Vintage Analog Sound — Small Enough to Fit in a Backpack The Prophet-6 desktop module is every bit as powerful and easy to use as its counterpart, the Prophet-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use — with absolutely no menu diving. As with the Prophet-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Awesome — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic sound that has been earning raves from customers and reviewers alike. We’ve also added a poly chain feature so that any two Prophet-6s can be paired for twelve-voice polyphony! Vintage with a Modern Twist Both the Prophet-6 desktop module and keyboard are Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth. Classic Tone, Classic Vibe Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog. Poly Mod and Poly Step Sequencing Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Easy to Program The knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs and 500 rewritable user programs. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear. Easy to Play All of this awe-inspiring sound is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician. Prophet-6 Desktop Specifications OSCILLATORS Two newly designed, discrete VCOs per voice Continuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Triangle sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator slop amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount HIGH-PASS FILTER Two-pole, resonant, high-pass filter per voice Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full LOW-PASS FILTER Four-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter Filter can be driven into self-oscillation with the Resonance control Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff POLY MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Polyphonic glide (portamento) Hold switch latches held notes on Unison (monophonic) mode with configurable voice count, from one to all six voices, and key modes Preset switch: when off, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including Prophet 5-style single-button access to the current set of 10 programs IN/OUT Left and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Low-pass filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 21.25” L x 7.43” W x 4.4″ H (54.0 cm x 18.9 cm x 11.2 cm) 13.0 lbs (5.9 kg) Walnut end panels and trim

Massive Waldorf Synthesis in a Desktop Module With Iridium, Waldorf has taken the best of their advanced synthesis technology and put into a formidable desktop module. Containing Waldorf’s groundbreaking wavetable oscillator along with a host of paradigm-shifting sound sources and modulators, Iridium excels at generating complex, evolving soundscapes, from brilliant celestial pads to boneshaking synth bass and laser beam leads. Synthesists at Sweetwater found Iridium’s numerous parameters and fathomless tweakability easy to access via its tactile control knobs, high-resolution display, and 16-pad touch matrix. An elegantly crafted module for serious sound designers, there is no end to Iridium’s creative potential and ability to inspire countless hours of sonic exploration! Expansive sound generation With three oscillators capable of operating in five different modes —Wavetable, Waveform, Resonator, Particle Generator, and Kernel Synthesis, Iridium starts the signal chain with a bang! Like the Waldorf Quantum, Iridium features Waldorf’s proprietary wavetable oscillator, which produces dramatic, sweeping sound-generation. Standard waveforms, such as sawtooth, triangle, and square, are available, with additional waveshaping options, including warp, which lets you dynamically morph between waveforms. Resonator, Particle Generator, and Kernel Synthesis modes push the boundaries of synthesis, providing revolutionary ways for manipulating raw sounds into never before heard auditory emanations. Limitless signal manipulation Iridium is a sound designer’s dream synth, packed with a slew of powerful modulators. Leveraging its digital topology, Iridium serves up a dual filter, six envelope generators, six LFOs, and a Komplex Modulator that exhibit a level a precision and flexibility unavailable on other synths. Additionally, Iridium’s Digital Former gives you access to even more modulation tools — comb filtering, bitcrushing, and ring modulation, among others. Gritty and grimy. Clean and surgical. Iridium’s modulators can do it all. Moreover, Iridium empowers you with limitless routing options through its 40-slot Modulation Matrix. Immersive controls and multi-touch display With a synth this deep, one might expect to encounter convoluted menu navigation that can bog down the creative process. However, Waldorf went out of their way to deliver a streamlined experience. With its numerous knobs and classic synthesizer layout, Iridium is an impressive instrument that can be played like the subtractive synths of yore. But if you want to fully immerse yourself in Iridium’s sonic potential, dive into its gorgeous and intuitive high-resolution multi-touch display, which is designed to keep pace with your creativity and inspire you to sculpt evermore complex sounds Waldorf Iridium Digital Polyphonic Desktop Synthesizer Features: 16 voices polyphony; dual-timbral in split or layered mode 3 stereo digital oscillators per voice, each capable of five synthesis algorithms Wavetable creation from audio and sample-based synthesis Digital dual resonant filter with selectable 2-pole and 4-pole slopes Visualization and deeper sound editing via multi-touch display 6 LFOs, 6 envelope generators, and multi-curve LFO 32-step sequencer and arpeggiator 40-slot modulation matrix and 4 x 4 pad matrix Master FX section with time-based and modulation effects Internal Memory plus expandable SD slot for firmware and samples

Opis Shure QLXD24/B58 Handheld Wireless Microphone System Features: True to the source: The 24-bit digital audio and the wide frequency response capture the sound as clearly and accurately as it was produced. Persistent power: The rechargeable lithium-ion battery option extends performance on stage, simplifies workflow and saves money versus replaceable alkaline batteries. Secure sound: Confidentiality is ensured via AES-256 advanced encryption that generates a randomized key for each use. Professional-grade metal construction. 64 MHz of tuning bandwidth. Up to 17 compatible systems in 6MHz or 21 channels in 8MHz DTV range. Ethernet networking for control strings, firmware updates, Wireless Workbench 6 and ShurePlus Channels for iOS. Transmitter types include handheld and body pack. Compatible with ULX-D boundary and gooseneck transmitters. QLXD2/BETA58A Handheld Transmitter features 20 Hz to 20 kHz frequency range with flat response. Interchangeable Shure microphone capsules, including the legendary SM58. AES 256-bit encryption for secure transmission. Over 120 dB of dynamic range – no transmitter gain adjustment needed. 1, 10 mW selectable RF output power. Up to 9 hours continuous use with 2 x AA alkaline batteries. Optional Shure lithium ion rechargeable battery provides up to 10 hours of continuous use and reports remaining runtime in hours and minutes. External charging contacts for docked charging. Backlit LCD with easy to navigate menu and controls. Selectable display mode showing group/channel, frequency, or battery runtime. 100 meter (330 ft.) line-of-sight operating range. Rugged metal construction. Frequency and power lockout. Shure QLXD24/B58 Specifications: QLX-D System RF Carrier Range: 174 – 216 MHz, 470 – 865 MHz, 149(2) 1525 MHz, 1785 – 1805 MHz, varies by region Working Range: 100 m (Actual range depends on RF signal absorption, reflection and interference.) RF Tuning Step Size: 25 kHz, varies by region Image Rejection: >70 dB, typical RF Sensitivity: −97 dBm at 10−5 BER Latency: <2.9 ms Audio Frequency Response: Dependent on microphone type Audio Dynamic Range (System Gain @ +10): >120 dB, A-weighted, typical Total Harmonic Distortion (−12 dBFS input, System Gain @ +10): < 0.1% System Audio Polarity: Positive pressure on microphone diaphragm produces positive voltage on pin 2 (with respect to pin 3 of XLR output) and the tip of the 6.35 mm (1/4-inch) output. Operating Temperature Range: -18 °C to 50 °C (Battery characteristics may limit this range.) Storage Temperature Range: -29 °C to 74 °C (Battery characteristics may limit this range.) QLXD2 Wireless Handheld Transmitter Mic Offset Range: 0 to 21 dB (in 3 dB steps) Battery Type: Shure SB900A Rechargeable Li-Ion or AA batteries 1.5 V Battery Runtime @ 10 mW: Shure SB900A: up to 10 hours, Alkaline: up to 9 hours Dimensions: 256 mm × 51 mm (10.1 in. × 2.0 in.) L × Dia. Weight: 347 g (12.2 oz.), without batteries Housing: Machined aluminum Audio Input Configuration: Unbalanced Audio Input Maximum Input Level (1 kHz at 1% THD): 145 dB SPL (SM58), typical (Dependent on microphone type) RF Output Antenna Type: Integrated Single Band Helical RF Output Occupied Bandwidth: < 200 kHz RF Output Modulation Type: Shure proprietary digital RF Output Power: 1 mW or 10 mW (varies by region) Shure BETA 58A Radio Frequency Range 20 Hz–20 kHz Rechargeable components? Yes Battery Requirements 2 AA alkaline batteries or SB900A Lithium-Ion Rechargeable Battery Battery Life Shure SB900A: Up to 10 hours, Alkaline: Up to 9 hours Typical Operating Distance 100 m (330 ft) line of sight

A Modern Classic Reinvented The Prophet Rev2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The Prophet Rev2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.” The Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse. Best of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features. 16-Voice Polyphony With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments. An 8-voice version is also available, which can later be expanded to 16-voices with the Expander Kit if desired. Bold Sound The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement. Waveshape Modulation A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast. Effects Per Layer The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix. Extended Mod Matrix Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It’s a veritable sound designer’s playground. Poly Step Sequencing The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well. Per-Knob Programmability The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. Eminently Playable All of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording, and an analog powerhouse like no other. Prophet Rev2 Specifications OSCILLATORS 2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation) Glide (portamento): separate rates per oscillator White noise generator Analog VCAs Hard sync FILTERS 1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) ENVELOPES 3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop. SEQUENCER Polyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence. LFOS 4 LFO’s with key sync per LFO MODULATION 8-slot modulation matrix 22 sources 53 destinations 5 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch ARPEGGIATOR Programmable arpeggiator with up, down, up+down, random, assign modes Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Re-latching arpeggiation Note repeat CONTROLS 5-octave keyboard with semi-weighted action, velocity, and aftertouch 55 knobs and 35 buttons enable deep and comprehensive editing with little to no menu diving. Spring-loaded pitch wheel and assignable mod wheel MEMORY 512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program IN/OUT MIDI In, Out, Thru Main stereo audio output: 1/4″ unbalanced Output B stereo audio output: 1/4″ unbalanced Sustain pedal input: accepts normally on or normally off momentary footswitch. Pedal/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages). Headphone output: 1/4″ stereo phone jack. POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz Power consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration) PHYSICAL SPECS Oiled African mahogany wood end panels Dimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height) Weight: 20.5 lbs. (9.3 kg)

KETRON EVENT The new State-of-the-Art Arranger At Ketron, we have a dream. We want to craft the most innovative, inspiring and original musical keyboards that can ever be produced today with the technology of tomorrow. This time we have challenged ourselves with more in-depth studies, intense experimental research and hard-working studio sessions, by involving great international musicians. We aim to offer professionals and to the most demanding music lovers an instrument that would represent the new State-of-the-Art Arranger keyboard in the world. We did not stop until we reached the highest quality standards, so that cutting-edge technology could also generate the most realistic sounds. The result of our hard and passionate work is EVENT: try it out and experience what it means to play accompanied by a full band of real musicians. Now you can play jam sessions with the original sounds of a real electric organ imagining a jazz trio playing behind you. If you love dance music, you can bring EVENT with you on stage: the realism of the arrangements will ensure everyone’s attention and a packed lively dance floor. Playing with EVENT is a special emotion. We are delighted to share it with you. Style EVENT is designed to provide easy access to the most sophisticated style architecture functionalities ever developed on an arranger keyboard. Over 400 Styles are available: divided into Real Styles, Live Styles or MIDI Styles according to the contents, with the possibility of saving any customized configuration on the User memory. The Real Styles, with their impressive authenticity, stand out because some of the backing tracks are in full audio format. It features a rich manual Lower section, with three independent parts and Mono / Poly modes. You can also find an advanced Style Edit area to program your new styles. Drums The rhythm section features over 580 Real Drums, complete drum patterns covering a wide variety of musical genres with Intro, Ending, 4 Variations, Fill and Break. Unlike other musical instruments, where the rhythmic sequences are mostly short loops controlled via MIDI, EVENT has real studio recordings of professional drummers available in eight or more measures, without any cuts or editing. The ending result is incredibly smooth and natural. EVENT adds Real Drum track equalization, as well as the Drum Lock mode which allows to loop the rhythmic pattern that is being played. Furthermore, there are 94 new stereo Drum Sets: with Drum Mixer and Remap, which give you the option to reassign the individual percussion sounds and saving them on the 32 available User Drum locations. The Groove mode is outstanding, with over 700 percussive sequences, three independent Groove parts that control loops as you would find them in the House, Hip Hop and Latin genre, as well as an amazing variety of Afro-Cuban or Brazilian type Latin percussions with Conga, Shaker, Maracas, Cowbell, Cajon, Tambourine and many more. Bass EVENT’s bass section provides a wonderful library of 256 Real Bass: bass lines that are recorded in the studio by real bass players on various tones and perfectly synchronized with the rhythm of the style. It is impossible to resist let yourself be carried away by the energy of these bass lines, from traditional Ballads, Soul rhythms, to Disco Funk. The tone color, the various keys correct positions on the neck and all the natural vibes of the performer give the sensation of playing with a real bassist next to you! Real Bass adapts naturally to chord changes, as if it were a normal MIDI bass, even playing To Lowest mode with the bass upside down on the lowest note! It is easy to switch between MIDI bass and Audio in real time (Twin Bass), as well as modify the voice of the Real Bass using a parametric equalizer or lock the current set using the Lock Bass mode. The series of functions available for Bass such as Manual, To Lowest, To Root and Bassist are particularly refined, the latter for a combined control of the chord obtained between the Manual bass and the notes played on the right. Finally, the Multibass supports custom Bass progressions for various chords. Chords Real Chord is EVENT’s most elaborate feature and the most entertaining one at the same time. You will be able to control many guitar tracks or other instruments in real time, everything can be performed on several tonalities including all chords on the scale. More than 300 Real Chords, including a wide variety of recordings such as Folk, Jazz, Nylon, Electric guitar, and other instruments too like sax, harmonica, violin, trumpet and so on, all perfectly synchronized with MIDI into the arranger architecture. The Real Chord features a dedicated EFX Insert with Chorus, Eq, Overdrive, Phaser, Wah and other effects. The Real Chord pattern can be locked using the Lock Chord function to obtain “ostinato” peculiar of the Disco Funk genre. Just listen to one of the EVENT’s Unplugged styles and get ready to be amazed by the authentic sound of a simple acoustic guitar. EVENT also has a vast library of Live Guitars (guitar loops managed by slices and controlled via MIDI), Long Chord and five MIDI chords, capable of playing simultaneously and with different voices and volume. Another noteworthy feature is the Multichord section, with piano accompaniments, strings and other orchestral parts programmed for any given tones. Modeling The powerful features integrated in EVENT were engineered for an enormous variety of musical solutions managed by the powerful Audio Style Modeling system, with the possibility of choosing both the audio tracks of Real Drum, Real Bass, Real Chord and the orchestral MIDI tracks that you want to drag into the arrangement. Thanks to an easy navigation, you can create new rhythmic or harmonic patterns within a few seconds. EVENT is also an expandable gear: you can customize it by adding sounds and styles as well as audio recordings of rhythm, bass and chords. Sounds EVENT delivers premium sound quality and top-tier voices as we want to deliver the best-in-class professional arranger. 10 Sounds banks come with a brand new acoustic Grand Piano, a series of Multilayer Electric Pianos, an incredible selection of Strings and Brass, new acoustic and electric guitars, a completely renewed series of Pad, Synth, Bass and Ethnic voices. The instrument features 2 Voice sections, each capable of handling up to 4 simultaneous voices with 2 separate EFX Inserts. The Real Solos are solo instruments such as Trumpet, Violin, Sax, Flute, Oboe etc. all coming with distinctive sounds, delivering the authentic feel of musicians, a refined control over Aftertouch, Round Robin, Articulation and including a natural decay of samples. Organ section is particularly accurate featuring a rich selection of sounds from original electric organs that can be combined with the digital Drawbars adding the highest quality textures and the real organ feel to any track (Twin Organ). In addition to an outstanding internal voice editing system, EVENT also features a new 2.5 GB User Sampler, where you can upload new factory sound banks (SBK) on a resident Flash memory or create new custom sounds on 4 stereo layers. EVENT displays an external EFX controls on the panel so you can easily adjust parameters of Brilliance, Chorus, Delay, Tremolo, Overdrive and Wah on the fly. Micro / Voicetron EVENT features a microphone menu with 2 inputs (Micro 1 and Micro 2) with relative gain controls and new dedicated effects, as well as an individual audio output for the Micro 1. The Voicetron section has been revamped with new harmony effects and many parametric controls for an accurate tone customization. Player The two integrated multimedia players can play a wide range of formats: MIDI, MP3, WAV, TXT, PDF, MP4 and many more. They are equipped with all the classic Karaoke functions such as viewing the Lyrics on an external display, Lead Mute, Crossfade, Search and Fade Out. Use Markers to reach different positions in songs, such as the beginning of a new verse or the end of the chorus. The new JukeBox offers quick access to different selections of music tracks, allowing performers to easily control their gig’s workflow. Stem plays up to five audio tracks simultaneously in perfect sync. Each audio track has individual Mute and Volume controls, it is also possible to change its pitch and Tempo without altering the pitch of the rhythm. It is also possible to exclude one or more tracks from playback, for example Piano or Bass, in case you want to play them live. A typical use of Stem is the playback of backing tracks with or without singing (Minus One), a particularly useful application for singers, guitarists in a live performance, but also for reed instrument soloists such as sax or trumpet. Connectivity EVENT has dedicated sockets for audio, video, and file management. Two separate pairs of outputs, in addition to the main outputs, provide seamless routing flexibility to independently control various sound sources. The high impedance and balanced inputs allow you to connect any sound source to the keyboard, as a microphone, a guitar, a smartphone, or a tablet. Expand the power of your EVENT connecting – via HDMI – an external touchscreen so you can control the keyboard while displaying the lyrics. You will have a bigger control surface and an easy access to all your data giving you more flexibility of use in studio and on stage. Wireless connections are available, including Wi-Fi for Ketron application and Bluetooth for remote control audio streaming from external devices such as smartphones and tablets. EVENT SPECIFICATIONS Polyphony: 216 notes, multitimbral. Keyboard: 76 half weighted keys. 4 Dynamic curves. Pitch and Modulation wheels. Aftertouch. Portamento. Legato Mono_Poly. Transposer -/+ 24. Octave +/- 2. Expr. Pedal with 6 curves. Controls: 15 sliders with RGB Led indicator. Brightness and color controls. 8 potentiometers for external EFX control. Display: 7” touch capacitive. Brightness control. 5 different skin colors. Factory Sounds: 10 Voice groups: Piano, Strings, Organ, Brass, Sax, Pad, Synth, Guitar, Bass, Ethnic. 464 Preset Voices. Voice 1, Voice 2, each Voice with up to 3 different sounds. Drawbars. Factory Advanced Voice Editing. High quality multilayer Sounds with a vast selection of Real Solos ®. Factory overwrite and restore. Up to 1.280 User Voices available. Arabic scale and key shift programmable per Voice. User Sounds: 2,5 GB free storage in non-volatile Flash memory (1,5 GB for additional Factory Sound Banks – 1 GB for User samples). Sample Editor: up to 8.192 samples (max 6 seconds per sample). Up to 4 layered stereo instruments (Voice or Drum Set). Advanced editor with Split, Octave, Level, Range, Tune, Cut off, Velocity, Adsr. Sample Loop utilities. User Drum kits. Adsr/Filter: separate sound controls for Attack, Decay, Sustain, LFO, Cut Off and Resonance. Drum Set: 62 Stereo Drums kits. 32 User Drum kits with Remap, Filter, Tune, FX controls. Drum Mixer: 9 sections with separate controls for level, pan, reverb, pitch, velocity compression. 86 Midi Drum styles (Pattern) available on Grv1_Loop section. Drawbars: 9 digital drawbars. Slow-Fast Rotor. Overdrive, Click, Vibrato, Reverb, Percussion. Full programmability. 24 Organ Presets. Twin Organ: possibility to mix PCM and Digital organ tones for a wide stereo sound reproduction. Arranger: Over 400 Styles. Real Styles, featuring a mix of Midi and audio parts (see below), Live Styles and Midi Styles. 10 groups: Ballad, Pop, Dance, Rock, Swing, Latin, Country, Folk, Party, Unplugged. 3 Intro, 3 Ending, Fill to End, ABCD, 4 Fills, 4 Break. Reintro, Count In, Pause, Key Start, Key Stop, Variation. User Styles with unlimited store capabilities. 5 Midi Chords and Bass. Close, Parallel, Logic mode. 3 x Lower with Mono/Poly function. Chord Variation. Varitone. Voice to ABCD. Auto Fill, Fill to Arrange, Fill to Aftertouch. Chord modes: Easy1, Easy2, Easy3, Fingered 1, Fingered 2. Orch. Variation Morphing. Rootless mode. Manual Bass, To Lowest, To Root. Bassist and Pianist mode (Standard/Expert). Bass and Chord Lock. Live Drums: 580 Live Drums with a complete Arranger structure (3 Intros, 3 Endings, ABCD, 4 Fills, 4 Breaks). Reverb and 3 band Parametric Equalizer with 10 presets, programmable on each style. Drum Boost. Possibility to load external User Live Drums. Drum Lock. Grooves: 3 x independent Groove sections. Huge library of more than 780 Latin percussions, Electro and Acoustic Drum loops, Single percussion hits. Groove to Variation. Separate volume and controls. Live Guitars: 216 sliced Guitar patterns including Long Chords. Separate volume and controls. Real Chord: More than 300 Real audio accompaniments covering a full chord range (up to 13 different chords). A wide variety of electric, acoustic, and jazz guitars patterns and other orchestral sequences perfectly synchronized to Midi. Dedicated Insert EFX with full editor, programmable for each style. Possibility to load external User Real Chords. Real Bass: 256 Real audio Basses synchronized to Midi. Twin Bass: possibility to switch Midi or Audio on the same style. Support to external User audio Basses. 3 band Parametric Equalizer with 10 Presets, programmable on each style. Possibility to load external User Real Basses. Style Modeling: navigate and choose Drums, Grooves, Bass and Chords from the massive Midi and Audio Library. Multichord and Multibass templates. Style Edit: advanced pattern recording and editing. Copy, Quantize, Velocity, Octave functions. Special quantize available for oriental styles (7/8, 9/8, 13/8, etc.). Registrations: 4 Banks with unlimited Registrations controlling the global set up of the keyboard. Performance: provides fast access to Styles, Registrations with Style, Mp3, Wav or Midi files. 7 Sets with unlimited file storage. Play Mode: Master, Accord/Style, Accord/Classic, Organist. Phrase: real time recording and play for Style chord sequences. Custom Slider: 2 x Custom slider (alternative to Lower 2 And 3) assignable to Micro, Arranger sections, Drum filter and other functions. Footswitch: 4 programmable Set. Assignable to the most relevant machine functions and features. Arabic Scale: 16 sets. 6 scale memories. Dsp: Reverb, Chorus, Phaser, Flanger, Overdrive, Distortion, Tremolo, Autopan, Equalizer. 2 stereo EFX Insert assigned to Voice and Voice 2, 1 Insert to Arranger chords, 1 Insert to Real Chord. External panel controls: Overdrive, Brilliance, Chorus/Wah Depth and Rate, Delay Feedback and Level, Reverb Time, and Level. 64 Single Presets and 64 Chain Effects. Deep editing. Stem: 4 Scenes. 5 audio tracks per scene to be played simultaneously. Lead track, Transpose, Time Stretching, Loop, Solo, Mute, Autoplay. Fixed pitch for Drum section. Support for external User Stems. Player: 2 separate Player units feat. Transpose, Audio Time stretching, GM, Jukebox, Playlists, Drum Remix, Markers, Lyrics, Cross Fade, Search, PFL, Midi Mix, Karaoke Backgrounds. Support for wav, midi, mp3, mp4, avi, mov, flv, cdg, jpg, png, txt and pdf files. HD Recording: 1 stereo audio track. Midi and Song Style recording. Audio Multitrack: 5+1 audio tracks with separate slider control. Micro: 2 x Micro inputs. Micro 1 (XLR) with gain control. Effect with Reverb, Delay, Equalizer, Pitch shift. Micro 2 (jack) with volume and reverb control. Voicetron: 3 voice vocalizer. Assignable to Arranger or Midi file with Presets, Equalizer, Mode functions. Video: HDMI connection for displaying lyrics, pictures, and videos. Mirror mode. Up to Full HD Resolution. Support for external touchscreen displays. Bluetooth: Streaming audio input (ad2p profile). Wi_Fi: Networked remote control via KETRON app. Storage: 240 GB internal SSD disk (80 GB reserved for System). Optional external SD Card (up to 512 GB). Side Connections: 2 x USB device. USB Host. HDMI. Rear Connections: Main Out Left / Right. Aux 1 & Aux 2 (Left/Right). Headphone. Sustain pedal. Volume pedal. Footswitch. Midi In1, Midi In2, Out, Thru. Line In L/R. Micro 1, Micro 2. Optional: Volume pedal normal or deluxe. Sustain pedal normal or piano type (available also with Footswitch connector). Footswitch 6 or 13 switches. Midi Pedalboard 13 notes (K8). Soft bag. Hard case. Dimensions: 114 x 36,5 x 12,5 cm (44,8 x 14,3 x 5 in) Weight: 14,8 Kg (32,6 lbs.)

True Analog 12-Voice Polyphonic Desktop Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control and Built-In Wifi Classic polyphonic synthesizer with 12 true analog voices for insanely fat and authentic sounds Desktop version for stage performance or rack mount operation with rack mount brackets included 4 simultaneous world-class TC ELECTRONIC and KLARK TEKNIK FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and multi-band Distortion 12 voices with 2 OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with over 20 sources and 130 destinations including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* and selected Android* App over USB, MIDI or built-in WiFi for extended parameter control Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves Powerful unison and poly modes with detune, pan spread and drift parameters featuring up to 12 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters LCD Display with encoder, navigation switches and data value slider for rapid menu parameter editing and program selection 1024 user program memories with “compare and match” feature to quickly match all analog controls to values stored in program Fully servo-balanced stereo outputs for highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Integrated and configurable WiFi client / Access point allows easy and secure connection to home network Designed and engineered in the U.K. With the creation of the DEEPMIND 12D, the ultimate true analog, 12-voice polyphonic synthesizer in a convenient desktop or rack mount format is finally a reality. DEEPMIND 12D allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 12D gives you complete control over your soundscape. Plus, DEEPMIND 12D features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB, MIDI or built-in Wifi – for a custom-tailored workflow that lets your creative spirit soar to new heights. Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and love in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) Our GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*) FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect. Glorious 12-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 12D boosts your creativity with 12-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 24 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 12, 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; Poly; Poly 6, and Poly 8. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 12D also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 12D has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 12D serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 20 modulation sources and more than 130 destinations, DEEPMIND 12D provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations. Remote Control Comprehensive remote control is available for DEEPMIND 12D via iPad*/PC/Mac App over USB, MIDI or built-in WiFi for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*. Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 12D's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 12D a boldly unique and fresh character not found in competing products. Low Pass Filter & Envelope Faders Everything about the DEEPMIND 12D has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves. Big, Fat Tones DEEPMIND 12D provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 12 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 12D's extreme versatility empowers you to be your creative best. Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 12D lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation. Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 12D's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWN-ALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching. Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 12D allows you to write extremely complex chords and polychords (up to 12 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys. True Bypass Mode The FX menu of the DEEPMIND 12D is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone. High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 12D lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end. You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 12D has: 26 sliders; 33 switches; 1 rotary encoder; and 2 knobs – all are laid out in a highly-intuitive format designed to put the joy back into your music creation. Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu. Something to Remember The patches loaded into DEEPMIND 12D's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 12D provides more than enough memory to store several soundtracks – and even entire shows. You've Got Connections DEEPMIND 12D's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save. WiFi Router Not Required You can easily tap into your home network via DEEPMIND 12D's integrated and configurable WiFi client / Access point, without any additional hardware. Unleash Your Imagination When it comes to not just pushing the envelopes but creating them, DEEPMIND 12D gives your imagination its polyphonic voice – and it’s so very affordable. Modern performance calls for the classic analog sound with all the digital advantages – it calls for the BEHRINGER DEEPMIND 12D!

With the creation of DEEPMIND 6, the ultimate true analog, 6-voice polyphonic synthesizer is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad*/PC/Mac and selected Android* Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights. Classic polyphonic synthesizer with 6 true analog voices for insanely fat and authentic sounds 4 simultaneous world-class TC ELECTRONIC and KLARK TEKNIK FX with over 30 algorithms including Reverb, Chorus, Flanger, Phaser, Delay and Multi-band Distortion 6 voices with 2 analog OSCs per voice with oscillator sync mode 2 LFOs per voice with 7 waveform shapes, key sync, MIDI sync and envelope auto-triggering 3 ADSR generators per voice for control of VCF, VCA and MOD envelopes Flexible 8-channel modulation matrix with 19 sources and over 130 destinations including effects parameters 32-step control sequencer with adjustable slew rate and MIDI sync Full remote control via iPad*/PC/Mac* App over USB or MIDI for extended parameter control 37 semi-weighted full-size keys featuring velocity sensitivity and after-touch Pure analog signal path based on legendary VCF and VCA designs OSC 1 generates sawtooth and square/pulse waveforms with pulse width modulation OSC 2 generates square/pulse waveforms with tone modulation Selectable dual slope 12/24 dB analog low pass filter per voice with adjustable resonance Envelope faders seamlessly transform individual envelope segments between linear, exponential and reverse exponential curves Powerful unison and poly modes with detune, pan spread and drift parameters featuring up to 6 voices per note Global noise generator dramatically expands waveform generation Incredible polyphonic portamento with flexible fixed rate, fixed time and exponential pitch glide modes Sophisticated arpeggiator with tap tempo button and user configurable pattern modes Chord and PolyChord memories enable polyphonic performances from monophonic playing styles True bypass mode for pure and high-integrity analog tone Global variable 6 dB high pass filter with powerful bass boost switch 26 sliders and one switch per function give direct and real-time access to all important parameters Spring-loaded pitch and assignable modulation wheels provide total hands-on performance LCD Display with encoder, navigation switches and data value slider for rapid menu parameter editing and program selection 1024 user program memories with “compare and match” feature to quickly match all analog controls to values stored in program Fully servo-balanced stereo outputs for highest signal integrity CV/pedal input for connection to modular systems Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save) Designed and engineered in the U.K. Classic Polyphonic Synthesizer The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock and pop music forever, making them truly classic in every sense of the word. DEEPMIND 6’s pure analog signal path with legendary IR3109-style VCFs, stereo VCAs, and 12-voice polyphony lets you recreate all that magic or design the powerful, original sounds that just might make you a legend in your own right. The FX Racks We also included 4 simultaneous FX engines with over 33 world-class TC ELECTRONIC, MIDAS and KLARK TEKNIK algorithms – including Reverb, Chorus, Flanger, Phaser, Delay, Multiband Distortion, and many more. Custom-designed and physically modeled after some of the most iconic and sought-after processors, DEEPMIND 6’s FX were essentially “rebuilt” in the digital domain – and put right at your fingertips. All effects run inside the low-latency environment of the DEEPMIND 6, ensuring flawless performance and flexible routing. TC ELECTRONIC is synonymous with some of the best sounding reverbs found anywhere. The TC DEEP REVERB provides 9 iconic reverb modes you know and love in tone effect that sounds insanely good. It’s amazing that just 4 controls (Decay, Tone and PreDelay) provide such a wide range of tonal options – bright and springy, warm and bouncy, or gigantic dark reflections. All that – and then some! The Lexicon 480L* has been recognized as the gold standard of digital reverb, and we have included five of the finest reverb models: HALL, AMBIENT, RICH PLATE, ROOM and RICH CHAMBER. These models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths, right down to the last detail. (Inspired by Lexicon 480L*) Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*) PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*) Our GATED REVERB recreates the sound achieved by combining a reverb with a noise gate, and is especially effective for a 1980s-style snare sound or to boost the presence of a kick drum. (Inspired by Lexicon 300/480L*) REVERSE REVERB puts the reverb tail in front of the sound source, creating a swelling crescendo that adds an ethereal quality to vocal and snare tracks. (Inspired by Lexicon 300/480L*) Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade chorus with the sweet sound of a traditional chamber reverb. (Inspired by Lexicon PCM70*) Here we combine DELAY & CHAMBER, so that a single device can provide a variety of delay settings, plus add just the right type and amount of reverb to the selected signal. (Inspired by Lexicon PCM70*) FLANGER CHAMBER combines the mind-bending, filter-sweeping effect of a state-of-the-art flanger with the elegant sweetening of a traditional chamber reverb – all in one FX slot. (Inspired by Lexicon PCM70*) The 4 BAND EQ is a sweep parametric equalizer, and is taken directly from the MIDAS PRO X Live Digital Console. The bands are low, low mid, high mid and high, with the mid bands using a Q Factor adjustment to custom-tailor the sound. Any combination of the four bands may be used simultaneously. STEREO ENHANCER lets you emphasize the Bass, Midrange and Hi output at selectable frequencies, for maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*) The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or mono and stereo operation. (Inspired by Fairchild 670*) MIDAS MULTI-BAND DISTORTION is ideal for making the sound gritty, adding more warmth through saturation, or even enhancing a specific frequency region. With 6 distortion types to choose from, you can go from softly-saturated to ultra-aggressive distorted tones – and everything in-between. The RACKAMP simulates the sound of plugging your instrument (or sound) into a real amplifier. From shimmering cleans to saturated crunch, the RACKAMP allows you to sound great – without using an amp on stage. (Inspired by Tech 21 SansAmp*) The EDISON EX1+ is the reincarnation of one of our own analog classics. This remarkably-effective tool allows manipulation of the stereo field. Selectable M/S input/output modes allow the processing or creation of mono or stereo sound sources. (Inspired by BEHRINGER EDISON) AUTO PAN creates an up and down volume change at a constant and even tempo, just like the guitar amps of yesteryear. Use the AUTO PAN to add a unique “surf-music” texture to your performance. The NOISE GATE block sounds from passing that are below the applied threshold level, without reducing overall dynamics thanks to our proprietary Transient Accenting technology. STEREO DELAY provides independent control of the left and right delay times and features high and low pass filters for enhanced tone shaping of the affected signals. Use the STEREO DELAY to give your mono signals a wide presence in the stereo field. The 3-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. The 4-TAP DELAY records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and quadruple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 4-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance. TEL-RAY ECHO DELAY features an incredibly simple set of knobs that allow you to create delay, echo, chorus, vibrato and reverb type effects – all in one handy device. (Inspired by original 1960's Tel-Ray gear) DECIMATOR DELAY reduces the sampling frequency and the bit-depth of the signal. The Decimator Delay is a creative tool that can be used in many ways, from emulating the aliasing noise found in older samplers, to generating complex, low-fi and rough delay lines. MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from. STEREO CHORUS samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Use it to fatten up background vocals, or to double the sound of brass and woodwind instruments. The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*) The STEREO FLANGER emulates the phase-shifting sound (comb-filtering) originally created by applying pressure against the flange of the reel on a tape recorder. This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. A STEREO PHASER, or phase shifter, applies multiple stages of modulated filters to the input signal to create a “notch” in the frequency response, and then blends it with the original for a “swirling” effect. Use the STEREO PHASER to add a “spaced-out” sound to vocal or instrument tracks. The MOOD FILTER uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The DUAL PITCH SHIFTER allows you to add up to two additional notes to the original signal to create harmony. It can also be used with only a minor pitch adjustment to create much thicker sounds, often referred to as “voice doubling”. ROTARY SPEAKER emulates the sound of a Leslie rotating speaker and is most commonly associated with an organ or guitar. This version provides much more flexibility than its electro-mechanical counterpart, and can be used with a variety of instruments (even vocals) to create a whirling, psychedelic effect. Glorious 6-Note Polyphony Playing chords and building textural soundscapes requires the ability to generate multiple notes or sounds simultaneously. While early analog synthesizers were either monophonic (only 1 note at a time), or somewhat limited in the number of sounds they could produce at the same time, the DEEPMIND 6 boosts your creativity with 6-note polyphony. Each voice has 2 oscillators, with OSC 1 generating sawtooth and square/pulse waveforms with pulse width modulation, and OSC 2 generates square/pulse waveforms with a unique tone modulation. With 12 oscillators at your disposal, a tremendous range of options becomes available including the following oscillator modes: Unison 6, 4, 3, 2 Mono; Mono -2; Mono 4; Mono 6; and Poly. The addition of oscillator sync, oscillator drift and parameter drift allow the recreation of the much sought after warmth and movement found in vintage analog synthesizers, with greatly improved reliability and stability. Making Waves Individual voices also have 2 LFOs (Low-Frequency Oscillators) with a range that extends into the audio rate. Each LFO features adjustable slew-rate, modulation delay, key sync, assignable clock sync (internal or external MIDI), envelope auto-triggering, as well as Delay and Fade in. The 7 available waveform shapes are; Sine; Triangle; Square; Ramp Up; Ramp Down; Sample and Hold, and Sample and Glide for an amazing array of tonal options. The DEEPMIND 6 also offers a highly unusual Phase Link option for the polyphonic LFOs, allowing them to operate in Unison (Mono), or link with an adjustable phase shift between voices. Additionally, the LFOs can track key pitch via the modulation matrix, enabling cross mod type effects. 3 Envelope Generators When it comes to envelope generation, DEEPMIND 6 has all bases covered, thanks to 3 four-stage ADSR (Attack, Decay, Sustain, Release) envelope generators per voice, each equipped with continuously-variable curves for truly unique flexibility. Envelope Trigger Modes include: Legato, Mono, and Retrigger. The envelopes can be triggered by key, individual LFOs, or the control sequencer and looped well into the audio rate. DEEPMIND 6 serves up all the versatility and tone-sculpting options a professional musician could ask for. 8-Channel Modulation Matrix Want to modulate the reverb tail or compressor with the mod wheel? How about driving the MIDAS Multiband Distortion effect with an LFO or aftertouch? With 19 modulation sources and more than 130 destinations, DEEPMIND 6 provides a multitude of modulation options. And the "press & hold" shortcuts make selection of those sources and destinations quick and easy. 32-Step Control Sequencer The control sequencer features an adjustable slew rate, MIDI sync, and allows a 32-step pattern of values, which can vary from -127 to 127. Other parameters that can be controlled include: note value; tie and length; slew; and swing. These can all be mapped as modulation sources to any of the available destinations. Remote Control Comprehensive remote control is available for DEEPMIND 6 via iPad*/PC/Mac App over USB or MIDI for extended parameter control. The iPad App also features a robust preset manager, gig list full editor and integral Patch Morpher*. Ultra-Expressive Keyboard The keyboard features 37 full-sized, velocity-sensitive keys with aftertouch that deliver an expressive and superior playing experience. You’ll love the feel and playability of DEEPMIND 6’s semi-weighted keys as they respond to even the slightest nuance of your playing. Aftertouch allows you to imbue your sound with variations of pitch, volume, modulation or color – whatever parameters you choose. Whether you have a heavy or soft playing style, DEEPMIND 6 always responds to your touch with 3 different selectable velocity and aftertouch curves. Pure Analog Signal Path A modern reincarnation of a beloved analog classic (with true bypass studio-grade FX), all of DEEPMIND 6's sounds are purely analog – all the way from OSC 1, which generates sawtooth and square/pulse waveforms with user-definable pulse width modulation (PWM), and OSC 2, which generates square/pulse waveforms with tone modulation. The combination of square/pulse waves on OSC 1 and tone modulation on OSC 2 gives the DEEPMIND 6 a boldly unique and fresh character not found in competing products. Low Pass Filter & Envelope Faders Everything about the DEEPMIND 6 has been designed to give you total control over the creative process. That goes for the selectable, dual slope 12/24 dB analog low pass filter with adjustable resonance and tracking (per voice), and the 4 Envelope faders that smoothly transform individual segments of the envelope between linear, exponential and reverse exponential curves. Big, Fat Tones DEEPMIND 6 provides your choice of powerful unison or poly modes, with detune, pan spread and drift parameters, that can handle up to 6 voices per note for incredibly fat tones. And if you want even more, just engage the global noise generator to expand the waveform options. DEEPMIND 6's extreme versatility empowers you to be your creative best. Polyphonic Portamento While most synthesizers only allow simple mono portamento glides, the DEEPMIND 6 lets you create stunningly smooth mono and polyphonic chord glissandos that will really get your juices flowing. Options include flexible fixed rate, fixed time and exponential pitch glide modes of operation. Arpeggiator A very sophisticated Arpeggiator is also provided, complete with a tap tempo button and user-configurable pattern modes that exhibit a level of refinement previously only available from a sequencer. DEEPMIND 6's arpeggiator can operate across up to 6 octaves, and you can choose from 32 preset rhythmic patterns with up to 32 steps and rests – or create and save your own. Modes of operation include: UP; DOWN; UP-DOWN; UP-INV; DOWN-INV; UP-DN-INV; UP-ALT; DOWNALT; RAND; AS-PLAYED, and CHORD. A wide range of clock options are also available, as well as hold switch latching. Chord Memory Want to build impossibly-huge chords that can be played with a single finger. DEEPMIND 6 allows you to write extremely complex chords and polychords (up to 6 notes each), save them into memory locations – and perform them with the press of a single key. There is enough storage space onboard for 36 six-note chords, all of which can be mapped to specific trigger keys. True Bypass Mode The FX menu of the DEEPMIND 6 is accessed by pressing the FX button, which in turn brings up the FX page on the LCD display. This is where you assign, route and adjust all FX parameters, including Mode, Mix and Level. You can select the Bypass Mode to completely remove the digital FX from the signal path for a pure, high-integrity analog tone. High Pass Filter The 6 dB High Pass Filter (HPF) in the DEEPMIND 6 lets you set the lower cutoff frequency of the output signal. The accompanying Boost switch applies a +12 dB bass boost to the signal path to fatten up the bottom end. You Are Always in Control We can't help ourselves – like you, we're gear-heads, too. For those who want the numbers, DEEPMIND 6 has: 26 sliders; 33 switches; 1 rotary encoder; 2 knobs; 1 spring-loaded pitch wheel and 1 assignable, spring-loaded modulation wheel. All are laid out in a highly-intuitive format designed to put the joy back into your music creation. Pitch and Mod Wheels Spring-loaded pitch and assignable modulation wheels are conveniently placed for easy left-hand access, making the DEEPMIND 6 the ultimate live performance and studio-ready synthesizer. Large LCD Screen The large and easy-to-read LCD screen provides rapid parameter editing and program selection on-the-fly, for a total hands-on performance with real-time access to all important parameters. The screen shows the synthesizer status, parameters, and the five main menu pages: Connectivity; Keyboard; Pedal; Fader and System. The contrast and brightness levels are adjustable on the System settings page of the GLOBAL menu. Something to Remember The patches loaded into DEEPMIND 6's memory were designed by some of the world's finest sound designers, and all of them are available for your modification. Your parameter settings can be stored in one of 1024 available user memory slots, which feature a convenient “compare and match” function that helps you match all analog controls to the values stored in the program. DEEPMIND 6 provides more than enough memory to store several soundtracks – and even entire shows. You've Got Connections DEEPMIND 6's connectivity is extensive with: fully servo-balanced stereo TRS outputs, for audio feeds to mixing consoles/amplifiers; Phones; Sustain; Pedal/CV; MIDI (In, Out, Thru), for external devices and your DAW; and MIDI USB for your computer and firmware updates. The comprehensive MIDI implementation includes NRPN/CC control of virtually all parameters and bulk load/save. Unleash Your Imagination When it comes to not just pushing the envelopes but creating them, DEEPMIND 6 gives your imagination its polyphonic voice – and it’s so very affordable. Modern performance calls for the classic analog sound with all the digital advantages – it calls for the BEHRINGER DEEPMIND 6!