Connectivity and Features RME USB 2.0 2 x Phones Output Class Compliant Mode 1 x Line Output 2 x SPDIF Input Remote 1 x Stereo Chinch SteadyClock FS The ADI-2 DAC is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities. The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analog output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs. The DAC Packed into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS. As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface. Improving DA The updated ADI-2 DAC uses AKM's AK4493 in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values. Even the IEM output, with -118 dBu already the world's lowest noise headphone output, improves to a sensational -121 dBu. In addition, there is 4 dB of digital headroom, so that even high intersample peaks do not produce any audible distortion. Finally, the device now also offers a clear reserve in volume setting. +2.5 dB result in a still undistorted analog output signal. All these improvements are completely transparent in the previous menu navigation. There are no changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. The only difference: with 'Low Dispersion' another digital filter is available for selection. Explanations for this filter can be found in the detailed manual of the ADI-2 DAC. Super Low Noise for IEM lovers The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home. Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs. Still RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs. RME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it! Lights Out! A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off / on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it! Special features The ADI-2 DAC comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices. New extended Multi-Remote Support (MRC) The ADI-2 DAC remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble and EQ. In addition, there are four programmable buttons that provide access to 32 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control! Note for owners of the previous remote: the new MRC is also available separately as an accessory. It can be used with all ADI-2 DACs, even older ones, if they are equipped with the latest firmware (at least version FPGA 27, DSP 33). SteadyClock FS The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC. With SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again). The low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS. Bit Test A bit test is used to check the playback path for unwanted changes in the playback data. Playback software can cut bits, add dither, or change the level - without these changes becoming noticed easily. A poorly programmed driver can manipulate bits, and a playback hardware could be both badly designed and defective (hanging bits, swapped bits). Even such features as proper channel assignment, left/right synchronicity and polarity can be tested by a well-made bit test. With a bit test, such errors can be detected and - more importantly - excluded. Bit Test Audio files (download) Accessories There are several items available for the ADI-2 DAC: NT-RME-2 Power supply for ADI-2 DAC. Robust and light-weight switching power supply, 100 V-240 V AC, 12 V 2 A DC. Lockable DC connector. USB2M RME USB 2 cable, length 78” (2m) Unirack Universal rackmount adapter (tub for two 9.5" devices) Optical cables for SPDIF and ADAT operation: OK0100PRO Optical cable, TOSLINK, 1 m (3.3 ft) OK0200PRO Optical cable, TOSLINK, 2 m (6.6 ft) OK0300PRO Optical cable, TOSLINK, 3 m (9.9 ft) OK0500PRO Optical cable, TOSLINK, 5 m (16.4 ft) OK1000PRO Optical cable, TOSLINK, 10 m (33 ft)

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Mic inputs 4 x XLR mic inputs Preamp gain: 0 to +63 dB (digitally controlled) Analog inputs 2 x 1/4" hi-Z guitar inputs (front panel) 8 x 1/4" TRS line inputs (balanced/unbalanced) Max level: +24 dBu (digitally adjustable +2 to +24) Analog outputs 12 x 1/4" TRS line out (balanced, DC coupled) Max level: +20 dBu (digitally adjustable -4 to +20) 2 x 1/4" TRS stereo headphone Digital I/O 2 banks (16 ch) of ADAT optical at 1x sample rates 1 bank (8 ch) of SMUX optical at 2x sample rates Stereo RCA S/PDIF up to 96 kHz (with SRC on input) Stereo TOSLink (optical S/PDIF) on Bank A (optional) Total I/O 32 inputs and 34 outputs (66 total) at 1x sample rates 24 inputs and 26 outputs (50 total) at 2x sample rates 14 inputs and 16 outputs (30 total) at 4x sample rates Computer I/O 1 x Thunderbolt (compatible with 1 and 2) 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Sync I/O 1 x word clock in 1 x word clock out Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 16 in / 16 out @ 44.1 or 48 kHz 16 in / 16 out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Headphone 2 x 1/4" TRS stereo phone (assignable) Phantom power 4 x individual +48V Front panel 2 x 1/4" TRS headphone output 2 x TRS hi-Z guitar input 2 x digital rotary encoders • main/monitor volume 2 x digital rotary encoders • phone volume 2 x digital rotary encoders • guitar input gain 4 x digital rotary encoders • mic preamp gain 8 x switches • (4) Pad and (4) 48V Phantom switch 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 4.6 lbs / 2.08 kg with rack brackets removed: 17.25 inches (43.8 cm) wide 4.5 lbs / 2.04 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB 2.0 or AVB Ethernet port* Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X El Capitan or later Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available Thunderbolt or USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software Thunderbolt and USB 2.0 drivers MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 24 dB (-4 to +20 dBu) Line input 1/4" TRS, bal/unbal, tip hot 117 dB -110 dB +24 dBu 22 dB (+2 to +24 dBu) Mic input XLR, balanced, pin 2 hot 118 dB -110 dB +24 dBu (with pad) 63 dB Phones 1/4", TRS stereo 108 dB -100 dB Max. 80 mw 128 dB Compatible Mac Software The 1248 ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 1248 ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 1248 Feature Summary Superb audio quality For example, the balanced TRS analog outputs produce 123 dB dynamic range and -110 dB THD+N (0.0003%) at -1 dBFS, Unweighted, 1 kHz. 66 simultaneous audio channels 4 mic inputs, 2 guitar inputs, 8 x 12 balanced analog with dedicated main and monitor outs, 2 x 8-channel ADAT optical, RCA S/PDIF (with SRC), and two independent phone outs for 32 inputs and 34 outputs. Universal connectivity Connects to a computer with Thunderbolt, standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing The 1248's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion and audio networking Add a 2nd MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network. Matrix routing and splitting Flexible, matrix-style audio routing and splitting for any analog or digital input, computer channel or network stream to any other output, computer, or network device. Split any single input to unlimited multiple output destinations. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to the 1248 with a standard Ethernet cable and control the 1248's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing. ADAT digital I/O Connect outboard digital processors, digital mixers or other gear. 16 channels at 44.1/48 kHz or 8 channels at 88.2/96 kHz. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Analog inputs 8 x 1/4" TRS line inputs (balanced/unbalanced) Max level: +24 dbU (digitally adjustable -96 to +22 dB) Trim: -96 to +22 dB (digitally adjustable) Analog outputs 10 x 1/4" TRS line out (balanced, DC coupled) 6 x 1/4" TS line out (summed mono) 2 x XLR line out (pin 2 hot) Max level: +22 dBu Trim: 127 to 0 dB (digitally adjustable) 12 x 1/4" TRS stereo headphone Digital Input 2 banks (16 ch) of ADAT optical input at 1x rates 1 bank (8 ch) of SMUX optical input at 2x rates Stereo TOSLink (optical S/PDIF) on Bank A (optional) Total I/O connections 24 inputs and 30 outputs (54 total) at 1x rates 16 inputs and 30 outputs (46 total) at 2x rates 8 inputs and 30 outputs (38 total) at 4x rates Total I/O channels 24 inputs and 16 outputs (40 total) at 1x sample rates 16 inputs and 16 outputs (32 total) at 2x sample rates 8 inputs and 16 outputs (24 total) at 4x sample rates Computer I/O 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Headphone 12 x 1/4" TRS stereo phone (mirrored in 6 pairs) Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 8 in / 8 out @ 44.1 or 48 kHz 8 in / 8out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Front panel 6 x 1/4" TRS headphone output 1 x digital rotary encoder • main out volume 1 x digital rotary encoder • aux out volume 6 x digital rotary encoders • phone volume 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 5.1 lbs / 2.31 kg with rack brackets removed: 17.25 inches (43.8 cm) wide 5.0 lbs / 2.27 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available high-speed USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software Thunderbolt and USB 2.0 drivers MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 128 dB (-127 to 0 dBu) Line input 1/4" TRS, bal/unbal, tip hot 110 dB -104 dB +24 dBu 118 dB (-96 to +22 dB) Phones 1/4", TRS stereo 108 dB -100 dB Max. 80 mw 128 dB Compatible Mac software Monitor 8 ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows software Monitor 8 ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Monitor 8 Feature Summary Three products in one 24 x 16 x 8 monitor mixer, 6-channel headphone amp and USB/AVB audio interface. Exceptional audio quality Employs the same industry-recognized analog design as MOTU's groundbreaking 1248, 8M and 16A audio interfaces. The balanced, DC-coupled analog outputs produce measured performance of 123 dB dynamic range (A-weighted) and -110 dB THD+N (0.0003%) at -1 dBFS, Unweighted, 1 kHz. 24 inputs and 8 stereo bus outputs Mix 24 physical inputs, multi-channel computer audio, and 64 AVB audio network channels to eight stereo bus outputs (Main, Aux, and monitor groups A thru F). Inputs include 8 channels of balanced (TRS) analog and 16 channels (2 banks) of ADAT optical. Six monitor groups with flexible outputs Each group provides multiple mirrored outputs, including 2x 1/4-inch phones (front and rear panel), summed 1/4-inch mono out for stage monitors, and, for groups A-D, balanced stereo 1/4-inch outs, which can be fed to in-ear monitoring systems or other stereo destinations. Universal connectivity Connects to a computer with standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing DSP-driven mixing and effects engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion and audio networking Add a 2nd MOTU AVB interface (1248, 8M, 16A, 24Ai or 24Ao) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. Flexible matrix routing and splitting Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the AVB network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to Monitor 8 with a standard Ethernet cable and control the 8M's powerful mixing and DSP effects from your smartphone or tablet, without a computer. Great for live show monitor mixing. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Two banks of ADAT digital input Connect digital mixers, optical expanders or other gear. 16 channels at 44.1/48 kHz or 8 channels at 88.2/96 kHz. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

ANALOG IN: Input 1/2 Connector: TRS/XLR combo jacks (XLR: 2 hot, TRS: TIP hot) Input gain: 0 – 43 dB Input impedance: 2.6 k Ω (MIC IN) 1.1 M Ω (when Hi-Z ON) Maximum input level: +2.7 dBu (MIC IN) /+20.7 dBu (TRS IN) Phantom power: +48V ANALOG IN: Mic In Supported Zoom Input Capsules: XYH-6, MSH-6, SGH-6, EXH-6, SSH-6, XYH-5 ANALOG OUT: Main Out L/R Connector: TRS phone jacks (unbalanced) Maximum output level: +10 dBu (at 0 dBFS) Output impedance: 330 Ω ANALOG OUT: Line Out 1/2 Connector: RCA (coaxial) Maximum output level: +8 dBu (at 0 dBFS) Output impedance: 1kΩ ANALOG OUT: Phones Connector: Standard stereo phone jack 30 mW x 2 (into 32 Ω load) Maximum output level: +10 dBu (at 0 dBFS) Output impedance: 33 Ω DIGITAL IN/OUT: S/PDIF Optical Connector: TOSLINK Supported sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz DIGITAL IN/OUT: S/PDIF Coaxial Connector: RCA (coaxial) Supported sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz Frequency characteristics: At 44.1 kHz: ±1.5 dB: 20 Hz - 20 kHz At 96 kHz: ±2 dB: 20 Hz - 40 kHz Input conversion noise: Measured EIN: -119.5 dB (IHF-A) at 43 dB, 150 Ω input Number of audio recording and playback channels: Recording: 4 channels Playback: 4 channels Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz Bit depth: 24-bit Interface: USB 2.0 MIDI IN/OUT: 5-pin DIN jack Power Source: USB bus power (Type B) ZOOM AD-17 (Micro-B) DC 5V power supply (Micro-B) 2 AA batteries (4 hours continuous operation with phantom power off) Power consumption: 5W maximum Dimensions: 198.8 mm (D) 92.3 mm (W) 42.7 mm (H) Weight (main unit only): 310 g *0dBu=0.775Vrms

You name it, you connect it Its flexibility in connectivity and expansion is unrivalled – Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging. All new AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free. New low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance. Comprehensive MADI Connectivity The Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I/O solutions. Expanding your analog channel count, the ability to route/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series. To further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I/O (12 analog plus 16 ADAT plus AES), the MADI I/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I/O (BNC) can be switched to MADI I/O (coaxial), and a special split mode even supports the use of both MADI I/Os simultaneously, with 32 channel each on optical and coaxial. TotalMix-FX Flexible Routing & Mixing with TotalMix FX Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians. TotalMix FX DSP Effects TotalMix FX includes a complete effects system: EQ, Reverb, Dynamics & Delay TotalMix FX for iPad™ App TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™. ARC USB ARC USB Remote Control - Plug’n Play Plus The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+. Direct to Disc USB recording All 188 input and output channels can be individually chosen for recording and playback DURec (Direct USB Recording) DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX+ and Fireface UFX II records on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. SPECS RME Audio Fireface UFX+ ANALOG AD, Line In 1-8, rear Resolution AD: 24 bit Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel separation: > 110 dB Maximum input level: +19 dBu Input: 6.3 mm TRS jack, electronically balanced Input impedance: 8 kOhm unbalanced, 12 kOhm balanced Input sensitivity switchable to Lo Gain, +4 dBu Input level for 0 dBFS @ Lo Gain: +19 dBu Input level for 0 dBFS @ +4 dBu: +13 dBu Variable gain: 0 to +12 dB Minimum level for 0 dBFS: +1 dBu, -1.2 dBV Microphone In 9-12, front As AD, but: Input: XLR, electronically balanced Input impedance: 3.4 kOhm Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA Gain range: 75 dB Maximum input level, Gain 0 dB: +18 dBu Maximum input level, Gain 75 dB: -57 dBu CLIP LED: 0 dBFS • SIG LED: -60 dBFS Instrument In 9-12, front As AD, but: Input: 6.3 mm TS jack, unbalanced Input impedance: 1 MOhm Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA Gain range: 42 dB Maximum input level, Gain 8 dB: +21 dBu Maximum input level, Gain 50 dB: -21 dBu DA, Line Out 3-8, rear Resolution: 24 bit Dynamic range (DR): 115 dB RMS unweighted, 118 dBA Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz THD: < -110 dB, < 0.00032 % THD+N: < -104 dB, < 0.00063 % Channel separation: > 110 dB Maximum output level: +19 dBu Output: 6.3 mm TRS jack, servo-balanced Output impedance: 75 Ohm unbalanced, 150 Ohm balanced Output level switchable Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output XLR (1-2) As DA, but: Output: XLR, balanced Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV Output level at 0 dBFS @ 24 dBu: +24 dBu Output level at 0 dBFS @ Hi Gain: +19 dBu Output level at 0 dBFS @ +4 dBu: +13 dBu Output level at 0 dBFS @ -10 dBV: +2 dBV DA - Stereo Monitor Output Phones (9-12) As DA, but: Output: 2 x 6.3 mm TRS stereo jack, unbalanced Maximum output level at 0 dBFS, High: +19 dBu Maximum output level at 0 dBFS, Low: +2 dBV Output impedance: 2 Ohm Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)

Microphone Preamplifier Mic Gain Range: 58dB Line Gain Range: 58dB (-10dB pad) Phantom Power: 48v +/-4v @ 10mA/Channel Mic EIN: <-127.5dBu CMRR: >80dB @ 1kHz Maximum Input Level: +16dBu Input Impedance (Mic): >3kΩ Balanced Input Impedance (Line): >10kΩ Balanced Frequency Response: +/-0.5dB 10Hz to 40kHz Crosstalk: THD+N @ 0dBu (1kHz): <0.0015% SNR: 100dB XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” Jack: IP (Hot), RING (Cold) & SLEEVE (Shield) D.I D.I Gain Range: 58 dB Maximum Input Level: +10dBu Input Impedance: 500k Frequency Response: +/-0.5dB 10Hz to 20kHz THD+N @ 0dBu (1kHz): <0.1% SNR: 100dB 1/4” Jack: TIP (Hot) & SLEEVE (Shield) ADC Inputs Digital Reference Level: 0dBFS = +10.5dBu Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -125dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 112.5dB A-Weighted DAC Outputs Maximum Output Level: 12dBu Digital Reference Level: 0dBFS = +12dBu Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 121dB A-weighted 1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Output Max Output Level: 11.25dBu Output Impedance: <50Ω Frequency Response: +/-0.5dB 10Hz to Fs/2 Crosstalk: -108dBu @ 1kHz THD+N @ -1dBFS (1kHz): <0.001% Dynamic Range: 118dB A-weighted Max Level Into 30ohms: +8.5 dBu, 0.00094% THD+N, 1.66Vpk Power: 86mW Max Level Into 60ohms: 10 dBu, 0.00079% THD+N, 2.55Vpk Power: 104mW Max Level Into 600ohms: 11.2 dBu, 0.00057%THD+N, 3.83Vpk Power: 24mW 1/4” Jack: TIP (Left), RING (Right) & SLEEVE (Shield) Dimensions Dimensions (Unit): 355mm (w) x 255mm (d) x 53mm (h)

Furnished with studio-class 24-bit / 192 kHz conversion, the Apollo Solo USB gives musicians, producers, and songwriters the appreciable value of high-resolution recording and mixing with distortion and dynamic performance beyond its price point. The interface features two XLR-1/4" mic/line combo inputs and a 1/4" Hi-Z input, all with Unison integration for precise UAD emulations of classic analog preamps. Impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment. Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo Solo USB's face. It offers a dedicated stereo monitor feed and a front-panel headphone output, plus full input and output metering capabilities. The built-in SOLO Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency. The plug-in bundle included with the Heritage Edition empowers you with 25 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows. Please note, the Apollo Solo USB requires an external power supply (included) and a USB 3.0 port on your computer in order to operate. To see if your computer is compatible with the Apollo Solo USB, refer to the manufacturer website for compatibility information. Heritage Edition The Heritage Edition features the same Apollo Solo USB interface found in the standard edition but with more plug-ins. The standard Apollo Solo USB includes the Realtime Analog Classics bundle (14 plug-ins) and the Heritage Edition adds 11 more plug-ins for a total of 25 revered UA powered plug-ins. UA Sound in a Portable Form Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins UAD-2 SOLO Core processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency, and no burden on your computer’s CPU Unison technology nails the tone of sought-after tube and solid-state mic pres by matching the input impedance, gain-stage sweet spots, and component-level circuit behaviors of the original hardware High-speed USB 3.0 Type-C connectivity Windows computers (USB SuperSpeed cable available separately) Convenient desktop form factor with an external power supply Comprehensive front-panel metering and fast, intuitive controls; no menu-diving is required Free, industry-leading phone/online technical support from knowledgeable audio engineers I/O for the Home Studio 2x4 audio interface with two Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency One front-panel Unison-enabled 1/4" Hi-Z input for direct connection of a guitar, bass, or keyboard Stereo 1/4" monitor output and one 1/4" headphone output, each with dedicated level control 25 Powered Plug-Ins Includes Realtime Analog Classics plug-in bundle plus 11 additional plug-ins to complete the compressor, EQ, and preamp collections and provide another reverb (plug-ins support VST, RTAS, Audio Units, and AAX 64-bit for compatibility with all major DAWs): UA 610-A Tube Preamp and EQ (Vintage) UA 610-B Tube Preamp and EQ (Modern) Marshall Plexi Classic Guitar Amp Ampeg SVT-VR Classic Bass Amp UA 1176LN Limiting Amplifier (Legacy) UA 1176SE Limiting Amplifier (Legacy) UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition) Pultec EQP-1A EQ (Legacy) Pultec MEQ-5 EQ (Legacy) Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C) Teletronix LA-2A Leveling Amplifier (Legacy) Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2) Raw Distortion Precision Channel Strip (Precision Mix Rack Collection) Precision Reflection Engine (Precision Mix Rack Collection) Precision Delay Mod (Precision Mix Rack Collection) Precision Delay Mod L (Precision Mix Rack Collection) Pure Plate Reverb RealVerb Pro Custom Room Modeler Universal Audio Apollo Solo Specs Form Factor Tabletop Display 5 x Multi-Segment LED Meter Channels of I/O Analog: 2 Inputs / 4 Outputs at 192 kHz Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 1 x Knob Solo/Mute None Pad Mic: -20 dB (Switchable per Channel) High-Pass Filter 75 Hz, 12 dB/Octave Expansion Slots None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced Mic/Line Input 1 x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2 x 1/4" TRS Balanced Monitor Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power +48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O None Host Connection / USB 1 x USB Type-C (USB 3.0 / 3.1 Gen 1) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Memory Card Slot None Performance Frequency Response System: 20 Hz to 20 kHz ±0.1 dB Gain/Trim Range Mic/Line/Hi-Z Inputs: +10 dB to +65 dB Max Input Level Mic Inputs: +25.2 dBu (Min Gain, with Pad) Line Inputs: +20.7 dBu Hi-Z Inputs: +12.5 dBu (Min Gain) Max Output Level Monitor Outputs: +20.7 dBu Headphone Output Power 240 mW into 32 Ohms 62 mW into 300 Ohms Impedance Mic Inputs: 5.5 Kilohms Line Inputs: 10 Kilohms Hi-Z Inputs: 1 Megohm Monitor Outputs: 100 Ohms Dynamic Range Mic/Line/Hi-Z Inputs: 118 dBA Monitor Outputs: 115 dBA Headphone Outputs: 115 dBA (600-Ohm Load) THD+N Mic Inputs: -108 dBFS Line Inputs: -107 dBFS Hi-Z Inputs: -105 dBFS Monitor Outputs: -106 dBFS Headphone Outputs: -97 dB (600-Ohm Load) -88 dB (32-Ohm Load) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion None Bit Depths 24-Bit Latency 1.1 ms at 96 kHz (Input to Output) Sync Sources Internal Compatibility OS Compatibility Windows 10 (64-Bit Only) Included Software None Supported Drivers/API & Plug-Ins Windows Driver Downloadable from Manufacturer Processor Requirement PC: Intel Core i3 Intel Xeon Storage Requirements 6 GB Mobile Device Compatibility None Required Hardware Available USB 3.0 / 3.1 Gen 1 Port USB Cable (Not Included) Internet Connection Required for Registration, Software/Driver Download, Plug-In Authorization Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 100 to 240 VAC, 50 / 60 Hz AC/DC Power Adapter 12 VDC, Center-Positive (Included) Power Consumption 10 W Physical Operating Humidity 20 to 80% Operating Temperature 32 to 95°F / 0 to 35°C Storage Temperature -40 to 176°F / -40 to 80°C Dimensions 7.1 x 4.8 x 1.8" / 18.03 x 12.19 x 4.57 cm Weight 1.4 lb / 0.6 kg Packaging Info Package Weight 3.255 lb Box Dimensions (LxWxH) 8.5 x 6.4 x 4.6"

Compatible with Apogee One for Mac, One for iPad/Mac/PC, Duet for iPad/Mac/PC, and Quartet For direct connection to USB Type-C Equipped Computers (MacOS or Windows) (NOT USB-C iPAD) NOT COMPATIBLE with Duet 2 or Duet Firewire See this link for compatibility with iPad Pro models with USB-C: https://knowledgebase.apogeedigital.com/duet-ipad-mac/apogee-products-work-ipad-pro-usb-c-port/

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2 XLR / ¼” combo guitar, mic & line inputs Class-A preamps with improved gain range and phantom power 2 balanced 1/4” outputs Headphone out with direct monitoring MIDI 2.5mm IN/OUT with breakout cables Improved ergonomic controls for maximum precision Runs off 2 AA batteries (included), bus power or optional PSU Rubberized finish and textured controls for reliable field use Includes Lightning, USB-C and USB-A cables Designed and made in Italy Comprehensive connections iRig Pro Duo I/O has 2 Neutrik™ analog inputs to record microphones, guitar/bass, keyboards, synths, and more. New Class-A mic preamps with extended gain range and +48v phantom power ensure professional sound quality and ultra-low noise. And MIDI IN/OUT jacks with breakout cables turn iRig Pro Duo I/O into a full-fledged MIDI interface as well. Connect your MIDI controller, microphone, and guitar to record an entire jam session on the fly. Or, connect two microphones to record your podcast, radio show, or live-stream from any location you choose. Create on all your devices Ditch the hefty gear and plug iRig Pro Duo I/O right into your favorite mobile device. iRig Pro Duo I/O is compatible with iPhone, iPad, Android, and Mac/PC, with Lightning, USB-C and USB-A cables included for easy plug-in and play setup. You’ve got the power When we say ANY location, we mean it. iRig Pro Duo I/O runs off 2 included AA batteries, USB bus power or an optional external PSU, meaning you’re never tethered to an outlet. Let your creativity take you places you never imagined, with flawless audio quality anywhere you need it. Endless inspiration iRig Pro Duo I/O is compatible with all your favorite apps, from GarageBand for recording, to FilMIC Pro for video recording, Bossjack Studio for podcasting, and even Facebook and Instagram for live-streaming. You’ll never stop finding new cool apps to use! A serious production bundle Don’t have a favorite app to work with? Don’t sweat it. iRig Pro Duo I/O includes free access to over $/€500 of IK software, apps, and in-app content. This all-in-one package is everything that you need to record, edit, and share great content with your audiences near and far. Mac/PC AmpliTube 4 amp & effects modeling software gives you 30 ultra-realistic amps, cabs, stomps & more 9 T-RackS processors & Mic Room high-quality mixing & mastering plug-ins to polish your tracks SampleTank 4 SE sound & groove workstation makes it easy to create professional-sounding tracks 25 Gear Credits to customize your rig with even more gear irigproduoio_mac_pc_bundle iPhone/iPad AmpliTube for iOS: unlocks AmpliTube Essentials bundle with 36 stomps, amps, cabs & more! VocaLive for iOS: unlocks Mic Pack 1, letting you sing through a variety of classic microphone models iRig Recorder iOS: unlocks the Pro Bundle, letting you record, edit and share audio & video right on your phone Mic Room iOS: unlocks Mic Pack 1, giving your recordings & podcasts a variety of professional vocal tones SampleTank iOS: unlocks 48 bonus instruments to make it even easier to create hot new tracks irigproduoio_ios_bundle iRig Pro Duo I/O gives you everything you need to capture & create professional quality audio and video, in a unit that’s always at the ready. Go out and find your inspiration!

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Digital I/O 3x 8-ch banks (24 ch) of ADAT optical at 1x sample rates 6x 4-ch banks (24 ch) of SMUX optical at 2x sample rates 3x 8-ch banks (24 ch) of AES/EBU on 25-pin D-sub 1x BNC MADI in/out (64/56 ch @ 1x, 32 @ 2x, 16 @ 4x) Total I/O 112 inputs and 112 outputs (224 total) at 1x sample rates 80 inputs and 80 outputs (160 total) at 2x sample rates 16 inputs and 16 outputs (32 total) at 4x sample rates Computer I/O 1 x Thunderbolt (compatible with 1 and 2) 1 x USB 2.0 audio class compliant USB 3.0 and iOS compatible 1 x AVB Ethernet (requires OS X Yosemite) Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 2.0 (44.1 to 48 kHz): 64 in/out USB 2.0 (88.2 to 96 kHz): 32 in/out USB 2.0 (176.4 to 192 kHz): 24 in/out AVB Ethernet: 16 to 128 in/out, depending on host computer speed Sync I/O 1 x word clock in 1 x word clock out / thru Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 16 in / 16 out @ 44.1 or 48 kHz 16 in / 16 out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Front panel 5 x switches • menu navigation 324 x 24 pixel LCD for level meters / menu nav 1 x AC power switch Power International 100-240V autoswitching supply 50-60 Hz • 0.5A max Dimensions and weight (width x depth x height, enclosure only) 19 x 7 x 1.75 inches 48.3 x 17.75 x 4.5 cm 4.3 lbs / 1.95 kg with rack brackets removed: 17.25 inches (43.8 cm) wide 4.2 lbs / 1.90 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB 2.0 or AVB Ethernet port* A large hard drive (at least 500 GB for recording) *AVB Ethernet audio interface operation requires OS X Yosemite Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available USB 2.0 or 3.0 port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU AVB interface by wire or Wi-Fi. Included Software Thunderbolt and USB 2.0 drivers MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Compatible Mac Software The 112D ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Propellerhead Record & Reason Steinberg Cubase Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 112D ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Steinberg Cubase Propellerhead Record & Reason Image Line FL Studio Sony Vegas Pro Sony Sound Forge Sony Acid Cockos Reaper Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 112D Feature Summary 112 simultaneous digital audio channels 24 channels of AES/EBU, plus 24 channels of ADAT optical, plus 64 channels of MADI, for 112 total channels digital audio I/O. All input and output channels can be active simultaneously. 64 channels of MADI Serves as a 64-channel MADI interface, router and converter with near-zero latency and flexible routing and splitting to/from the AVB network, computer, AES/EBU and optical. Supports 56-channel mode, 32-channel mode and 1x/2x/4x clock modes. 24 channels of AES/EBU and ADAT optical up to 96 kHz Three 8-channel (D-sub) banks of AES/EBU at sample rates up to 96 kHz. Three 8-channel banks of ADAT optical at rates up to 48 kHz; six banks of ADAT at 2x sample rates (24 channels). Flexible routing, splitting and format conversion Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the AVB network. Convert any format to any other. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Universal connectivity Connects to a computer with Thunderbolt, standard AVB Ethernet or audio class compliant high-speed USB 2.0 (compatible with USB 3.0 and iOS). Discovery app and web app software works alongside any host audio software. On-board DSP with mixing and effects Flexible 48-input digital mixer modeled after large format mixing consoles, with 12 stereo busses and DSP effects, including reverb, 4-band EQ, gate, and compression. 32-bit floating point processing The 112D's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. System expansion and audio networking Add a 2nd MOTU AVB interface (1248, 8M, 16A, etc.) with a simple Cat-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB Switch (sold separately). Build a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. 256 channels of network audio I/O for your host computer Record and monitor up to 128 networked audio channels in and out, simultaneously, through the Thunderbolt connection to a host computer. Web app control Control on-board DSP, mixing, device settings, and network audio routing from web app software running in your favorite browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Stand-alone mixing with wireless control Connect an Apple Airport™ or other Wi-Fi router directly to the 112D with a standard Ethernet cable and control the 112D's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing. Comprehensive metering The large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.

Highlights Apogee’s PureDIGITAL connection for pristine sound quality Works with guitar, bass, keyboards, synths, or any acoustic instrument with pick-up Dual mode option for Clean or Overdrive signal Drive mode makes virtual amps and effects sound more realistic Stereo output connects to headphones or powered speakers Blend mode minimizes delay in headphones while recording No configuration, just plug in and play with any audio recording app 24-bit/96kHz high resolution audio Rugged metal body with soft touch base Works with iOS, Mac and Windows PC Includes Lightning, USB and USB Type-C cables Includes BIAS FX Jam desktop software with premium amplifiers and pedal effects Built in the U.S.A. using domestic and foreign parts The Jam That Started It All In 2010 Jam was introduced in Apple stores worldwide as the first high quality digital interface to connect guitars and instruments with Mac and IOS devices. Jam set a new standard in mobile recording by combining Apogee’s renowned conversion specs and components into a simple and portable design. Jam+ continues the evolution in the series bringing the best advances in Apogee’s design and engineering into an all new metal chassis with enhanced PureDIGITAL circuitry for the greatest ‘true tone’ audio resolution. Jam+ now includes a powerful headphone output with zero latency monitoring and overdrive mode to make practise and recording sessions better than ever. System Requirements Mac OS 10.9 or later Computer: Mac with Apple silicon or Intel processor Memory: 2 GB of RAM minimum Connection/power: USB port on computer Windows 10 or later Computer: Windows PC with Intel/AMD x86-64 processor Memory: 4GB of RAM minimum Connection/power: USB port on computer ASIO4ALL driver (for professional applications only) iOS 9 or later Connection: Lightning Power: From iOS device Made for iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone SE (2nd gen), iPhone 11 Pro Max, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPad Pro 10.5-inch, iPad Pro 12.9-inch (1st and 2nd gen), iPad Pro 9.7-inch, iPad Air (3rd gen), iPad Air 2, iPad mini (5th gen), iPad mini 4, iPad (5th, 6th, 7th and 8th gen), iPod touch (7th gen) Features Connect electric guitar or bass to iOS devices, Mac and PC Studio-quality you can take anywhere Direct digital connection for up to 96kHz / 24-bit high-definition recording Discrete, Class A input delivers punchy, tube amp tone Apogee’s PureDIGITAL circuit design eliminates signal noise No setup required, just plug in and play with any audio recording app Powered by iOS device or Mac (no batteries or ext. power required) Dial-in the perfect level with gain wheel and multicolor LED meter Works with GarageBand, Logic, and all Core Audio compatible applications Technical Specifications Input​ ​Type:​ ​Micro​ ​USB Connections:​ ​Lightning,​ ​USB​ ​(Type-C),​ ​USB​ ​(Type-A) Product Dimensions Weight: 0.25 lbs (0.11 kg) Length: 4.0” Width: 1.5” Depth: .95” In the Box Apogee Jam+ Quick Start guide BIAS FX JAM software download instructions Lightning cable (iOS devices) USB cable (Type C) USB cable (Type A) Warranty Booklet

USB I/O Schematic Diagram USB-I/O Specifications Connector USB type B port Codec 24 bit, High Resolution Input Impedance 10 KOhms Transformer Balanced Output Impedance 300 Ohms Transformer Balanced Maximum Input Level Nominal 0 dB Maximum Output Level Nominal 0 dB Input/Output Noise USB - System dependent ISO transformer - Enviroment sensitive Frequency Response 20 - 20 KHz ± 0.5 dB Power Operating current via USB Port 80mA Input Connectors 2 x Female XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Output Connectors 2 x Male XLR, wired Pin 2 + Hot, Pin 3 – Cold. Pin 1 via ground Lift switch Construction All-steel polyurethane coated chassis, fibreglass PCB, epoxy printing, slip-resistant rubber base. Package includes a premium quality USB-A to USB-B cable System Requirements Windows PC running Windows XP, 7/8/10 , Mac running OS X or later USB port Audio software installed 98SE will need the Win 98SE CD Rom to install driver. However, in reality if you're serious about music you'll already be using a later operating system

Specs Inputs Input 1/2 connectors: XLR/TRS combo jacks (XLR: 2 hot / TRS: TIP hot) Input gain: 0 to 60dB in 1dB steps Input impedance: 5kΩ (1 MΩ (when Hi-Z ON) Maximum input level: +12 dBu (@0dBFs) Phantom power: +48V L/R Output Type: ¼" TRS jack (Balanced) Maximum output level: +14 dBu (@0dBFs) Output impedance: 100Ω Phones Output Type: ¼" stereo phone jack 20mW + 20mW (into 32Ω load) Maximum output level: +8 dBu (@0dBFs) Output impedance: 33Ω Dynamic range A/D: 118dB typical (IHF-A) D/A: 120dB typical (IHF-A) Number of audio channels Recording: 2 Playback: 2 OTHER Frequency characteristics: -1.0 dB: 20 Hz - 60 kHz @ 192kHz -1.0 dB: 20 Hz - 40 kHz @ 96kHz -1.0 dB: 20 Hz - 20 kHz @ 44.1kHz Measured conversion noise (EIN): -125dBu (IHF-A) @ 60dB, 150Ω input Sampling frequencies: 192kHz, 176.4kHz, 96kHz, 88.2kHz, 48kHz, 44.1kHz Bit depth: 24-bit Interface: USB 3.0 MIDI In/Out: 5-pin DIN jack Power source: USB 3.0 Bus Power / AD-14 AC adapter (DC 5V 1A) Power consumption: 5 W maximum Dimensions: 113.9mm(D) x 176.0mm(W) x 46.2mm (H) Weight: 750g *0dBm＝0.775Vrms Live performance Now you can get the best out of your laptop at every gig. The UAC-2 is portable, bus-powered (no AC connection required), and built rugged for the road, plus its advanced converters and support for USB 3.0 SuperSpeed ensures superior audio wherever your music takes you. Webcasting, podcasting, gaming, and live-streaming Broadcast your creativity, enhance your gaming experience, and share your performance with the world. The UAC-2's Loopback function combines the input from connected mics, instruments, and line-level devices along with background music or other audio tracks being played back by your computer and then instantly routes a custom blend of the signals to your streaming software. Recording and archiving Pair a UAC-2 with your DAW and create great audio in any recording environment. Connect a wide variety of microphones, line-level devices, and instruments. Use Direct Monitoring for zero-latency overdubbing. Sync your MIDI controllers, sound modules, and drum machines. Archive your favorite recordings in high-resolution formats. The UAC-2 provides everything you need, in one compact device. Desktop audio enhancement Think your headphones and speakers already sound pretty great? Treat yourself by plugging them into the UAC-2 instead of your computer's audio outputs. Now you can enjoy the ultimate in streamed high-resolution audio—all the way up to 24-bit/192 kHz—in full fidelity. Complete connectivity The UAC-2 works with everything from legacy USB 2.0 laptops and desktops, all the way up to the latest-generation Mac or Windows USB 3.0-equipped computers. Or plug in an AC adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter (sold separately) and use it with your iPad. MIDI The UAC-2's MIDI input and output connectors ensure rock-solid synchronization between your computer and devices such as electronic keyboards, controllers, drum machines, and synthesizer or sampler modules. USB 3.0 SuperSpeed The USB 3.0 SuperSpeed transfer protocol supported by the UAC-2 is ten times faster than USB 2.0 and six times faster than FireWire 800. The result? Low-latency (2.2ms roundtrip @ 96 kHz/32 samples) for improved performance from your DAW software, and a stable data stream that is unaffected by computer jitter (slight variations in timing), so there's no need to connect an external master clock source. What's more, the extra bus voltage carried by USB 3.0 (900 mA, as opposed to the 500 mA carried by USB 2.0) allows for the use of higher-end electronic components such as the advanced preamps and converters in the UAC-2. The Hardware The USB 3.0 connector on the rear panel carries digital signal to and from your computer in addition to providing power to the UAC-2—no batteries or external power required. Dual front panel combo XLR/TRS inputs allow you to connect a wide variety of microphones as well as line-level signals from electronic keyboards and music players—even passive instruments such as electric guitars and basses. Dual-balanced TRS output jacks enable you to connect the UAC-2 to amplifiers or self-powered speakers, and there's an independent ¼" stereo headphone jack with dedicated volume control for private monitoring of the input or output signal. Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a large Output knob enables fast control over overall output level. A phantom power switch applies +48 volts to the mic inputs, allowing you to use the UAC-2 with studio-quality condenser microphones, and a three-way Direct Monitoring switch enables monitoring of input signal with zero latency in both mono and stereo. MIDI In and Out connectors allow interfacing with devices such as electronic keyboards and drum machines. Last but not least, a Class Compliant Mode switch enables the UAC-2 to be connected to an iPad.* * Optional power adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter required Upsampling The UAC-2 uses high-end components such as the Burr Brown PCM4202 analog-to-digital converter and AKM AK4396 digital-to-analog converter. In addition, the UAC-2 performs 4-times upsampling during both analog-to-digital (A/D) and digital-to-analog (D/A) conversion. In other words, when the sampling frequency is set to 44.1 kHz or 48 kHz, the UAC-2 processes the signal at high resolution 176.4 kHz or 192 kHz. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity. Extend your capabilities with software UAC-2 MixEfx is a free Macintosh and Windows compatible application designed specially by Zoom for the UAC-2. With UAC-2 MixEfx, you can set mix parameters and add high-quality effects such as reverb and echo. Other features include a low cut filter, phase reverse, AUTO GAIN control for each input. UAC-2 MixEfx even has three memory slots for saving user settings with quick recall. Features at a glance 2-in/2-out USB 3.0 SuperSpeed audio interface Support for recording and playback up to 24-bit/192 kHz Loopback function for webcasting, podcasting, gaming, and other live streaming applications Low latency overdubbing and direct monitoring for zero-latency monitoring in mono or stereo Two combo balanced XLR/TRS input connectors accept both mic- and line-level signal Hi-Z switches allow direct connection of electric guitar or bass Switchable +48V phantom power Two balanced TRS output jacks for connection to amplifiers or self-powered speakers ¼" headphone jack with dedicated level control Independent gain controls and clip LEDs for each input Large knob output volume control Direct Monitoring switch for zero latency monitoring in mono or stereo MIDI In and Out Compatible with all popular DAW and streaming software, including Cubase, Logic, Garage Band, Pro Tools, Ableton Live, and others High-performance mic preamps with up to +60dB of amplification 120dB of dynamic range 4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity Asynchronous transfer system unaffected by computer jitter Bus powered—no AC power required Robust metal housing ensures roadworthiness Works with all USB 3.0-equipped computers and iPads* * Optional power adapter and Apple Camera Connection kit or Lightning to USB Camera Adapter required Accessories Here's what comes included with the UAC-2 Operation manual USB 3.0 cable (1m) Cubase LE download Cubase LE startup guide Optional accessories Zoom AD-14 AC adapter (DC 5V 1A)

Key Features 2-in / 3-out USB audio interfejs AKTIVNI/PASIVNI pick-up selektor PURE i JFET ulazi Z-Tone® kolo koje se prilagođava impedansi Izlaz za pojačalo sa prekidačem uzemljenja Mikrofonsko pretpojačalo Klase A visoke rezolucije 24-bit, 192 kHz kvalitet zvuka Široki frekvencijski odziv idealan za instrumente Najbolja u klasi analogna / digitalna konverzija Izuzetno nizak nivo šuma za snimanje visokih pojačanja Specifikacije Opšte AD i DA Rezolucija: 24-bit Brzina semplovanja: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz and 192 kHz Host Povezivanje: USB Type-B receptacle. USB 2.0 (velike brzine). Linijski izlazi 1-2 (Monitor) Konfiguracija: Elektronski izbalansirana i lebdeća, automatski kompenzuje nivo kada je veza uravnotežena ili neuravnotežena. Izlazna impedansa: 150 Ohma uravnoteženo, 75 Ohma neuravnoteženo Izlazni nivo: 0 dBFS odgovara +13,5 dBu Frekventni odziv: od 1 Hz do 46 kHz unutar 0,5 dB (96 kHz sempl frekvencije) Dinamički opseg: 113 dB (A) THD @ -1 dBFS: 0.001% THD + N: -103 dB (A) na -1 dBFS Kanala 1-2 crosstalk: 112 dB(A) Izlaz 3 (izlaz za pojačalo) Konfiguracija: Neuravnotežena, plutajuća, sa podesivim podizanjem zemlje Izlazna impedansa: 75 Ohma Izlazni nivo: 0 dBFS odgovara -3 dBu Frekvencijski odziv: Od 20 Hz do 42 kHz u roku od 0,5 dB (96 kHz sempl frekvencije) Dinamički raspon: 106 dB (A) THD + N: -93 dB (A) Izlazi za slušalice Izlazna impedansa: Gotovo idealan izvor (nula Ohma) do klipinga Maksimalni izlazni nivo: +9 dBu na opterećenje od 50 Ohma (približno 95 mV) frekvencijski odziv: od 1 Hz do 42 kHz u roku od 0,5 dB (96 kHz sempl frekvencije) Dinamički raspon: 111 dB (A) THD + N: -102 dB (A) uaz za Instrument Konfiguracija: Višestruka topološka instrumenta Ulazna impedansa, PASIVNI način rada: Varira od 1 MOhms do 2,2 kOhms Ulazna impedansa, AKTIVNI režim: 10 kOhms Nivo ulaza, min pojačanje: 0 dBFS se dobija sa + 12.5dBu signalom na TS ulazu Nivo ulaza, maksimalno pojačanje: 0 dBFS se dobija sa -19 dBu signalom na TS ulazu Frekventni odziv: Od 6 Hz do 42 kHz u roku od 0,5 dB (96 kHz uzorak frekvencije) Dinamički opseg: 117 dB (A) THD, PURE mod: 0,002% (-1dBFS ulaz) THD, JFET mod: 0,5% Mikrofonski ulaz Konfiguracija: Class-A diskretno diferencijalno predpojačalo mikrofona, pin 2 vruće Ulazna impedansa: 4 kOhms diferencijal pin 2 hot Ulazna impedansa: 4 kOhms promenljivo Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +9 dBu signala na XLR ulazu Ulazni nivo, maksimalna jačina: 0 dBFS dobija se uz pomoć -44 dBu signala na XLR ulazu Frekvetni odziv: od 7 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 116 dB(A) THD+N: -104 dB(A) at -10 dBFS Linijski ulaz Konfiguracija: Class-A diskretni diferencijalni linijski risiver, tip hot Ulazna impedansa: 20 kOhms promenljivo Ulazni nivo, minimalna jačina: 0 dBFS dobija se uz pomoć +26 dBu signala na TRS ulazu Ulazni nivo maksimalna jačina: 0 dBFS dobija se uz pomoć -27 dBu signala na TRS ulazu Frekventni odziv: od 7 Hz do 32 kHz u okviru 0.5 dB (96 kHz brzina semplovanja) Dinamički opseg: 117 dB(A) THD+N: -104 dB(A) at -10 dBFS Povezivanje i kontrole Prednja strana Jedan 1/4 "ulazni priključak za instrument Dva analogna potenciometra za ulazni GAIN Dva 5 segmentna merača nivoa ulaza (vrha) Analogni potenciometri za kontrolu Z-tone Pick-up selektor (PASIVNI / AKTIVNI) Birač topologije predpojačanja (JFET / PURE) + 48V ​​fantomsko napajanje USB LEDS MIDI IN / OUT LED diode Taster za monitor Izlazni priključak za slušalice 1/4 " Glavni potenciometar za kontrolu glavnog izlaza Izlazni priključak 1/4 " Zadnja ploča MIDI I/O 5-pin DIN konektori B-Type USB socket za povezivanje sa kompjuterom (Mac/PC) 2 x 1/4" TRS spoljni izlazi za konektore 2 x 1/4" TRS Uravnoteženi linijski plutajući izlazi 1 Combo socket za mikrofonski i linijski ulaz (auto selecting) Paket uključuje AXE I/O SOLO USB A-Type to USB B-Type kablza povezivanje (1.5m/4.32ft) Dimenzije Veličina: 19.5cm x 19.5cm x 5.3cm Težina: 1.0kg

Pročitajte recenziju!!! High Quality 192kHz DAC with USB Audio Interface Dr. DAC prime simply has everything you need in order to listen to digital music with pristine audio quality on the road or at your home. Dr. DAC prime works with up to 24bit/192kHz and is not only equipped with both an optical (via the included miniplug-toslink adapter) and coaxial S/PDIF input but also with a full USB audio interface (up to 24bit/96kHz) for bit-perfect audio transfer. Optionally the incoming signal can be upsampled to 192kHz, using a TI SRC4382 high end sample rate converter. The actual analog output signal is generated by a TI PCM1796 DAC with 123dB(a) dynamic range, featuring a full differental output with 3 LME49860NA opamps (8 pin) which are conveniently placed on sockets. The built-in headphone amplifier provides 1/8" and 1/4" connectors. The line output volume can be adjusted or fixed to send out the maximum dynamic range. But Dr. DAC prime is much more: it provides line inputs (AKM AK5386 ADC with 110dB) as well as optical and coaxial S/PDIF inputs, allowing you to record your own signals with excellent audio quality. Dr. DAC prime works under Windows XP, Windows Vista, Windows 7 as well as Mac OS X even without the installation of any driver software - that's Plug & Play in perfection, it could not be more simple. In addition, we offer an ASIO 2.0 compatible driver as option for Windows XP, Vista & 7. Device Type digital to analog converter (and analog to digital converter) USB audio interface headphone amplifier Key Specifications and Features max. 24bit/192khz S/PDIF input: coaxial & optical combo receiver module - S/PDIF input => S/PDIF output bypass support - S/PDIF input => line & headphone output support - S/PDIF input => computer recording support max. 24bit/96khz bit-perfect S/PDIF output: coaxial & optical combo transmitter module - USB input => S/PDIF output support - AC-3/DTS non-PCM pass thru support (Windows Vista / 7) 24bit/192kHz upsampled S/PDIF output (optical & coaxial) - USB input => 192kHz S/PDIF output - coaxial input => 192kHz S/PDIF output - optical input => 192kHz S/PDIF output 2 3.5mm mini plug-toslink optical adpters bundled TI SRC4382 high-end combo sample rate converter: 32kHz ~ 192kHz input support S/PDIF & USB input bypass, 192kHz upsampling support with SRC4382 +-1ppm 24.576MHz TCXO for S/PDIF input Tenor TE7022L USB audio controller +-1ppm 12.000MHz TCXO for USB input to S/PDIF / I2S output 2 channel line input with RCA connectors - line input => line output & headphone output support - AKM AK5386 24bit/192kHz ADC (S/N ratio 110dB) - 1pc 8pin DIP opamp (S4580P) with socket 2 channel line output with RCA connectors - anti-pop circuit support - Triple opamp fully differential output: 3pcs 8pin DIP opamp (LME49860NA) with socket - TI / Burr Brown PCM1796 24bit/192kHz 123dB DAC stereo headphone output - 6.3mm / 1/4" headphone jack - 3.5mm / 1/8" headphone jack volume control gain knob - fixed line level output - FIX - variable line level output - VAR - high-quality analog volume potentiometer - aluminum cut volume knob line output switch for fixed (FIX) or variable (VAR) output volume source selection (USB-ANALOG-DIGITAL switch): 3 position toggle switch with LEDs (green) line output mute on/off switch (has no effect on headphone output) standby/power on switch - standby (red) - power on (blue) S/PDIF & USB input bypass / 192kHz upsampling: 2 position toggle switch multi-colored LED display - MUTE (red) - NO SIGNAL (orange) - NON-PCM (pure green) - PCM (pure green) - 192kHz upsampling (pure blue) DC 9V~12V wide range power input 12V / 1.5A DC adapter included ASIO 2.0 driver support for Windows XP, Vista & 7

Element 88 ima 8 analognih ulaza kroz 4 kombo XLR-1/4-inčna konektora, dok 8 izlaza dolaze sledećom preraspodelom: 2 balansirana XLR, dva balansirana 1/4"-na, i dva TRS 1/4-inčna stereo konektora za slušalice (dovoljno za dva seta zvučnika ili nezavisna stereo output-a, kao i dva potpuno nezavisna, snažna output-a za slušalice). Element serija donosi najbolju analog/digital, odnosno digital/analog konverziju koju Apogee nudi – a Apogee je lider u ovom domenu već 35 godina. Thunderbolt povezivost, i specifični drajver učiniće da latencija bude gotovo nepostojeća, toliko niska da čuva snagu komjuterskog procesora, koja će stajati na raspolaganju vašem DAW-u (digitalnoj audio radnoj stanici). 8 naprednih Stepped Gain pretpojačanja za mikrofone svojim kvalitetom i visokim performansama rade jednako dobar posao kao slična pretpojačala iz kategorije skupljih (samostojećih) pojačala, i „uhvatiće“ sve, od gromoglasnog seta bubnjeva do delikatnih trzaja žica akustične gitare. Apogee Control za Mac-a je izrazito podesiva softverska aplikacija, u kojoj je i dragoceni Essentials prozor. Apogee Control za iOS pruža kontrolu za MIC pre-amp, nivoe zvuka za slušalice i zvučnike – sve to preko WiFi konekcije, što je sjajna opcija za sve izvođače koji sami snimaju svoje sesije. Jedna on najinovativnijih funkcija Elementa 88 je DualPath workflow plag-in, koji omogućava funkcionisanje Apogee FX plag-inova kroz interni DSP hardver uređaja, prirodno i sa svakom vašom biranom digitalnom radnom audio stanicom. 16 IN x 16 OUT Audio I/O boks AD/DA konverzija za snimanje do 192kHz/24-bit DualPath link workflow za nultu latenciju snimanja sa Apogee FX plag-inovima (pokretanim iz DSP hardvera) 8 analognih ulaza za mikrofonska pretpojačala vrhunske klase, i izborno fantom-napajanje (48v) za mikrofone, instrumente ili line-nivelisane uređaje; 4 kombo ulaza; 4 XLR ulaza Gain: do 75 dB, i napredni Stepped Gain dizajn kola EIN: 129dB (un-weighted) @ 60dB, 150Ohm input Maksimalni ulazni nivo: +20dBu Ulazna impedansa: 3K Ohm Latencija: 1.41 ms (pun krug) na 96kHz A/D konverzija: Maksimalni ulaz/izlazni nivoi: na +4dB (ref/Mic): +20dBu, na -10dB: +6dBV Odziv (frekvencija) 10 Hz -20Khz: > +/-0.2dB (na 44.1Khz) Ulazna impedansa: 5 KOhm Rel. THD + N: -110dB (@ 96Khz) D/A konverzija: Maksimalni ulaz/izlazni nivoi (+4dBu ref): +20dBu, (-10dBV ref): +6dBV Izlazna (line) impedansa: 90 Ohm Odziv (frekvencija) 10Hz -20 Khz: > +/- 0.05dB (na 44.1Khz) Rel. THD+N : -114dB (@96Khz) Dinamički opseg: 123dB (A-weighted) Maksimalni izlazni nivo za slušalice: 560 mW into 30 Ohm, 90 mW into 600 Ohm Dinamički opseg (slušalice): 123dB (A-weighted) Optički ulazi & optički izlazi - podržani ADAT, SMUX & S/PDIF ADAT: 8 kanala 44.1-48 kHz na 1 Toslink konektoru SMUX: 4 kanala 88.2-96 kHz na 1 Toslink konektoru S/PDIF: 2 kanala, do 96 kHz na 1 Toslink konektoru Podržava Multi-Unit Thunderbolt – povežite bilo koja dva audio Elementa 88 I/O direktno na Thunderbolt portove na vašem računaru; Apogee Ensemble Thunderbolt ekspander Dimenzije: 35 cm x 14 cm x 4.5 cm; Težina: 1.6 kg Šta je u kutiji: Element 88, univerzalno napajanje sa standardnim IEC kablom s 3 pina, rack pričvršćivači sa šrafovima, uputstvo za upotrebu, garantni list

Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback High-resolution 24-bit/96 kHz converters for high-end audio quality Ultra-low latency drivers for Windows XP and Mac OS X included Stereo Headphone output with dedicated Level control Dual high-bandwidth FireWire connectors for absolute flexibility Powered via FireWire bus or included power adapter for use with 4-pin FireWire PCs Powerful DAW software included (Ableton Live Lite 4 BEHRINGER Edition, Kristal, Audacity) Power and FireWire status LEDs on front panel Standard port for Kensington security lock provided High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany The ultra-compact FCA202 FireWire® audio interface is an ideal way for musicians to connect to their PC or Mac computers. Due to its small size and low-latency operation, the FCA202 is especially well suited for traveling musicians who record and edit compositions on laptop computers. Your Portal to the Digital Domain The FCA202 allows you to converse with your computer in a language it understands—digital. When you connect line-level devices, such as synthesizers or the outputs of an audio mixer to the FCA202, its 24-bit A/D (Analog to Digital) converters swing into action, turning the audio signal into digital data. Now your computer has something it can work with. You can record your performance and play back your masterpiece through a pair of studio monitors, which can be connected to the FCA202’s outputs, or you can listen using headphones. Getting Connected On the rear panel of FCA202, you’ll find two FireWire sockets, one for your computer, the other for an optional external drive. Inputs are 1/4" unbalanced jacks that accept a wide range of line-level devices. Outputs accept both balanced and unbalanced 1/4" connections. The headphones jack is conveniently located on the front panel, with its own dedicated volume control. The Technical Stuff The state-of-the-art FCA202 features high-resolution 24-bit A/D and D/A converters, supporting up to a 96 kHz sampling rate. Reliable Windows XP®, Windows Vista® (32-bit) and Mac OS® X drivers ensure low latency operation. Free Software The hot FCA202 package also comes ready to lay down serious tracks, courtesy of Ableton® Live Lite 4 BEHRINGER Edition music production software. Kristal and Audacity® are also included so you can edit and share songs to your heart’s content. Value Stop by your authorized BEHRINGER dealer today and join the digital revolution. With the super-affordable FCA202, you’ll get hot connectivity and the coolest sound around for your PC or Mac—and you can take it with you!

Auto radio SAL sa prednjim USB ulazom Slušanje muzike sa mobilnog uredaja i mogucnost telefoniranja preko Bluetooth veze Zvonjenje telefona preko zvucnika radija i prikaz broja na displeju Ima mogucnost rada sa folderima Kontrola plejera mobilnog uredaja Prikazuje vreme i u iskljucenom stanju U sklopu radija se dobija daljinski upravljac Brend SAL Snaga 4 x 45 W Audio formati MP3 / WMA Boja osvetljenja Plava Bluetooth Da Prikljucci 4 x RCA izlaz, ISO prikljucak CD plejer Ne Memorijski ulaz USB / SD / SDHC / MMC AUX ulaz 1 x 3.5 mm Daljinski upravljac Da Prednji panel Ne može se skinuti Radio FM, može se memorisati 18 stanica Auto radio SAL sa prednjim USB ulazom Slušanje muzike sa mobilnog uredaja i mogucnost telefoniranja preko Bluetooth veze Zvonjenje telefona preko zvucnika radija i prikaz broja na displeju Ima mogucnost rada sa folderima Kontrola plejera mobilnog uredaja Prikazuje vreme i u iskljucenom stanju U sklopu radija se dobija daljinski upravljac Brend SAL Snaga 4 x 45 W Audio formati MP3 / WMA Boja osvetljenja Plava Bluetooth Da Prikljucci 4 x RCA izlaz, ISO prikljucak CD plejer Ne Memorijski ulaz USB / SD / SDHC / MMC AUX ulaz 1 x 3.5 mm Daljinski upravljac Da Prednji panel Ne može se skinuti Radio FM, može se memorisati 18 stanica

KUPUJTE BEZBEDNO I KUPUJTE PROVERENO! POGLEDAJTE MOJE OCENE! SALJEM POSTEKSPRESOM i BEX-om SIROM SRBIJE! MOGUCE LICNO PREUZIMANJE I TESTIRANJE U INDJIJI I NOVOM SADU! Sound Blaster Audigy 2 ZS PCI zvucna kartica sa izlazom za 7.1 sistem i sa POZLACENIM konektorima. Model: SB0350 Creative Labs Sound Blaster Audigy 2ZS PCI internal sound card for PC`s SB O350 Odlicna PROFI zvucna kartica sa jasnim i jakim zvukom! Poseduje neverovatni kristalni zvuk kako u igrama tako i pri slusanju muzike, gledanju filmova itd. Kartica ima pregrst opcija za konfigurisanje. Radi na svim operativnim sistemima kao sto su: Windows XP / Vista / 7 / 8 / 8.1 / 10 / 11 (32 / 64-bit) Potpuno ispravna i testirana na Windows 7 64-bitnom sistermu kao sto i vidite sa slike. Radna garancija 30 dana. Karakteristike: Proizvođač : Creative Model : Audigy 2 ZS (SB0350) Kartica Čipset : Audigy 2 Izlaz : 8 (7.1) Sample rate : 192 KHz Digital audio : 24 -bit SNR : 108 dB Ulaz/Izlaz Priključci : Line-in, Mic-in, SPDIF-in, SPDIF-out, MIDI, CD/AUX-in, Firewire, Sound Blaster Audigy 2 ZS On-Board priključci Line razini out (prednji / strani / stražnji / središnji / subwoofer) Digitalni izlaz za 5,1 potporu (6-kanalni izlaz SPDIF na Creative digitalne zvučnike Linija u Mikrofon u FireWire ® (IEEE ® 1394) Govorni uređaj u Analogni / digitalni CD audio u 15-pinski MIDI / Joystick luka proširenje zaglavlja Unutarnja IEEE ® 1394 zaglavlju Audigy 2 ZS Unutarnji I / O diska AD_EXT proširenje zaglavlju Audigy 2 ZS Unutarnji I / O diska Spec: Complete Cinematic Surround Sound with DTS-ES and Dolby Digital EX Movies Multi-Environment audio -- up to four simultaneous environments processed in real time Exclusive Creative THX Setup Console provides accurate audio calibration for a precise speaker Superior quality 24-bit/192kHz audio, ultra-realistic game effects, and studio quality music settings The only available PC platform for Advanced Resolution 24-bit/96kHz 7.1 surround Superior quality 24-bit/192kHz audio, ultra-realistic game effects, and studio quality music settings Exclusive Creative THX Setup Console provides accurate audio calibration for a precise speaker The only available PC platform for Advanced Resolution 24-bit/96kHz 7.1 surround Multi-Environment audio -- up to four simultaneous environments processed in real time Complete Cinematic Surround Sound with DTS-ES and Dolby Digital EX Movies

Each of the two Antelope Discrete mic / line / Hi-Z preamps has its own phantom power and up to 65 dB of gain, so the interface is primed and ready for recording all sorts of microphones, instruments, or even line-level signals from outboard gear. Equipped with two independently adjustable headphone outputs and mirrored balanced/unbalanced monitor outs, the Zen Go Synergy Core can act as your home studio's hub for multiple sets of headphones, mixes, and monitor feeds. Its S/PDIF digital I/O ports are perfect for expanding your setup with digital gear such as external converters, and a secondary USB Type-C is provided, so you can charge your smartphone or tablet. Rise above the Sound You Know The Zen Go Synergy Core shrinks the gap in sound quality between artists with access to premium studios and home creators. The pristine sound is due to a combination of professional-grade AD/DA converters and Antelope Discrete ultralinear preamps that share circuits with legendary American and British consoles. The standout sonic quality of the device would not be possible without the main pillar of the Antelope Audio sound—the 64-bit AFC clocking technology from the company's high-end master clocks. It is employed in prestigious studios around the world and has been trusted with the scoring of Hollywood blockbusters. Full Production Pack, from the Get-Go Zen Go Synergy Core comes with 37 premium analog-modeled effects that will help you create stunning, sonically rich productions. Aside from the exclusive compressors, EQs, and preamps, the interface comes with 22 guitar amps and cabs, a guitar tuner, and a signature reverb that are all ready to be applied in real time to your tracking and mixing session. The Synergy Core effects processing allows you to stack up your chain with many effects instances while monitoring through the interface without fear of overloading. At any time, you can expand your effects collection by purchasing more classic go-to units, true rarities never before recreated in digital form, and 3rd party effects like Antares Auto-Tune Synergy. Create from Anywhere, Anytime Antelope Audio's first bus-powered interface is optimized for ultralow-latency recording, high-resolution playback, creative beatmaking, and podcasting from virtually anywhere. With just a USB Type-C cable (included), you can power the Zen Go Synergy Core from your computer and use it to its full potential without having to carry a dedicated power supply with you. The interface can also be powered with any USB Type-C charger if you are away from your computer and still want to use its core functionalities. Better Recording and Producing Workflow Every feature available to you in the interface's control panel has been added to improve the important aspects of your workflow. Since DAW monitoring inevitably adds latency, you can monitor directly through the interface to reduce delay to the absolute minimum. With the routing options, you can easily set up a near-zero latency mix and stack it with your favorite Synergy Core effects without fear of overloading the onboard platform. Dedicated signal metering is available for both input and output levels on the front-panel display and in the software control panel. Smart Connectivity in a Small Package The two XLR-1/4" combo input jacks give you the flexibility to choose between Antelope's Discrete mic preamps and line / Hi-Z inputs; they are easily configurable via the control panel. The two 1/4" TRS balanced outputs, mirrored with the stereo RCA output, allow you to send the signal from the professional-grade D/A converter to two separate sound systems. Use one for your main monitors and the other for a DJ mixer or any other sound system with RCA connectivity, whilst preserving sound integrity. Conversion and Clocking Class-leading AD/DA conversion with up to 127 dB of headroom Recording, mixing, and playback at up to 24-bit / 192 kHz Proprietary 64-bit Acoustically Focused Clocking (AFC) technology and Jitter Management algorithm delivering increased width, separation, and detail in musical performances Analog and Digital Connectivity Two Discrete ultralinear preamps with 65 dB of gain for studio-quality recordings; all work as microphone / line / Hi-Z inputs via XLR-1/4" combo jacks USB Type-C port carrying up to eight input and eight output channels in any popular DAW with custom macOS and Windows drivers Secondary USB Type-C port for charging your mobile device Stereo S/PDIF input and output for digital expansion Mirrored analog monitor outputs including one stereo output over RCA and one stereo output over balanced 1/4" TRS Two stereo headphone outputs with separate gain control Loopback Function for Streaming Send your monitoring mixes containing any signal source from the interface's inputs and OS/DAW return back into your computer's virtual inputs to easily set up online broadcasting. Session Recall For every individual recording scenario, you can save session files and create exact snapshots of your effects chains, so you can load them later without losing your progress. Workflow-Enhancing Features Bus-powered design requires no dedicated power source Direct hardware monitoring with Synergy Core effects processed in real time with imperceptible latency Simplified I/O routing with preconfigured settings, allowing immediate recording and playback Color LCD screen with crisp I/O metering Front panel with dedicated volume knob and buttons for level adjustment and hands-on control of core parameters Customizable presets complete with signal routing, level adjustments, mixer settings, and submixes Easily adjust the monitor mixes for the monitor output and split headphone mixes into individual cue and submixes while applying pan, reverb, and other effects, and stereo link 37 Real-Time Effects Collection of 37 Synergy Core effects modeled after classic and rare analog outboard gear, powered by the Synergy Core proprietary onboard platform, which uses DSP and one or more FPGA chips for real-time effects processing with imperceptible latency. BA-31: Germanium Mic Preamp Gyraf Gyratec IX: Dual tube mic preamp with high-pass filter Clear Q: Parametric EQ VEQ-1A: 2-band tube EQ VMEQ-5: 3-band tube midrange EQ VEQ-HLF: Tube 2-band high- and low-pass filters VCA160: VCA compressor/limiter Stay-Levin: Vari-Mu tube compressor FET-A76: FET compressor/limiting amplifier X903: VCA compressor/limiter PowerFFC: Feed-forward compressor Power Gate: Noise Gate Power EX: Expander Auraverb: Reverb A-Tuner: Guitar tuner Plexi 59 (UK): Tube guitar amp Bass SuperTube VR: Tube guitar amp Darkface 65 (US): Tube guitar amp Top30 (UK) Bright: Tube guitar amp Tweed Deluxe (US): Tube guitar amp Overange 120 (UK): Tube guitar amp BurnSphere (DE) Lead: Tube guitar amp Marcus II (US) Lead: Tube guitar amp Modern (US) CH3: Tube guitar amp Rock 75 (UK): Tube guitar amp Rock 22.10 (UK): Tube guitar amp Darkface 65 2x12: Guitar cabinet Top30 2x12: Guitar cabinet Modern 4x12: Guitar cabinet Green 2x12: Guitar cabinet Vintage 4x12: Guitar cabinet Green 4x12: Guitar cabinet Caliper 50 1x10: Guitar cabinet Bluelux 1x12: Guitar cabinet Clst 1x12: Guitar cabinet England 4x12: Guitar cabinet Bass Tube 1x15: Guitar cabinet Antelope ZEN GO SYNERGY CORE Specs Form Factor Tabletop Display 1 x 1.77" Color LCD Channels of I/O Analog: 2 Inputs / 6 Outputs Digital: 2 Inputs / 2 Outputs Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 2 Preamps Input Level Adjustment 1 x Knob Expansion Slots None Pad None Gain/Trim Range Mic Inputs: 65 dB High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2 x 1/4" TRS Balanced Monitor Output (DC-Coupled) 1 x Stereo RCA Coaxial Unbalanced Monitor Output 2 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x RCA Coaxial S/PDIF Input 1 x RCA Coaxial S/PDIF Output Host Connection / USB 1 x USB Type-C (Class-Compliant USB 2.0) USB (Non-Host) 1 x USB Type-C (Device Charging) Sync I/O None Network I/O None MIDI I/O None Wireless Connectivity None Performance Maximum Input Level Mic Inputs: +20 dBu Maximum Output Level Monitor Outputs: +20 dBu Dynamic Range Mic Inputs: 121 dB (A-Weighted) A/D Converters: 120 dB D/A Converters: 127 dB (A-Weighted) THD Mic Inputs: -106 dB THD+N A/D Converters: -100 dB D/A Converters: -115 dB EIN Mic Inputs: -128 dBu A-Weighted Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) 64-Bit (Clocking) Sync Sources Internal, S/PDIF Memory Card Slot None Compatibility OS Compatibility macOS Windows Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Included Plug-Ins Preamp & Channel Strip: BA-31 Gyraf Gyratec IX Equalization: Clear Q VEQ-1A VEQ-HLF VMEQ-5 Dynamics: FET-A76 PowerFFC Power EX Power Gate Stay-Levin VCA160 X903 Reverb & Room: Auraverb Tuning: A-Tuner Guitar & Bass: Bass SuperTube VR Bass Tube 1x15 Bluelux 1x12 BurnSphere (DE) Lead Clst 1x12 Caliper 50 1x10 Darkface 65 2x12 Darkface 65 (US) England 4x12 Green 2x12 Green 4x12 Marcus II (US) Lead Modern 4x12 Modern (US) CH3 Overange 120 (UK) Plexi 59 (UK) Rock 22.10 (UK) Rock 75 (UK) Top30 2x12 Top30 (UK) Bright Tweed Deluxe (US) Vintage 4x12 Supported Drivers/API & Plug-Ins Proprietary Mobile Device Compatibility None Required Hardware Available USB Type-C Port USB Cable (Included) Internet Connection Required for Registration, Software/Driver Download, Plug-In Authorization Power Power Requirements USB Bus Power Physical Anti-Theft Features Kensington Security Slot Dimensions 7.8 x 4.6 x 2.26" / 19.8 x 11.7 x 5.75 cm Weight 1.5 lb / 0.7 kg Packaging Info Package Weight 2.325 lb Box Dimensions (LxWxH) 9.9 x 7.1 x 3.7"

Karakteristike 2-In/4-Out USB-C Audio Interfejs 2 x SSL-dizajnirana mikrofonska pojačala Legacy 4K – analogni efekat poboljšanja u boji, inspirisano klasičnim SSL konzolama 2 profesionalna, izlaza za slušalice sa visokim naponom: stvorite drugi nezavisni miks za slušalice 24-bit / 192 kHz AD/DA AKM konverteri Monitor Mix kontrola laka za upotrebu Balansirani izlazi za monitor Dodatni nebalansirani RCA izlazi za lako povezivanje sa DJ miksetama MIDI I/O SSL Production Pack softverski paket USB 2.0 audio interfejs za Mac/PC Legacy 4K – analogni efekat poboljšanja Pravi analogni efekat poboljšanja inspirisan SSL 4000 serijom (4K) konzolom SSL ima istoriju inovacija u analognoj elektronici i dizajnu konzola. Bilo da je to zvuk klasičnog EQ '242' i '292' EQ kola , probijanje legendarnog SSL Bus Compressor-a G-serije ili neverovatna propusnost i zvučna tačnost naših revolucionarnih mikro pojačala i konzola, uvek se kreće napred sa analognim. Legacy 4K je potpuno novi analogni efekat poboljšanja, inspirisan karakterom konzole serije SSL 4000 (koja se često naziva i "4K"). Pomoću Legacy 4K dugmeta uveli smo 2 osnovne karakteristike 4K zvuka u jedno kolo, koje možete da uključite kada vam je potrebno da udahnete život u 'dosadne' ili 'suvoparne' zvučne ulazne izvore. Prva karakteristika: Visokofrekventno EQ pojačanje – Prvo što će Legacy 4K dugme uraditi je uvođenje „naprednog“, a opet muzičkog visokofrekventnog pojačanja EQ, nečeg po čemu su EQ serije 4000 poznate i voljene. Druga karakteristika: Subtilna-harmonična distorzija – 4K konzole su sinonim za prenošenje određenog 'šarma' na signale koji prolaze kroz njih. To se dešava kroz više faza harmonične distorzije iz kompresorskih VCA, VCA fejdera i drugih ključnih područja kao što su tranzistorska miks pojačala. Koristeći moderne komponente, stvorili smo sklop koji ubrizgava kontrolisanu količinu fino podešene, slatko-zvučne harmonične distorzije u putanju signala, pomažući vam da zvuku dodate više karaktera! Profesional studijski kvalitet, sa prednje i zadnje strane Pretpojačala vodeća u svojoj klasi Umetnost: Dizajnirali smo dva, prelepa detaljna mikro predpojačala koja vode u klasi kako bi snimili svaku nijansu svakog izvođenja, uz dovoljno snage da se mogu nositi sa bilo kojim mikrofonom koji priključite. Tehnologija: Mnogi USB audio interfejsi koriste standardna IC kola u svom dizajnu mikrofonskih pojačala. Mi više volimo da koristimo drugačiji pristup. Naš dvostepeni dizajn koristi mešavinu posebno odabranih diskretnih tranzistora sa niskim šumom u kombinaciji sa IC. Ovo nam omogućava da dizajniramo mikropojačala sa izvanrednim performansama buke i superiornim opsegom pojačanja. A to što radite u svom kućnom studiju ili na putu, ne znači da treba da pravite kompromise u vezi sa kvalitetom audio interfejsa. Sa SSL 2+ odlučili smo da koristimo iste delove koji se nalaze u našim većim konzolama i I / O proizvodima, isporučujući isti kvalitet koji biste očekivali od velikog studija opremljenog SSL-om, u vaš lični radni prostor. Alps potenciometri Neutrik XLR i Jack konektori NJM izlaz za slušalice za visoki napon AKM AD/DA kopnverteri – isti koji se koriste kod naših čuvenih Alpha-Link I/O proizvoda SSL Production Pack SSL Native™ Vocalstrip 2 & Drumstrip plug-inovi + i produženi probni period kompletnog paketa ​Trajne licence za Vocalstrip 2 i Drumstrip, za brzo prevođenje do najboljih vokalnih i bubnjarskih zvukova. Pored toga, isprobajte sve ostale SSL Native plug-inove (uključujući legendarne Channelstrip i Bus Compressor) besplatno tokom 6 meseci Native Instruments® Hybrid Keys i Komplete Start ​Započnite muzičko putovanje sa 2000 prilagodljivih zvukova - bubnjevi i udaraljke, bas, akustični instrumenti, sintisajzeri, tasteri i atmosfere, efekti i još mnogo toga u Komplete Start. Hibridni tasteri omogućavaju da se ode još dalje, uz miksovanje semplova klavira, sintesajzera, čekića i još toga, dodajući kreativne efekte za proizvodnju potpuno novih zvukova. Avid®Pro Tools® | First + ekskluzivna SSL kolekcija AAX plug-inova Lajt verzija softvera za muzičku produkciju koji je standard u industriji - Pro Tools sa dodatna 23 plug-ina koji uključuju klasični Compressor paket: BF-2A, BF-3A i Purple Audio MC77, Fairchild 660 i Fairchild 670. Ableton®Live Lite™ ​Lajt verzija Ableton poznatog muzičkog softvera za muzičare, producente i izvođače. 1.5GB semplova od Loopcloud® ​SSL i Loopcloud su se udružili kako bi održali kolekciju spremnih semplova i loop- ova za vaše kreacije, organizovanih intuitivno na osnovu žanra i koji su dostupni u nagrađivanoj Loopcloud aplikaciji. Tehničke specifikacije Sistemski zahtevi i specifikacije: Mac OS 10.11 ili noviji | Class-Compliant, Plug-and-play Windows 8.1, Windows 10 | Install uključen ASIO/WDM driver Povezivanje USB 2.0 tip C konektor (kutija uključuje tip C to C i tip C do A) Mikrofonska pretpojačala -130.5 dBu EIN Opseg jačine: 62 dB Instrument/Line Maksimalna Instrument jačina ulaza: +15 dBu Maksimalna Line jačina ulaza: +24 dBu *Specfikacije (merene prema AES17 Standardima) Monitor izlazi Dinamički opseg: 112 dB​ Maksimalna jačina izlaza: + 12.5 dBu​ Izlazi za slušalice Dinamički opseg: 111 dB Maksimalni izlaz: +10 dBu Učestalost semplovanja 44.1, 48, 88.2, 96, 176.4, 192 kHz

Karakteristike 2-In / 2-Out USB-C Audio Interfejs 2 x SSL-dizajnirana mikrofonska pretpojačala Legacy 4K – analogni efekat pobljšanja u boji, inspirisano klasičnim SSL konzolama Profesionalni izlaz za slušalice za visoki napon 24-bit / 192 kHz AD/DA AKM konverteri Monitor Mix Kontrola laka za upotrebu Balansirani izlazi za monitor SSL Production Pack softverski paket Audio interfejs za Mac/PC koji se napaja preko USB 2.0 Legacy 4K – analogni efekat poboljšanja Pravi analogni efekat poboljšanja inspirisan SSL 4000 serijom (4K) konzolom SSL ima istoriju inovacija u analognoj elektronici i dizajnu konzola. Bilo da je to zvuk klasičnog EQ '242' i '292' EQ kola , probijanje legendarnog SSL Bus Compressor-a G-serije ili neverovatna propusnost i zvučna tačnost naših revolucionarnih mikro pojačala i konzola, uvek se kreće napred sa analognim. Legacy 4K je potpuno novi analogni efekat poboljšanja, inspirisan karakterom konzole serije SSL 4000 (koja se često naziva i "4K"). Pomoću Legacy 4K dugmeta uveli smo 2 osnovne karakteristike 4K zvuka u jedno kolo, koje možete da uključite kada vam je potrebno da udahnete život u 'dosadne' ili 'suvoparne' zvučne ulazne izvore. Prva karakteristika: Visokofrekventni EQ pojačanje – Prvo što će Legacy 4K dugme uraditi je uvođenje „naprednog“, a opet muzičkog visokofrekventnog pojačanja EQ, nečeg po čemu su EQ serije 4000 poznate i voljene. Druga karakteristika: Subtilna-harmonična distorzija – 4K konzole su sinonim za prenošenje određenog 'šarma' na signale koji prolaze kroz njih. To se dešava kroz više faza harmonične distorzije iz kompresorskih VCA, VCA fejdera i drugih ključnih područja kao što su tranzistorska miks pojačala. Koristeći moderne komponente, stvorili smo sklop koji ubrizgava kontrolisanu količinu fino podešene, slatko-zvučne harmonične distorzije u putanju signala, pomažući vam da zvuku dodate više karaktera! Profesional studijski kvalitet, sa prednje i zadnje strane Preptojačala vodeća u svojoj klasi Umetnost: Dizajnirali smo dva, prelepa detaljna mikro predpojačala koja vode u klasi kako bi snimili svaku nijansu svakog izvođenja, uz dovoljno snage da se mogu nositi sa bilo kojim mikrofonom koji priključite. Tehnologija: Mnogi USB audio interfejsi koriste standardna IC kola u svom dizajnu mikrofonskih pojačala. Mi više volimo da koristimo drugačiji pristup. Naš dvostepeni dizajn koristi mešavinu posebno odabranih diskretnih tranzistora sa niskim šumom u kombinaciji sa IC. Ovo nam omogućava da dizajniramo mikropojačala sa izvanrednim performansama buke i superiornim opsegom pojačanja. A to što radite u svom kućnom studiju ili na putu, ne znači da treba da pravite kompromise u vezi sa kvalitetom audio interfejsa. Sa SSL 2 odlučili smo da koristimo iste delove koji se nalaze u našim većim konzolama i I / O proizvodima, isporučujući isti kvalitet koji biste očekivali od velikog studija opremljenog SSL-om, u vaš lični radni prostor. Alps potenciometri Neutrik XLR i Jack konektori NJM izlaz za slušalice za visoki napon AKM AD/DA kopnverteri – isti koji se koriste kod naših čuvenih Alpha-Link I/O proizvoda SSL Production Pack SSL Native™ Vocalstrip 2 & Drumstrip plug-inovi + i produženi probni period kompletnog paketa ​Trajne licence za Vocalstrip 2 i Drumstrip, za brzo prevođenje do najboljih vokalnih i bubnjarskih zvukova. Pored toga, isprobajte sve ostale SSL Native plug-inove (uključujući legendarne Channelstrip i Bus Compressor) besplatno tokom 6 meseci Native Instruments® Hybrid Keys i Komplete Start ​Započnite muzičko putovanje sa 2000 prilagodljivih zvukova - bubnjevi i udaraljke, bas, akustični instrumenti, sintisajzeri, tasteri i atmosfere, efekti i još mnogo toga u Komplete Start. Hibridni tasteri omogućavaju da se ode još dalje, uz miksovanje semplova klavira, sintesajzera, čekića i još toga, dodajući kreativne efekte za proizvodnju potpuno novih zvukova. ​Avid®Pro Tools® | First + ekskluzivna SSL kolekcija AAX plug-inova Lajt verzija softvera za muzičku produkciju koji je standard u industriji - Pro Tools sa dodatna 23 plug-ina koji uključuju klasični Compressor paket: BF-2A, BF-3A i Purple Audio MC77, Fairchild 660 i Fairchild 670. Ableton®Live Lite™ ​Lajt verzija Ableton poznatog muzičkog softvera za muzičare, producente i izvođače. 1.5GB semplova od Loopcloud® ​SSL i Loopcloud su se udružili kako bi održali kolekciju spremnih semplova i loop- ova za vaše kreacije, organizovanih intuitivno na osnovu žanra i koji su dostupni u nagrađivanoj Loopcloud aplikaciji. Tehničke specifikacije Sistemski zahtevi i specifikacije: Mac OS 10.11 ili noviji | Class-Compliant, Plug-and-play Windows 8.1, Windows 10 | Install uključen ASIO/WDM driver Povezivanje USB 2.0 tip C konektor (kutija uključuje tip C to C i tip C do A) Mikrofonska pretpojačala -130.5 dBu EIN Opseg jačine: 62 dB Instrument/Line Maksimalna Instrument jačina ulaza: +15 dBu Maksimalna Line jačina ulaza: +24 dBu *Specfikacije (merene prema AES17 Standardima) Monitor izlazi Dinamički opseg: 112 dB​ Maksimalna jačina izlaza: + 12.5 dBu​ Izlazi za slušalice Dinamički opseg: 111 dB Maksimalni izlaz: +10 dBu Učestalost semplovanja 44.1, 48, 88.2, 96, 176.4, 192 kHz

Technical Specifications Sample rates 44.1, 48, 88.2, 96, 176.4, 192 kHz Analog inputs 8 x 1/4" TRS line inputs (balanced/unbalanced) Max level: +24 dBu (range -96 to +22) Analog outputs 8 x 1/4" TRS line out (balanced, DC coupled 5v) Max level: +20 dBu (range -4 to +20) 1 x 1/4" TRS stereo headphone Digital I/O 1 bank (8 ch) of ADAT optical at 1x sample rates 1 bank (4 ch) of SMUX optical at 2x sample rates Switchable to stereo TOSLink (optical S/PDIF) Total I/O 16 inputs / 18 outputs (34 total) at 1x sample rates 12 inputs / 14 outputs (26 total) at 2x sample rates 8 inputs / 10 outputs (18 total) at 4x sample rates Computer I/O 1 x Thunderbolt 1 (Mac and Win) Thunderbolt 2 & 3 compatible 1 x USB 3.0 (Mac and Win) USB 2.0 and iOS compatible (class compliant) 1 x AVB/TSN Ethernet (Mac only) Requires OS X 10.11 or later Computer I/O channels Thunderbolt (44.1 to 96 kHz): 128 in/out Thunderbolt (176.4 to 192 kHz): 64 in/out USB 3.0 (44.1 to 96 kHz): 128 in/out USB 3.0 (176.4 to 192 kHz): 64 in/out AVB/TSN Ethernet: 16 to 128 in/out depends on host computer speed Headphone 1 x 1/4" TRS stereo phone (assignable) Network I/O 1 x RJ45 AVB/TSN Ethernet (1 Gbps) AVB streams (8 channels per stream) 8 in / 8 out @ 44.1 or 48 kHz 8 in / 8out @ 88.2 or 96 kHz 8 in / 8 out @ 176.4 or 192 kHz Front panel 1 x 1/4" TRS headphone output 1 x digital rotary encoder • phone volume 5 x switches • menu navigation 160 x 128 pixel RGB LCD for level meters / menu nav Power switch Power External 12-18V DC power supply 1.0A max • tip pos or neg Dimensions and weight (width x depth x height, enclosure only) 8.6 x 7 x 1.75 inches 22 x 17.75 x 4.5 cm 2.2 lbs / 1.0 kg Mac System Requirements 1 GHz Intel-based Mac or faster 2 GB RAM; 4 GB or more recommended Mac OS X version 10.8 or later Available Thunderbolt, USB or AVB/TSN Ethernet port* A large hard drive (at least 500 GB for recording) *AVB/TSN Ethernet audio interface operation requires OS X 10.11 or later Windows System Requirements 1 GHz Pentium-based PC compatible or faster 2 GB RAM; 4 GB or more recommended Windows 7, 8 or 10 Available Thunderbolt or USB port Available Ethernet port for firmware updates A large hard drive (at least 500 GB for recording) Web App Support Any web client platform: Mac, Windows, Linux, iOS, Android Any web browser: Safari, Firefox, Chrome, Opera, Explorer, etc. Web client must be connected to the same network as the MOTU interface by wire or Wi-Fi. Included Software MOTU Discovery App for Mac & PC (finds connected MOTU interfaces) MOTU Discovery App for iOS (available from Apple App Store) MOTU Pro Audio Control web app (served from the hardware itself) MOTU Audio Tools (FFT, oscilloscope, X-Y plot, phase analyzer) AudioDesk 4.0 for Mac & PC (separate download) Operating Systems For computer audio I/O: Mac OS X 10.8 or later; Windows 7 or later For web app control: Mac, Windows, Linux, iOS, Android Analog I/O Specifications Connector type Dynamic range (A-weighted) THD+N (unweighted) Max level Trim range (in 1 dB steps) Line output 1/4" TRS, balanced, tip hot 123 dB -110 dB +20 dBu 24 dB (-4 to +20) Line input 1/4" TRS, bal/unbal, tip hot 117 dB -110 dB +24 dBu 118 dBu (-96 to +22) Phones 1/4", TRS stereo 108 dB -100 dB Max. 80 mw 128 dB Compatible Mac Software The 8A ships with standard Core Audio drivers for Mac OS X for compatibility with virtually all Core Audio-compatible apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Apple Logic Pro Apple Logic Express Apple Garage Band Apple SoundTrack Pro Ableton Live Cockos Reaper Propellerhead Record & Reason Native Instruments Kontakt Steinberg Cubase Waves stand-alone apps (and plug-ins, via compatible host) Compatible Windows Software The 8A ships with standard ASIO and Wave drivers for Windows 7, 8 and 10 for compatibility with virtually all ASIO- and Wave-compatible audio apps, including: MOTU Digital Performer Avid Pro Tools (version 9 or later) Ableton Live Cakewalk Sonar Cockos Reaper Image Line FL Studio Propellerhead Record & Reason Sony Vegas Pro Sony Sound Forge Sony Acid Steinberg Cubase Native Instruments Kontakt Waves stand-alone apps (and plug-ins, via compatible host) 8A Feature Summary Superb analog audio quality and high-end converters Renowned ESS Sabre32 Ultra™ DAC technology delivers 123 dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 16A. Ultra-low latency and proven, high-performance MOTU drivers Round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt™ with high-performance DAW hosts. Mobile operation and universal connectivity Connects to your computer with Thunderbolt™, super-speed USB 3.0 or AVB/TSN Ethernet for up to 256 audio channels (128 in and 128 out). Class-compliant firmware and Industry standard drivers work with any audio apps. Connects to iPad™ with a standard camera connection kit (adapter). 34 simultaneous audio channels 8 x 8 balanced analog, 8-channel ADAT optical and independent phone out for 16 inputs and 18 outputs. DSP mixing and effects processing Flexible 48-input digital mixer with 7 stereo aux busses, 3 group sends, access to 64 network inputs, and DSP effects, including reverb, 4-band EQ, gate and compression. 32-bit floating point processing The 8A's mixing and effects DSP engine delivers virtually unlimited headroom and the utmost in sound quality. Modeled vintage effects processing Classic reverb. Compression modeled after the legendary LA-2A compressor. EQ modeled after British analog console EQs. Flexible matrix routing and splitting Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network. Stand-alone operation with wireless control Connect an Apple® Airport™ or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects. Web app control from any device Control everything from your favorite web browser on a laptop, tablet and smartphone connected to your local Wi-Fi network. System expansion Add a 2nd MOTU AVB-equipped interface with a simple CAT-5e ethernet cable. Connect up to five MOTU interfaces using a MOTU AVB/TSN Switch (sold separately). AVB/TSN audio networking Build a network with multiple interfaces and computers using standard AVB/TSN switches and network cabling, with ultra-low network latency, even over long cable runs (100 meters point to point). Stream hundreds of audio channels among devices and computers on the network. Optical I/O Connect outboard digital processors, digital mixers or other gear. 8 channels of ADAT at 44.1/48 kHz, 4 channels of SMUX at 88.2/96 kHz or stereo TOSLink (optical S/PDIF) up to 96 kHz. Comprehensive metering The full-color LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I/O. Access hardware settings from a simple and convenient menu. AudioDesk® Includes AudioDesk workstation software for Mac and Windows with 24-bit recording, sample-accurate editing and 32-bit mixing and mastering.