The classic C800G is the only tube microphone in the world equipped with a semiconductor active cooling system that results in a higher signal-to-noise ratio compared to most other tube microphones. It has a very high-quality modern sound performance. The Golden Age Premier GA-800G is currently the only microphone to fully reproduce the C800G. It´s appearance and structure, as well as accessories and circuit principles, including its sound character, strictly follows the original design. All of the parts including the power plug and the pin definition of the power supply are the same as in the original C800G. ​Even though its based on the original, the circuit board has been upgraded to a ROGERS ceramic circuit board that has superior insulation parameters and offers a more stable performance. The coupling and bypass capacitors has also been upgraded, resulting in a deeper and more exact low frequency performance and a more delicate and transparent high frequency reproduction. The classic semiconductor active cooling and external cooling system from the C800G is also used in the GA-800G. This is to ensure that the GA-800G has the highest possible signal-to-noise ratio. The tube (a 6AU6) is mounted in an aluminum casing, with the semiconductor cooling chip being attached to the bottom of the case. The temperature of the tube in the GA-800G is the effectively kept down when the GA-800G is in it´s working state, the heat generated by the tube is actively dissipated. The heat that the tube generates is transferred to the reverse side of the semiconductor and transferred to the effective outer aluminum alloy heat sink at the rear of the microphone. This heat sink will then dissipate the heat from semiconductor cooling chip to the air surrounding the GA-800G. PCB board: A ROGERS ceramic gold-plated circuit board is used. This type of circuit board is usually used in high-end aerospace communication products, the cost is about twenty (20!) times higher than an ordinary PCB board. Capsule: By disassembling a C800G and handing it´s capsule to a manufacturer with more than twenty years of microphone capsule production experience, they were able to produce a capsule that matched the characteristics of the original one. The capsule used in the GA-800G can handle a higher sound pressure level than the original one and it has almost the same sound character. Tube: In order to ensure the tube will have a long life, we are using a NOS GIFTE 6AU6 tube from France, it has a maximum anode voltage rating of about 300V. The tube in this circuit has an anode voltage of 90V and will generate more heat than tubes in many other tube microphones that typically uses voltages between 35-50V. The higher voltage used in the GA-800G increases the heat dissipation so the semiconductor active cooling system is an important element in the design. Power supply: The classic 800G uses two 6AU6 tubes as rectifiers for the high voltage rail, they work as pseudo diodes by connecting all grids to the anode that outputs about 290V. After a lot of listening tests comparing a tube rectifying circuit with a solid state one, we found that we did prefer the sound of the latter so this is what we decided to use. The additional advantage is that there is no need to worry about replacing tubes in the power supply. Capacitors, resistors and solder: The metal resistors and electrolytic capacitor from Japan are of special audiophile audio types. The coupling capacitors are Siemens EPCOS from Germany. The connecting wires inside the GA-800G are oxygen-free copper wires from Japan. The solder is FELDER silver/copper-containing solder from Germany. Shockmount: Rycote USM-VB Features: Designed for the highest possible sound reproduction quality. ​Suitable for vocal recording in studios and film post production houses. A high sensitivity of -33dB/Pa. Low noise and low distortion due to built-in cooling system. Large diaphragm capsule. Electronically selectable directivity, Omni and Cardioid. ​ Tech Specs: ​Microphone Type: Tube Condenser Polar Pattern: Cardioid, Omni Frequency Response: 20Hz-20kHz Max SPL: 137dB (Cardioid), 140dB (Omni) Output Impedance: 100 ohms Signal to Noise Ratio: 76dB Self Noise: 18dB (A weighted) Tube: 6AU6 Color: Black

Faderstarts and Cleanfeeds are standard We designed the Airmate-USB to fulfill the requirements for a high grade low cost radio production mixer. Built around well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. that needs an internal Telephone Hybrid (2x) and USB connection to the PC (e.q. for streaming to the web). A heavy duty 19" rack mounted RF shielded chassis houses 8 vertical triple input modules giving flexibility rarely found in a mixer of this type. Six input channels with high quality balanced microphone inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors. Every Mic input has an insert for signal processors. And… every line level line B input can be converted into a phono (record player) channel by simply fitting an optional stereo R.I.A.A. equalized phono pre-amp. Built in Telephone Hybrids This new Airmate-USB model has 6 balanced mic inputs (+48 phantom is standard) with insert, 12 stereo line inputs, 2x USB and 2x Telephone Hybrids. Channel 5 and 6 have Mic/Line and USB interface to transfer audio from and to your PC. Channel 7 and 8 have, apart from the stereo line input, also RJ-11 connectors to interface with a POT (Plain Old Telephone) line and a Telephone appliance to dial the number you want to reach. High quality built in Hybrids with R (trimmer on the surface) and C balance (switch on the surface) and direct Connection and Talkback buttons in the Hybrid channels makes a conversation with listeners very easy. With the Telco Send (level to the caller) and Telco Gain (level coming from the caller) all levels can be easy adjusted. But be always aware of the fact that the RC balance has to be adjusted once to create a clean telephone signal send and receive. The manual will give info about this pretty simple procedure. The front panel ON switch is wired in series with the built in mechanical fader start enabling selection of start either by fader or hard start via the ON switch. Fader start generates in the Mic mode a Mic-on signaling to switch on ON-Air lights. There is a 3 band Equalizer on channel 1-6. The stereo Aux send can be set pre or post fader. All mic inputs have low cut jumpers. A clean feed send is available for external analog and digital Hybrids. Built in VoIP or Telco channels We now have dedicated VoIP channels available for the AIRMATE-USB, or a combination of one TELCO module and one VoIP module. If you still want to use a classic analogue or digital Hybrid we have designed a cleanfeed output on pin 1-4 of the RJ11 connector. You can return the Hybrid signal on the line input of the VoIp module. Please tell your dealer the combination you want. Now is the time to install your own production room The Airmate-USB has the usual master controls such as stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split control function. There is a balance control to continuously adjust the volume between main output and stereo Cue signal. In addition, there is a special Radio On-air/production section featuring; Self­op switching to automatically cut control room level when the D.J. mic is active; a Clean feed output to also drive an external Telephone Hybrid for talk shows and interviews, if you need more Hybrid channels than the 2 built in ones; a special announcer output that normally follows main output but can be switched so that the main output, or any cue signal that is selected, can be heard when in the "follow phones" mode. A large Talkback switch activates the built-in electret talkback microphone for easy communication with the Clean-feed output, Aux output and/or Announcer output. The focal point in a production studio The Airmate-USB is designed to be the focal point for local radio production work in the studio or at home. It’s compre­hensive, yet understandable features make it the ideal companion for rapid on-the-spot radio programs. Small, reliable and 19" rack mounting ideal for production rooms. It can also double as an On-Air mixer or implemented in your own Internet Radio station. If your budget is tight, it never becomes obsolete as it can revert to production use, if, at a later date you fit in a larger On-Air mixer.

Extension & Air. THE Reference. When fidelity is the goal, the Manley Reference Gold Mic is the solution. Its nimble CK12-style American-made capsule, open grille, and continually adjustable pickup pattern design allow it to hear deep into a room, capturing nuances and subtleties that other mics miss. It is real. It is the truth. The MANLEY GOLD REFERENCE MULTI-PATTERN MICROPHONES are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings. The Gold Reference Series employ our own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter) which are executed to precise tolerances made possible by modern micro-milling machinery available today in California. The capsule rings and back-plates are milled from solid brass. The gold diaphragm film comes from Germany and is tensioned using proprietary techniques by David Josephson ensuring capsule-to-capsule constancy, combined with the speed, "air", and superb ultra-high frequency response you have only dreamt about. The all-tube electronics in the MANLEY REFERENCE SERIES MICROPHONES are built around two triodes in cascade forming an entire gain-block. We currently use a dual-triode 12AX7 tube, easily obtainable and replaceable, mounted in a ceramic socket. (We originally used 6072A until it became impossible to find quiet ones out of the NOS dreck left on the market.) The output is coupled through a MANLEY output transformer of unparalleled quality and substantial physical size employing nickel laminations with "hum bucking" bi-filar windings, encased in mu-metal. The polar pattern control is continuously variable between the OMNI, CARDIOID, and FIGURE 8 positions vastly increasing this mic’s versatility. The Gold Mics make it possible to exactly tailor the proximity effect to achieve the desired character. We have chosen a very open weave stainless-steel grille for the capsule window which allows all the highs to reach the capsule unimpaired letting the engineer choose if, when, and how much pop screen is appropriate. As a result, the Reference Gold reaches to the furthest extremes of highs and lows with gorgeous natural acoustic smoothness. Some engineers tell us it sometimes "hears" more than they do! A locking 7-pin XLR connector for the power supply cable carries the stringently filtered and regulated voltages from the separate dedicated MANLEY POWER® power supply. The audio signal exits the PSU via a traditional 3-pin XLR jack. The microphone body is machined from brass providing excellent shielding properties, polished to a high lustre, then plated with 24 karat gold for an impressive finish, inspiring confidence in artists and producers. Our proprietary precision suspension system is provided with each REFERENCE MICROPHONE (the capsule itself is mounted onto a neoprene-rubber shock-mount.) Because the entire working "guts" of the microphone may be removed for service in one piece from the housing, it is envisioned that the microphone need not be removed from the suspension. We also provide a very useful swivel of our own design with every REFERENCE MICROPHONE; its T-bar handle and locking clutch action require no tools to adjust. And no MANLEY microphone would be complete without a genuine leather capsule protector which slips (and ties) onto the end of the microphone to protect the capsule when not in use. Specs : All-Tube triode design 12AT7 (2011 build. Previous versions used 12AX7 and 6072.) -10 dB switchable pad Frequency response: 10Hz-30KHz Sensitivity: 17mV/Pa Noise typically -120dB EIN Max SPL: 150dB Output Impedance: 250 Ohms Weight: 2.25 lbs (mic) Weight: 2.5 lbs (PSU) Size: 2" x 9.7" x 4.5" (mic including suspension) Size: 5" x 8.2" x 3.4" (PSU) Shipping weight: 15 lbs Selected matched pairs available Outboard Power Supply is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage. Operating Mains Voltage changeable with power transformer re-wiring via internal jumpers and fuse value change. Mains Voltage Frequency: 50~ 60Hz Mains Fuse: 250mA @ 100~120V; 125mA @ 220~240V operation Power Consumption: 70mA @ 120V = 8.4 Watts

Samsung Galaxy Z Flip4 12GB/256GB Black Proizvođač: Samsung Veličina ekrana: 6.7" Rezolucija ekrana: 2640 x 1080 Ugrađena memorija: 256 GB Boja: Crna Garantni rok: 2 Godine 5.01 5.0

Samsung Galaxy Z Fold4 256GB Beige Proizvođač: Samsung Veličina ekrana: 7.6" Rezolucija ekrana: 2176 x 1812 Ugrađena memorija: 256 GB Boja: Bež Garantni rok: 2 Godine 5.01 5.0