Austrian Audio applied its masterful microphone-design expertise to the CC8 small-diaphragm condenser mic, and the results are impressive, indeed. Featuring a modern transformerless design built around a custom handcrafted true-condenser capsule, the CC8 is superbly engineered to deliver rich, classic sound in the Viennese tradition. Equipped with 10 and 20dB preattenuation pads, the CC8 achieves a stunning 156dB maximum SPL, which makes it ideal for high-decibel onstage and studio applications such as drum overheads and percussion. But the CC8’s pristine sonics and fast transient response also lend it to the capture of strings, piano, steel-string guitar, and other acoustic instruments where nuance is critical. A switchable 60Hz/120Hz highpass filter further enhances the versatility of this incredible microphone. Add the CC8 stereo set to your mic locker today and hear what you’ve been missing. Amazing versatility and value Designed, engineered, and manufactured in Vienna, the City of Music, the CC8 delivers outstanding performance, flexibility, build quality, and value — but then, that’s what we expect from Austrian Audio. The CC8 boasts class-leading dynamic range, with a robust 156dB SPL handling and a 16dB equivalent noise level. Combined with its versatile cardioid polar pattern and excellent off-axis response, this means you can deploy it onstage on, let’s say, drum overheads — with high-gain guitar amp stacks on either side — and it will pick up the subtleties of the drummer’s cymbal work. Meanwhile, in the studio, it will flawlessly capture the nuances of a quiet classical string quartet performance, with thrilling realism in the playback. Whatever you aim the Austrian Audio CC8 at, you will be impressed with the results. Now, that’s what we call value! Outstanding build quality and performance As a class, small-diaphragm condenser mics are the precision, fine-tipped arrows in the recording engineer’s quiver. In contrast with large-diaphragm designs (which offer their own unique advantages), their low-mass capsules allow for the speed to optimally capture the sparkling detail in transient-rich sources such as acoustic guitar and cymbals. With its Austrian pedigree, the CC8 naturally not only excels in such applications, but also on relatively low-dynamic sources like classical ensembles and choirs. And you can be confident when using a pair of them for stereo pickup, as each CC8 is precision calibrated to within +/-0.5dB at 1kHz. Whether you work in music recording, live sound, or broadcasting, the Austrian Audio CC8’s linear frequency response, beautifully natural and open sound, and smooth, silky highs make it a mic you will reach for constantly. Austrian Audio: the new Vienna classics Carrying on the legacy of high-end Viennese transducer and microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: “Making Passion Heard.” Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna’s rich musical heritage. That vision is realized in Austrian Audio’s proprietary handcrafted capsules and the superior build quality of their products. Features: True-condenser technology Modern transformerless design Precise cardioid pattern; excellent off-axis response Frequency range: 20Hz–20kHz Precision calibrated to within +/-0.5dB at 1kHz Metal housing, cap, and grille Switchable 2nd order highpass filter: 60Hz, 120Hz 10dB, -20dB preattenuation pads enable max SPL of 156dB Equivalent noise level: 16dB SPL (A-weighted) Includes Mic Clips, Windshields, Stereo Bar, and Carry Case

SPECIFIKACIJE: Wireless Smart Subwoofer 200 Watt high efficiency digital Class-D power amplification 10 Inch (250 mm) long stroke driver with extended linear excursion. Closed box design for optimum performance and extended low-frequency performance. Frequency Audio frequency range 20-200Hz Cutoff variable Low pass Digital filters: 60, 80, 100, 120, 160 and 200Hz Amplification ~200W digital class D amplifier Max SPL 100dB Wireless Features Audio-BroadCasting-Digital – Technology RF-Band 1.8 –1.9 GHz Range up to 50-100m (Condition dependent) Controls Wireless input Volume, Zone 1 & 2 AUX input Dimensions Height: 200 mm Width: 360 mm Length: 540 mm Weight 12 Kg Standby power consumption 1.4 W (Limitation 2W)

Create Content Like Never Before Rode takes their world-class podcast production studio to a new level with the Rodecaster Pro II. The Rodecaster Pro II blends everything you need for podcasting, streaming, and studio recording into a single, streamlined production console. Users with limited experience can get started fast, thanks to the intuitive layout and RGB color-coded workflow. The Rodecaster Pro II has enough inputs for four hosts and effortlessly connects to phones, USB, and Bluetooth sources. Plus, there are individual headphone outputs for each host. Rodecaster Pro II also includes stellar factory presets, APHEX-powered DSP, and onboard effects to help you achieve a pro-level sound. Whether you're a veteran podcaster or a livestream star in the making, the Rodecaster Pro II is your best bet for pro-level audio production. Onboard APHEX processing and effects polish your sound The Rodecaster Pro II comes equipped with a quad-core audio engine that puts outstanding processing power at your fingertips. Rode outfitted this podcasting production console with a suite of APHEX processors to push productions into a league of their own. You get access to APHEX's legendary Aural Exciter, Big Bottom, and Compellor. Furthermore, Rode included onboard effects — reverb, delay, and pitch shifting, to name but a few — to add a pro-level sheen to any podcast or livestream. Customize your workflow One of the reasons content creators are so excited about Rodecaster Pro II is its fully customizable workflow. This podcast production studio has a flexible 9-channel mixer with six physical faders and three virtual channels, each with integrated pan control. Each channel is individually assignable, letting you assign any analog, USB, Bluetooth, or SMART pad source to any fader in any order you want. You can also link analog inputs for stereo mic pairs, outboard gear, and other instruments. The Rodecaster Pro II includes a 5.5-inch full-color touchscreen with haptic feedback and a rotary controller for quick, hands-on navigation. Whether your workflow is counterintuitive or straightforward, the Rodecaster Pro II is ready for it. High-gain, low-noise preamps High-quality preamps are a necessity for today's content creation environment. Thankfully, the Rodecaster Pro II includes four exceptional Revolution preamps. These pro-level mic pres have a low-noise design and provide up to 76dB of gain. That means you can plug in your lowest output dynamic mics into Rodecaster Pro II and crank them up without injecting distracting noise into your signal or relying on microphone lifters and boosters. Better still, Revolution preamps flaunt a clean and transparent response that allows every detail to translate in the mix. Flexibility for any creator's setup Everybody's setup is different, even in top-of-the-line podcast studios. Rode knows this, so they designed Rodecaster Pro II to integrate seamlessly into any rig. It comes loaded with four combination inputs to accommodate any combination of mic, line, and instrument level devices. Want to add a backing track? Thanks to the crystal-clear audio streaming provided by advanced Bluetooth technology, that's no problem. What's more, dual USB-C interfaces let you connect two computers or mobile devices. A remote co-host's zoom feed on your smartphone can go into one USB-C port while the other USB-C port connects to a computer to record the audio. We're just scratching the surface of Rodecaster Pro II's outstanding flexibility. Use it on its own or with your DAW The Rodecaster Pro II is as flexible as they come — and it's ready to record right away with a microSD card. Seriously, you can get up and running in mere minutes as you're enjoying the complimentary candy that includes in every box. What's more, the Rodecaster Pro II functions as a USB audio interface, allowing you to connect to your computer via USB. Whether you're recording interviews for upcoming podcast episodes or streaming directly to Twitch or TikTok Live, Rodecaster Pro II is more than prepared. The podcast studio that gets better over time Users of the original Rodecaster Pro will remember the regularly-scheduled firmware upgrades that unlocked the podcast production studio's true potential. For the Rodecaster Pro II, Rode follows the same pattern. They're already updating the Rodecaster Pro II's firmware to give you greater production flexibility, add new features, and ensure software compatibility with future product releases. Each update will be available at no cost to you and downloadable directly to your Rodecaster Pro II via Wi-Fi, Ethernet, or USB. Upgraded SMART pads Instead of eight standard sound pads, Rode outfitted the Rodecaster Pro II with an octet of newly designed SMART pads. SMART pads don't just trigger intro music, sound effects, and jingles; they're customizable to a wild degree. Every pad is fully customizable and can toggle voice effects on and off, send MIDI commands to your DAW or external hardware, adjust the mixer's functionality, and even mute profanity. There are eight banks of eight pads for up to 64 unique actions. The Rodecaster Pro II's SMART pad matrix puts total creative control at your fingertips. Rode Rodecaster Pro II Podcast Production Studio Features: The ultimate podcast production and streaming studio Dual USB-C interfaces connect to two computers or mobile devices simultaneously Customizable 9-channel mixer provides flexible operation Fully programmable SMART pads control every aspect of your production Combination inputs let you connect microphones, instruments, and line-level devices 4 Revolution preamps offer 76dB of gain without injecting extra noise into the signal Onboard effects and APHEX audio processing add a professional polish to your recordings 5.5-inch full-color touchscreen provides at-a-glance monitoring 4 headphone outputs and stereo outs offer flexible monitoring Bluetooth connectivity delivers high-definition and wireless audio monitoring microSD card reader lets you record and store audio onboard 24-bit/54kHz resolution preserves your audio quality Phantom power lets you use condenser microphones Offers ten production languages (English, Chinese, Japanese, Korean, French, German, Italian, Spanish, Portuguese, Hindi)

Izuzetno stabilan mining rig Cvrsta metalna konstrukcija, zasrafljeni riseri,i kartice, zbog cega radi potpuno stabilno jer je sve fiksirano i ne moze da se pomera i da gubi kontakt. Dodata i 3 jaka ventilatora (12 cm) koji dodatno hlade kartice odozgo. Sve je vec instalirano i spremno, vase je samo da povezete na internet i ukljucite u struju i dodate svoj novcanik. Podeseno za kopanje ETH-a 5 x Gainward 1060 6GB 1 x Gigabyte 1060 6GB Napajanje 1600 W (poseduje 12 konektora za graficke ~ 6+2 pin) Na ploci mozete povezati jos 2 kartice preko M2 adaptera, napajanje je dovoljno jako za to. POGLEDAJTE I MOJE DRUGE PREDMETE NA LIMUNDU I KUPINDU

Power: 200w Lighting Distance:8 Meters LED: 200watt High Quality Optic Integrated COB Color temperature: 3200k-6000k Light angle: 60° Control mode: DMX control / manual Channel: 6 channels Shell: aluminum Protection level: IP20 Net weight: 4.5KG Packing size: 28*28*58M

SPECIFIKACIJE: Frequency Audio frequency range 50-15000Hz Amplification ~50W digital class D amplifiers Max SPL 100dB Wireless Features Audio-BroadCasting-Digital – Technology RF-Band 1.8 –1.9 GHz Range up to 50-100m (Condition dependent) Dimensions Diameter: 115 mm Height: 200 mm Cord length 5 m Weight 1.5 kg Standby power consumption 1.74W (Limitation 2W)

AIRMATE-USB 8 channel (with 6 triple and 2 dual inputs) radio production console, Model 2012 6x Mic inputs, 12x stereo line inputs, 4x inserts on Mic input 1-4, 2x USB stereo send/return, 2x Telephone Hybrids. We designed the Airmate-USB to fulfil the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And... every line level line B input can be converted into a phono (grammophone) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. EXTENSIVE MASTER SECTION FOCUSED ON RADIO. This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Faderstart generates in the Mic mode a Mic-on sig­nalling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external Hybrids. NOW IS THE TIME TO INSTALL YOUR OWN PRODUCTION ROOM. The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Self­op switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s compre­hensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programmes. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer. TECHNICAL SPECIFICATIONS INPUTS Mic inputs: bal, 2kOhm, XLR. Phantom: 48 volt. Noise: - 122 dBr (A-weighted). Sensitivity: - 70dB min, OdB max. Insert: -10dBv in/out. Line inputs: unbal., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. 2 Track return: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereo USB Fully compliant with USB 2.0 playback and record mode. HID Functions: Volume/Mute TELEPHONE HYBRIDS RJ-11 connectors for phone line/dialler Mix Minus rejection @1kHz -60dB. OUTPUTS Left/Right: + 4 dBu bal. XLR. Monitor/Aux : + 4dBu unbal. on Cinch. Cleanfeed/Announcer: + 4dBu, Jacks. Tape outp: -10dBv, unbal. Cinch. Headphone: 16-600 Ohm, Jack. Announcer: 16-600 Ohm, Jack. EQUALIZER High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz bell curve. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.009% max at 1 kHz. Start switch: reed relay. Ledbars: 21 segment. Power Consumption: 25VA REMOTE RED LIGHT Stereo jack connector to intern relay (24volt/50mA max.) Center Contact = Tip Normally Closed = Shield Normally Open = Ring OVERALL Frequency response 10-60.000 Hz (+/- 0.5dB). Distortion: <0.009% max at 1 kHz. Dimensions: 483x356x95 mm ( 8HE ) . Weight: 9 kg. DIMENSIONS Left-Right 19" rack mountable. (482mm width) Front-Back: 356mm (8HE). Height: 95mm. Space below front panel: 20mm Weight: 11 kg. For Drop through mounting cut a hole of 450 x 330 mm (console height is 95mm)

Premium Sound, Portable PA Package Plug into the lightweight BA-330, and you won't believe your ears! Not only does this portable PA system give you four channels of amazing sound, but it can also be battery powered, so you can take that great sound anywhere. It's even got built-in effects right onboard, so you can add a professional sheen to your sound. Need to play backing tracks? Use the auxiliary input to play music from your MP3 or CD player (there's even a built-in pocket to hold it!). The Roland BA-330 is your take-anywhere PA! Roland BA-330 Portable Stereo Digital PA System Features: All-in-one portable digital PA system you can use anywhere Powerful, high-quality stereo sound for audiences up to 100 people No setup required; just plug in and go Powered by AC power or by eight AA batteries Four custom-designed 6.5" speakers and two tweeters for wide stereo projection Built-in effects: EQ, reverb, delay, and wide (on/off per channel) 4-channel configuration: two channels for mic/instruments plus two channels for stereo inputs Stereo Aux input with dedicated volume-control knob Advanced Intelligent Anti-feedback function Built-in tilt-back stand lets you monitor at an optimum angle Speaker stand mount built in

Studijski cevni mikrofon vrhunskih performansi. Izuzetan kvalitet zvuka - budite spremni na iznenađenje! Stara cena: 1200 EUR RASPRODAJA 999 EUR - cevni kondenzatorski mikrofon - frekventni opseg: 20Hz - 20kHz - osetljivost: 12.6mV/Pa - 38 ± 1dB(0dB=1V/Pa 1000Hz) - kardeoidna karakteristika usmerenosti - impedansa ispod 200ohm - sopstveni šum: 16dB - dinamički opseg: 130dB - napajanje putem isporučene eksterne jedinice Isporučuje se vrhunskim amortizerom za montažu i De Luxe koferom.

The Laserworld CS-2000RGB is a RGB laser system with a total output power of up to 2,000mW. The red deode laser module with a wavelength of 650nm, the green DPSS laser module with a wavelength of 532nm and the royal-blue deode laser module with a wavelength of 445nm ensure brilliant colors and powerful laser beams. The projector has good beam specifications with a beam diameter of about 3mm and beam divergence of 2.0mrad. At the same time it offers a galvo system with up to 30kpps as well as a scan angle of up to 40°. The Laserworld CS-2000RGB has a professional ILDA interface. Thus own or pre-programmed lasershows can be shown by use of a laser control software, e.g. of Phoenix or Pangolin. Through DMX about 200 preset patterns, like waves, tunnels, circles etc. can be projected in different colors and in a various speed. The laser system has an automatic mode, which runs the pre-programmed patterns without assistance. If the music mode is active, the laser system projects according to the sound. For the music mode the sensitivity of the mircophone can easily be set on the rear side of the projector. There is a key switch, an interlock interface and an on-off switch at the rear side of the device. The Laserworld CS-2000RGB is a powerful whitelight laser systems. This device is well suited for professional applications and it is often used in medium to larger sized clubs and discos as well as for the use in any party location. Technical Specifications: min. typ. total power: 1.500mW 2.000mW power red: >500mW / 650nm power green: >200mW / 532nm power blue: >800mW / 445nm beam specs (full angle): ca. 3mm / 2mrad laser source: Deode, DPSS Laser laser class: 4 operation modes: auto, music, DMX, ILDA scanner: galvo system, 30kpps @4° scan angle: 40° max. basic patterns: ca. 200 (layers, tunnels, fences, waves, ect.) accessories: power cable, manual, interlock connector, key power supply: 85V - 250V AC power consumption: 120 W dimensions: 315/335/110 mm weight: 6.1 kg

Tehnička specifikacija - RDMX - Remote DMX Addressing - USITT DMX-512 (16-bit resoultion) - 16 DMX Channels - On board menu settings - 3-pin & 5-pin XLR serial input/output - High output luminous-parabolic dichroic reflector - Beam Angle 22-degrees - 10 Dichroic filters, 7 color, UV, CTO, CTB + White - CMY color mixing - 2 gobo wheels, 14 total gobos, 11 metal, 3 glass - 7 interchangeable, indexable, rotating gobos plus open - 7 interchangeable, static gobos plus open - Metal Gobo Size: 26.9mm outside diameter, 23mm image diameter - Glass Gobo Size: 26.7mm outside diameter, 23mm image diameter - Gobo Overlay (Gobo Morphing) - Variable speed strobe effect (1-13) flashes per second - Pre-set variable/random strobe and dimming pulse effect - Dual Flag mechanical dimming system - Beam narrow to wide (5% - 100%) - Variable speed iris macros - Small to large and large to small - Hard edge to soft edge frost - Effect wheel with 3-facet rotating/Indexing Prism & 3D Glass Prism - Both directions at variable speeds - Macro-function for rotating gobos/rotating prisim combinations - Motor driven focus from near to far - Philips +éÔÇťFast Fit MSR300 (300W, 8500±K, 3000 HRS) - Automatic Pan /Tilt position correction - Pan/Tilt Lock - Maximum PAN-movement 630± in 2.0 secs (default) or 540± / 16 bit - Maximum TILT-movement 265± in 1.5 secs / 16 bit - Vector Mode with blackout - Electronic Power Supply Multi-voltage: AC 98V ~ 240V 50/60Hz - Dimensions (LxWxH): 56x356x572mm - Weight: 23.5 kg

AirMax 19" 12 Frame loaded with 8 Triple ulaza + 2 Hybrid modula, master + 1xMic I/O, 1xLine I/O jack, 1xLine I/O XLR. Posebno popularna miks konzola za radeo stanice. * Triple input On-Air module * Triple input module * Triple Pro Input module (4 band EQ) * Digital Module (stereo in and out) * Hybrid module (including telephone fork) * Group, Module (group + VCA master) * Studio module (2x phones and monitor) * Master module TEN STEREO BUSSES. * Program (stereo) * Sub (stereo) * Aux-1 (stereo) * Aux-2 (stereo) * Group 1-4 (4x stereo) * Comm. (stereo comm. buss) * Cue (stereo) SOFTWARE CONTROL OVER * Input selection * +48volt * Low-cut * Mono/stereo * Insert * Buss routing (Program/Sub) * EQ on/off * 6dB or 12 dB EQ level selectable * 4 VCA groups * Auto communication by the comm. bus * Zero or +10dB fader gain * Extended GPIO’s per module * Total console communication over USB * Personal set up and security http://www.d-r.nl/

Tehnička specifikacija The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: DV Field Production Electronic News Gathering Location Recording (Dialogue and Music) Digital Recording Broadcast Remotes Desktop Mixing for Video Post Production FEATURES Four servo-balanced XLR Inputs Two transformer-balanced XLR Outputs Switchable Output Level ( Line level, or -30 dB pad) 1/4" TRS Stereo Monitor Input and Auxiliary Input Switchable 48 Volt Phantom Power for each input Switchable 100 Hz Low Cut filters for each input Main and Back-up battery compartments, never lose power Level and Pan controls for each channel Built in Limiter with variable Threshold control 20 Hz Slate tone with Slate Microphone included Switchable 1 kHz setup Tone Calibrated VU meters 1/4" and 3.5mm Headphone/Earphone Outputs with selectable Source Input (Main mix or Monitor input),and Level control Canvas case included Rolls PS27 external power supply included PRODUCT SPECIFICATIONS Input Impedance: Mic: 10K Ohms XLR balanced Source: 22K Ohms RCA Limiter Threshold: -5 dB to off fully clockwise: No Limiting Setup Frequency: 1 kHz Slate Frequency: 20 Hz Output Attenuator: -30 dB Self Noise: -57 dB maximum -90 dB typical Max Gain: +65 db S/N Ratio: 115 dB Frequency Response: 20 Hz - 30 kHz | +0, -3 dB Low Cut: 100 Hz Trim Range: 0 to + 38 dB Max Input: 0 dBV Current Draw: 45 mA with no Phantom Power or Signal. Phantom Power: +48 VDC Connectors: 4 ea. Female XLR, 2 ea. Male XLR, 3 ea. 1/4", 1 ea. 1/8" (3.5mm), 1 Center Negative power jack. Power: 12VDC / 200 mA Size: 9.5" W x 7.25" D x 2.375" H Weight: 4 lbs

The API Model 500VPR is powered externally by a tri-polar power supply and is designed to accept API standard format 5.25" X 1.5" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS. The input/output jacks are both XLRs. The 500VPR can hold up to ten API modules. API makes several modules to fit this rack, including the 550A, 550b, 560, 525, and 512c. NOTE: Older API 560A series equalizers used pin 15 for a "direct output" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.

The Austrian Audio OC18. Handcrafted in the heart of Vienna, the City of Music, the OC18 is a versatile large-diaphragm condenser microphone with a fixed cardioid polar pattern, 10 and 20dB pads, and a three-position switchable highpass filter. You can use the OC18 on any source with excellent results. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance. Which means you can confidently use your OC18 along with another OC18 (or the company's multi-pattern OC818 set to cardioid) in a stereo-pair configuration and be assured of stunning results. Outstanding results on any source Austrian Audio pours everything they have learned in 300+ years of combined experience into their products. The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the company's proprietary CKR12 capsule. In keeping with its fixed cardioid polar pattern, the OC18 uses the single-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC18's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10 and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. Versatile cardioid polar pattern If you had to choose only one polar pattern for all the mics in your studio, cardioid would be the one. Although we certainly recommend having multi-pattern microphones such as Austrian Audio's OC818 in your mic locker for tricky recording setups and advanced stereo miking techniques, your cardioid mics will be your "go-to" mics for the vast majority of recording and sound-reinforcement tasks. The OC18 uses the same handmade-in-Vienna CKR12 ceramic capsule as the OC818, but with a single instead of dual diaphragms, which keeps the cost down. After all, if you don't need multiple polar patterns, why pay for them? Otherwise, you're getting the exact same microphone, with identical sonic performance. A great-sounding cardioid condenser mic like the OC18 will enjoy constant use in your studio. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Handmade, single-diaphragm CKR12 ceramic capsule, cardioid polar pattern Austrian Audio OC18 and OC818 mics are matched to within 1dB tolerance for accurate stereo capture Compatible with Austrian Audio OC818 for spaced-pair applications Polar pattern: Cardioid Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent Noise Level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with 10dB pad engaged) Switchable pad: 10dB, 20dB HPF: switchable 40Hz, 80Hz, 160Hz Impedance: 275Ohm (symmetrical) Load impedance: >1kOhm Supply voltage: 48V phantom (<2.2mA) Includes 2 microphones, mic clips, and windscreens

The MS1224 is a 12 channel, 1 into 4 Unity Gain Active Microphone Splitter designed for applications where multiple feeds are required from one set of microphones without the signal degradation experienced with passive splitting solutions. The Unity Gain design principle combined with excellent line driving ability ensures that unity levels are delivered at the end of each feed, even over considerable distance, thereby saving time in recalibrating levels. Each of the MS1224's channels has four independently buffered, transformer balanced outputs and a fifth dedicated parallel Link output. The Link output may be used to provide a direct, non active feed, for instance to the FOH console, or it can be used to daisy chain adjacent channels to provide more output feeds from a single microphone, for instance for Press Box applications. The inputs are electronically balanced with a Pad switch for connection of line level signals. Switchable Phantom Power is provided with a Phantom Presence LED. The MS1224 incorporates a channel monitoring circuit, which is accessed on the PSU unit. Each channel has a Listen button that connects it momentarily both to an LED bargraph and headphone socket on the PSU front panel. The headphone monitor circuit incorporates a dynamics enhancement and protection system. This controls the dynamics of the signal in a way that amplifies very low background levels whilst limiting high signal levels. This enables monitoring of microphone function during set up without the need of a vocalist being present on the mic. It also provides user protection against sudden loud signals. A unique design feature of the MS1224 is the option to configure the way that Input and Output connectors are presented on the front and rear of the unit. As each customer has their own views on this we have given the flexibility of presenting the Input and two Outputs on the front and three Outputs on the rear, or vice-versa. In addition the Output designated as Link can be positioned either below the Input connector, or the top connector of the group of three Outputs. Thereby giving four possible permutations. The required configuration can simply be reconfigured at a later stage.

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings. Explore the sonic possibilities The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially. Dual mode and PolarDesigner The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room! Real-time remote control With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping. Outstanding results on any source The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control Handmade, dual-diaphragm CKR12 ceramic capsule Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom Microprocessor control of polarization voltages Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz 10dB and 20dB analog pads Dual outputs for recording each diaphragm separately Wireless control via optional OCR8 Bluetooth module (available separately) Incorporates Austrian Audio's Open Acoustics Technology Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent noise level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with pad) Impedance: 275Ohm; load impedance: >1kOhm Supply voltage: 48-volt phantom (<4mA, typical 2.1mA) Handcrafted in Vienna Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

Šifra artikla: PCC 6934177703812 Brand XIAOMI Processor Intel i5-8250U 1.60 GHz RAM 8GB HDD 256GB SSD Display 13,3″ – 33,8 cm Resolution 1920 X 1080 VGA NVIDIA GeForce MX150 2GB Operating System Windows 10 Home 64 Garancija 24 meseca

Garancija: 12 meseci

Ovaj uređaj visokog kvaliteta i performansi je korišten za opremanje enerijera kluba u Ashoka Hotelu u Nju Delhiju u Indiji, a više o tome možete pročitati na 98 stranici Mondo dr časopisa, ako kliknete na sliku ispod. The MAC 101 is a remarkably small, super light and easy-to-use LED moving head wash light with an amazingly bright beam for such a compact luminaire. It features rapid movement and calibrated colors with a low price tag that allows for revolutionary set, stage and decorative lighting design. Features Variable CTC Color calibrated 2400 lm output Bright and tight beam (13° ἀ;eld angle) Smooth, electronic dimming High efficieny, low power consumption, long lifetime Ultra-compact, low weight design (3.7 kg) Rapid movement – the fastest MAC ever Length: 241 mm (9.5 in.) across yoke Width: 241 mm (9.5 in.) across yoke Height: 304 mm (12.0 in.) Weight: 3.7 kg (8.2 lbs.) Electronic 'color wheel' effect: 33 LEE-referenced colors plus white, color wheel rotation effect, random color Color mixing: RGB Red: 0 - 100% Green: 0 - 100% Blue: 0 - 100% Color temperature control: Variable 2500 - 10 000 K Shutter effect: Electronic, with pulse and random effects Electronic dimming: 0 - 100%, four dimming curve options Pan: 540° Tilt: 240° Pan and tilt speed: Adjustable via onboard control panel and DMX Control options: 3 control modes - RGB raw, RGB calibrated, Basic (RGB + CTC disabled) RDM: Implemented Control resolution: 8-bit, with 16-bit control of pan & tilt DMX channels: 8/12 Setting and addressing: Control panel with backlit graphic display Protocol: USITT DMX512-A, ANSI/ESTA E1.20 RDM Transceiver: RS-485 Fixture software update: Via DMX with Martin™ USB Duo DMX Interface Box Light source: Cree XP-E high power emitters Minimum LED lifetime: 50 000 hours (to >70% luminous output)* LED refresh rate: 1220 Hz *Figure obtained under manufacturer´s test conditions Color: Black or white Housing: High-impact flame-retardant thermoplastic Protection rating: IP20 Mounting points: One M12 threaded hole for rigging clamp Location: Indoor use only, must be fastened to surface or structure Orientation: Any Minimum distance to combustible materials: 100 mm (3.9 in.) from head, no minimum distance from base Minimum distance to illuminated surfaces: 200 mm (7.9 in.) AC power input: Neutrik PowerCon AC power throughput: Neutrik PowerCon DMX data in/out: 5-pin locking XLR AC power: 100-240 V nominal, 50/60 Hz Maximum total power consumption: 123 W Power supply unit: Auto-ranging electronic switch mode Main fuse: 5 AT (slow blow) Typical power consumption, all effects static, zero light output: 100 V, 50 Hz: 122 W, 1.3 A, PF 0.991 120 V, 60 Hz: 121 W, 1.1 A, PF 0.987 208 V, 60 Hz: 123 W, 0.7 A, PF 0.938 230 V, 50 Hz: 123 W, 0.6 A, PF 0.915 240 V, 50 Hz: 123 W, 0.6 A, PF 0.900 PF = power factor Measurements made at nominal voltage with all LEDs at full intensity. Allow for a deviation of +/- 10%. Cooling: Forced air (temperature-regulated, low noise, user-definable levels) Maximum ambient temperature (Ta max.): 40° C (104° F) Minimum ambient temperature (Ta min.): 5° C (41° F) Total heat dissipation (calculated, +/- 10%): 420 BTU/hr. EU safety: EN 60598-2-17, EN 62471 EU EMC: EN 55103-1, EN 55103-2, EN 55015, EN 61547 US safety: UL 1573 US EMC: FCC Part 15 Class A Canadian safety: CSA E598-2-17 Canadian EMC: ICES-003 Class A Australia/NZ: C-TICK N4241 M12 bolt suitable for use with Martin rigging clamps 3 m (9.8 ft.) power cable, 12 AWG, SJT, with PowerCon NAC3FCA power input connector P/N 11541503 Neutrik PowerCon NAC3FCA power input connector, cable mount, blue P/N 05342804 Neutrik PowerCon NAC3FCB power output connector, cable mount, light grey P/N 05342805 Set of eight narrow diffusers for MAC 101 P/N 91616023 Set of eight wide diffusers for MAC 101 P/N 91616018 Set of 4 top hats for MAC 101 P/N 91611358 Set of 5 quick-mount surface mounting brackets for MAC 101 P/N 91606017 G-clamp P/N 91602003 Half-coupler clamp P/N 91602005 Quick trigger clamp P/N 91602007 Safety wire, safe working load 50 kg (110.2 lbs.) P/N 91604003 8-unit flightcase for MAC 101™ P/N 91515010 Martin USB Duo™ DMX Interface Box P/N 90703010 Martin RDM 5.5 Splitter™ P/N 90758150 MAC 101™ in cardboard box P/N 90231600 MAC 101™ in 8-unit flightcase P/N 90231610 MAC 101™, white finish, in cardboard box P/N 90231630 Photometric Data Standard (Only blue LEDs on) Efficacy: 5.7 lumens per watt One-tenth peak angle: 11.5° Total output: 320 lm Standard (Only green LEDs on) Efficacy: 23 lumens per watt One-tenth peak angle: 12.5° Total output: 1300 lm Standard (Only red LEDs on) Efficacy: 23.4 lumens per watt One-tenth peak angle: 13.5° Total output: 790 lm Standard (All LEDs on) Efficacy: 22.7 lumens per watt One-tenth peak angle: 13.5° Total output: 2600 lm Standard (All LEDs on, Narrow diffuser) Efficacy: 20.5 lumens per watt One-tenth peak angle: 17° Total output: 2400 lm Standard (All LEDs on, Medium diffuser) Efficacy: 17.2 lumens per watt One-tenth peak angle: 52° Total output: 2000 lm © 2010-2013 Martin Professional Aps. Specifications subject to change without notice

Garancija:

Garancija:

Dr LANGE LP300 fotometar. DOVOLJAN DA URADITE VEĆINU BIOHEMIJSKIH ANALIZA. Donešen je iz Nemačke. Sami birate talasnu dužinu filter) prema analiziranom parameru i reagensu: 340, 405,492,546,578nm. Koristi halogenu lampu. Omogućuje određivanje rutinskih biohemijskih analiza, uključujući i enzime. Moguće primenljiv i za neke hematološke analiza kao hemoglobin (preko njega se primenjuje referentna analitička metoda za hemoglobin-kontrola autoanalizatora), eritrocita i hematokrita  (turbidimetrija)    Veoma je precizan i neophodan i u laboratorijama sa automatizacijom (provera reagenasa i aparata). Kompletan je. Posebno kupujete suvi i tečni termostat za grejanje mernog mesta u aparati, kao i reagensa u kivetama i bočicama - tada je aparat termostatiran po ceni od 42000 dinara. NAPOMENA: Ako bilo šta god nedostaje za korišćenje, kupac je dužan da nabavi. Uređaj je ispravan mehanicki i električno, zahteva obučeno medicinsko osoblje i tehnička lica za puštanje u rad. Prodaje se u viđenom stanju, svaka prodaja je konačna bez povraćaja, za polovnu robu od fizičkog lica, bez garancije.   Uslovi prodaje: *clanovima sa negativnim ocenama kao i clanovima koji nemaju nijednu ocenu predmet saljem nakon uplate na broj telefona koji dobijete na kupujemprodajem (uplata se vrsi u posti postnet uputnicom). *clanovi koji imaju pozitivne ocene predmet mogu da kupe i pouzecem *kontaktirajte me preko poruka na kupujemprodajem *saljem samo u zemlji, ne u inostranstvu *placanje robe u dinarima *postarinu placa kupac, ukoliko nije drugacije navedeno *ne odgovaram za ostecenja prilikom transporta  Razlika od automatskih analajzera je u tome što precizno birate talasne duđine od 340-680nm sa filterima-najviše 6, koji posle nekog vremena moraju da se zamene novim.

Garancija: 12 meseci