ulaza i 4 stereo mikrofonskih/linijskih ulaza, kao i 2x100 integrisanih legendarnih Dynacord efekata. Mikser ima i fleksibilnu strukturu sa 6 pomoćnih (AUX) linija, kao i USB 2.0 audio interfejs. Powermate je opremljen sa profesionalnim, veoma jakim, stereo pojačavačem snage 2x1000W na 4 oma, koji koristi modernu i veoma efikasnu tehnologiju klase D. Zbog toga, ovaj kompaktni mikser je takođe veoma lak, čak 30% lakši u odnosu na prošlu generaciju. USB 2.0 port se koristi kao digitalni audio interfejs između PowerMate-a i PC ili Mac računara. Četiri kanala mogu biti poslata u oba smera istovremeno. Ovaj interfejs se onda može koristiti ili za ulazne audio signale (npr. za pozadinsku muziku ili muziku u pauzama) ili za snimanje uživo ili u studiju. Konfiguriše se odabiranjem odgovarajućeg menija u podešavanjima. Uz mikser se isporučuje i besplatna kopija programa Cubase LE 5, za lakše snimanje/reprodukciju digitalnih audio snimaka. Ovo je idealan mikser sa pojačavačem, sa integrisanim rešenjem za transport i zaštitu, kao i drugim korisnim karakteristikama, kao što su MIDI kontrola, izmenljivi efekti, 20 korisničkih memorija, zaštita zvučnika ograničenjem snage i mnoge druge. Kanala (Mono + Stereo): 6 + 4 Pomoćni izlazi (MON, FX, AUX): 2 Pre, 2 Post, 2 Pre/Post Izlazna snaga: 2 x 1350 W / 2,66oma, 2 x 1000 W / 4oma, 2 x 600 W / 8oma Izlazna topologija pojačavača: klasa D Ekvalizacija LO Shelv: +/- 15 dB / 60 Hz MID PEQ, mono ulaz: +/- 15 dB / 100 Hz - 8 kHz MID PEQ, stereo ulaz: +/- 12 dB / 2,4 kHz HI Shelv: +/- 15 dB / 12 kHz Master EQ, 11-band (63, 125, 250, 400, 1k, 1.6k, 2.5k, 4k, 6.3k, 12k Hz): +/- 10 dB / Q = 1,5-2,5 Displej: OLED visokog kontrasta Efekti: dual stereo 24/48-bit procesor Preprogramirani efekti: 100 fabričkih + 20 korisničkih, Tap-Delay Digitalni audio interfejs: 4 ulazna / 4 izlazna kanala AD/DA konverzija: 24bit, 44,1 / 48 / 88,2 /96 kHz PC interfejs: USB 2.0, ženski tip B Kontrola izlazne snage: Podesivi RMS limiter Zaštita pojačavača: audio limiter, visoka temperatura, jednosmerni napon na izlazu, visokofrekventni napon na izlazu, kratak spoj, strujni limiter, zakašnjenje prilikom uključivanja Zaštita prekidačkog napajanja (kontrola mikrokontrolerom): visoka struja uključenja, mali/visoki napon napajanja, prevelika struja napajanja, visoka temperatura Hlađenje: ventilatori sa kontrolom brzine Fantomsko napajanje: 48V Napajanje: 100 V , 240 V AC, 50 Hz - 60 Hz Dimenzije (Š x V x D): 510,5 x 164,5 x 571,5 mm Težina: 14,0 kg Transportna težina: 17,0 kg

SPECIFICATIONS Sampling Frequency 44.1 kHz AD Conversion 24 bits + AF method * AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. DA Conversion 24 bits Effects 108 types Patches 99 (User) + 99 (Preset) Phrase Loop 32 sec Nominal Input Level INPUT: -10 dBu, AUX IN: -20 dBu Maximum Input Level INPUT: +7 dBu, AUX IN: 0 dBu Input Impedance INPUT: 1 M ohm, AUX IN: 27 k ohms Nominal Output Level OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu Output Impedance OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms Recommended Load Impedance OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater Controls DOWN switch, UP switch CTL1 switch EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button, ENTER button, MENU button 1 knob, 2 knob, 3 knob Expression pedal Display Graphic LCD (132 x 32 dots, backlit LCD) Connectors INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type CTL2, 3/EXP2 jack: 1/4-inch TRS phone type AUX IN jack: Stereo miniature phone type PHONES jack: Stereo miniature phone type USB COMPUTER port: USB type B DC IN jack Power Supply Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately) Current Draw 200 mA Expected battery life under continuous use Alkaline: Approx. 7 hours * These figures will vary depending on the actual conditions of use. Accessories Owner's manual Leaflet "USING THE UNIT SAFELY" Alkaline battery (AA, LR6) x 4 Options (sold separately) AC adaptor: PSA series Footswitch: FS-5U, FS-5L, FS-6, FS-7 Expression Pedal: FV-500L, FV-500H, Roland EV-5 SIZE AND WEIGHT Width 305 mm 12-1/16 inches Depth 152 mm 6 inches Height 56 mm 2-1/4 inches Maximum height 74 mm 2-15/16 inches Weight (including battery) 1.3 kg 2 lbs 14 oz * 0 dBu = 0.775 Vrms

Opis proizvoda: Dynacord PowerMate 1600-3 je mikser sa pojačavačem i 12 mikrofonskih/linijskih ulaza i 4 stereo mikrofonskih/linijskih ulaza, kao i 2x100 integrisanih legendarnih Dynacord efekata. Mikser ima i fleksibilnu strukturu sa 6 pomoćnih (AUX) linija, kao i USB 2.0 audio interfejs. Powermate je opremljen sa profesionalnim, veoma jakim, stereo pojačavačem snage 2x1000W na 4 oma, koji koristi modernu i veoma efikasnu tehnologiju klase D. Zbog toga, ovaj kompaktni mikser je takođe veoma lak, čak 30% lakši u odnosu na prošlu generaciju. USB 2.0 port se koristi kao digitalni audio interfejs između PowerMate-a i PC ili Mac računara. Četiri kanala mogu biti poslata u oba smera istovremeno. Ovaj interfejs se onda može koristiti ili za ulazne audio signale (npr. za pozadinsku muziku ili muziku u pauzama) ili za snimanje uživo ili u studiju. Konfiguriše se odabiranjem odgovarajućeg menija u podešavanjima. Uz mikser se isporučuje i besplatna kopija programa Cubase LE 5, za lakše snimanje/reprodukciju digitalnih audio snimaka. Ovo je idealan mikser sa pojačavačem, sa integrisanim rešenjem za transport i zaštitu, kao i drugim korisnim karakteristikama, kao što su MIDI kontrola, izmenljivi efekti, 20 korisničkih memorija, zaštita zvučnika ograničenjem snage i mnoge druge. Kanala (Mono + Stereo): 12 + 4 Pomoćni izlazi (MON, FX, AUX): 2 Pre, 2 Post, 2 Pre/Post Izlazna snaga: 2 x 1350 W / 2,66oma, 2 x 1000 W / 4oma, 2 x 600 W / 8oma Izlazna topologija pojačavača: klasa D Ekvalizacija LO Shelv: +/- 15 dB / 60 Hz MID PEQ, mono ulaz: +/- 15 dB / 100 Hz - 8 kHz MID PEQ, stereo ulaz: +/- 12 dB / 2,4 kHz HI Shelv: +/- 15 dB / 12 kHz Master EQ, 11-band (63, 125, 250, 400, 1k, 1.6k, 2.5k, 4k, 6.3k, 12k Hz): +/- 10 dB / Q = 1,5-2,5 Displej: OLED visokog kontrasta Efekti: dual stereo 24/48-bit procesor Preprogramirani efekti: 100 fabričkih + 20 korisničkih, Tap-Delay Digitalni audio interfejs: 4 ulazna / 4 izlazna kanala AD/DA konverzija: 24bit, 44,1 / 48 / 88,2 /96 kHz PC interfejs: USB 2.0, ženski tip B Kontrola izlazne snage: Podesivi RMS limiter Zaštita pojačavača: audio limiter, visoka temperatura, jednosmerni napon na izlazu, visokofrekventni napon na izlazu, kratak spoj, strujni limiter, zakašnjenje prilikom uključivanja Zaštita prekidačkog napajanja (kontrola mikrokontrolerom): visoka struja uključenja, mali/visoki napon napajanja, prevelika struja napajanja, visoka temperatura Hlađenje: ventilatori sa kontrolom brzine Fantomsko napajanje: 48V Napajanje: 100 V , 240 V AC, 50 Hz - 60 Hz Dimenzije (Š x V x D): 663,5x164,5x571,5 mm Težina: 17,0 kg Transportna težina: 20,0 kg

Nine-pad Drum Controller with Onboard Sampler With nine velocity-sensitive trigger pads, an exhaustive 6GB stock sample library, and an onboard sampler and USB memory stick port to create and import your own sonic textures, the Alesis Strike MultiPad is a feature-rich and space-conscious drum controller for the stage and studio. Onstage, there are loads of stock acoustic and electric kits and five onboard FX processors to home in on the perfect tone for your music. And in the studio, you get exacting MIDI control over your favorite virtual instruments within the Ableton 10 Live Lite DAW/performance environment (included) to create sets and capture performances. Hands on, one of the Strike MultiPad's best features are its raised back pads, which offer unbridled access to hi-hats, claves, and more. Customizable LED lights per each pad complete the look. Strike MultiPad - Utility Menu Overview Onboard stereo sampler Connect an external audio source (phone, mic, soundboard, or computer), and the Alesis Strike MultiPad is all you need to capture precise stereo samples and loops. From stabs and drum breaks to memes and oddities, the Strike MultiPad's stereo inputs and mic/line gain adjuster ensure your audio remains true to its source. USB audio/MIDI interface Whether you want to capture performances directly as you hear them or control virtual instruments inside your DAW, the Strike MultiPad's USB port gives you two channels of hi-fi audio for exacting control over drums, chords, and percussion. No external device is required. Connect the Strike MultiPad directly to your Mac or PC and watch it become the centerpiece of your studio setup. 32GB of onboard memory 6GB of immersive onboard sounds are all you need to gig out with the Strike MultiPad. And for players who need custom sounds, the remaining 28GB of memory equip this controller for even large sample libraries. Load your own files over USB drive The Alesis Strike MultiPad lets you store entire performances onto USB drives and import for instant access to sets and sounds. Ableton 10 Live Lite included Both as a recording platform and as a live instrument, Ableton 10 Live Lite is built to take your Strike MultiPad to brilliant new heights. Alesis StrikePad Drum Controller Features: 9-pad drum controller with onboard sampler Capture audio from a phone, laptop, or microphone Custom LED lights for visual identification at a glance Raised back pads are great for hi-hats, claves, and ride cymbals 32GB of onboard memory Preloaded with 6GB of stock samples USB memory stick input — load in your own audio files 2-channel audio interface — record performances without an external interface MIDI over USB — control virtual instruments in your DAW Includes a licence to Ableton 10 Live Lite Dodatne informacije Specifikacija Type Percussion Pad with Sampler Pads 9 x Velocity-sensitive RGB Pads Sounds 6GB pre-loaded Samples and Loops (8,000 sounds) Kits 30 Presets, 70 User Formats WAV files Analog Inputs 2 x 1/4" (record in) Analog Outputs 2 x 1/4" (main out), 2 x 1/4" (aux out) Headphones 1 x 1/8", 1 x 1/4" Trigger Inputs 2 x 1/4" (dual zone), 1 x 1/4" (single zone), 1 x 1/4" (Hi-hat) MIDI I/O In, Out/Thru, USB USB 1 x Type A, 1 x Type B (2 x 2 audio) Pedal Inputs 2 x 1/4" (foot control) Memory 32GB internal storage Sampler Sampler, Loop Recorder Effects 27 x Kit FX, 38 x Master FX, Compression/EQ Software Ableton Live Lite, Pro Tools First Power Source 9V DC 1500mA power supply (included) Dimensions Height: 3.48" Width: 14.16" Depth: 13.8" Weight 3,85 kg

Opis proizvoda: PRODUCT DESCRIPTION For the Furion series, designed by professionals for professionals, Infinity has developed a new advanced technology to achieve the best possible performance and the best control with which you will be able to produce very fast as well as very slow and precise movements. You no longer have to choose between fast or slow mode. All Furion devices are equipped with a gravity sensor which not only controls the orientation within the menu but, if desired, automatically reverses the Pan movement. A very ingenious setting for setups where various units are used in free-standing or hanging. Furion excels in a latest generation 16-bit LED dimming that avoids possible flickering down to the lowest possible value, but also recognizes when the user needs an instant flash. Thanks to 16-bit technology, positioning of prisms and gobos becomes very precise, as well as controlling all the dynamic effects these units have to offer is a breeze. An easy-to-use, battery-backed, touchscreen menu ensures easy interfacing to set all desired functions. Some of the features that can be found on each Furion model are: WMDX by Wireless Sweden Solutions, Artnet, sACN & RDN. Furion stays connected through the use of Ethernet inputs and outputs, robust Neutrik Powercon True1 and Neutrik 5p DMX connectors. User-defined channel modes are also standard features on each unit. A quick diagnostic check can also be performed while the unit itself is still in the flightcase. If you are looking for a real workhorse, which offers you a surprising appearance every single time, his name is Furion. We present the Furion S201 Spot device. The product offers a 1: 2.5 zoom ratio from 12º to 30º. The double color wheel offers a total of 14 colors. If you want to create extraordinary effects in mid-air, or project stunning visuals - then you have a set of 6 extraordinary rotating glass gobos and 8 fixed metal gobos that are just waiting to serve you. The optics are of excellent quality, fast and precise to ensure excellent morphing possibilities. Thanks to the focus function your projection will always be extremely sharp - The Furion S201 Spot device performs very fast movements but also remains very fluid when slowing down, and even with sudden stops. • Zoom range 1: 2.5 - 12 ° - 30 ° • Motorized zoom with autofocus • WDMX integrated by WDMX Wireless Sweden Solutions • Automatic PAN inversion • Battery powered menu TECHNICAL SPECIFICATIONS CCT: 7500K Refresh rate (min - max): 600 HZ - 15 Khz Lamp type: 1 x 150W white LED Total lumens: 9500 Lm Iris: Motorized Focus: Motorized Zoom: Motorized with autofocus Zoom range: 12 ° - 30 ° Gobo wheel resolution: 16 bit Dimmer resolution: 16 bit Control Modes: Built-in program, DMX, Manual, WDMX DMX channels: 17, 23 Protocols: ArtNet, DMX, RDM, sACN Wireless: Wireless WDMX by Wireless Sweden Solutions Display: Battery operated touch LCD with gravity sensor Dimmer curve: Linear, Square, I-Square, S-curve Zoom resolution: 16 bit Image size: 22 mm Gobo size: 26.9 mm

Color Your Music with Inspiring Tone Fusing advanced BOSS tone technologies into a sleek, ultra-modern hardware design, the inspiring GX-100 delivers top-level performance everywhere you play. Explore 23 AIRD amplifiers and over 150 effects derived from the flagship GT-1000, and craft great sounds in seconds with the intuitive color touch display. Up to 15 simultaneous effect blocks provide unlimited tone possibilities, coupled with deep real-time command via onboard footswitches, an expression pedal, and external control support. Powerful, easy-to-use amp/effects processor for guitar and bass 24-bit AD/DA, 32-bit floating-point processing, and 48 kHz sampling rate Authentic tube amplifier tone and touch response with AIRD technology 23 amplifier types and over 150 BOSS effects Ultra-flexible amp/effect routing with 15 assignable blocks Wide selection of onboard speaker types and support for loading WAV speaker IRs Streamlined modern design with intuitive color touch display and rugged metal chassis Unlimited effects control with freely assignable onboard footswitches and expression pedal with toe switch Connect up to two footswitches or an expression pedal for expanded control Send/return loop for external pedals or four-cable method Control jack for remote channel switching on your amplifier MIDI I/O jacks and multi-channel computer recording via USB Edit sounds from your computer with BOSS Tone Studio for macOS and Windows Optional Bluetooth® Audio MIDI Dual Adaptor allows you to edit sounds and stream audio from an iOS or Android mobile device Specifikacija: Authentic tube amp sound with realistic response thanks to AIRD technology 200 Memory locations 23 Amp types and over 150 BOSS effects Versatile amp/effect routing with 15 assignable blocks Numerous speaker types & import possibility of own WAV impulse responses Individually assignable integrated control footswitch and expression pedal with toe switch Send/return loop for external pedals in four-cable setups Amp control switch output Computer editing with BOSS Tone Studio for macOS & Windows Optional Bluetooth Audio MIDI Dual Adapter for editing sounds and streaming audio via iOS and Android mobile devices (not included) Controls: 1,2,3,4, Select, Output Level Push buttons: Page Up/Down, Effects, CTL/EXP, Menu/ Exit, Write, In/Out Settings Switch: Ground Lift LED: 1, 2, 3, 4, C1, Bank Up/Down, C2/Tuner, EXP 1 SW Foot switch: 1, 2, 3, 4, C1, Bank Up/Down, C2/Tuner, EXP 1 SW Input: 6.3 mm jack L&R output: 2x 6.3 mm jack Headphone output: 6.3 mm stereo jack FX Send & Return: 2x 6.3 mm jack AMP CTL 1, 2: 6.3 mm stereo jack CTL 3,4/EXP 2: 6.3 mm stereo jack Midi In & Out Mains adapter connection: Hollow female plug 5.5 x 2.1 mm, negative pole inside Power consumption: 1200 mA Power supply with a PSB-1U 9 V DC mains adapter (included in delivery) Dimensions (W x D x H): 490 x 193 x 73 mm Weight: 3500 g

Boss AD-10 Acoustic Preamp. Anyone who plays an amplified acoustic guitar on stage knows what a challenge it is to get a sound that’s as inspiring as playing the instrument acoustically. The AD-10 is your solution to this age-old problem. Offering advanced sound tools that enable you to achieve rich, natural acoustic tones every time you perform. The AD-10 is a fully featured, dual-channel acoustic preamp/DI pedal with premium audio quality, deep sound-shaping options, and flexible connectivity. On top of that, ambience, chorus, and delay effects are built in. Eliminating the need to carry external sound processing. But the AD-10 takes acoustic preamp design to an all-new level with its standout feature. BOSS’s groundbreaking Acoustic Resonance processing. This advanced tech restores the complex body and string resonances that are lost with most pickup systems. Bringing back the expressive, organic vibe that’s so vital to the acoustic experience. And the features keep on coming, with transparent anti-feedback controls, memories for sound setups, an 80-second looper, USB audio, and much more. Hugely powerful yet simple to use, the compact AD-10 is your all-in-one companion for realizing impressive acoustic tones in every performing environment. Specifikacija: Professional preamp with DI box for acoustic guitars with built-in pickup "Acoustic Resonance" preserves the natural sound of an A-guitar, which is often lost in Piezoton buyers 4-band EQ and variable low-cut filter - specially designed for acoustic guitars Multi-band compressor with MDP technology for transparent dynamic control Newly developed anti-feedback function 2 channels with independent EQ to connect 2 instruments, or multiple pickup systems Effects: Ambience, Delay, Chorus (different programs with adjustable parameters) Boost function with adjustable tune setting 10x slots for your own sound setups Built-in looper with 80 seconds recording time 2x XLR outputs incl. ground lift for direct connection to the PA 2x Jack outputs Headphone output Separate send / return, CTL or expression pedal USB audio interface for direct recording on the computer Built-in tuner Compact housing Power supply by power supply or 6x AA batteries Power consumption: 300 mA Dimensions (W x D x H): 217 x 161 x 65 mm Weight: 1.3 kg Incl. power supply Controls: 2x Input Sensitivity Bass Mid Treble Presence Level Anti-feedback Acoustic Resonance Comp Delay / Chorus Time Delay / Chorus E.Level Ambience Output Level Push buttons: Input Select Boost FX loop Low Cut Mid Freq EQ On / Off Notch 1 & 2 Acoustic Resonance Type Comp Type Delay / Chorus Type Chorus On / Off Ambience Type Ambience Out Menu Exit Memory Write Memory Up & Down Handset: Ground lift Stereo / Mono Power On / Off

Opis Shure SLXD24/B58 Wireless System Features: Transparent 24-bit digital audio. Extended 20 Hz to 20 kHz frequency range (microphone dependent.) 120 dB dynamic range. Digital predictive switching diversity. 44 MHz tuning bandwidth (region dependent.) 32 available channels per frequency band (region dependent.) Up to 10 compatible systems per 6MHz TV band; 12 systems per 8 MHz band. Easy pairing of transmitters and receivers over IR scan and sync. Automatic channel scan. Link multiple receivers for group scan and firmware updates via Ethernet port. Third-party setup and control via Ethernet. Elegant and easy-to-use interface with high-contrast LCD menu. Guided setup mode installed in each SLX-D receiver. Transmitters use 2 AA batteries or Shure SB903 rechargeable battery. Operating range of 100 m (300 ft.) Up to 8 hours from 2 AA batteries. Rugged metal construction. BETA58A Vocal Microphone Capsule is a premier live performance microphone with Shure quality, ruggedness, and reliability. Uniform supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound. Tailored frequency response specifically shaped for vocals, with brightened midrange and bass roll off to control proximity effect. Neodymium magnet for greater sensitivity and higher output. Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration. Dent-resistant steel mesh grille and enamel coated die-cast metal construction resist wear and abuse. Effective built-in pop filter reduces undesirable wind and breath noise. Shure SLXD24/B58 Specifications: System RF Carrier Frequency Range: 470–937.5 MHz, varies by region (See Frequency Range and Output Power table) Working Range: 100 m (328 ft) RF Tuning Step Size: 25 kHz, varies by region Image Rejection: >70 dB, typical RF Sensitivity: -97 dBm at 10-5 BERAudio Latency: 3.2 ms Audio Frequency Response: 20 Hz – 20 kHz (+1, -2 dB) Audio Dynamic Range: 120 dB at 1% THD, A-weighted, typical Total Harmonic Distortion: <0.02% System Audio Polarity: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 6.35 mm (with respect to the ring of the 6.35 mm output) output. Mic Offset Range: 0 to 21 dB (in 3 dB steps)Temperature Range Operating Temperature Range: -18°C (0°F) to 50°C (122°F) Storage Temperature Range: -29°C (-20°F) to 74°C (165°F) SLXD4 single-channel receiver Dimensions: 42 x 197 x 152 mm (1.65 x 7.76 x 5.98 in.), H x W x D Weight: 816 g, without antennas Housing: Galvanized Steel Power Requirements: 15 V DC @ 600 mA, supplied by external power supply (tip positive) RF Input Spurious Rejection: >75 dB, typical Connector Type: BNC Impedance: 50 Ω Phantom Power Protection 1/4″ (6.35 mm): Yes Phantom Power Protection XLR: Yes Audio Output Gain Adjustment Range: -18 to +42 dB in 1 dB steps Configuration 1/4″ (6.35 mm): Balanced (Tip = audio +, Ring = audio -, Sleeve = ground) Configuration XLR: Balanced (1=ground, 2=audio +, 3=audio -) Impedance 1/4″ (6.35 mm): 1.3 kΩ (670 Ω Unbalanced) Impedance XLR (line): 400 Ω (200 Ω Unbalanced) Impedance XLR (mic): 150 Ω Full Scale Output 1/4″ (6.35 mm): +15 dBV differentially (+9 dBV single) Full Scale Output XLR: LINE setting= +15 dBV, MIC setting= -15 dBV Mic/Line Switch: 30 dB pad Network Interface: Single Port Ethernet 10/100 Mbps Network Addressing Capability: DHCP or Manual IP address Maximum Cable Length: 100 m (328 ft) SLXD2 Handheld Wireless Transmitter Battery Type: Rechargeable Li-Ion or 1.5 V AA batteries Dimensions: 37.1 x 176 mm (1.46 x 6.93 in.), D x L Weight: 147 g Housing: Aluminum Audio Input Maximum Input Level: 8.2 dBV (2.57 Vrms , 7.27 Vpp) RF Output Antenna Type: Integrated Single Band Helical Occupied Bandwidth: <200 kHz Modulation Type: Shure proprietary digital Power: 1 mW or 10 mW BETA58A Vocal Microphone Type: Dynamic (moving coil) Frequency Response: 50 to 16,000 Hz Polar Pattern: Supercardioid Output Impedance: EIA rated at 150 Ω (290 Ω actual) Sensitivity at 1kHz, open circuit voltage: -51.5 dBV/Pa (2 .6 mV)[1 Pa=94 dB SPL] Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3

Korg Pa5X je novi vodeći u liniji KORG profesionalnih aranžera, koji redefiniše aranžersku klavijaturu. Potpuno redizajniran sa najsavremenijim zvučnim mehanizmom i modernizovanim korisničkim interfejsom vođenim bojama. Korg Pa5X proizvodi zapanjujuće bogato i jedinstveno zvučno iskustvo koje vas inspiriše da kreirate i izvodite ! Pa5X se isporučuje sa hiljadama inspirativnih zvukova i stotinama svežih stilova. Potpuno novi prednji panel koji sadrži deo za matricu i mikser koji se može dodeliti, raznobojna LED dugmad i ogroman ekran osetljiv na dodir koji se može naginjati omogućava vam da kontrolišete svoje iskustvo stvaranja muzike u svakom trenutku. Pa5X se ističe i kao instrument za izvođenje uživo i kao moćno kreativno sredstvo u studiju, omogućavajući vam da pronađete svoj idealan zvuk bez obzira gde vas muzika odvede. Specifikacija: Keyboard Pa5X 61: 61 keys (C2 – C7) Semi–weighted keys with Aftertouch Pa5X 76: 76 keys (E1 – G7) Semi–weighted keys with Aftertouch Pa5X 88: 88 keys (A0 – C8) Hammer action with Aftertouch Case Aluminum case with wooden side panels Operating System Upgradable Operating System Sound Generator EDS-XP (Enhanced Definition Synthesis-Expanded) Multimode filters with resonance, 3-band EQ for each track Polyphony 160 Voices, 160 Oscillators Effects Keyboard Tracks: 3 Insert Effect; 3 Master Effects Style/Song: 10 Insert Effects; 3 Master Effects Master EQ and Finalizer for Songs and Styles Final Mastering Effects: Waves | MaxxAudio® Suite Mic Processor Technology by Shift Audio Mic Setup: Compressor, EQ, Gate Four-part Harmonizer, Doubler, Filter, Modulation, Delay, Reverb, AutoPitch Guitar Processor Guitar rack (4 effect-slots) with stompbox and amp simulation Sounds / Drum Kits Factory: More than 2,200 Factory Sounds Five multilayer Stereo Acoustic Pianos with Damper/Body Resonance, GM/XG Sound Sets, more than 130 Drum Kits including Ambient Drums and Round Robin-based Drum Kits User Area: 768 Sounds, 384 Drum Kits Digital Drawbars: 9 Footages, Percussion, Key On/Off, Leakage, Vibrato/Chorus, Rotary Speaker with Amp Simulator Natural Ambience Drum Sounds, Round Robin features Defined Nuance Control (DNC) Technology Quick and Full Sound Editing, Drum Family and Full Drum Kit Editing Sampling User PCM Sample memory: 4 GB of data, equivalent to 8 GB linear when compressed Loads KORG, WAV, AIFF and SoundFont™ formats Saves KORG, WAV and AIFF formats Full Edit, Time Slice, Sampling features Keyboard Sets Factory: More than 500 Factory Keyboard Sets, freely programmable Combines four Keyboard Sounds, plus Effects and settings Library accessible from front-panel buttons “My Setting” special Keyboard Set Players Patented XDS Crossfade Dual Player with X-Fader Balance control Crossfading between Songs and/or Styles Styles Factory: More than 600 Factory Styles, freely programmable Eight Style Tracks, 4 Keyboard Sets and 4 Pads per Style; Programmable Sounds, Effects and Style parameters Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table) Style Record and Event Edit Style Elements: 3 Intros, 4 Variations, 4 Fills, 1 Break, 3 Endings Style Controls: Play/Stop, Synchro Start, Synchro Stop, Tap Tempo/Reset, Auto Fill, Memory, Bass Inversion, Manual Bass, Bass & Lower Backing, Drum & Bass, Individual Style Tracks Mute, Style to Keyboard Set Set Chord Sequencer Factory: More than 200 Chord Sequences Chord Sequence Recorder/Player Chord Sequences can be saved to Style and SongBook Entries Songs Patented XDS Crossfade Dual Player with X-Fader Balance control Supported formats: MID, KAR, MP3 + Lyrics, MP3+G Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor Markers with Add, Delete, Edit, Loop and AutoScroll functions Jukebox function Full-featured, 16-track Sequencer, Song Edit MP3 Player / Recorder Double MP3 Player and MP3 Recorder Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Matrix, Microphone, Guitar, Effects Transpose (+6/-5 semitones), Tempo Change (±30%) Vocal Remover SongBook Fully programmable music database based on Styles, MIDI Songs (MID and KAR files), MP3 Songs with Artist and Genre tags Filtering and sorting options User definable Set Lists Compatibility Legacy Pa-Series models: Styles, Keyboard Sets (Performances), Sounds (Programs), Songs, Pads Pads Factory: More than 400 Pads Four Assignable Pads + Stop Buttons Pad Record function Control Section 9 Assignable Sliders, 9 Assignable Buttons, Strip Display; 4 Preset + 1 User settings Matrix Section 16 Matrix Pads, 4 Preset buttons Style/Song Controls Play/Stop, Go To Start, Style Select, Song Select, Xfader, Tempo +/-, Tempo Lock, Tap Tempo/Reset, Synchro Start, Synchro Stop, Fade In/Out, Chord Scan (Lower, Upper), Chord Sequence, Memory, AutoFill General Controls Master Volume, Octave Transpose, Master Transpose, Dial, Up/+, Down/-, Joystick (Pitch + Modulation), Ribbon, 3 Assignable Switches, Search, Shift, Keyboard Sounds On/Off, Split, Ensemble, Rec/Edit, Menu, Exit Scale Controls On-screen Quarter Tone and Arabic Scale, memorized in the Keyboard Sets; Presets assignable to any button or footswitch Control Inputs Damper Pedal; supports half-pedaling with the optional KORG DS-1H pedal 2 Assignable Pedal/Footswitch Audio Inputs Mic: Mono with Gain control and Phantom Power (Combo XLR, balanced) Guitar: Mono with Gain control (1/4" jack, unbalanced) Line 1: Left/Right (1/4" jacks, balanced) Line 2: Stereo (1/8" mini-jack, unbalanced) Audio Outputs Line: Main Left/Right, Separate Outs 1/2/3/4 (1/4" jacks, balanced) Headphones (1/4" jack) Video Output HDMI connector MIDI IN, OUT, THRU standard MIDI connectors USB to MIDI, through the USB Device port 16 User-definable MIDI Presets USB Type A (Host 3.0, for storage devices and controllers): 1 front, 2 rear Type B (Device 2.0, for personal computers and tablets): 1 rear Storage Internal Drive: 1 GB Micro SD Card (not included): Rear-panel slot with plastic cover USB Flash Drive (not included): Can be connected to the USB Host ports Display 8” Wide capacitive color TouchView™ TFT display, 800 x 600 resolution Clock Internal System Clock Power Consumption 100-240 Volts, 50/60 Hz < 0.2 Watt in standby / 20 Watt normal / 45 Watt with PaAS installed Dimensions (W x D x H) (without music stand, display fully lowered) Pa5X-88: 1,262.0 x 396.4 x 146.0 mm / 49.68” x 15.60” x 5.74” Pa5X-76: 1,233.1 x 374.3 x 126.8 mm / 48.54” x 14.73” x 4.99” Pa5X-61: 1,021.1 x 374.3 x 126.8 mm / 40.20” x 14.73” x 4.99” PaAS (optional): 980 x 180 x 140 mm / 38.58” x 7.08” x 5.51” Weight Pa5X-88: 20.1 kg / 44.31 lbs Pa5X-76: 17.4 kg / 38.36 lbs Pa5X-61: 15.1 kg / 33.29 lbs PaAS (optional): 5.70 kg / 12.56 lbs Accessories AC Power Cable, Music Stand, Quick Guide manual Options PaAS Amplification System ST-SV1-BK Keyboard Stand EXP-2 Foot Controller XVP-20 Expression/Volume Pedal DS-1H Damper Pedal (supports half-pedaling) PS-1 Pedal Switch PS-3 Pedal Switch VOX V860 Volume Pedal

Korg Pa5X je novi vodeći u liniji KORG profesionalnih aranžera, koji redefiniše aranžersku klavijaturu. Potpuno redizajniran sa najsavremenijim zvučnim mehanizmom i modernizovanim korisničkim interfejsom vođenim bojama. Korg Pa5X proizvodi zapanjujuće bogato i jedinstveno zvučno iskustvo koje vas inspiriše da kreirate i izvodite ! Pa5X se isporučuje sa hiljadama inspirativnih zvukova i stotinama svežih stilova. Potpuno novi prednji panel koji sadrži deo za matricu i mikser koji se može dodeliti, raznobojna LED dugmad i ogroman ekran osetljiv na dodir koji se može naginjati omogućava vam da kontrolišete svoje iskustvo stvaranja muzike u svakom trenutku. Pa5X se ističe i kao instrument za izvođenje uživo i kao moćno kreativno sredstvo u studiju, omogućavajući vam da pronađete svoj idealan zvuk bez obzira gde vas muzika odvede. Specifikacija: Keyboard Pa5X 61: 61 keys (C2 – C7) Semi–weighted keys with Aftertouch Pa5X 76: 76 keys (E1 – G7) Semi–weighted keys with Aftertouch Pa5X 88: 88 keys (A0 – C8) Hammer action with Aftertouch Case Aluminum case with wooden side panels Operating System Upgradable Operating System Sound Generator EDS-XP (Enhanced Definition Synthesis-Expanded) Multimode filters with resonance, 3-band EQ for each track Polyphony 160 Voices, 160 Oscillators Effects Keyboard Tracks: 3 Insert Effect; 3 Master Effects Style/Song: 10 Insert Effects; 3 Master Effects Master EQ and Finalizer for Songs and Styles Final Mastering Effects: Waves | MaxxAudio® Suite Mic Processor Technology by Shift Audio Mic Setup: Compressor, EQ, Gate Four-part Harmonizer, Doubler, Filter, Modulation, Delay, Reverb, AutoPitch Guitar Processor Guitar rack (4 effect-slots) with stompbox and amp simulation Sounds / Drum Kits Factory: More than 2,200 Factory Sounds Five multilayer Stereo Acoustic Pianos with Damper/Body Resonance, GM/XG Sound Sets, more than 130 Drum Kits including Ambient Drums and Round Robin-based Drum Kits User Area: 768 Sounds, 384 Drum Kits Digital Drawbars: 9 Footages, Percussion, Key On/Off, Leakage, Vibrato/Chorus, Rotary Speaker with Amp Simulator Natural Ambience Drum Sounds, Round Robin features Defined Nuance Control (DNC) Technology Quick and Full Sound Editing, Drum Family and Full Drum Kit Editing Sampling User PCM Sample memory: 4 GB of data, equivalent to 8 GB linear when compressed Loads KORG, WAV, AIFF and SoundFont™ formats Saves KORG, WAV and AIFF formats Full Edit, Time Slice, Sampling features Keyboard Sets Factory: More than 500 Factory Keyboard Sets, freely programmable Combines four Keyboard Sounds, plus Effects and settings Library accessible from front-panel buttons “My Setting” special Keyboard Set Players Patented XDS Crossfade Dual Player with X-Fader Balance control Crossfading between Songs and/or Styles Styles Factory: More than 600 Factory Styles, freely programmable Eight Style Tracks, 4 Keyboard Sets and 4 Pads per Style; Programmable Sounds, Effects and Style parameters Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table) Style Record and Event Edit Style Elements: 3 Intros, 4 Variations, 4 Fills, 1 Break, 3 Endings Style Controls: Play/Stop, Synchro Start, Synchro Stop, Tap Tempo/Reset, Auto Fill, Memory, Bass Inversion, Manual Bass, Bass & Lower Backing, Drum & Bass, Individual Style Tracks Mute, Style to Keyboard Set Set Chord Sequencer Factory: More than 200 Chord Sequences Chord Sequence Recorder/Player Chord Sequences can be saved to Style and SongBook Entries Songs Patented XDS Crossfade Dual Player with X-Fader Balance control Supported formats: MID, KAR, MP3 + Lyrics, MP3+G Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor Markers with Add, Delete, Edit, Loop and AutoScroll functions Jukebox function Full-featured, 16-track Sequencer, Song Edit MP3 Player / Recorder Double MP3 Player and MP3 Recorder Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Matrix, Microphone, Guitar, Effects Transpose (+6/-5 semitones), Tempo Change (±30%) Vocal Remover SongBook Fully programmable music database based on Styles, MIDI Songs (MID and KAR files), MP3 Songs with Artist and Genre tags Filtering and sorting options User definable Set Lists Compatibility Legacy Pa-Series models: Styles, Keyboard Sets (Performances), Sounds (Programs), Songs, Pads Pads Factory: More than 400 Pads Four Assignable Pads + Stop Buttons Pad Record function Control Section 9 Assignable Sliders, 9 Assignable Buttons, Strip Display; 4 Preset + 1 User settings Matrix Section 16 Matrix Pads, 4 Preset buttons Style/Song Controls Play/Stop, Go To Start, Style Select, Song Select, Xfader, Tempo +/-, Tempo Lock, Tap Tempo/Reset, Synchro Start, Synchro Stop, Fade In/Out, Chord Scan (Lower, Upper), Chord Sequence, Memory, AutoFill General Controls Master Volume, Octave Transpose, Master Transpose, Dial, Up/+, Down/-, Joystick (Pitch + Modulation), Ribbon, 3 Assignable Switches, Search, Shift, Keyboard Sounds On/Off, Split, Ensemble, Rec/Edit, Menu, Exit Scale Controls On-screen Quarter Tone and Arabic Scale, memorized in the Keyboard Sets; Presets assignable to any button or footswitch Control Inputs Damper Pedal; supports half-pedaling with the optional KORG DS-1H pedal 2 Assignable Pedal/Footswitch Audio Inputs Mic: Mono with Gain control and Phantom Power (Combo XLR, balanced) Guitar: Mono with Gain control (1/4" jack, unbalanced) Line 1: Left/Right (1/4" jacks, balanced) Line 2: Stereo (1/8" mini-jack, unbalanced) Audio Outputs Line: Main Left/Right, Separate Outs 1/2/3/4 (1/4" jacks, balanced) Headphones (1/4" jack) Video Output HDMI connector MIDI IN, OUT, THRU standard MIDI connectors USB to MIDI, through the USB Device port 16 User-definable MIDI Presets USB Type A (Host 3.0, for storage devices and controllers): 1 front, 2 rear Type B (Device 2.0, for personal computers and tablets): 1 rear Storage Internal Drive: 1 GB Micro SD Card (not included): Rear-panel slot with plastic cover USB Flash Drive (not included): Can be connected to the USB Host ports Display 8” Wide capacitive color TouchView™ TFT display, 800 x 600 resolution Clock Internal System Clock Power Consumption 100-240 Volts, 50/60 Hz < 0.2 Watt in standby / 20 Watt normal / 45 Watt with PaAS installed Dimensions (W x D x H) (without music stand, display fully lowered) Pa5X-88: 1,262.0 x 396.4 x 146.0 mm / 49.68” x 15.60” x 5.74” Pa5X-76: 1,233.1 x 374.3 x 126.8 mm / 48.54” x 14.73” x 4.99” Pa5X-61: 1,021.1 x 374.3 x 126.8 mm / 40.20” x 14.73” x 4.99” PaAS (optional): 980 x 180 x 140 mm / 38.58” x 7.08” x 5.51” Weight Pa5X-88: 20.1 kg / 44.31 lbs Pa5X-76: 17.4 kg / 38.36 lbs Pa5X-61: 15.1 kg / 33.29 lbs PaAS (optional): 5.70 kg / 12.56 lbs Accessories AC Power Cable, Music Stand, Quick Guide manual Options PaAS Amplification System ST-SV1-BK Keyboard Stand EXP-2 Foot Controller XVP-20 Expression/Volume Pedal DS-1H Damper Pedal (supports half-pedaling) PS-1 Pedal Switch PS-3 Pedal Switch VOX V860 Volume Pedal

Korg Pa5X je novi vodeći u liniji KORG profesionalnih aranžera, koji redefiniše aranžersku klavijaturu. Potpuno redizajniran sa najsavremenijim zvučnim mehanizmom i modernizovanim korisničkim interfejsom vođenim bojama. Korg Pa5X proizvodi zapanjujuće bogato i jedinstveno zvučno iskustvo koje vas inspiriše da kreirate i izvodite ! Pa5X se isporučuje sa hiljadama inspirativnih zvukova i stotinama svežih stilova. Potpuno novi prednji panel koji sadrži deo za matricu i mikser koji se može dodeliti, raznobojna LED dugmad i ogroman ekran osetljiv na dodir koji se može naginjati omogućava vam da kontrolišete svoje iskustvo stvaranja muzike u svakom trenutku. Pa5X se ističe i kao instrument za izvođenje uživo i kao moćno kreativno sredstvo u studiju, omogućavajući vam da pronađete svoj idealan zvuk bez obzira gde vas muzika odvede. Specifikacija: Keyboard Pa5X 61: 61 keys (C2 – C7) Semi–weighted keys with Aftertouch Pa5X 76: 76 keys (E1 – G7) Semi–weighted keys with Aftertouch Pa5X 88: 88 keys (A0 – C8) Hammer action with Aftertouch Case Aluminum case with wooden side panels Operating System Upgradable Operating System Sound Generator EDS-XP (Enhanced Definition Synthesis-Expanded) Multimode filters with resonance, 3-band EQ for each track Polyphony 160 Voices, 160 Oscillators Effects Keyboard Tracks: 3 Insert Effect; 3 Master Effects Style/Song: 10 Insert Effects; 3 Master Effects Master EQ and Finalizer for Songs and Styles Final Mastering Effects: Waves | MaxxAudio® Suite Mic Processor Technology by Shift Audio Mic Setup: Compressor, EQ, Gate Four-part Harmonizer, Doubler, Filter, Modulation, Delay, Reverb, AutoPitch Guitar Processor Guitar rack (4 effect-slots) with stompbox and amp simulation Sounds / Drum Kits Factory: More than 2,200 Factory Sounds Five multilayer Stereo Acoustic Pianos with Damper/Body Resonance, GM/XG Sound Sets, more than 130 Drum Kits including Ambient Drums and Round Robin-based Drum Kits User Area: 768 Sounds, 384 Drum Kits Digital Drawbars: 9 Footages, Percussion, Key On/Off, Leakage, Vibrato/Chorus, Rotary Speaker with Amp Simulator Natural Ambience Drum Sounds, Round Robin features Defined Nuance Control (DNC) Technology Quick and Full Sound Editing, Drum Family and Full Drum Kit Editing Sampling User PCM Sample memory: 4 GB of data, equivalent to 8 GB linear when compressed Loads KORG, WAV, AIFF and SoundFont™ formats Saves KORG, WAV and AIFF formats Full Edit, Time Slice, Sampling features Keyboard Sets Factory: More than 500 Factory Keyboard Sets, freely programmable Combines four Keyboard Sounds, plus Effects and settings Library accessible from front-panel buttons “My Setting” special Keyboard Set Players Patented XDS Crossfade Dual Player with X-Fader Balance control Crossfading between Songs and/or Styles Styles Factory: More than 600 Factory Styles, freely programmable Eight Style Tracks, 4 Keyboard Sets and 4 Pads per Style; Programmable Sounds, Effects and Style parameters Guitar Mode 2, Parallel and Fixed NTT (Note Transposition Table) Style Record and Event Edit Style Elements: 3 Intros, 4 Variations, 4 Fills, 1 Break, 3 Endings Style Controls: Play/Stop, Synchro Start, Synchro Stop, Tap Tempo/Reset, Auto Fill, Memory, Bass Inversion, Manual Bass, Bass & Lower Backing, Drum & Bass, Individual Style Tracks Mute, Style to Keyboard Set Set Chord Sequencer Factory: More than 200 Chord Sequences Chord Sequence Recorder/Player Chord Sequences can be saved to Style and SongBook Entries Songs Patented XDS Crossfade Dual Player with X-Fader Balance control Supported formats: MID, KAR, MP3 + Lyrics, MP3+G Lyrics, Score, and Chord data can be displayed on screen, or on external video monitor Markers with Add, Delete, Edit, Loop and AutoScroll functions Jukebox function Full-featured, 16-track Sequencer, Song Edit MP3 Player / Recorder Double MP3 Player and MP3 Recorder Records MP3 files, including Styles, MIDI Songs, MP3 Songs, Keyboard Sounds, Pads, Matrix, Microphone, Guitar, Effects Transpose (+6/-5 semitones), Tempo Change (±30%) Vocal Remover SongBook Fully programmable music database based on Styles, MIDI Songs (MID and KAR files), MP3 Songs with Artist and Genre tags Filtering and sorting options User definable Set Lists Compatibility Legacy Pa-Series models: Styles, Keyboard Sets (Performances), Sounds (Programs), Songs, Pads Pads Factory: More than 400 Pads Four Assignable Pads + Stop Buttons Pad Record function Control Section 9 Assignable Sliders, 9 Assignable Buttons, Strip Display; 4 Preset + 1 User settings Matrix Section 16 Matrix Pads, 4 Preset buttons Style/Song Controls Play/Stop, Go To Start, Style Select, Song Select, Xfader, Tempo +/-, Tempo Lock, Tap Tempo/Reset, Synchro Start, Synchro Stop, Fade In/Out, Chord Scan (Lower, Upper), Chord Sequence, Memory, AutoFill General Controls Master Volume, Octave Transpose, Master Transpose, Dial, Up/+, Down/-, Joystick (Pitch + Modulation), Ribbon, 3 Assignable Switches, Search, Shift, Keyboard Sounds On/Off, Split, Ensemble, Rec/Edit, Menu, Exit Scale Controls On-screen Quarter Tone and Arabic Scale, memorized in the Keyboard Sets; Presets assignable to any button or footswitch Control Inputs Damper Pedal; supports half-pedaling with the optional KORG DS-1H pedal 2 Assignable Pedal/Footswitch Audio Inputs Mic: Mono with Gain control and Phantom Power (Combo XLR, balanced) Guitar: Mono with Gain control (1/4" jack, unbalanced) Line 1: Left/Right (1/4" jacks, balanced) Line 2: Stereo (1/8" mini-jack, unbalanced) Audio Outputs Line: Main Left/Right, Separate Outs 1/2/3/4 (1/4" jacks, balanced) Headphones (1/4" jack) Video Output HDMI connector MIDI IN, OUT, THRU standard MIDI connectors USB to MIDI, through the USB Device port 16 User-definable MIDI Presets USB Type A (Host 3.0, for storage devices and controllers): 1 front, 2 rear Type B (Device 2.0, for personal computers and tablets): 1 rear Storage Internal Drive: 1 GB Micro SD Card (not included): Rear-panel slot with plastic cover USB Flash Drive (not included): Can be connected to the USB Host ports Display 8” Wide capacitive color TouchView™ TFT display, 800 x 600 resolution Clock Internal System Clock Power Consumption 100-240 Volts, 50/60 Hz < 0.2 Watt in standby / 20 Watt normal / 45 Watt with PaAS installed Dimensions (W x D x H) (without music stand, display fully lowered) Pa5X-88: 1,262.0 x 396.4 x 146.0 mm / 49.68” x 15.60” x 5.74” Pa5X-76: 1,233.1 x 374.3 x 126.8 mm / 48.54” x 14.73” x 4.99” Pa5X-61: 1,021.1 x 374.3 x 126.8 mm / 40.20” x 14.73” x 4.99” PaAS (optional): 980 x 180 x 140 mm / 38.58” x 7.08” x 5.51” Weight Pa5X-88: 20.1 kg / 44.31 lbs Pa5X-76: 17.4 kg / 38.36 lbs Pa5X-61: 15.1 kg / 33.29 lbs PaAS (optional): 5.70 kg / 12.56 lbs Accessories AC Power Cable, Music Stand, Quick Guide manual Options PaAS Amplification System ST-SV1-BK Keyboard Stand EXP-2 Foot Controller XVP-20 Expression/Volume Pedal DS-1H Damper Pedal (supports half-pedaling) PS-1 Pedal Switch PS-3 Pedal Switch VOX V860 Volume Pedal

Prophet Rev2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix 22 sources 53 destinations 5 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS 5-octave keyboard with semi-weighted action, velocity, and aftertouch 55 knobs and 35 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration) PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

Designed and developed over two years in collaboration with Devin Townsend, the Ocean Machine is a high fidelity professional Delay, Reverb and Looper unit which brings together the best available hardware on the market and very complex algorithms to create lush, heavenly effects. MOOER has worked very closely with Devin Townsend to meet all of his own personal requirements while also ensuring that the "Ocean Machine" is versatile and enjoyable for musicians from all walks of life. A multitude of programmability and control options makes the ocean machine ideal for all different kinds of guitarists from bedroom beginners to industry professionals and is easy to integrate into all different kind of setups. MOOER has brought all of this together into a small, stylish and highly competitive, cost efficient package. • 2 independent DELAYS with 15 different delay types, 0-2 seconds of delay time and optional ping pong effect • A high fidelity spacious REVERB with 9 different reverb types and shimmer effect • Programmable order of effects chain • Delay and Reverb freeze effect • Tap Tempo functionality with independent relative tempo options • An audio looper with 32 MB of storage memory providing a total of up to 44 seconds of recording time • 2 standard modes of operation • A multitude of extra programmability options via the LCD menu • External switch and expression pedal inputs for more control options • All basic delay and reverb parameters can be adjusted via dedicated control knobs for fast and easy adjustment on the fly • 8 banks with 3 presets on each, providing a total of 24 preset spaces • Midi programmable • Full stereo inputs and outputs • Adjustable Global EQ settings, input and output levels for easy integration and great results with all different kinds of instruments and setups Input: 1/4’ signal input audio interface X2 (impedance 1M ohms) Output: 1/4 "left and right channel audio interface x2 (impedance 100 ohms) Sampling rate: 44.1K Sampling accuracy: 24bit Power supply: DC 9V 500mA power adapter (negative inside positive) Size: 215 mm (D) X 127 mm (W) X 56 mm (H) Weight: 1.1KG

Opis proizvoda: The Infinity® iW-720 RDM is equipped with seven 20W RGBW Osram LED's and offers seamless zoom from 7° to 50°. Improvements compared with the previous iW-720 are the evolved electronics providing a more accurate movement and RDM data communication between fixture and console. Also the entire unit is more silent making this item suitable for broadcast, theatre and studio's. Another significant key feature is the segment control of the LEDs; these are divided into 4 sections which can be controlled individually offering the user endless creative possibilities. The Osram LED's provide superior color mixing and a wider spectrum range. High speed motors for pan and tilt movement are used for accurate and very fast movements. Strobe and dimming functionalities are controlled by a microprocessor, ensuring smooth 0-100% dimming as well as high speed 0-20Hz strobe effects. The compact housing and lightweight chassis make this fixture ideal for all small to medium size applications where space is a major concern. Motorized Zoom 4 Section control Ultra fast movement through high torque motors Battery powered menu Specfication Output Lux @ 3m: 13800 Beam Angle: 7-50° Light Source: 7x 20W RGBW 4-in-1 LED (Osram) Electrical Input Voltage: 100~240VAC, 50/60Hz Power consumption: 240W max. at full output Control On-Board: Battery powered full color display including gravity sensor Battery lifetime: max 30 days (full charge) Mode: DMX, RDM, Auto & Master/Slave Control Protocol: DMX512 Control Personality: Advanced 29ch /Basic 16ch, 14ch Wireless DMX: optional available Optical system Dimmer: 0-100% Dimmer curves: Linear, Square, I-Square, S curve Dimmer speed: Smooth, fast Color balance: Separate RGBW adjustment Strobe: 0-20Hz Zoom: Motorized Movement Pan: 540° Tilt: 270° Pan/Tilt resolution: 16 bit Special: Pan/ Tilt, change blackout, User-selectable Pan & Tilt ranges, 540°/360°/180°, Reverse Pan / Tilt movement Physical Color: Black Housing: Metal & Flame-retardant plastic Fixture Connection: XLR 3p Data in/out, Powercon in- & output Dimensions (WxDxH): 204 x 219 x 380 mm Weight: 8 Kg Certification and Safety Certification: CE Max. ambient Temp.: 40°C

Opis LD Sytems Roadjack 8 mobilni USB raglas na baterije. Sa 8 inči dvosistemskim zvičnikom ponesite vaš zvuk bilo gde. malo kompaktno pojačalo sa USB plajerom, priključcima za kompjuter telefon ili bilo koji USB, spremni ste da pevate, slušate i igrate uz muziku, da li na kampovanju, kod kuće ili na nekoj prezentaciji, napolju ili unutra. Ugradjen bluetooth daje mogućnosti povezivanja svakog telefona, I pada ili bilo kojeg bluetooth plejera. Super cena i super kvalitet. Ime proizvoda: LDRJ8 Ld sytems Proizvod tip: Portable PA Speaker Tip: active Low/mid driver dimensions: 8" Low/mid driver dimensions (mm): 203.2mm Woofer magnet: Ferrite Woofer brand: Custom-made HF driver dimensions: (wide range) 3" HF driver dimensions (mm): 76.2mm HF driver magnet: Ferrite HF driver brand: Custom-made Amplifier: Class D RMS: 25W Peak power: 100W Frequency response: 90 - 18000Hz SPL (1W/1m): 94dB Max. SPL: 113dB Protection circuits: overload protection, short circuit, over-current Controls: Mic 1 Level, Master Volume, Echo, CD / Tape IN Level, AUX / MP3 switch, Mic 2 Level, low, high Indicators: Charge/battery status, Power Media player Supported media: USB stick, SD Card, Bluetooth Supported formats: WMA file, WAV-CD, MP3 file Media player controls: Mode (Menu / Bluetooth /SD / USB), Next Track, Play / Pause, Previous Track, Stop, Repeat Media player display elements: Lighted multifunctional LC display Line inputs: 1 Line input connectors: 3.5 mm jack, 2 x RCA Mic inputs: 2, XLR, 3.5 mm jack Operating voltage: Switching Power Supply, 220 V - 240 V AC / 50 Hz, 100 V - 120 V / 60 Hz Rechargeable batteries: 12 V / 5 Ah Cabinet material: 15 mm MDF Cabinet construction: vented Width: 385mm Height: 450mm Depth: 298mm Weight: 13.8kg Other features: IR Remote for Media Player, Stand mount 36 mm, transport handle, Transport casters, extendable handle Video

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mini-consoles that make creative mixing easy. Both the 24- and 16-channel models give you analog’s instant control over those inevitable live mixing emergencies, stunning sound quality, and more musician friendly features than the competition — paired with the power of high-quality digital where it counts. Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixers. Use a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixes have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink. New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claim. When you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical. You can tell SoundLink was designed by practical musicians. It’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable. Have it their way. Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s “more me” monitor mixes. A SoundLink exclusive! Not just effects. KORG effects . Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range. Rack-mount studio-grade DSP you can reach easily. Digital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle. 10-Feature-List True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novices Peter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixer Unique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mix Only mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church service True 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater production Peter Watts’ refined, studio-grade, one-knob Compressor on all mic channels Super-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system 20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parameters Premium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controls

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mini-consoles that make creative mixing easy. Both the 24- and 16-channel models give you analog’s instant control over those inevitable live mixing emergencies, stunning sound quality, and more musician friendly features than the competition — paired with the power of high-quality digital where it counts. Designed in conjunction with mixer design legends Greg Mackie and Peter Watts. SoundLink mixers just look like conventional 16 and 24-channel mixers. Use a SoundLink and you discover all the typical Greg Mackie features and ideas that make you think "why don't other mixes have that?”; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years. Let’s just say, he’s picked up a few ideas over that time. Many of which are incorporated into SoundLink. New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claim. When you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical. You can tell SoundLink was designed by practical musicians. It’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable. Have it their way. Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s “more me” monitor mixes. A SoundLink exclusive! Not just effects. KORG effects . Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range. Rack-mount studio-grade DSP you can reach easily. Digital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle. 10-Feature-List True hybrid design developed with mixer design legends Greg Mackie and Peter Watts24 x 8 x 2 or 16 x 8 x 2 models feature practical design structure and ingenious features that make mixing unpredictable live performances easy even for novices Peter Watts-designed HiVolt mic preamps, with the most headroom of any comparably-priced analog or digital mixer Unique Musician’s Phones Monitor Section for fast, one-knob boost of a musician’s mix without having to change Aux or Main mix Only mixer in its class with Mute Groups to create various input combinations of musicians or parts of a church service True 8-bus configuration makes SoundLink perfect for recording as well as live mixing musicians, different parts of a church service, or cues during a theater production Peter Watts’ refined, studio-grade, one-knob Compressor on all mic channels Super-useful touches such as best-in-class Feedback control system, all-XLR speaker outputs, 31-band Spectrum Analyzer, and enhanced Break system 20 of Korg’s renowned 32-bit digital effects — 10 at once with recallable parameters Premium components including Velvet Sound™ A/D & D/A converters and silky-smooth, long-life ALPS® faders and rotary controls

Opis proizvoda: Six units Infinity iW-720 moving head wash with 1 Premium line flight case Keeping your equipment safe during transportation, handling and storage is key if you want to use and enjoy it for a long time. Premium line flightcases have been designed especially for this reason. These custom-made, European flightcases use only Penn-Elcom hardware and have been designed and developed to meet the transport requirements of specific items. 9mm plywood and CNC machined foam interiors make sure that these cases will last and your fixtures will stay safe. To make your life easier, these Premium line flightcases have standard truck sizes which provide easy transportation and handling. We have combined the Premium line flightcase with the corresponding light fixtures. And to make your decision easier, there is a price benefit for this set. DAP Case for 6pcs iW-720: The Premium Line cases from DAP are the ideal solution for professional users, regularly moving and storing small to medium sized items. Built in Europe with a perfect fit and top quality finish. It’s made with a high quality core construction from only the finest materials, including 9mm birch plywood, faced with thermoplastic high grade laminates. It is equipped with Penn Elcom hardware and the standard 30mm aluminium angle protects all leading edges, the polyurethane and polyethylene foam interior is exactly shaped to perfectly fit your gear and ensure maximum protection. The DAP Premium Line cases are the perfect choice for professionals. CNC machined foam interiors for max protection 9mm high grade plywood carcass construction All Penn-Elcom hardware 100mm castors with safe weight loading of 400Kg fitted as standard Including Infinity Stage Tool SPECIFICATIONS Flightcase measurements including 6 units of iW-720: Dimensions: 627 x 571 x 1163mm Wheels: 4x 100m swivel with brake Weight: 93,56kg Infinity iW-720: The Infinity® iW-720 is equipped with seven 20W quad color RGBW LEDs and offers seamless zoom from 7° to 50°. Another significant key feature is the segment control of the LEDs; these are divided into 4 sections which can be controlled individually offering the user endless creative possibilities. High speed motors for pan and tilt movement are used for accurate and very fast movements. Strobe and dimming functionalities are controlled by a microprocessor, ensuring smooth 0-100% dimming as well high speed 0-20Hz strobe effects. Multiple dimming curves can be selected where both, halogen modes or quick dimming can be achieved. Motorized Zoom 4 Section control Ultra fast movement through high torque motors Battery powered menu SPECIFICATIONS Output Lux @ 2m: 28300 Beam Angle: 7-50° Light Source: 7x 20W RGBW 4-in-1 LED (LED Engin) Electrical Input Voltage: 100~240VAC, 50/60Hz Power consumption: 240W max. at full output Control On-Board: Battery powered full color display including gravity sensor Battery lifetime: max 30 days (full charge) Mode: DMX, Auto & Master/Slave Control Protocol: DMX512 Control Personality: Advanced 29ch /Basic 16ch, 14ch Wireless DMX: optional available Optical system Dimmer: 0-100% Dimmer curves: Linear, Square, I-Square, S curve Dimmer speed: Smooth, fast Color balance: Separate RGBW adjustment Strobe: 0-20Hz Zoom: Motorized Movement Pan: 540° Tilt: 270° Pan/Tilt resolution: 16 bit Special: Pan/ Tilt, change blackout, User-selectable Pan & Tilt ranges, 540°/360°/180°, Reverse Pan / Tilt movement Physical Color: Black Housing: Metal & Flame-retardant plastic Fixture Connection: XLR 3p Data in/out, Powercon in- & output Dimensions (WxDxH): 204 x 219 x 380 mm Weight: 8Kg Certification and Safety Certification: CE Max. ambient Temp.: 40°C

Opis proizvoda: PRODUCT DESCRIPTION For the Furion series, designed by professionals for professionals, Infinity has developed a new advanced technology to achieve the best possible performance and the best control with which you will be able to produce very fast as well as very slow and precise movements. You no longer have to choose between fast or slow mode. All Furion devices are equipped with a gravity sensor which not only controls the orientation within the menu but, if desired, automatically reverses the Pan movement. A very ingenious setting for setups where various units are used in free-standing or hanging. Furion excels in a latest generation 16-bit LED dimming that avoids possible flickering down to the lowest possible value, but also recognizes when the user needs an instant flash. Thanks to 16-bit technology, positioning of prisms and gobos becomes very precise, as well as controlling all the dynamic effects these units have to offer is a breeze. An easy-to-use, battery-backed, touchscreen menu ensures easy interfacing to set all desired functions. Some of the features that can be found on each Furion model are: WMDX by Wireless Sweden Solutions, Artnet, sACN & RDN. Furion stays connected through the use of Ethernet inputs and outputs, robust Neutrik Powercon True1 and Neutrik 5p DMX connectors. User-defined channel modes are also standard features on each unit. A quick diagnostic check can also be performed while the unit itself is still in the flightcase. If you are looking for a real workhorse, which offers you a surprising appearance every single time, his name is Furion. At the top of our flagship Furion Infinity family, we find the Furion S601. A moving head equipped with every function, where the options you imagine are reality. One of these great features are the four very precise and separately controllable blades which can be rotated by + 45 ° or -45 °. - If you need to create different shapes very quickly you can use the already integrated macros. The Furion S601 device has been designed to produce a collimated beam with no divergence from your custom shapes. The 7: 1 zoom ratio from 6.5º to 45º, the 2 rotating gobo wheels with a total of 11 glass gobos and auto focus ensure very clear and well defined projections; moreover, the morphing possibilities are highly satisfactory. Choosing the right color is easy, thanks to the CMY + CTO module in combination with the separate color wheel. All these features and more, such as the special Digital Motion effect and bi-directional continuously rotating animation wheel offer the lighting designer unlimited possibilities: he can put his imagination to work and create the most dynamic and extraordinary lighting show ever. . • Zoom range 1: 7 - 6.5 ° - 45 ° • 500 W LED source • 4 double axis blade movement system • Motorized zoom with autofocus • WDMX integrated by WDMX Wireless Sweden Solutions • Rotate bi-rotating continuous animation • CMY + CTO color mixing system TECHNICAL SPECIFICATIONS CRI: 80 CCT: 6500K Refresh rate (min - max): 600 HZ - 15 Khz Lamp type: 1 x 350W white LED Total lumens: 13500 Lm Iris: Motorized Focus: Motorized Frost: Yes Zoom: Motorized with autofocus Zoom range: 6.5 ° - 45 ° Gobo wheel resolution: 16 bit CMY and CTO resolution: 16 bit Shaper palette resolution: 16 bit Dimmer resolution: 16 bit Control Modes: Built-in program, DMX, Manual, WDMX, Stand alone DMX channels: 37, 56, 57 Protocols: ArtNet, DMX, RDM Wireless: Wireless WDMX by Wireless Sweden Solutions Iris resolution: 16 bit Display: Battery operated touch LCD with gravity sensor Dimmer curve: Linear, Square, I-Square, S-curve Focus resolution: 16 bit Zoom resolution: 16 bit Image size: 26 mm Gobo size: 31.95 mm Gobo wheel 1: 6 + open Gobo wheel 2: 5 + open Gobo type: Glass + metal Indexed and rotating gobo wheel: Yes Dichroic color wheel 1: 6 + open Shaper blades: Motorized Dimmer: 0-100% Strobe: 0-20 Hz Prism 1: 3 faces Prism 2: 5 faces Indexed and rotating prism: Yes Rotate animation: Digital motion FX Color system: Color wheel Indexed and rotating color wheel: Yes Pan: 540 ° Tilt: 270 ° Pan / Tilt resolution: 16 bit Power connectors: PowerCON true1 in / out DMX connectors: XLR 5 poles in / out Data connectors: etherCON in / out Power consumption: 730 W Power supply: 100-240 Vac 50-60 Hz Housing: Metal and flame retardant plastic Dimensions: 284 x 748 x 420 mm (WxHxD) Weight: 35.6 Kg IP degree: IP20 Black colour Safety attacks: Yes Mounting options: Quick Lock Maximum ambient temperature: 40 °

With its simple plug-and-play interface, ultra-portable lightweight design, and high-quality tones, the POD Go Wireless guitar processor gets you on the road to ultimate tone. Plus, its onboard Relay wireless receiver and included Relay G10T transmitter free you to go wherever your inspiration takes you. POD Go Wireless enables a simple and intuitive workflow. Choose, edit, and control sounds using the large color LCD screen, five push encoders, eight rugged footswitches, and a cast-aluminum multi-function expression pedal—and add two external footswitches or a second expression pedal for even more real-time control. All the essential audio connections are at your fingertips, too, including balanced stereo outputs, a duplicate amp out that can be tapped before the Cab/IR, a stereo effects loop, a headphone jack, and even a USB port for accessing the 4-in/4-out audio interface with re-amping. POD Go Wireless boasts an arsenal of professional-quality amp, cab, and effect models drawn from the acclaimed HX family of effects processors—including classic amps like the Blackface, Plexi Lead, and Treadplate—as well as supporting third-party impulse response (IR) loading. What is more, sophisticated features such as Snapshots enable you to easily access all the tones you’ll need to cover every section of every song. With POD Go Wireless, you won’t just take the stage—you’ll own it. POD Go Family POD Go and POD Go Wireless guitar processors get you on the road to ultimate tone via their ultra-portable and lightweight design, simple plug-and-play interface, and pro-level tones. POD Go and POD Go Wireless enable a simple and intuitive workflow. Choose, edit, and control sounds using the large color LCD screen, five push encoders, eight rugged footswitches, and a cast-aluminum multi-function expression pedal—and add two external footswitches or a second expression pedal for even more real-time control. All the essential audio connections are at your fingertips, too, including balanced stereo outputs, a duplicate amp out that can be tapped before the Cab/IR, a stereo effects loop, a headphone jack, and even a USB port for accessing the 4-in/4-out audio interface with re-amping. POD Go and POD Go Wireless feature professional-quality amp, cab, and effect models drawn from the acclaimed HX family of effects processors—including classic amps like the Plexi Lead, Black-Panel, and Treadplate—as well as supporting third-party impulse response (IR) loading. What is more, sophisticated features such as Snapshots enable you to easily access all the tones you’ll need to cover every section of every song. Plus, with its onboard Relay wireless receiver and included Relay G10T transmitter, POD Go Wireless gives you license to roam wherever your inspiration takes you. With POD Go and POD Go Wireless, you won’t just take the stage—you’ll own it. AN ARSENAL OF FEATURES POD Go boasts an arsenal of professional-quality amp, cab, and effect models drawn from the acclaimed HX family of effects processors—including classic amps like the Blackface, Plexi Lead, and Treadplate—as well as supporting third-party IR loading. What is more, sophisticated features such as Snapshots enable you to easily access all the tones you’ll need to cover every section of every song. With POD Go, you won’t just take the stage—you’ll own it. GET GOING Remarkably light, compact, and portable, the POD Go Wireless guitar processor fits easily into a gig bag—or the optional POD Go Shoulder Bag—making it the perfect on-the-road companion for weekend tours, fly dates, and those last-minute rehearsals. Leave the bulky pedalboards at home and know you’re covered with a treasure trove of classic amps, cabs, and effects; and a rugged foot controller for wah, volume, and real-time parameter control—everything you’ll need to rock the gig like a pro. STEP ON IT With its streamlined plug-and-play Interface, POD Go gets you up and playing in no time. And editing, storing, and creating presets has never been easier thanks to features like Snapshots, which enables you to create up to four variations within a single preset and seamlessly transition between them without experiencing the audio dropouts and disruption of delay and reverb trails that normally occur when switching between DSP-intensive presets. SONIC HIGHWAYS Let POD Go bring your recording game to a new level, with a pro-quality onboard 4x4 24bit/96kHz audio interface for recording direct to your computer via USB. Re-amping tracks is also a breeze, enhanced by the ability to load third-party speaker cabinet IRs. More than 300 effects and models from the Helix Series, M Series and Legacy Series Up to 6 amp, cabinet and effect models simultaneously Includes looper and speaker cabinet simulation (third-party IR loading) With Relay G10TII transmitter Integrated expression pedal Compact and lightweight design Free POD Go Edit app Controls: Interval, Cents, Delay, Shiftlevel, Mix, Menu, Save, Volume Foot switches: Up, Down, A, B, C, D, Mode, Tap/Tuner LED: 8 foot switch effects Display: 4.3" colour LCD Guitar input: 6.3 mm jack EXP 2/Foot switch connection: 6.3 mm stereo jack Send and return: 2 x 6.3 mm jack Main output left and right: 6.3 mm jack Amp output: 6.3 mm jack Headphone jack: 6.3 mm jack USB Type-B Mains adapter connection: Hollow plug socket 5.5 x 2.1 mm, negative polarity inside Power consumption: 2500 mA Power supply via 9 V DC mains adapter (multi power supply plug DE/UK included in delivery) Dimensions (L x W x H): 35.6 x 22.5 x 9.5 cm Includes mains adapter

A Three-Generation Legacy The Pro 3 SE is Sequential’s Special Edition of its new flagship 2-VCO + wavetable mono/paraphonic synth. It features a handsome, multi-angle tilt-up panel and full premium-grade walnut trim. The Power of 3 The Pro 3 SE boasts the same powerful sound engine as the standard edition Pro 3: three oscillators, three vintage filters, three LFOs, four loopable envelopes, a massive 32-slot mod matrix, and a 16 x 16 x 4 sequencer. Throw in dual digital effects and four control voltage ins and outs, and you’ve got a hugely powerful instrument that’s as exciting to program as it is to play. A Next-Generation Classic The Pro 3 SE is a hybrid of solid, old-school analog synthesis paired with versatile digital technology. Its two voltage controlled oscillators provide warmth and presence while its third wavetable oscillator provides digital edge and grit. With 32 tables of 16 waves each and wave morphing, tonal possibilities are immense. Tuned feedback with grunge, and analog distortion deliver industrial-grade nastiness on demand. Three Filters Based on Vintage Designs At the heart of the Pro 3 SE’s ballsy sound are its vintage-style filters. Filter 1 is a 4-pole low-pass design based on the Prophet-6 filter. Filter 2 is a classic transistor ladder filter with optional resonance compensation to preserve its low-end punch. Filter 3 is a classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. An additional Drive control provides still more punch when you really want to get down and dirty. Expressive Sequencing Possibly the Pro 3 SE’s most powerful performance tool is its sequencer. With 16 tracks, 16 steps, and 4 phrases, it features both real-time and step input, ratcheting, variable gate and sequence lengths, multiple playback modes, and paraphonic operation. It also syncs to MIDI clock and external audio input, and inputs/outputs control voltages. In addition to notes, sequence tracks can control any parameter in the 171-destination modulation matrix. Plays Well with Modulars The Pro 3 SE’s flexible architecture opens the door to not only processing external audio, but also to interfacing with modular synths through its 4 rear-panel control voltage inputs/outputs and a dedicated gate output. Control voltages can be assigned and routed from within the modulation matrix and can run at audio rates for extreme modulation effects. Some of the many parameters that can be sent to the CV outputs include oscillators, LFOs, envelopes, and sequencer tracks, allowing the Pro 3 to become the central hub of a modular or multi-synth setup. Effects, Envelopes, LFOs, an Arpeggiator, and Extreme Modulation The Pro 3 SE’s Effects section provides delays, reverbs, time-domain effects such as chorus/phasing/flanging and more. There are four loopable five-stage envelope generators, three syncable LFOs with slew and phase offset, a full-featured arpeggiator, and a 32-slot modulation matrix with dozens of modulation sources and over a hundred destinations. Monophonic and Paraphonic Operation The Pro 3 SE was designed to be a super-powerful monosynth, but it is also a versatile 3-voice paraphonic synth. This makes playing 3-note chords not only possible, but with creative use of effects and some per-oscillator modulation, very expressive. Put all of this sonic power in a three-octave, semi-weighted keyboard with velocity and channel aftertouch, add backlit pitch and mod wheels and a location-sensitive touch slider, and you’ve got one of the most inspiring synths ever made. PRO 3SE SPECIFICATIONS: 3 OSCILLATORS Two analog, voltage-controlled oscillators One DSP-based digital oscillator Analog oscillators produce three classic wave shapes: (triangle, saw, pulse) with variable shape modulation/pulse width on each Digital oscillator produce 32 digital wavetables of 16 waves each with wave morphing, plus classic wave shapes (sine, triangle, saw, variable-width pulse) and super saw Digital oscillator 3 can function as an LFO for complex wavetable-based modulation White noise generator Hard sync, per-oscillator Glide, Oscillator Slop 3-VOICE PARAPHONIC PLAYABILITY 3-voice paraphonic mode with individually-gated envelopes per oscillator 3 FILTERS Three classic filter types Filter 1 is a 4-pole, 24 dB per-octave, Prophet-6™ low-pass filter Filter 2 is a classic, 4-pole, 24 dB per-octave, transistor ladder filter with optional resonance compensation Filter 3 is a 2-pole, 12 db per-octave, OB-6™ state-variable filter. It can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. 3 LFOS Three syncable LFOs with phase offset and slew per LFO Five waveshapes: triangle, saw, reverse saw, square, and S&H 4 ENVELOPES Four ADSR envelopes with delay (Filter, VCA, and two Auxiliary envelopes) Envelopes freely assignable to multiple modulation destinations All envelopes can repeat/loop DIGITAL EFFECTS Dual digital effects Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, super plate reverb FEEDBACK AND DISTORTION Tuned feedback with Grunge for extra-aggressive tonal destruction Programmable analog distortion 32-SLOT MODULATION MATRIX 32 slot modulation matrix with over 46 mod sources and over 171 mod destinations Modulation assignment buttons enable quick and easy modulation routing Mod Matrix runs at audio rates 4 CONTROL VOLTAGE INS & OUTS AND GATE OUT Four control voltage (CV) inputs and outputs for interfacing with modular synths and other CV-compatible devices Parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. Runs at audio rates. Gate Out for triggering external CV-compatible devices. Any CV in can be used as a gate input. 16-TRACK SEQUENCER Advanced sequencer with three modes: normal, gated, and trigger 16 tracks and 4 linkable 16-step phrases Per-step ratcheting, duration, and velocity Multiple playback modes: forward, reverse, forward/reverse, random Supports real-time/step input, rests, and variable-length sequences Syncs to MIDI clock and external audio and CV input Sequences freely assignable to any modulation destination ARPEGGIATOR Sophisticated arpeggiator with up, down, up+down, random, assign modes Syncs to MIDI clock and external audio and CV inputs Re-latching arpeggiation Runs concurrent with Sequencer for arpeggiated patterns with parameter automation CONTROLS Over 60 knobs and 70 buttons enable deep, comprehensive editing with minimal menu diving Backlit pitch and mod wheels are easily visible in low-light situations and have a smooth, precise response. Independently adjustable upper and lower pitch wheel range Position-sensitive latchable touch slider for enhanced interactivity and control Full-sized, three-octave, semi-weighted keyboard with velocity and aftertouch MEMORY 512 user and 512 factory programs Playlist mode for generating easily accessible set lists of your favorite programs IN/OUT 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru/Out 2 port USB port for bidirectional MIDI communication 4 CV inputs (4 x 1/8″ jack) with -10v to +10v voltage range 4 CV outputs (4 x 1/8″ jack) with -10v to +10v voltage range 1 Gate Out (1/8″ jack) 1 Sustain/footswitch input 1 Expression pedal input 1 External audio input (1/4″ phone jack) Main stereo output (2 x 1/4″ phone jack) Headphone out (stereo 1/4″ phone jack) POWER 1 universal IEC AC power inlet for internal power supply Operates worldwide on voltages between 100-240v, 50-60Hz, 30 watts maximum power consumption PHYSICAL SPECS Premium, 3-octave, semi-weighted Fatar keyboard 27″ L x 14.5″ W x 5.2″ H (68.5 cm x 36.8 cm x 13.1 cm) Weight: 27 lbs (12.25 kg) Multi-angle tilt-up panel Premium-grade walnut trim

A Three-Generation Legacy The Sequential Pro 1 and Pro 2 mono synths achieved nearly legendary status in their time. So it was only natural that we build on their strengths with an even more worthy successor. Enter the Pro 3, Sequential’s 2-VCO + wavetable mono/paraphonic synth — a new benchmark for raw sonic power and unrivalled versatility. The Power of 3 The Pro 3 boasts three oscillators, three vintage filters, three LFOs, four loopable envelopes, a massive 32-slot mod matrix, and a 16 x 16 x 4 sequencer. Throw in dual digital effects and four control voltage ins and outs, and you’ve got a hugely powerful instrument that’s as exciting to program as it is to play. A Next-Generation Classic The Pro 3 is a hybrid of solid, old-school analog synthesis paired with versatile digital technology. Its two voltage controlled oscillators provide warmth and presence while its third wavetable oscillator provides digital edge and grit. With 32 tables of 16 waves each and wave morphing, tonal possibilities are immense. Tuned feedback with grunge, and analog distortion deliver industrial-grade nastiness on demand. Three Filters Based on Vintage Designs At the heart of the Pro 3’s ballsy sound are its vintage-style filters. Filter 1 is a 4-pole low-pass design based on the Prophet-6 filter. Filter 2 is a classic transistor ladder filter with optional resonance compensation to preserve its low-end punch. Filter 3 is a classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. An additional Drive control provides still more punch when you really want to get down and dirty. Expressive Sequencing Possibly the Pro 3’s most powerful performance tool is its sequencer. With 16 tracks, 16 steps, and 4 phrases, it features both real-time and step input, ratcheting, variable gate and sequence lengths, multiple playback modes, and paraphonic operation. It also syncs to MIDI clock and external audio input, and inputs/outputs control voltages. In addition to notes, sequence tracks can control any parameter in the 171-destination modulation matrix. Plays Well with Modulars The Pro 3’s flexible architecture opens the door to not only processing external audio, but also to interfacing with modular synths through its 4 rear-panel control voltage inputs/outputs and a dedicated gate output. Control voltages can be assigned and routed from within the modulation matrix and can run at audio rates for extreme modulation effects. Some of the many parameters that can be sent to the CV outputs include oscillators, LFOs, envelopes, and sequencer tracks, allowing the Pro 3 to become the central hub of a modular or multi-synth setup. Effects, Envelopes, LFOs, an Arpeggiator, and Extreme Modulation The Pro 3’s Effects section provides delays, reverbs, time-domain effects such as chorus/phasing/flanging and more. There are four loopable five-stage envelope generators, three syncable LFOs with slew and phase offset, a full-featured arpeggiator, and a 32-slot modulation matrix with dozens of modulation sources and over a hundred destinations. Monophonic and Paraphonic Operation The Pro 3 was designed to be a super-powerful monosynth, but it is also a versatile 3-voice paraphonic synth. This makes playing 3-note chords not only possible, but with creative use of effects and some per-oscillator modulation, very expressive. Put all of this sonic power in a three-octave, semi-weighted keyboard with velocity and channel aftertouch, add backlit pitch and mod wheels and a location-sensitive touch slider, and you’ve got one of the most inspiring synths ever made. PRO 3 SPECIFICATIONS: 3 OSCILLATORS Two analog, voltage-controlled oscillators One DSP-based digital oscillator Analog oscillators produce three classic wave shapes: (triangle, saw, pulse) with variable shape modulation/pulse width on each Digital oscillator produce 32 digital wavetables of 16 waves each with wave morphing, plus classic wave shapes (sine, triangle, saw, variable-width pulse) and super saw Digital oscillator 3 can function as an LFO for complex wavetable-based modulation White noise generator Hard sync, per-oscillator Glide, Oscillator Slop 3-VOICE PARAPHONIC PLAYABILITY 3-voice paraphonic mode with individually-gated envelopes per oscillator 3 FILTERS Three classic filter types Filter 1 is a 4-pole, 24 dB per-octave, Prophet-6™ low-pass filter Filter 2 is a classic, 4-pole, 24 dB per-octave, transistor ladder filter with optional resonance compensation Filter 3 is a 2-pole, 12 db per-octave, OB-6™ state-variable filter. It can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. 3 LFOS Three syncable LFOs with phase offset and slew per LFO Five waveshapes: triangle, saw, reverse saw, square, and S&H 4 ENVELOPES Four ADSR envelopes with delay (Filter, VCA, and two Auxiliary envelopes) Envelopes freely assignable to multiple modulation destinations All envelopes can repeat/loop DIGITAL EFFECTS Dual digital effects Stereo delay, BBD delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter, super plate reverb FEEDBACK AND DISTORTION Tuned feedback with Grunge for extra-aggressive tonal destruction Programmable analog distortion 32-SLOT MODULATION MATRIX 32 slot modulation matrix with over 46 mod sources and over 171 mod destinations Modulation assignment buttons enable quick and easy modulation routing Mod Matrix runs at audio rates 4 CONTROL VOLTAGE INS & OUTS AND GATE OUT Four control voltage (CV) inputs and outputs for interfacing with modular synths and other CV-compatible devices Parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. Runs at audio rates. Gate Out for triggering external CV-compatible devices. Any CV in can be used as a gate input. 16-TRACK SEQUENCER Advanced sequencer with three modes: normal, gated, and trigger 16 tracks and 4 linkable 16-step phrases Per-step ratcheting, duration, and velocity Multiple playback modes: forward, reverse, forward/reverse, random Supports real-time/step input, rests, and variable-length sequences Syncs to MIDI clock and external audio and CV input Sequences freely assignable to any modulation destination ARPEGGIATOR Sophisticated arpeggiator with up, down, up+down, random, assign modes Syncs to MIDI clock and external audio and CV inputs Re-latching arpeggiation Runs concurrent with Sequencer for arpeggiated patterns with parameter automation CONTROLS Over 60 knobs and 70 buttons enable deep, comprehensive editing with minimal menu diving Backlit pitch and mod wheels are easily visible in low-light situations and have a smooth, precise response. Independently adjustable upper and lower pitch wheel range Position-sensitive latchable touch slider for enhanced interactivity and control Full-sized, three-octave, semi-weighted keyboard with velocity and aftertouch MEMORY 512 user and 512 factory programs Playlist mode for generating easily accessible set lists of your favorite programs IN/OUT 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru/Out 2 port USB port for bidirectional MIDI communication 4 CV inputs (4 x 1/8″ jack) with -10v to +10v voltage range 4 CV outputs (4 x 1/8″ jack) with -10v to +10v voltage range 1 Gate Out (1/8″ jack) 1 Sustain/footswitch input 1 Expression pedal input 1 External audio input (1/4″ phone jack) Main stereo output (2 x 1/4″ phone jack) Headphone out (stereo 1/4″ phone jack) POWER 1 universal IEC AC power inlet for internal power supply Operates worldwide on voltages between 100-240v, 50-60Hz, 30 watts maximum power consumption PHYSICAL SPECS Premium, 3-octave, semi-weighted Fatar keyboard 26.5″ L x 13″ W x 3.5″ H (67.3 cm x 33 cm x 8.9 cm) Weight: 16 lbs (7.25 kg)

One Voice to Rule Them All The Pro 2 is Dave Smith’s flagship mono synth, and as Dave himself puts it, his “most powerful mono synth ever.” The Pro 2 shares the same exceptional ergonomics and playability as its 12-voice sibling, the Prophet 12, but carves out distinctly different sonic territory with an all-new dual analog filter architecture, a monster step sequencer, superwaves, digital bucket-brigade delay, and a lot more. Nothing else sounds like it and nothing else performs like it. It raises the bar for monosynths and redefines the word “fat.” A New Classic for a New Generation The Pro 2 is a fusion of classic analog synthesizer design and cutting-edge digital technology. It boasts four high-resolution digital oscillators, plus a sub oscillator. The oscillators produce both classic and complex wave shapes and can frequency and amplitude modulate each other in any operator and modulator configurations you choose for harmonically-rich FM and AM sounds. A set of Character controls adds high and low frequency boost, bit and sample rate reduction, and tape saturation emulation to the Pro 2’s sonic palette. Two New Filters Based on Vintage Designs At the heart of the Pro 2’s gutsy sound is its all-new dual filter design. Filter 1 is a 4-pole low-pass design inspired by the original Prophet-5 filter. Filter 2 is a state-variable design inspired by the Oberheim SEM and can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. The two filters function in either serial or parallel, or anywhere in between. Two of the four oscillators can be routed through Filter 1 with the other two routed through Filter 2 for a broad range of tonal possibilities. Advanced Sequencing One of the most exciting features of the Pro 2 is its sequencer—possibly the most powerful step sequencer ever designed for a synth. With up to 32 steps and 16 tracks, it provides real-time input, rests, and variable-length sequences. It also syncs to MIDI clock and external audio input. Sequence tracks can control any parameter in the Pro 2’s extensive modulation matrix. Plays Well with Modulars The Pro 2’s flexible architecture opens the door to not only processing external audio, but also to interfacing with modular synths through its 4 rear-panel control voltage inputs and outputs and a dedicated gate output. Control voltages can be assigned and routed from within the modulation matrix and can run at audio rates for extreme modulation effects. Some of the many parameters that can be sent to the CV outputs include oscillators, LFOs, envelopes, and sequencer tracks, making the Pro 2 a natural choice for the center of your studio or live setup. Delays, Envelopes, LFOs, Arpeggiator, and a Multitude of Modulation The Pro 2’s delay section provides three digital delays with pan, and high-pass and low-pass filtering controls. A fourth delay is a digital bucket-brigade delay (BBD) for analog-style effects. There are four loopable five-stage envelope generators, four syncable LFOs with slew and phase offset, a full-featured arpeggiator, and a sixteen slot modulation matrix with dozens of modulation sources and destinations. Monophonic by Design, Paraphonic by Choice The Pro 2 was designed primarily as a super-powerful monosynth, but it’s also a true, four-voice paraphonic synth that allows you to control each of its four oscillators individually with their own envelope. This makes playing four-note chords not only possible, but very expressive. Package all of this power in a three-and-a-half octave, semi-weighted keyboard with velocity and channel aftertouch, add two backlit pitch and mod wheels and two location and pressure sensitive touch sliders, and you’ve got one of the most feature-rich, awe-inspiring synthesizers ever created. Pro 2 Specifications OSCILLATORS Four DSP-based oscillators plus one sine wave sub oscillator Four classic wave shapes (saw, square, triangle, sine) per oscillator Twelve selectable complex shapes per oscillator Thirteen Superwaves Three noise types per oscillator: white, pink, violet Shape modulation/pulse width/superwave detune amount Oscillator cross modulation: frequency modulation (FM) and amplitude modulation (AM) Hard sync, individual Glide, Oscillator Slop PARAPHONIC PLAYABILITY True 4-voice paraphonic mode with individually-gated envelopes per oscillator CHARACTER EFFECTS Five high-quality digital effects. Thicken the signal and add harmonics or completely destroy the signal pre-filter. Girth and Air are high and low shelf equalizers with harmonic excitement. Useful for thickening and/or adding air to the signal. Hack and Decimate are sample and bit rate reduction algorithms which can add subtle grit or completely trash the signal. It’s harsh yet musical. Drive is a soft saturator for adding soft distortion and harmonic content to the signal FILTERS Dual analog filters operate in serial or parallel Filter 1 is a 4-pole resonant analog low-pass filter inspired by the original Prophet-5 filter. Filter 2 is a 2-pole resonant analog state-variable filter inspired by the Oberheim SEM filter and can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. Oscillator Split allows oscillators 1 & 2 to be sent to Filter 1 and oscillators 3 & 4 to Filter 2. FEEDBACK AND DELAY Tuned feedback Three-tap syncable delays with feedback and amount controls, pan, and high-pass and low-pass filtering, all per delay. A separate fourth delay is a digital bucket-brigade delay (BBD) for analog-style effects. ENVELOPES Five Delay + ADSR envelopes (Filter 1, Filter 2, VCA , and two Auxiliary envelopes) Auxiliary envelopes 4 and 5 freely assignable to multiple modulation destinations All envelopes can repeat/loop LFOS Four syncable LFOs with phase offset and slew per LFO MODULATION 16 x 2 modulation matrix with over 50 mod sources and over 140 mod destinations Modulation assignment buttons enable quick and easy modulation routing. Mod Matrix runs up to audio rates. CONTROL VOLTAGE INS & OUTS AND GATE OUT Four 1-volt-per-octave control voltage inputs and outputs for interfacing with modular synths and other CV-compatible devices Parameters that can be sent to CV outputs include oscillators, LFOs, envelopes, sequencer tracks and any other source within the modulation matrix. Runs up to audio rates Gate Out for triggering external CV-compatible devices; any CV in can be used as a gate input. SEQUENCER Advanced step sequencer with two modes: 16 steps x 16 tracks or 32 steps x 8 tracks Supports real-time input, rests, and variable-length sequences Syncs to MIDI clock and external audio and CV input Sequences can control not only oscillator pitch but any parameter in the modulation matrix. ARPEGGIATOR Sophisticated arpeggiator with up, down, up+down, random, assign modes Syncs to MIDI clock and external audio and CV inputs Re-latching arpeggiation PROGRAMMABLE DISTORTION Stereo analog distortion CONTROLS More than 50 knobs and 65 buttons enable deep and comprehensive editing with minimal menu diving. Backlit pitch and mod wheels are easily visible in low-light situations and have a smooth yet precise feel and response. Independently adjustable upper and lower pitch wheel range Two assignable position- and pressure-sensitive latchable touch sliders for enhanced interactivity and control Full-sized, three-and-a-half-octave, semi-weighted keyboard with velocity and aftertouch MEMORY 396 user and 396 factory programs Playlist mode for generating easily accessible setlists of your favorite programs IN/OUT 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru/Out 2 port USB port for bidirectional MIDI communication 4 CV inputs (4 x 1/8″ jack) 4 CV outputs (4 x 1/8″ jack) 1 Gate Out (1/8″ jack) 1 Sustain/footswitch input 1 Expression pedal input 1 External audio input (1/4″ phone jack) Main stereo output (2 x 1/4″ phone jack) Headphone out (stereo 1/4″ phone jack) POWER 1 universal IEC AC power inlet for internal power supply Operates worldwide on voltages between 100-240v, 50-60Hz, 30 watts maximum power consumption PHYSICAL SPECS Walnut end panels and trim 29.2″ L x 12.8″ W x 4.15″ H (74.2 cm x 32.5 cm x 10.5 cm) 18.7 lbs. (8.5 kg)

Standard Features *For optimal performance, stay up to date with the current GX-100 system software and BOSS Tone Studio Download “BTS for GX-100” for iOS Download “BTS for GX-100” for Android Download “BOSS TONE STUDIO for GX-100” for Windows/macOS SPECIFICATIONS Sampling Frequency 48 kHz AD Conversion 24 bits + AF method AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. DA Conversion 24 bits Processing 32-bit floating point Effects 154 Types Maximum Number of Effects 15+3 (DIVIDER/MIXER, SEND/RETURN, PHRASE LOOP) *depending on the circumstances Memories 200 (User) + 100 (Preset) Phrase Loop 38 sec. (MONO) 19 sec. (STEREO) Tuner Internal Detection +/-0.1 cent Nominal Input Level INPUT: -10 dBu RETURN: -10 dBu Maximum Input Level INPUT: +18 dBu RETURN1: +8 dBu Input Impedance INPUT: 1 M ohm RETURN: 1 M ohm Nominal Output Level OUTPUT (L/MONO, R): -10 dBu PHONES: -10 dBu SEND: -10 dBu Output Impedance OUTPUT (L/MONO, R): 1 k ohm PHONES: 44 ohms SEND: 1 k ohm Recommended Load Impedance OUTPUT (L/MONO, R): 10 k ohms or greater PHONES: 44 ohms or greater SEND: 10 k ohms or greater Controls BANK DOWN switch, BANK UP switch, CTL1 switch, CTL2/TUNER switch, 1--4 switches, POWER switch, EXP1 switch, GND LIFT switch EFFECTS button, CTL/EXP button, MENU button, EXIT button, WRITE button, IN/OUT SETTINGS button, PAGE button,1--4 knobs SELECT knob, OUTPUT LEVEL knob, EXP1 pedal Display Color Graphic LCD (480 x 272 dots) Touch screen Connectors INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type CTL3, 4/EXP2 jack, AMP CTL1, 2 jack: 1/4-inch TRS phone type MIDI (IN, OUT) connectors USB COMPUTER port: USB B type Bluetooth ADAPTOR connector: Dedicated connector DC IN jack Power Supply AC adaptor Current Draw 1.2 A Accessories AC adaptor (PSB-1U + AC Cord Set) Owner's manual Leaflet "USING THE UNIT SAFELY" Options (sold separately) Footswitch: FS-5U, FS-5L, FS-6, FS-7 Expression Pedal: EV-30, FV-500L, FV-500H, Roland EV-5 Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL Carry Bag: CB-ME80 SIZE AND WEIGHT Width 460 mm 18-1/8 inches Depth 193 mm 7-5/8 inches Height 73 mm 2-7/8 inches Maximum height 94 mm 3-3/4 inches Weight 3.5 kg 7 lbs 12 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

*For optimal performance, stay up to date with the current RC-505mkII system software and BOSS Tone Studio Download “BOSS TONE STUDIO for RC” for Windows/macOS SPECIFICATIONS Sampling Frequency 44.1 kHz AD/DA Conversion 32 bits Processing 32-bit floating point Recording/Playback Number of Tracks: 5 Data Format: WAV (44.1 kHz, 32-bit float, stereo) Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories) Rhythm Type 200 types or greater Rhythm Kit 16 types Effect INPUT FX: 49 types TRACK FX: 53 types MASTER FX: 2 types Memory 99 Nominal Input Level MIC 1, 2 INPUT: -40 dBu INST 1, 2 INPUT: -10 dBu Maximum Input Level MIC 1, 2 INPUT: 0 dBu IINST 1, 2 INPUT: +7 dBu/+20 dBu (selectable) Input Impedance MIC 1, 2 INPUT: 3k ohms INST 1, 2 INPUT: 1 M ohms/25 k ohms (selectable) Nominal Output Level MAIN OUTPUT: -10 dBu SUB 1, 2 OUTPUT: -10 dBu Maximum Output Level MAIN OUTPUT: +7 dBu SUB 1, 2 OUTPUT: +7 dBu Output Impedance MAIN OUTPUT: 1 k ohm SUB 1, 2 OUTPUT: 1 k ohm Recommended Load Impedance MAIN OUTPUT: 10 k ohms or greater SUB 1, 2 OUTPUT: 10 k ohms or greater Controls TRACK1--5 REC/PLAY button, TRACK1--5 STOP button, TRACK1--5 TRACK button, TRACK1--5 FX button, ALL START/STOP button, UNDO/REDO button, TAP TEMPO button, RHYTHM START/STOP button, RHYTHM EDIT button, INPUT FX A--D button, INPUT FX EDIT button, TRACK FX A--D button, TRACK FX EDIT button, MENU button, LOOP button, ENTER button, EXIT button, PAGE buttons, 1--4 knobs, OUTPUT LEVEL knob, TRACK1--5 LEVEL Faders Display Graphic LCD (128 x 64 dots, backlit LCD) Connectors MIC IN 1, 2 jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max INST IN 1, 2 jacks, MAIN OUT jacks, SUB OUT 1, 2 jacks: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type CTL1,2/EXP1 jack, CTL3,4/EXP2 jack: 1/4-inch TRS phone type USB port: USB B type MIDI (IN, OUT) connectors DC IN jack Power Supply AC adaptor Current Draw 1.0 A (with phantom power) 0.9 A (without phantom power) Accessories AC adaptor Owner's Manual Leaflet "USING THE UNIT SAFELY" Options (sold separately) Footswitch: FS-5U Dual Footswitch: FS-6, FS-7 Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5 SIZE AND WEIGHT Width 420 mm 16-9/16 inches Depth 234 mm 9-1/4 inches Height 67 mm 2-11/16 inches Weight 1.8 kg 4 lbs * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.