This built-in speaker is one of the most indispensable elements of the Artcore system. You can find out how this system works on the previous pages. The CORE150 is an active builtin speaker that comes from the well-known Intiimi line. With a frameless grill of barely 1 mm and a thickness of just under 5 mm, it makes quick work of today’s standards. The titanium driver with neodymium magnet and patented® suspension, together with the advanced separation filter, create a magnificent sound experience. The CORE150 is driven by a double amplifier: 20 W (tweeter) + 70 W (woofer). Not only is the CORE150 active, you can also use it both wired and wirelessly. In both cases, you control it via the Artcore app. This forms the dashboard with services such as Spotify, Vtuner, etc. This allows you to effortlessly create a flexible multi-room system. Speakers From built-in speakers to personalised streaming services, Artcore is not just the first fully integrated multi-room system: it’s the only one. The speakers are available in different designs and price categories. Take your pick from affordable top quality to dizzying high-end technology. Inwall You decide when, where, and how loud you want to listen to your music. Powerful but discreet speakers provide superior sound reproduction. ArtSound Built-in is every bit as unique. Specs: Artcore : compatible Multiroom : yes Range : < 50m2 System : 2-way coaxial Woofer : 6” neodymium Tweeter : 1” directable neodymium titanium dome Frequency range : 55 Hz - 19,5 kHz Power : 20 + 70 W Power supply : 24V - 120W DC Dimensions cut-out : 210 mm (O) Dimensions : 235 x 100mm (O x d) Weight/piece : 1,9 kg Composition : ABS / aluminium grill Colour : White Features : paintable grill Options : acoustic kit (KITRO2) Options : flush mount kit (FLKITRO2060)

Tehnička specifikacija Maximum Output Current: 10 amps Line Cord: 1.5 meter, removable, IEC C-13 female to Schuko male Lamps: LED Operating Voltage: 230VAC 50Hz Spike Protection Mode: Line to neutral Energy Dissipation: 305 joules Peak Impulse Current: 12,000 amps Maximum Continuous Opterating Voltage: 650 Volts Noise Attenuation: Transverse mode: Greater than 20dB, 1.5Mhz to 200 Mhz Dimensions: 1.75" H x 19" W x 7.5" D Weight: 2.3 kg. Safety Agency Listing: CE Warranty: Merit Series units are protected by a limited three year warranty covering defects in materials and workmanship. Dodatne informacije A Merit Series Power Conditioner is the perfect low-cost AC power solution for any rack mount system. Install an M-10Lx E in to the top slot of your rack, and the ten switched outlets in the rear panel will power up and protect all your equipment up to a 10-amp load. The M-10Lx E features two slide out, swiveling light fixtures to provide discreet illumination of your equipment on stages, in studios, and in other dark places. A dimmer knob lets you adjust the lamp brightness to just the right level. Aplications: Instrument Rigs Youve got a rack for your effects, preamps, tuner...Youre going to plug that into the wall? One big spike and your rig is up in smoke. Furmans standard level surge/spike protection defends your gear from the spikes and surges that are so common at gigs and practice spots. With Furmans standard level RFI/EMI filtration, youll get a quieter tone without pops, crackles, and the local radeo station coming out of your amp. Plus, dual pull-out lamps let you see your rack without turning the house lights on. Recording Cant track down where that noise is coming from? Your mix sounding flat? With Furmans standard level RFI/EMI filtration youll lower the noise floor caused by the dirty AC power coming into your console or DAW. Furmans standard level surge and spike protection keeps your sensitive digital equipment from acting funny or burning up due to everyday spikes and surges. With a 10A capacity and eleven total outlets, its enough to power your whole home studio. DJ Equipment Bars, clubs and other event venues have some of the worst power out there - from air compressors turning on and off to light shows pulling current loads up and down, the AC power can be a strain on the circuits in your rig. Furmans standard level protection and filtration keeps the bad stuff out and the dual pull-out front panel lights let you discreetly see your board and gear without distracting from the show on the dance floor. Pro audio When youre out there gigging, you never know what kind of power youre going to get. The wear and tear on mobile rigs eventually takes it toll - thats why its smart to plug into Furmans standard level protection and RFI/EMI filtration. It keeps your equipment safe and sounding clean. Whether youre setting up a show at the local club or powering up the church band for their next service, make sure you give them power they can trust.

Mikrofon specijalno razvijen za upotrebu u radijskim studijima. Nakon zaslužene pobede u izboru od strane Radeo World/US National Association of Broadcaster (NAB), ovaj mikrofon postaje industrijski standard kada su Broadcast aplikacije u pitanju. Opremljen je vrhunskom HF2 1" pozlaćenom dijafragmom, posebno dizajniranom za prenos vokalnih zvučnih signala, integrisanim pop filterom i On-Air indikatorom koji jasno pokazuje kada je mikrofon u etru. Tehnička specifikacija: * Acoustic Principle: Pressure Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 1.00" * Polar Pattern: Cardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 40Ω * Maximum SPL: 128dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 2.0dBu (@ 1kHz, 1% THD into 1KΩ load * Sensitivity: -34.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 14dB-A * Power Options : +24V phantom power+48V phantom power * Weight: 577.00gm * Dimensions: 167.00mmH x 50.00mmW x 65.00mmD * Output XLR Output

The Rack Mix 12 is a 1U rack-mounted 12-channel mixer that can solve countless audio challenges. It features 6 mic/line combination inputs (HDHQ™ Denon-Marantz proprietary mic pre’s) each with switchable phantom power and 6 additional line-level inputs. It has balanced XLR outputs, a ¼-inch (6.3mm) mono output that can be used to connect the Rack Mix 12 to a remote mixer, a pair of RCA stereo outputs to connect to a remote recording device, and ¼-inch (6.3mm) mic monitoring port that can be used to monitor the mics’ signals. The Rack Mix 12 provides individual level control for all inputs in addition to level control for the mono output port and a master level control. Rounding off the feature set, It has a 3-level equalizer and a controlled priority for Mic/Line 1. It can be powered from standard AC or a 24V DC power source, inviting it to be used in a variey of applications; everything from a classtroom to a tour bus. 6 HDHQ™ Combination inputs with MIC, Phantom and Line selector switches 6 mono (3 stereo) RCA Inputs Mic monitor ¼” output for private listening to all mic inputs Balanced XLR line outputs Mono ¼” line output can be used to feed audio to external recording device AC or 24V DC power inputs Mic 1 Priority Control Master and Individual level controls 1U rack mountable

THE LOW COST SYSTEM The mixer amplifier MX-AMP 120E offers 5 XLR Inputs which may be used for connecting signal sources such as Microphones or a CD Player. By changing the position of the LINE/MIC switch on the rear side you select the operation mode of each input. Furthermore you can connect an additional source (Input and Output) by činč. Besides the precise volume control for each input channel the MX-AMP 120Eoffer fine adjustment of bass and treble. To connect the speakers you can choose between the 70 Volt, 100 Volt and 8 Ohm outputs. The blue power-LED and a three digit LED VUmeter are informing you about the operational readiness and the output level of the 120 Watt powered mixer amplifier. The MX-AMP 120E is the low cost solution by obtaining the high quality level. Type Supply Outputs Dimensions (mm) MX-AMP 120E AC 230V 50/60Hz ± 10% Music/Speech: 8ohm, 70V, 100V AUX Out: 350mV, 4.7Kohm 88x430x260 Output Power Max/Rated Frequency Range (Hz) Inputs Weight (kg) 180W/120W Mic1~Mic5: 60Hz~15KHz ±3dB AUX/CD: 60Hz~15KHz ±3dB Mic 1-5: 1mV, 250ohm balanced; AUX: 200mV, 47Kohm unbalanced 9.5

Built-in Speaker is one of the most indispensable elements of the Artcore system. You can find out how this system works on the previous pages.The CORE160 is an active built-in speaker that comes from the well-known Intiimi line. With a frameless grill of barely 1 mm and a thickness of just under 5 mm, it makes quick work of today’s standards. The titanium driver with neodymium magnet and patented® suspension, together with the advanced separation filter, create a magnificent sound experience. The CORE160 is driven by a double amplifier: 20 W (tweeter) + 70 W (woofer). Not only is the CORE160 active, you can also use it both wired and wirelessly. In both cases, you control it via the Artcore app. This forms the dashboard with services such as Spotify, Vtuner, etc. This allows you to effortlessly create a flexible multi-room system. Specs: range <50 m2 system 2-way coaxial woofer 6” neodymium tweeter 1” directable neodymium titanium dome input 2 Gigabit ethernet (built-in switch) power 20 + 70W frequency range 55Hz - 19,5kHz power supply 24V - 120W DC dim. cut-out (O) 270 x 180mm dim. (O x d) 295 x 205 x 85mm weight / piece 1,9kg composition ABS / metal grill colour white features paintable grill options acoustic kit (KITRE3) flush mount kit (FLKITRE2060)

Professional stereo audio meter for mixing, mastering and post production 7” high resolution LCD display for precision metering in all studio environments USB connection for hassle-free VST*, Audio Units and AAX* plug-in metering Stereo 96 kHz AES3 digital audio on 75 Ohm BNC connectors for broadcast-grade metering Ultimate metering toolbox to diagnose your mix for phase, balances, frequency distribution, loudness, channel weighting, clipping, mono compatibility Vectorscope for detailed Left-Right analysis High accuracy real time analyzer with 1/3 octave resolution Easy-read Balance-O-Meter to quickly check Left-Right and Mid-Side balances of your mix Precision correlation meter warns you about phase problems State-of-the-art scalable true peak meter identifies clipping in DACs, CODECs and downstream filters Legendary LM6 loudness radar meter provides all essential loudness monitoring information on a single screen Detailed statistics overview for all key loudness measuring parameters Provision for custom logo on LCD display Compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59 RAM-mount compatible for wall or ceiling mounting (not included) Stereo Optical Input for TOSLink* source General purpose input (GPI) for meter reset 3-Year Warranty Program* Designed and engineered in Denmark The CLARITY M STEREO provides a comprehensive set of precision tools essential to the success of any audio producer. Ideally suited to stereo mixing, mastering and post-production, CLARITY M STEREO’s 7" high-resolution LCD display provides a wealth of monitoring information at-a-glance via a single screen. Metering options include; the legendary LM6 Loudness Radar Meter; a state-of-the-art true peak meter; downmix compliance; stereo correlation; and a RTA (Real Time Analyzer). Source inputs come in a vast array of options including: USB for hassle-free VST*, Audio Units* and AAX* plug-in metering; Stereo 96 kHz AES3 digital audio on 75 Ohm BNC connectors or S/PDIF via the supplied RCA adapter for broadcast-grade metering; and stereo optical for maximum flexibility. CLARITY M STEREO is fully compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59, and is recommended for all studio environments. Audio Toolbox CLARITY M STEREO provides a veritable toolbox of meter types to help you make the right mix and mastering decisions for truly professional recordings. Vector Scope By tracing the left and right audio waveforms into a shape-like cloud, the high precision vector scope in CLARITY M STEREO will help you identify important stereo balance and phase issues in your mix. RTA Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance. Balance-O-Meter Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance. True-Peak Based on TC Electronic’s highly acclaimed True-Peak Technology, the CLARITY M STEREO is your guard against otherwise unpredictable clipping. Loudness Radar The Loudness Radar is essential when it comes to monitoring the loudness of your mix. With the loudness history overview on the scope, the radar helps get the levels just right, while the momentary loudness in the outer ring keeps an eye on your instant loudness level. Loudness Measures Loudness statistics not only keep you compliant with loudness standards, they also provide crucial information on other important aspects of your mix, such as micro dynamics and macro dynamics. Downmix Deviation The Deviation meter is a fundamental tool to ensure your mix sounds great whether played back in stereo or mono. This downmix compatibility meter is based on TC Electronic’s Loudness Technology, and provides the best means for determining the status of your mix fold down. Correlation For stereo mixing, the correlation meter helps identify phasing issues and other anomalies that are easy to miss when relying solely on your ears. Merging Hardware with Plug-ins While CLARITY M STEREO is an exceptional hardware stand-alone desktop meter, it also interacts seamlessly with your DAW workflow via plug-in metering – which is available for Pro Tools, Apple Logic Pro, Nuendo, and all other major VST*, AU* or AAX* compatible DAWs. CLARITY M STEREO is quite simply the ideal integration of two worlds. Bring Clarity to Your World CLARITY M STEREO provides a wealth of digital connectivity. Unbalanced AES3 (coaxial) and S/PDIF are available right out of the box, and optional adapters enable you to connect standard AES/EBU with ease. Additionally, you can use the TOSLink* port for optical input and the USB connection to work seamlessly with your favorite DAW. Myriad Mounting Options CLARITY M STEREO includes an integrated stand, making it perfect for any desktop. A pair of mounting holes provides compatibility with RAM-Mounts, allowing convenient attachment to a wall or ceiling. Other options include a suction cup for mounting on hard surfaces and a tough-claw mount for mic stand applications, all of which are available separately. Unparalleled Functionality With its high-resolution 7" display, wealth of metering tools, flexible connectivity and seamless DAW integration, CLARITY M STEREO sets the benchmark for computer integrated metering.

Tehnička specifikacija * SMP provides the highest level of protection available * LiFT significantly reduces AC line noise * E.V.S. protects equipment from dangerous overvoltage conditions * Zero ground contamination circuitry assures delivery of pure AC * Compact chassis design allows for discrete, unobtrusive placement * Included mounting brackets for installation on a flat screen television mount Dodatne informacije The most widely recognized and trusted name in AC power conditioning is proud to introduce the AC-210 E compact power conditioner featuring Furman-s revolutionary SMP technology. Furman-s Series Multi-Stage Protection (SMP) circuit features our exclusive Linear Filter Technology (LiFT) and Extreme Voltage Shutdown (EVS) and a high current TVZ-MOV. Together; these technologies comprise what is, without question, the world-s most advanced and comprehensive transient voltage surge suppressor. SMP (Series Multi-Stage Protection Plus) Furman-s SMP surge suppression virtually eliminates service calls. Traditional surge suppression circuits sacrifice themselves when exposed to multiple transient voltage spikes, requiring the dismantling of your system, and repair of your surge suppressor. Not so with SMP. With Furman-s SMP, damaging transient voltages are safely absorbed, clamped and dissipated - no sacrificed parts, no service calls, no down time. Unique to Furman-s SMP is its unparalleled clamping voltage, even when tested beyond the grueling specifications of - USA/CIDA-s A-1-1 test. While other designs offer clamping voltages that are well above 300VAC peak (far beyond long accepted professional standards), Furman-s SMP clamps at 376VAC peak, 266 VAC RMS even when tested with multiple 6000VAC - 3000 Amp surges! This unprecedented level of protection is only available with Furman-s SMP technology. LiFT (Linear Filtering Technology) Unfortunately, traditional AC filter/conditioners have been designed for unrealistic laboratory conditions. Prior technologies could actually harm audio and video performance more than they help, due to the resonant peaking of their antiquated, non-linear designs. Under certain conditions, these designs can actually add more than 10 dB of noise to the incoming AC line! Worse still, lost digital data, the need to reboot digital presets, or destroyed digital converters are frequently caused by excessive voltage spikes and AC noise contaminating the equipment ground. Furman-s SMP with LiFT takes another approach, ensuring optimal performance through linear filtering and no leakage to ground. E.V.S. (Extreme Voltage Shutdown) Furman-s trusted overvoltage circuitry protects against all too frequent accidental connections to high voltages by shutting off the incoming power until the overvoltage condition is corrected. Compact Chassis Design At only 44.45 mm H x 127 mm W x 215.9 mm D, and weighing in at only 1.36 kg., the AC-210 Es compact, low-profile design makes it ideal for mounting to the back of a flat-screen television, or anywhere that discretely located, remote power protection and purification are needed. Note: This product comes with a choice of plug options. Please consult the plug options located in the accessories section of the product menu.

The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device.

4-channel power audio amplifier for Rack ArtSound PRL-1204 is a 4-channel power amplifier, class D. The amp is extremely compact and can produce 4 x 120W RMS on 8 Ohms or 4 x 200W on 4 Ohms. Connected to a preamplifier like the ArtSound PM-2S01 it allows you to drive a large power on four different channels. ArtSound PR-1204 is equipped with both comfortable feet for surface mounting and a panel for mounting on a vertical rack. Specs: Type : 4-channel 4 x 120W RMS 8Ohm (200W / 4Ohm) final amplifier, class D Description : 4mm aluminum front panel - metal chassis Other : Protection, clip for Rack, LED Inputs : XLR audio combo jacks inputs / outputs- Loudspeaker binding posts Selection : stereo / parallel / bridge switch Dissipation : Innovative heatsink with air flow Input Sensitivity : 0.775V-1.0V-1.44V Signal / Noise : ?95dB Frequency response : 20Hz - 20KHz THD (10% Rated Power) : <0.1% Other : Class D Power Amplifier CircuitT.HD: <0.1% Power supply : 220V / 50Hz Dimensions (mm) : 483 x 250 x 44mm (19 ” / 1U) Weight : 3.8Kgs

Studijski cevni mikrofon vrhunskih performansi. Izuzetan kvalitet zvuka - budite spremni na iznenađenje! Stara cena: 1200 EUR RASPRODAJA 999 EUR - cevni kondenzatorski mikrofon - frekventni opseg: 20Hz - 20kHz - osetljivost: 12.6mV/Pa - 38 ± 1dB(0dB=1V/Pa 1000Hz) - kardeoidna karakteristika usmerenosti - impedansa ispod 200ohm - sopstveni šum: 16dB - dinamički opseg: 130dB - napajanje putem isporučene eksterne jedinice Isporučuje se vrhunskim amortizerom za montažu i De Luxe koferom.

Čisti kondenzatorski mikrofon. Optimalnog senzibiliteta i čistih soničnih karakteristika. Frekvencijska osjetljivost: 20-20,000 Hz - jednostruka kondenzatorska kapsula velikog promjera - karakteristika usmjerenosti: kardioidna - frekvencijski opseg: 20Hz - 20kHz - osjetljivost mikrofona: -32dB/1V @ 1Pa - nominalna impedansa: 100 Ω - maksimalni nivo zvučnog pritiska: 145dB (na 1kHz sa 1% ukupnih nelinearnih izobličenja), odnosno 155dB sa aktivnim atenuatorom od -10dB - sopstveni šum mikrofona: 12dB - dinamički opseg: 133dB (na 1kHz pri maksimalnom nivou zvučnog pritiska) - napajanje: 48V 3mA (ne isporučuje se uz mikrofon) - prekidači: odsjecanje basova na 80Hz (12dB po oktavi) + atenuacija -10dB - dimenzije: 170mm (dužina) / 53,4mm (maksimalan promjer) - masa: 360g

AirMax 19" 12 Frame loaded with 8 Triple ulaza + 2 Hybrid modula, master + 1xMic I/O, 1xLine I/O jack, 1xLine I/O XLR. Posebno popularna miks konzola za radeo stanice. * Triple input On-Air module * Triple input module * Triple Pro Input module (4 band EQ) * Digital Module (stereo in and out) * Hybrid module (including telephone fork) * Group, Module (group + VCA master) * Studio module (2x phones and monitor) * Master module TEN STEREO BUSSES. * Program (stereo) * Sub (stereo) * Aux-1 (stereo) * Aux-2 (stereo) * Group 1-4 (4x stereo) * Comm. (stereo comm. buss) * Cue (stereo) SOFTWARE CONTROL OVER * Input selection * +48volt * Low-cut * Mono/stereo * Insert * Buss routing (Program/Sub) * EQ on/off * 6dB or 12 dB EQ level selectable * 4 VCA groups * Auto communication by the comm. bus * Zero or +10dB fader gain * Extended GPIO’s per module * Total console communication over USB * Personal set up and security http://www.d-r.nl/

Tehnička specifikacija The MX422 is a four channel, microphone/line mixer with balanced XLR inputs and outputs. The unit is ideal for the broadcast and video markets. It has the same features of other ENG / portable mixers without the extremely high price. Applications include: DV Field Production Electronic News Gathering Location Recording (Dialogue and Music) Digital Recording Broadcast Remotes Desktop Mixing for Video Post Production FEATURES Four servo-balanced XLR Inputs Two transformer-balanced XLR Outputs Switchable Output Level ( Line level, or -30 dB pad) 1/4" TRS Stereo Monitor Input and Auxiliary Input Switchable 48 Volt Phantom Power for each input Switchable 100 Hz Low Cut filters for each input Main and Back-up battery compartments, never lose power Level and Pan controls for each channel Built in Limiter with variable Threshold control 20 Hz Slate tone with Slate Microphone included Switchable 1 kHz setup Tone Calibrated VU meters 1/4" and 3.5mm Headphone/Earphone Outputs with selectable Source Input (Main mix or Monitor input),and Level control Canvas case included Rolls PS27 external power supply included PRODUCT SPECIFICATIONS Input Impedance: Mic: 10K Ohms XLR balanced Source: 22K Ohms RCA Limiter Threshold: -5 dB to off fully clockwise: No Limiting Setup Frequency: 1 kHz Slate Frequency: 20 Hz Output Attenuator: -30 dB Self Noise: -57 dB maximum -90 dB typical Max Gain: +65 db S/N Ratio: 115 dB Frequency Response: 20 Hz - 30 kHz | +0, -3 dB Low Cut: 100 Hz Trim Range: 0 to + 38 dB Max Input: 0 dBV Current Draw: 45 mA with no Phantom Power or Signal. Phantom Power: +48 VDC Connectors: 4 ea. Female XLR, 2 ea. Male XLR, 3 ea. 1/4", 1 ea. 1/8" (3.5mm), 1 Center Negative power jack. Power: 12VDC / 200 mA Size: 9.5" W x 7.25" D x 2.375" H Weight: 4 lbs

The API Model 500VPR is powered externally by a tri-polar power supply and is designed to accept API standard format 5.25" X 1.5" modules. The 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS. The input/output jacks are both XLRs. The 500VPR can hold up to ten API modules. API makes several modules to fit this rack, including the 550A, 550b, 560, 525, and 512c. NOTE: Older API 560A series equalizers used pin 15 for a "direct output" and must be disabled on the 560A circuit board edge connector by cutting a trace. This will eliminate 48 volts from damaging the 560A series equalizers.

Specs: Heavy die-cast construction and non-slip bottom pads minimize coupling of surface vibration to the unit Low-profile design with low-reflectance black finish for minimum visibility Reversible XLR-type connector on the top and the rear of the product Heavy die-cast construction and non-slip bottom pads minimize coupling of surface vibration to the unit Low-profile design with low-reflectance black finish for minimum visibility Reversible XLR-type connector on the top and the rear of the product

Klasični shotgun mikrofon superkardeoidne usmerene karakteristike, namenjen specifičnim visokozahtevnim aplikacijama u broadcast, televizijskoj i filmskoj industriji, kao i u profesionalnim radijskim aplikacijama i Napomenaištu. Kondenzatorska kapsula ovog mikrofona, zajedno sa vrhunskom SMT elektronikom osigurava kontrolisan dijagram usmerenosti s visokim stepenom suzbijanja neželjenih ambijentalnih šumova. Pored velikog frekventnog opsega i visoke dinamike, ovaj mikrofon može raditi na 48V fantomskom napajanju ili se može napajati standardnom AA 1,5V alkalnom baterijom, što ga čini upotrebljivim i u terenskim uslovima. Zahvaljujući odličnim tonskim karakteristikama i dobroj ceni, sve je češće deo opreme TV stanica. U kompletu sa mikrofonom dolazi RM5 nosač mikrofona, WSVM zaštitnik od vetra i ZP1 torba za transport. Tehnička specifikacija: * Acoustic Principle: Line Gradient * Active Electronics: JFET impedance converter with bipolar output buffer * Capsule: 0.50" * Polar Pattern: SuperCardeoid * Address Type: End * Frequency Range: 20Hz - 20kHz * Output Impedance: 250Ω * Maximum SPL: 131dB SPL (@ 1kHz, 1% THD into 1KΩ load) * Maximum Output Level: 6.9dBu (@ 1kHz, 1% THD into 1KΩ load) * Sensitivity: -36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz * Equivalent Noise Level (A-weighted): 18dB-A * Power Options: +48V phantom power; AA Battery * Weight: 161.00gm * Dimensions: 280.00mmH x 22.00mmW x 22.00mmD * Output: XLR Output

The RØDE VideoMic Pro+ is a new addition to the best-in-market on-camera category. It is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio. Still with the best-in-class Rycote Lyre suspension system onboard, the VideoMic Pro+ improves on the existing VideoMic Pro capsule/line tube and windshield, plus boasts a host of new features. Automatic Power Function (with plug-in power availability) is perfect for the run-and-gun shooter, automatically turning the microphone off when unplugged from the camera. Built-in Battery Door makes replacing the battery a breeze - plus it won't get lost. Power options- the VideoMic Pro+ can be powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries or continuously via Micro USB. Digital Switching - will ensure the user has ultimate capture of the audio signal at the source, reducing post-production and editing times. The Digital Switching includes: 2-Stage High Pass Filter to reduce low frequencies such as rumble from traffic or air conditioning 3-Stage Gain Control, with +20dB function – designed to improve audio quality on DSLR or mirrorless cameras High-Frequency Boost will boost high frequencies enhancing detail and clarity in the recording Safety Channel to help ensure the signal does not clip when unexpected spikes occur Features Automatic Power Function with plug-in power Power via LB-1, 2 x AA Batteries, Micro USB Ships with LB-1 Lithium-Ion Rechargeable Battery, Detachable 3.5mm TRS Cable, Micro USB Cable Built-in Battery Door Optimized Windshield Shape LED indicator for power source and charging / discharging status USB micro port for charging removable LB-1 Bery Digital Switching Audio Level adjustment Dual high pass filter options High-frequency boost Dual mono unbalanced output Safety channel option on right channel Ambient light detect to boost LED brightness Low noise circuitry Improved RF immunity Rycote® Lyre® shock mounting onboard Specifications Acoustic Principle: Line Gradient Directional Pattern: Supercardioid Frequency Range: 20Hz ~ 20kHz (selected HPF @ 75Hz/ 150Hz) Sensitivity: -33.6dB re 1V/Pascal (21.20mV @ 94dB SPL) ±2dB @ 1kHz Output Impedance: 200Ω Equivalent Noise: 14dBA Maximum Output Level: 7.7dBu (@ 1kHz, 1% THD into 1kΩ) Dynamic Range: 118.8dB Maximum SPL: 133dBSPL Signal to Noise Ratio: 79.8dB Power Options: RØDE LB-1 Lithium-Ion Rechargeable Battery (~12mA current draw), 2 x AA Batteries (~17mA current draw), or via Micro USB Port LB-1 Battery Life: Over 100 hours of continuous use Battery Charger: Micro USB Cable (supplied) Output Connection: Dual mono unbalanced on the stereo 3.5mm jack Dimensions: 111mmH x 66mmW x 170mmD Net Weight: 122g

The VideoMic Pro with Rycote Lyre Suspension Mount from Rode is a supercardeoid condenser shotgun microphone that terminates in a 1/8" stereo mini-jack (dual mono), includes an integrated shockmount, and an integrated foam windscreen. It can be used to capture audio for camcorders, DSLR, and portable recorders as a source of primary and reference audio. The VideoMic Pro has been upgraded from earlier models with a 1/2" condenser capsule that provides broadcast-quality audio. Its 1/8" stereo mini-jack connector (outputting the mono signal to both left and right channels) delivers low self-noise of just 14 dB. A supercardeoid polar pattern ensures that surrounding audio is minimized, and your recording is focused on the subject in front of the camera. In addition, the Rycote Lyre-based shockmount is built from a single piece of hard-wearing thermoplastic. It separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. This suspension will never wear out, sag or snap. Easily accessible on the rear face of the microphone are the power, the filter, the level controls and a selectable high-pass filter at 80 Hz. The filter will prevent low-end noise such as air conditioners and traffic from being recorded. Furthermore, the -10 dB (or pad) is suitable when recording loud sound sources such as live music, motorsports, or interviews, where the subject is very close to the camera. There is a +20 dB level boost designed for use with DSLR cameras, so the user can reduce the camera's preamp level, effectively reducing the amount of noise generated by the camera's audio circuitry. The Rode VideoMic Pro uses a standard sized shoe-mount for on-camera use and features a 3/8" thread in the base of the mount for easy boom-pole mounting. The VideoMic Pro is battery powered and provides over 70-hours recording from a single 9V battery. 9V battery powered with over 70 hours use (alkaline) Camera shoe mount with 3/8" thread for easy boom-pole mounting Compact form factor is only 6.7" length

The Austrian Audio OC18. Handcrafted in the heart of Vienna, the City of Music, the OC18 is a versatile large-diaphragm condenser microphone with a fixed cardioid polar pattern, 10 and 20dB pads, and a three-position switchable highpass filter. You can use the OC18 on any source with excellent results. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance. Which means you can confidently use your OC18 along with another OC18 (or the company's multi-pattern OC818 set to cardioid) in a stereo-pair configuration and be assured of stunning results. Outstanding results on any source Austrian Audio pours everything they have learned in 300+ years of combined experience into their products. The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the company's proprietary CKR12 capsule. In keeping with its fixed cardioid polar pattern, the OC18 uses the single-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC18's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10 and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets. Versatile cardioid polar pattern If you had to choose only one polar pattern for all the mics in your studio, cardioid would be the one. Although we certainly recommend having multi-pattern microphones such as Austrian Audio's OC818 in your mic locker for tricky recording setups and advanced stereo miking techniques, your cardioid mics will be your "go-to" mics for the vast majority of recording and sound-reinforcement tasks. The OC18 uses the same handmade-in-Vienna CKR12 ceramic capsule as the OC818, but with a single instead of dual diaphragms, which keeps the cost down. After all, if you don't need multiple polar patterns, why pay for them? Otherwise, you're getting the exact same microphone, with identical sonic performance. A great-sounding cardioid condenser mic like the OC18 will enjoy constant use in your studio. The new Vienna classics Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Features: Handmade, single-diaphragm CKR12 ceramic capsule, cardioid polar pattern Austrian Audio OC18 and OC818 mics are matched to within 1dB tolerance for accurate stereo capture Compatible with Austrian Audio OC818 for spaced-pair applications Polar pattern: Cardioid Frequency response: 20Hz–20kHz Sensitivity (all directions): 13mV/Pa Equivalent Noise Level: 9dB SPL (A) Maximum SPL: 148dB (158dB SPL with 10dB pad engaged) Switchable pad: 10dB, 20dB HPF: switchable 40Hz, 80Hz, 160Hz Impedance: 275Ohm (symmetrical) Load impedance: >1kOhm Supply voltage: 48V phantom (<2.2mA) Includes 2 microphones, mic clips, and windscreens

Recording Set Includes AI-1 audio interface, NT1 microphone, SMR spider, XLR microphone cable and Ableton Live Lite software Features AI-1 audio interface: USB 2.0 audio interface 24-bit / 96 kHz Gain control with signal LED Switchable direct monitoring of the recording signal Switchable phantom power +48 V 1x microphone / instrument combo input XLR / 6.3 mm jack 2x line output 6.3 mm jack balanced Stereo headphone jack 6.3 mm jack USB-C Power supply via USB Dimensions: 124 x 100 x 38 mm Weight: 560 g Including USB C / A cable Features NT1 large diaphragm condenser microphone: Gold-plated 1" capsule, stored in miniature Lyre of Rycote Black metal housing with scratch-resistant ceramic coating Extremely low self-noise (4.5 dBA) Directivity: Kidney Transmission range: 20 - 20000 Hz Output impedance: 100 ohms Sensitivity: 35.0 mV / Pa Replacement noise level: 4.5 dBA (according to IEC651), Max Output level: +8.0 dBu (1 kHz, 1% THD, 1 kOhm load) Dynamic range: 128 dB Boundary sound pressure level: 132 dB Signal-to-noise ratio: 90 dBA (according to IEC651) Requires phantom power 24 V / 48 V. Connection: 3-pin XLR Dimensions: 50 mm x 190 mm (diameter x length) Weight: 395 g Includes special spider SMR with double lyre by Rycote, pluggable metal pop protection and dust bag Made in Australia 10-year guarantee for registered users (special guarantee between manufacturer and buyer)

A Merit Series Power Conditioner is the perfect low-cost AC power solution for any rack mount system. Install an M-10x E in to the top slot of your rack, and the ten switched outlets in the rear panel will power up and protect all your equipment up to a 10-amp load. Instrument Rigs You've got a rack for your effects, preamps, tuner...You're going to plug that into the wall? One big spike and your rig is up in smoke. Furman's standard level surge/spike protection defends your gear from the spikes and surges that are so common at gigs and practice spots. With Furman's standard level RFI/EMI filtration, you'll get a quieter tone without pops, crackles, and the local radeo station coming out of your amp. Plus, dual pull-out lamps (M-10Lx E) let you see your rack without turning the house lights on. Recording Can't track down where that noise is coming from? Your mix sounding flat? With Furman's standard level RFI/EMI filtration you'll lower the noise floor caused by the dirty AC power coming into your console or DAW. Furman's standard level surge and spike protection keeps your sensitive digital equipment from acting funny or burning up due to everyday spikes and surges. With a 10A capacity and eleven total outlets, it's enough to power your whole home studio. DQ Equipment Bars, clubs and other event venues have some of the worst power out there - from air compressors turning on and off to light shows pulling current loads up and down, the AC power can be a strain on the circuits in your rig. Furman's standard level protection and filtration keeps the bad stuff out. Pro Audio When you're out there gigging, you never know what kind of power you're going to get. The wear and tear on mobile rigs eventually takes it toll - that's why it's smart to plug into Furman's standard level protection and RFI/EMI filtration. It keeps your equipment safe and sounding clean. Whether you're setting up a show at the local club or powering up the church band for their next service, make sure you give them power they can trust. Maximum Output Current: 10 amps Line Cord: 1.5 meter, removable, IEC C-13 female to Schuko male Operating Voltage: 230VAC 50Hz Spike Protection Mode: Line to neutral Energy Dissipation: 305 joules Peak Impulse Current: 12,000 amps Maximum Continuous Operating Voltage: 650 Volts Noise Attenuation: Transverse mode: Greater than 20dB, 1.5Mhz to 200 Mhz Dimensions: 1.75” H x 19” W x 7.5” D Weight: 2.3 kg. Safety Agency Listing: CE Warranty: Merit Series units are protected by a limited three year warranty covering defects in materials and workmanship.

The MS1224 is a 12 channel, 1 into 4 Unity Gain Active Microphone Splitter designed for applications where multiple feeds are required from one set of microphones without the signal degradation experienced with passive splitting solutions. The Unity Gain design principle combined with excellent line driving ability ensures that unity levels are delivered at the end of each feed, even over considerable distance, thereby saving time in recalibrating levels. Each of the MS1224's channels has four independently buffered, transformer balanced outputs and a fifth dedicated parallel Link output. The Link output may be used to provide a direct, non active feed, for instance to the FOH console, or it can be used to daisy chain adjacent channels to provide more output feeds from a single microphone, for instance for Press Box applications. The inputs are electronically balanced with a Pad switch for connection of line level signals. Switchable Phantom Power is provided with a Phantom Presence LED. The MS1224 incorporates a channel monitoring circuit, which is accessed on the PSU unit. Each channel has a Listen button that connects it momentarily both to an LED bargraph and headphone socket on the PSU front panel. The headphone monitor circuit incorporates a dynamics enhancement and protection system. This controls the dynamics of the signal in a way that amplifies very low background levels whilst limiting high signal levels. This enables monitoring of microphone function during set up without the need of a vocalist being present on the mic. It also provides user protection against sudden loud signals. A unique design feature of the MS1224 is the option to configure the way that Input and Output connectors are presented on the front and rear of the unit. As each customer has their own views on this we have given the flexibility of presenting the Input and two Outputs on the front and three Outputs on the rear, or vice-versa. In addition the Output designated as Link can be positioned either below the Input connector, or the top connector of the group of three Outputs. Thereby giving four possible permutations. The required configuration can simply be reconfigured at a later stage.

Profesionalna iPad docking stanica sa mogućnošću audio, video i Midi povezivosti! Novitet od Behringera, iSTUDIO iPad docking stanica je savršeni mizički produkcijski alat bilo za kućni studio ili snimanje svirke uživo. Mnogo više nego samo jedan od načina punjenja baterije za iPad, iSTUDIO Vam omogućava stvaranje, produciranje i izvođenje muzike koristeći Vašu omiljenu audio opremu i muzičke instrumente. iSTUDIO takođe uključuje i dva fantomski napajana mikrofonska/linijska ulaza (jedan selektivni za Hi-Z ulaze poput električne gitare ili bas gitare, DI je nepotreban), tako da možete koristiti studijske kondenzatorske mikrofone kako biste dobili vrhunske profesionalne rezultate. Tehnička specifikacija: * Complete and high-quality Music Studio for Apple iPad (3rd generation), iPad 2 and iPad * Connect your microphones, instruments and audio sources to virtually any audio/MIDI app * Optional battery operation for mobile applications (batteries not included) * Attach to any standard mic, music or drum stand via mounting bracket (P16-MB not included) * Core Audio/MIDI compatible for use with any iOS App * Versatile I/O functionality with adjustable headphone output and direct monitoring control * Separate Video output for connecting your iPad to TVs and projectors * Standard MIDI I/O plus USB-to-host connectors for ultimate MIDI connectivity * iPad powering and battery charging via the iSTUDIO dock * Ergonomic design layout – all control elements on top panel with headphone connector on front * Slide-in access for mating with iPad dock connector suitable for iPad (3rd generation), iPad 2 and iPad * Universal switch-mode power supply with country-specific wall socket adapter included * High-quality components and exceptionally rugged construction ensure long life * Conceived and designed by BEHRINGER Germany