Opis Gibaloff Student B violina Violina Gibaloff Student B je ručno izrađena od strane veštih graditelja manufakture Gibaloff. Karakterišu je odabrano drvo, odlična izrada i fina podešavanja. Odličnog je zvuka. Violina Gibaloff Student B je odličan izbor za učenike muzičkih škola. Ova violina ima mehanizam za fino štimovanje na svim žicama, što je jako važno za početnike. Uz violinu se dobijaju podbradak, gudalo, kofer, kalafonijum. Pre kupovine je potrebno ustanoviti odgovarajuću veličinu instrumenta prema izvođaču, što možete učiniti i kod nas u salonu. Top – EU Spruce Back – EU Maple Fingerboard – Ebony Pegs – Boxwood Chinrest – Boxwood Tailpiece – Wittner Bridge – Selected maple Varnish : Hand polishing Bow – Pernambuco Polyfoam shaped case

Opis proizvoda: 40 W RMS/120 W peak - 16 Ohm - ABS Easy installation 2-way system for clean full-range sound Horizontal and vertical positioning Protected against dust ingress and downpour (IP54) The DAP WMS6-B is a black 6-inch design wall speaker suitable for low-impedance audio installations. The smart design of this speaker allows you to mount it easily by using the included wall mounting plate. This is very beneficial for installers to get the job done quickly. In addition, it is a versatile design speaker that uses a ball joint to make it easily tiltable over 30° in both horizontal and vertical directions and rotatable over 90°. Therefore, the DAP logo on the front is rotatable. Due to the quick, easy installation and versatile applicability, this type of speaker is excellent for use in a lot in public spaces, such as shops, restaurants and even clubs. The WMS6-B is equipped with a 2-way system and therefore has a clear full-range sound. With a maximum RMS power of 40 watts (120 W peak), it can produce an SPL of up to 105.5 dB at 1 metre. A sturdy ABS housing protects against the ingress of dust and splash water. This means you can even use the speakers in damp places and sheltered outdoor locations, for example on a porch. Audio Specifications Speaker System 2-way Speaker Sensitivity (1 W/1 m) 89.5 dB Speaker Impedance 16 Ω Maximum SPL at 1 m 105.5 dB Frequency Response Minimum 70 Hz Frequency Response Maximum 20000 Hz Woofer Diameter 6.5 " Woofer Voice Coil 1 " Woofer Magnet Type Ferrite Compression Driver Voice Coil 0.7 " Compression Driver Magnet Type Ferrite Dispersion Angle Horizontal 60° Dispersion Angle Vertical 30° Mechanical Specifications Height (mm) 385 mm Width (mm) 215 mm Length (mm) 240 mm Installation Depth (excl. connector) 240 mm Material ABS Colour Black Weight 3.7 kg IP Rating IP54

Opis proizvoda: 40 W RMS/120 W peak - 100 V - 2-way - ABS Four power taps and 8 Ω Easy installation Horizontal and vertical positioning Protected against dust ingress and downpour (IP54) The DAP WMS6T-B is a black 6-inch design wall speaker suitable for 100 V audio installations. The smart design of this speaker allows you to mount it easily by using the included wall mounting plate. This is very beneficial for installers to get the job done quickly. In addition, it is a versatile design speaker that uses a ball joint to make it easily tiltable over 30° in both horizontal and vertical directions and rotatable over 90°. Therefore, the DAP logo on the front is rotatable. Due to the quick, easy installation and versatile applicability, this type of speaker is excellent for use in a lot in public spaces, such as shops, restaurants and even clubs. The WMS6T-B is equipped with a 2-way system and therefore has a clear full-range sound. With a maximum RMS power of 40 watts (120 W peak), it can produce an SPL of up to 105.5 dB at 1 metre. The volume can be adjusted to the volume of other components in the system due to the presence of multiple power taps on the transformer. A sturdy ABS housing protects against the ingress of dust and splash water. This means you can even use the speakers in damp places and sheltered outdoor locations, for example on a porch. Audio Specifications Speaker System 2-way Speaker Sensitivity (1 W/1 m) 89.5 dB Speaker Impedance 8 Ω Maximum SPL at 1 m 105.5 dB Frequency Response Minimum 70 Hz Frequency Response Maximum 20000 Hz Woofer Diameter 6.5 " Woofer Voice Coil 1 " Woofer Magnet Type Ferrite Compression Driver Voice Coil 0.7 " Compression Driver Magnet Type Ferrite Dispersion Angle Horizontal 60° Dispersion Angle Vertical 30° Mechanical Specifications Height (mm) 385 mm Width (mm) 215 mm Length (mm) 240 mm Installation Depth (excl. connector) 240 mm Material ABS Colour Black Weight 3.9 kg IP Rating IP54

Opis Instrumentalni kondenzatorski mikrofon sa štipaljkom. Prevashodno namenjen drvenim i limenim duvačkim instrumentima zbog sistema za montiranje na zvono instrumenta, ali je takođe zahvalan za udaračke instrumente kao što su konge ili bongosi. Professional cardioid condenser gooseneck for superb definition. For wind instruments, congas, drums with free-floating suspension. Easily mounted/positioned. Intelligent preamp for cable. Phantom power. Level check.

RØDE HS2 je niskoprofilni, ergonomski i lagani mikrofon za slušalice koji obezbeđuje čist, jasan i izražen zvuk za bilo koju aplikaciju u kojoj mikrofon mora biti u neposrednoj blizini usta korisnika. Kao rezultat obimnog i potpunog procesa redizajniranja, RØDE HS2 poseduje podesivu ručicu mikrofona od nerđajuće čelične opruge i traku za glavu prikačenu na hipoallergenic silikonske ušne trake za maksimalnu fleksibilnost i udobnost korisnika.

Gravity SS 5212 B SET 1 sadži dva Gravity SP5212B tripod stalka za zvučnike. Heavy duty GBGSS2B torba kao sastavni deo seta omogućava bezbedan i lak transport. Idealan za sve vrste živih nastupa, probe i studio ili predavanja i prezentacije. Posetite sajt proizvođača Pogledajte i ostalu ponudu stalaka za zvučnike

Gravity SS 5211 B SET 1 sadži dva Gravity SP5211B tripod stalka za zvučnike. Heavy duty GBGSS2B torba kao sastavni deo seta omogućava bezbedan i lak transport. Idealan za sve vrste živih nastupa, probe i studio ili predavanja i prezentacije. Posetite sajt proizvođača Pogledajte i ostalu ponudu stalaka za zvučnike

Opis The semi-acoustic Ibanez AS83 Semi-Hollow Electric Guitar is at home in jazz, rock or R&B. It's one of the Artcore Deluxe Models with high-end looks and appointments at an intermediate price. 3-piece Artcore deluxe neck; classy flamed maple top, back, and sides; and large frets for easy playability. 3 piece artcore dx neck Flamed maple top/back/sides Large frets Art1 and Ach2 bridge pickups Ach1 neck pickup

Električna B. C. Rich Warlock Bronze Series gitara. Nije korišćena, stajala je sve vreme u futroli koja dolazi uz nju. Stanje je 10/10. Uz nju dajem i B. C. Rich pojačalo. Cena nije fiksna, možete pozvati da se dogovorimo i ukoliko želite još detalja.

Opis ML bore 459′ = 11.66mm Yellow brass bell, Ø 4 3/4″ = 119mm Gold brass leadpipe Nickel silver outer slides Stainless steel pistons Thumb hook on 1st valve slide Adjustable finger ring on 3rd valve slide 2 water keys VINCENT BACH 7C mouthpiece and valve oil Light weight case with rucksack assembly Clear lacquer finish GEWA Item No.: 705.990

Ne budite rob tonca kada idete sa bas gitarom direktno u razglas, jer je Transit™ B pedala profesionalno pretpojačalo za napredne basiste! Ugrađeni alati poput Pre-shape, 5-pojasnog poluparametričkog ekvilajzera i 2-pojasnog kompresora jednostavni su za podešavanje u bilo kojem trenutku. Drive sa blend kontrolom i "bass enhancement" funkcija upotpunjava ovaj raskošni alat za kreiranje kvalitetnog tona bass gitare. Osvetljena kontrolna ploča postaje precizan hromatski štimer, ugrađeni su i DI direktni Pre i Post XLR balansirani izlazi, dry izlaz bez efekta i izlaz za slušalice. Transit™ B Bass pre-amp pedala omogućava kontrolu nad Trace Elliot profesionalnim tonskim alatima.

Opis proizvoda: The RE50N/D-B delivers all of the outstanding performance of the industry-standard RE50B with the added benefit of a high-output neodymium capsule magnet. A top choice in broadcast television production where the additional gain of a neodymium capsule is well-suited for particular camera or recording device inputs. Case Material Aluminum Connector Type 3-pin XLR Diameter (Max) 49 mm (1.93") Element Dynamic Finish Semi-Gloss Camera Black Frequency Response 80 - 13,000 Hz Impedance, Low-Z balanced 150 Ω Mic Type Handheld Open Circuit Voltage 2.2 mV/Pascal Polar Pattern Omni Power Requirement Passive Wired/Wireless Wired Height 197 mm (7.76") Weight Net 9.49 oz (269 g)

Slobodno nas kontaktirajte: [email protected] Centrala 0652703332 Novi Sad 0652452411 MEINL’s Mb20 cymbals are a combination of superior materials, craftsmanship and strength, resulting in an aggressive sound. They are heavy cymbals which have been developed to meet all of the requirements for today’s hard hitting drummers playing loud music. Mb20 Heavy Soundwave Hihats Aggressive, powerful and loud with a penetrating, energetic open hihat and a cutting chick. What is unique about Mb20 hihats? The Mb20 hihat models have been designed for loud music. They are slightly heavier than the usual hihats and are available in 14” and 15” soundwave versions which result in a powerful sound that’s dominant and cuts through any given volume.

Profesionalni dupli bas-pickup koji daje apsolutno prirodni, bešumni zvuk bas gitare ili berde.

Opis Zahvaljujući ugrađenim efektima, kompresorima i grafičkom EQ, ova kompaktna konzola može biti idealna za live nastupe u klubovima i restoranima, ali i za ozvučavanje raznih događaja. The Mackie Pro FX16 follows closely in the footsteps of earlier Mackie analogue mixers, though this particular incarnation has a few extra features, including a seven-band graphic equaliser, stereo USB recording and playback, built-in digital effects, and compression on four of the channels. Constructionally, the mixer is typical Mackie, with a robust steel case and tough, moulded end-cheeks (although these may be removed for fitting an optional rackmounting kit). A switching, multi-voltage PSU is built-in, so no wall-wart is needed, and all the connections are on the top for easy access. Although it's designated as a 16-input mixer, there are actually only 10 channels with mic preamps, the remaining channels being line only — something I always find frustrating when I run out of mic inputs at a gig. However, the stereo inputs are still useful for accommodating keyboards, guitar-modelling preamps and the like. The way the input arrangement works on this model is that the last two mic-capable channels (9/10 and 11/12) may be used either as mono mic channels or as stereo line channels. There are two more line-only stereo channels at locations 13/14 and 15/16. The Ins & Outs All the mic inputs have a switchable 100Hz, 18dB/octave low-cut filter, and the gain controls can provide up to 50dB of gain, with a further 10dB available 'in hand' via the channel fader. Although the manual doesn't say whether these preamps are based on earlier Mackie designs or not, they work well in practice, they sound clean, and they have adequate headroom and negligible noise. The mono mic channels (1-8) have a three-band EQ with sweepable mid-range (these have a wide range, from 100Hz to 8kHz), while the remaining channels (from 9/10 to 15/16) have a fixed mid-range band, set at 2.5kHz. Of course, there's phantom power for capacitor mics or active DI boxes, and this is switchable globally. There's no EQ bypass, unfortunately, so you have to rely on the centre detents on the controls if you want to set the EQ flat. Each channel has its own mute button, with an accompanying LED that shows both mute and input overload status. A further button below the bus routing switches activates the Solo/PFL function, with the usual Mackie flashing warning LED in the master section to indicate that one or more channels are solo'd. The channel strips have access to three auxiliary sends, of which the first two are pre-fader and intended for monitoring, and the third is post-fader and designated for effects. By default, aux send 3 goes to the internal effects, but there is also a physical aux 3 output, should you wish to use external effects. Channels 1-4 additionally have a TRS jack insert point. For connecting external audio devices, there are stereo tape in and out sockets on RCA phonos. The tape out is a duplicate of the main mix, and the tape input has its own level knob, which sets the level of tape return going to the main mix. A switch next to this chooses between the analogue tape return and a two-track return via USB (of which more in a moment). A button marked 'break' mutes all the input channels except for the stereo tape/USB return, for playing background music between performances. In addition to the main output, which is presented on both XLR and jack sockets, there are four 'sub' buses, each with its own jack output. The channels can be routed to these buses using 'sub' buttons 1/2 and 3/4, making this mixer a practical proposition for studio recording when there are multiple sound sources to deal with. The buses can individually be routed to the left, right or both channels of the master bus, via buttons labelled 'L' and 'R'. The channels and buses are all controlled by 60mm faders, with the master bus using a single stereo fader. As well as the two monitor aux sends, and the aux 3 effects output, a stereo aux return is available (either for use with external effects or as another stereo line input), and three knobs allow this to be sent to the main mix and the two monitor sends. All the auxes have their own master level control, and a separate rotary level control feeds a set of control-room outputs and the headphone out, which mirrors the control-room feed. Effects The on-board effects are courtesy of the built-in 32-bit effects processor. It's a simple preset system, but most of the 16 delays, choruses and reverbs are of the type you'd want to use — although you still get a Cathedral setting, which is probably only of use to Gregorian Chant cover outfits! I'd have appreciated a tap-tempo delay button, as it is often necessary to set delay time somewhere close to the song tempo. Mackie's choice of effects is practical, however, especially in a live situation, where having 99 presets, only three or four of which are actually usable, isn't much help. A rotary control scrolls through the available digital effects, and separate controls regulate the amount of effect being added to the main mix, or the two monitor auxes. The effects can be disabled using a bypass button, or by means of an optional footswitch. In addition to the onboard effects, four of the Pro FX16's mic/line channels (5-8) feature compressors, adjustable with a single 'more or less' control, not unlike those on some Yamaha mixers. These are basic soft-knee compressors, and they sound fairly benign in action as long as you are sensible with the amount you use. The seven-band graphic EQ sits above the master section, and it can be applied either to the main mix output, or to the aux 1 output (for EQ'ing the stage monitor). A switch allows this to be bypassed if it's not needed. Interface Value The USB socket is there to let you make quick recordings of a stereo mix at gigs, which you can then import into the bundled version of Mackie's Traktion 3 Mac/PC software (or any other DAW of your choice) for editing and tweaking. You can record either the main mix or the group 1/2 mix, and you can also play back a USB source, either as an alternative to the tape return, as mentioned earlier, or via the stereo channel 15/16 (which has a button for selecting either the analogue or USB input). The USB side of things is very simple: my Mac Pro recognised the mixer as a class-compliant device without the need to install any audio drivers. However, on my Lion OS MacBook Pro, I found I had to switch the mixer on after it was connected for it to be recognised. Performance I took the mixer out to one of my gigs and, other than the lack of a tap-tempo delay, found it did everything I required of it, with the reverb and delay effects sitting pretty well in the overall mix when used on vocals. The graphic equaliser is well suited to moulding the sound to different rooms, but it is far too coarse to be very useful in tackling feedback — you need 24 or more bands to do that. Having low-cut filters on the mic inputs makes it easy to attenuate unwanted low end, and can also reduce the likelihood of vocal popping. The mid-range EQ sweep, meanwhile, actually goes low enough to be useful in addressing boom and boxiness problems. I also liked the very conventional layout, as anyone who's used a live mixer before should be able to find their way around the Pro FX16 without having to consult the manual. The USB side of things is somewhat limited, as it is only capable of handling two channels, but it's still better to have it than not. The provision of the four buses plus two pre-fader sends allows for up to eight individual feeds (taking the master bus into account), making it useful as a recording mixer if used with an external interface. (If you want to record multiple parts without buying a separate audio interface, something like one of Mackie's Onyx Firewire mixers would be more appropriate.) On the whole, though, the Pro FX16 is very useful for live work, as long as you don't require more than 10 mic inputs. It's well built and sounds good, while the built-in effects, compressors, graphic EQ and USB interfacing all add to its value.

Pedal Baby 100 vraća gitaristima svu dinamiku, "šus" i prirodni ton koji nedostaje u modernim pojačalima snage. Osim toga, klasa A/B pojačala proizvodi pravu snagu za standardne zvučničke kutije - 100 W na 8 Ohma i 70 W na 16 Ohma. Za razliku od tradicionalnih pojačala snage za gitaru, EQ kod Pedal Baby 100 pojačala dizajniran je da bude linearniji i neutralniji. Sa malom težinom od svega 3 kilograma i sposobnošću da "napuni" velike zvučničke kutije na svakom stageu, Pedal Baby 100 savršeno je pojačalo za gitariste sa puno svirki.

OPIS PROIZVODA: Već ste videli Electro Voice intervju mikrofone u rukama reportera i dopisnika širom sveta; od intervjua sa predsednikom USA do intervjua sa običnim prolaznicima. RE 50B je poznat u radio-televizijskim prenosima posebno na otvorenim prostorima. Ovi mikrofoni su postali svetski standard za ENG (elektronsko sakupljanje vesti) i EFP (elektronska terenska produkcija). Ekstremno su robusni, izdržavaju veliku vlažnost, temperaturne promene i korozivne efekte a omogućavaju izvrsne zvučne performanse. Element: Dynamic Polar Pattern: Omni Impedance, Low-Z balanced:150 Ohms Connector Type: 3-pin XLR Mic Type: Handheld Finish: Semi-Gloss Camera Black Case Material: Aluminum Weight Net: 269 g ( 9.49 oz ) Dimensions (Height X Max Diameter): 197 x 49 mm Microphone Applications:Speech

Opis Bosch MCS3500 ugradni plafonski zvučnici. Izuzetno kvalitetni zvučnici, malo korišćeni B-stock, po veoma povoljnoj ceni. Membrana sa tri jezgra, gril na membrani za ravnomerno rasporedjivanje zvuka. Metal fire dome kućište za zaštitu od požara. Specifikacija : Product LBC 3510/40 , LBC 3520/40 , LBC 3530/40 Max power 9 W , 18 W , 36 W Rated power 6 / 3 / 1.5 W , 12 / 6 / 3 W , 24 / 12 / 6 W SPL atRP / 1 W(1 kHz, 1 m) 98 / 90 dB (SPL) , 101 / 90 dB (SPL) , 105 / 91 dB (SPL) SPL atRP / 1 W(2 kHz, 1 m) 99 / 91 dB (SPL) , 105 / 94 dB (SPL) , 107 / 93 dB (SPL Effective frequency range (-10 dB) 60 Hz to 20 kHz , 60 Hz to 20 kHz , 60 Hz to 20 kHz Opening angle at1 kHz/4 kHz(-6 dB) 155° / 70° , 150° / 75° , 150° / 70° Opening angle at1 kHz/4 kHz(-6 dB) 150° / 120°with wave guide , 150° / 120°with wave guide , 145° / 130°with wave guide Rated voltage 100 V , 100 V , 100 V Impedance 1666 ohm , 833 ohm , 416 ohm Connector Screw-terminal , Screw-terminal , Screw-terminal Product LBC 3510/40 , LBC 3520/40 , LBC 3530/40 Diameter 292 mm (11.5 in) , 292 mm (11.5 in) , 292 mm (11.5 in) Max depth 98 mm (3.9 in) , 98 mm (3.9 in) , 182.5 mm (7.2 in) Mountingcut-out 255 mm(10.03 in) , 255 mm(10.03 in) , 255 mm(10.03 in) Speakerdiameter 152.4 mm (6 in) , 152.4 mm (6 in) , 152.4 mm (6 in) Magnet weight 117 g (4.14 oz) , 245 g (8.6 oz) , 450 g (15.9 oz) Max ceilingthickness 50 mm (1.97 in) , 50 mm (1.97 in) , 50 mm (1.97 in) Weight 1.2 kg (2.64 lb) , 1.6 kg (3.52 lb) , 2.6 kg (5.72 lb) Color Black , Black , Black

Opis The AF590MF is a Concert body-size acoustic with a ringing tone that’s ideal for fingerstyle blues and country music styles as well as single-note soloing in a variety of musical settings. The Mahogany top, back and sides produce a focused midrange-rich sound that will cut through the mix. The open pore finish feels great to the touch for comfort and enhanced playability. All Mahogany Body

Kompaktni pojasni sistem s 1/4" instrumentalnim Kablom! Odašiljač sadrži osvetljeni mute prekidač, mogućnost rada do 10h i 960 podesivih frekvencija. Potpuno metalni True Diversity prijemnik sadrži 1/4" nebalansirani izlaz i omogućava Vam intuitivno skeniranje i sync funkcije koje Vam omogućavaju bezbrižan rad. Čvrst i pouzdan i "jednostavan-za-korišćenje" XS bežični mikrofonski sistem koji Vam pruža legendarni Sennheiser zvuk namenjen za manje prostore, konferencijske dvorane, itd.

SPECIFIKACIJE: The perfect way to bypass your guitar or bass amplifier cabinet without robbing your tone of spatial dimension Impulse-response-based emulation includes 32 guitar and bass cabinets, 8 power amplifiers, 8 microphones, and 8 rooms High-headroom clean preamp emulation gives you a premium-sounding clean pedal platform Onboard studio-grade effects include an enhancer, noise gate, reverb, and 5-band semi-parametric EQ Power amp emulation section provides your choice of EL84, EL34, 6L6, or KT88 tubes plus Class A or Class A/B topologies and pentode/triode modes EQ modes include Guitar or Bass with 6-band EQ, and Custom mode with adjustable highpass filter and 5-band semi-parametric EQ All processing performed in stunning 24-bit/96kHz digital resolution Compatible with 3rd-party impulse responses — access more than 250 virtual cabinets via Torpedo Remote software Torpedo Capture software lets you create your own cab and mic models Clean Pedal Platform Amp DI Torpedo IR-based technology creating Dual-miked Virtual Cabinets. Dual IR Loader: 512 memory slots for custom IR files. Loaded with 32 Virtual Cabinets, 99 preset locations. High resolution OLED screen. Instantly select your favorite preset direct on the hardware (PRESET). Choose from 8 microphones per cabinet and 12 room simulations. Torpedo Remote for effortless control of all parameters e.g. position of mics. XLR DI Output Silent playing with Immersive Headphone Experience. EQ: 5 band Semi-parametric and a low-cut filter. Enhancer with Body, Brilliance and Thickness controls. Noise gate with learn function. Two notes Wall of Sound plugin included for processing of dry recordings. Audition 300+ Virtual Cabinets via the Torpedo Remote online library. Explore / purchase official cabinets from MESA/Boogie™, Celestion™, Orange™, Suhr™, REVV™ and more at Two notes dot com Rugged, metal case: road ready and portable. USB Torpedo Remote (Windows and macOS) connectivity. Wireless (Phone / Tablet) Torpedo Remote connectivity (Android and iOS). INST/AMP/LINE input: 1/4″ jackbalanced (TRS) Speaker output: 1/4″ jack unbalanced (TS) Headphone output: 1/8″ jack balanced (TRS) DI XLR Balanced output Line Out: 1/4″ jack balanced (TRS) Aux input: 1/8" jackbalanced (TRS) Micro USB port. Micro USB-B to USB-A cable supplied. Mains power adapter: 100-240v AC / Output: 12V DC, 1A supplied.

The Torpedo C.A.B. («Cabinets in A Box»)… … is a high-end cabinet simulator in a stompbox format. It includes all the great features of the Torpedo Live, without the loadbox but with an input stage specifically tailored to accept pedal-level signals. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night. Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume. Exclusive Torpedo technology Highly realistic speaker simulation is achieved by use of convolution. Two notes started from that technology and brought it much further, to accurately reproduce the characteristics of the whole miking chain (speaker, microphone, preamplifier, studio room acoustic). Many parameters influence the sound of your guitar or bass rig when it comes to recording. Taking good care of the cabinet selection and miking will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet behaviour (such as its frequency response). Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis: all the settings you need to achieve great recordings are here. The stompbox-style Torpedo We know you love those little effects stompboxes and we definitely want you to use them with our Torpedo C.A.B. Place it at the end of your effect chain and all need to carry your amp will be gone. Plug it into the PA and you will be ready to go with a great sound. Most notably: the Torpedo C.A.B. is the very first stompbox-style Impulse-Response Loader! 2 assignable footswitches The Torpedo C.A.B. features 2 user-assignable footswitches. Assignable functions include Preset selection, Bypass, Mute, EQ On/Off and more… Power Amp simulation Connect your preamplifier directly to the Torpedo C.A.B. and take advantage of our exclusive tube power amp simulation. Select a type of amplifier and its characteristics, a tube model, and make your preamp sing as it deserves ! Applications Control your Torpedo & access the Two notes Boutique With its clear and intuitive interface, Torpedo Remote will give you access to all parameters on your Torpedo, including loading and saving presets, loading new IRs, and updating the unit’s firmware. You can pick any speaker cabinets from the Two notes Store, preview them on your own tracks in real time, and choose to buy the ones you prefer. Arcade or Simulation mode We borrowed the concept of Arcade VS Simulation from the world of video games. The Arcade mode is usually the easy way to, for example, drive a race car. You can hit obstacles,other cars, you can still win the race. We recommend that for your first experience with The Torpedo C.A.B. you start with the Arcade preset mode to get more familiar with the concept of virtual miking. The simulation mode is not for beginners and requires more experience and knowledge about how the car actually works, depending on many tiny but still important parameters (weather, type of tires, track design…). In that preset mode you will gain access to the full list of parameter, to fine tune your sound and make it perfect to your ears. Connections The Torpedo C.A.B. takes place on a pedalboard, after a preamp, among your usual stompboxes. The best results are achieved by placing it before the time-based and modulation effects (chorus, delay, reverb…), which then become brigther and clearer. This position also allows to take advantage of the possible stereo of these effects. This is similar to the way things are done in the studio, where modulations are often applied to guitar and bass tracks after recording. Specs The Torpedo C.A.B. comes with a selection of 32 Two notes cabinets and much more Input / Output GTR/LINE Input: 1/4″ Jack balanced (TRS, Tip/Ring/Sleeve) — Max level: 4,7 dBu (GTR) / 10,3 dBu (LINE) — Impedance : 100 KOhms (GTR) / 10 KOhms (LINE) AMP/LINE Output: 1/4″ Jack balanced (TRS) – Max level: 10 dBu (AMP) / 16 dBu (LINE) – Impedance : 470 Ohms Phones: 1/4″ Jack stereo (TRS) MIDI input USB connector Digital audio 24 bits / 96 kHz converters Bandwidth (-1dB): 12Hz – 19 kHz Signal/Noise ratio: > 95 dB Internal processing at 32 bits Latency: 1.7 ms (Line Input to Line Output) Power Mains power adapter: DC Jack 2.1mm, negative center Input voltage: 12V DC Power consumption: approx. 3.6W Current consumption: 300mA Dimensions & weight Width x depth x height: 178 x 127,8 x 58,3 (mm) Weight: 750 g

Two Notes Torpedo C.A.B. je high-end kabinet simulator u stompbox formatu. Uključuje sve najbolje osobine Torpedo Live-a, bez loadbox-a, ali sa ulaznom fazom posebno prilagođenom da prihvati signale na nivou same papučice. Two Notes Torpedo, najjednostavniji i najrealniji način da dobijete zvuk kakav ste oduvek želeli.Uživajte !

Oglas Prodajem očuvan klarinet B. Sa kutijom. Idealan za nizu skolu. Cena samo 300e

Opis Vintage V100BLK je električna gitara, crnog sjajnog finiša, prepoznatljivog zavodljivog izgleda, besprekornog tona i kvaliteta izrade. Body: Mahogany Top: Solid Carved Mahogany Neck: Mahogany – Set Neck Scale: 24.75″/628mm Frets: 22 Neck Inlays: Pearloid Crown Tuners: Wilkinson® WJ44 – Chrome Bridge: Tune-O-Matic Pickups:V100TSB/BB/CS Wilkinson® Double Coil x 2 (N) MWVC (B) MWVC V100WR Wilkinson® Mini Double Coil x 2 (N) WMC301 (B) WMC301 Hardware: Chrome (CS) Gold (TSB/ BB/ WR) Controls: 2 Volume/ 2 Tone/ 3-Way Toggle Zemlja porekla: Kina Video