Medion MD-85217 pojačalo za zvučnike. Radi kao eksterna zvučna kartica.

Šifra 91685 Brand E-GREEN Tip eksterna

Form Factor Tabletop Display None Channels of I/O Analog: 2 Inputs / 4 Outputs Digital: 8 Inputs / 0 Outputs Max Sample Rate/Resolution 192 kHz / 24-Bit Number of Mic Preamps 2 Input Level Adjustment 2 x Knob Expansion Slots None Pad None Gain/Trim Range Mic/Line/Hi-Z Inputs: +57 dB High-Pass Filter None Solo/Mute None Connectivity Analog Audio I/O 2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 4 x 1/4" TRS Balanced Line/Monitor Output 1 x 1/4" TRS Unbalanced Headphone Output (Front Panel) Phantom Power 48 V, Selectable On/Off (Selectable on Individual Inputs) Digital Audio I/O 1 x TOSLINK Optical ADAT Input (S/MUX Support) Host Connection / USB 1 x USB Type-C (USB 2.0) USB (Non-Host) None Sync I/O None Network I/O None MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Wireless Connectivity None Performance Frequency Response Mic Inputs: 20 Hz to 20 kHz ±0.03 dB 20 Hz to 35 kHz ±0.15 dB Line Inputs: 20 Hz to 20 kHz ±0.05 dB 20 Hz to 35 kHz ±0.15 dB Hi-Z Inputs: 20 Hz to 20 kHz ±0.04 dB 20 Hz to 35 kHz ±0.15 dB Line, Monitor Outputs: 20 Hz to 20 kHz ±0.02 dB 20 Hz to 35 kHz ±0.02 dB Headphone Outputs: 20 Hz to 20 kHz ±0.06 dB 20 Hz to 35 kHz ±0.07 dB Max Input Level Mic Inputs: +18 dBu Line Inputs: +26 dBu Hi-Z Inputs: +15 dBu Max Output Level Line/Monitor Outputs: +18 dBu Headphone Outputs: +16 dBu Impedance Inputs: 2.2 Kilohms Dynamic Range Mic Inputs: 118 dB (Min Gain) Line Inputs: 118 dB (Min Gain) Hi-Z Inputs: 116 dB Line/Monitor Outputs: 124 dB Headphone Outputs: > 118 dB THD+N Mic Inputs: -110 dB (+20 dB Input, at -1 dBFS) Line Inputs: -100 dB (Min Gain, at -1 dBFS) Hi-Z Inputs: -96.5 dB (Min Gain, at -1 dBFS) Line/Monitor Outputs: -106 dB Headphone Outputs: -104 dB EIN Mic Inputs: < -129 dBu Digital Audio Sample Rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Sample Rate Conversion None Bit Depths 24-Bit (AD/DA Conversion) Sync Sources ADAT, Internal, S/PDIF Memory Card Slot None Compatibility OS Compatibility macOS 10.11 or Later macOS 11 Windows 7 or Later Included Software None Compatible Software (Not Included) Any Core Audio (Mac) Compliant Software Included Plug-Ins Preamp & Channel Strip: Brainworx bx_console Focusrite SC Dynamics: Focusrite Red 3 Compressor Equalization: Focusrite Red 2 Equalizer Supported Drivers/API & Plug-Ins Proprietary Mobile Device Compatibility None Required Hardware Available USB 2.0 Port, USB 3.0 / 3.1 Gen 1 Port, or USB Type-C Port USB Cable (Included) Internet Connection Required for Registration, Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) or USB Bus Power AC/DC Power Adapter 12 VDC at 1.5 A, Center-Positive (Included) Physical Anti-Theft Features Kensington Security Slot Dimensions 8.27 x 6.34 x 2.17" / 21.01 x 16.1 x 5.51 cm Weight 3.0 lb / 1.4 kg Packaging Info Package Weight 4.085 lb Box Dimensions (LxWxH) 10.6 x 10.2 x 4.5"

Microphone Preamplifier MIC GAIN:0 to +60dB LINE GAIN:-10 to +50dB PHANTOM POWER:48v +/-4v @ 10mA/Channel MIC EIN:-126dBu CMRR:>80dB @ 1kHz MAXIMUM INPUT LEVEL:+18dBu INPUT IMPEDANCE (Mic):3k Ω balanced INPUT IMPEDANCE (Line):10k Ω balanced FREQUENCY RESPONSE:±0.5dB 10Hz to 65kHz CROSSTALK:<-90dBu @ 1kHz & 10kHz THD+N @ 0dBu (1kHz):0.003% (-90dB) SNR:96dB XLR:Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield) 1/4” TRS JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) PAD:-10dB HPF:-3dB @ 100Hz, 2nd Order (12dB/Octave) D.I / Instrument Input (Channel 1) D.I GAIN:0 to +60dB MAXIMUM INPUT LEVEL:+10dBu INPUT IMPEDANCE:1MegΩ Unbalanced FREQUENCY RESPONSE:±0.5dB 10Hz to 50kHz THD+N @ 0dBu (1kHz):<0.3% SNR:95dB A-weighted 1/4” JACK:Tip (Hot) & Sleeve (Shield) Analogue to Digital Converter (ADC 1 & 2): (Measured via Insert Returns under AES-17) MAXIMUM INPUT LEVEL:+18dBu (0dBFS digital maximum) DIGITAL REFERENCE LEVEL:+18dBu = 0dBFS INPUT IMPEDANCE:>10k Ω Balanced CROSSTALK:<-118dBu @ 1kHz & 10kHz FREQUENCY RESPONSE:±0.5dB 10Hz to Fs/2 (Nyquist) THD+N @ -1dBFS (1kHz):<0.0003% (-112dB) DYNAMIC RANGE:120dB A-weighted 1/4” TRS JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) Digital to Analogue Converter (DAC 1, 2, 3 & 4): (Measured under AES-17 at line outputs 1, 2, 3 & 4) MAXIMUM OUTPUT LEVEL:+18dBu (0dBFS digital maximum) OUTPUT IMPEDANCE:<100 Ω CROSSTALK:<-118dBu @ 1kHz & 10kHz FREQUENCY RESPONSE:±0.5dB 10Hz to Fs/2 (Nyquist) THD+N @ -1dBFS (1kHz):<0.0006% (-104dB) DYNAMIC RANGE:124dB un-weighted, 126dB A-weighted 1/4” TRS JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) Headphone Outputs (Measured under AES-17 at phones output) MAXIMUM OUTPUT LEVEL:+14dBu (0dBFS digital maximum) OUTPUT IMPEDANCE:<50 Ω unbalanced CROSSTALK:<-110dBu @ 1kHz & 10kHz FREQUENCY RESPONSE:±0.5dB 10Hz to Fs/2 CROSSTALK:-115dBu @ 1kHz & 10kHz THD+N @ -1dBFS (1kHz):<0.0008% (-103dB) DYNAMIC RANGE:121dB un-weighted, 124dB A-weighted MAX LEVEL INTO 30ohms:+10.2dBu 0.002% THD+N Power: 210mW MAX LEVEL INTO 60ohms:+14.2dBu 0.001% THD+N Power: 54mW MAX LEVEL INTO 600ohms:+14.2dBu 0.001% THD+N Power: 54mW 1/4” JACK:TIP (Hot), RING (Cold) & SLEEVE (Shield) Digital Input ADAT 16 CHANNELS:44.1kHz to 48.0kHz ADAT 8 CHANNELS (SMUX):88.2kHz to 96.0kHz STEREO S/PDIF:44.1kHz to 96.0kHz Digital Output ADAT 16 CHANNELS:44.1kHz to 48.0kHz ADAT 8 CHANNELS (SMUX):88.2kHz to 96.0kHz STEREO S/PDIF:44.1kHz to 96.0kHz USB2.0 High Speed No. of INPUT CHANNELS 20:20 (4 Analogue, 16 Digital) No. of OUTPUT CHANNELS 24:24 (8 Analogue, 16 Digital) CONNECTOR:USB Type-C INCLUDED CABLES:1.5m USB 2.0 Type-C to USB Type-C, 1.5m USB 2.0 Type-C to USB Type-A DSP Mixer Latency – ROUND TRIP (in-to-out) 44.1kHz0.677ms 48.0kHz0.625ms 88.2kHz0.354ms 96.0kHz0.323ms Word Clock Output WORD CLOCK OUTPUT:44.1kHz to 96kHz Dimensions Unit 276mm (w) x 51mm (h) x 174mm (d)

Two inputs (1 mic / 1 line) / powered by USB bus power US-1x2HRUS-1x2HR Equipped with two inputs (1 mic / 1 line) and one USB-C port for USB bus power connection. Natural, crisp & clear sound quality thanks to the implemented Ultra HDDA Mic Preamp with 192 kHz support US-1x2HRUS-1x2HRUltra-HDDA High resolution reproduction in the US-HR series has been pursued based on TASCAM's policy to recreate sound as close to the original as possible. Therefore, the in-house developed Ultra HDDA mic preamp combined with a newly improved audio circuit delivers enhanced audio performance with the most transparent and low-noise sound. Zero-latency direct monitoring function Direct monitoring will diverge signals before sending them to the computer, resulting in smooth, in-time monitoring without any sound delay during both recording and performance. Create quality content with bundled software The US-HR models come bundled with world-renowned software that will enhance the user's production workflow. At the core of music production, Steinberg's Cubase LE/Cubasis LE 3 DAW is included, along IK Multimedia's Sample Tank SE, which comes free of charge with a massive 30 GB sound library encompassing more than 2,000 different musical instruments. US-1x2HR US-HR models also come with a free 3-month subscription to Auto-Tune Unlimited, a comprehensive suite of industry standard pitch correction and vocal effects. Interface for podcasts and live streaming The US-1x2HR can be used with computers or smartphones to easily create podcasts or live streams. The audio can be switched between stereo/mono, and the loopback function allows the audio from the computer to be returned to the streaming software for playback during live streams. US-1x2HR also supports OBS, which is popular and used worldwide. Compatible with iPad and other iOS devices The US-1x2HR can be used as an interface for iPad and other iOS devices. New audio interface engine Capitalizing on our experience being one of the pioneers in manufacturing USB audio interfaces, we achieved further stability in our native driver. The audio buffer size can be set starting from 4 samples (Windows only) to give the best performance to every different environment; maximizing the capability of the computer in use while creating a low-latency environment. Robust metal casing The US-HR models share a solid and practical design intended to withstand long hours of hard use. Its robust metal jacket not only improves its durability but, combined with dye-cast aluminum side panels, provides a sleek, eye-catching design. In addition, all models have just the right weight, so they won't move when cables are connected or disconnected. Features at a glance 2-in/2-out USB audio interface Supports up to 24-bit/192 kHz audio formats Improved TASCAM driver with selectable buffer size from 4 samples provides low-latency and stability (Windows: TASCAM native driver) 1 XLR input equipped with Ultra HDDA mic preamp and +48V phantom power 1 TRS line/inst. input RCA line L/R inputs RCA line L/R outputs 1 headphone output USB Type-C connection (USB Type-A to Type-C cable included) Powered by USB bus power Zero-latency direct monitoring Compatible with iPad and other iOS devices Extensive line-up of bundled software Steinberg Cubase LE, Cubasis LE 3 IK Multimedia Sample Tank 4 SE Antares AUTO-TUNE UNLIMITED (available free of charge up to 3 months) Compatible with mainstream DAW software (Pro Tools, Live, Cubase, Studio One, GarageBand, Logic Pro) Stereo/mono selectable loopback function (Windows, Mac, iOS, iPad OS) OBS support Included items US-1x2HR USB cable (Type-A to Type-C) DAW software installation guide DAW plug-in software installation guide set Owner's manual（warranty card included) Spec description Sampling frequency 44.1k/48k/88.2k/96k/176.4k/192k Hz Quantization bit rate 24bit Analog audio inputs MIC IN (IN 1) Connector XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED Input impedance 2.４k ohms Maximum input level (GAIN:MIN) +9dBu (2.183Vrms) Gain 58dB LINE/INST IN(IN 2) LINE IN Connector 6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED * When set to "LINE" at LINE/INST switch Input impedance 10k ohms Maximum input level (GAIN:MIN) +20dBu(7.75Vrms) Gain 45dB INST IN Connector 6.3mm(1/4") TS-jack(T:HOT, S:GND), UNBALANCED * When set to "INST" at LINE/INST switch Input impedance 1M ohms or more Maximum input level (GAIN:MIN) +3dBV(1.1425Vrms) Gain 45dB LINE L/R IN Connector RCA pin-jack, UNBALANCED Input impedance 10k ohms Maximum input level +6dBV(1.9953Vrms) Analog audio outputs LINE OUT Connector RCA pin-jack, UNBALANCED Output impedance 100 ohms Maximum output level +6dBV (1.995Vrms) PHONES Connector 6.3mm(1/4") stereo phone jack Maximum output level 18mW+18mW or more (THD+N 0.1% or less, 32ohms loaded) Output impedance 66ohms Working impedance 16ohms to 250ohms Control IN / OUT USB Connector USB Type-C Format USB2.0 HIGH SPEED (480Mbps) DC IN 5V Connector USB Micro B type Power When connected PC USB bus powered When connected iOS USB power adapter (that can supply 5V and a current of at least 700mA)*1 External battery pack (that can supply 5V and a current of at least 700 mA)*2 *1 We strongly recommend using TASCAM PS-P520E AC adapter or the USB power adapter included with the iPad/iPhone. No USB power adapter is included with an iPod touch. To use it with an iPod touch, purchase a genuine Apple USB power adapter (that can supply 5V and a current of at least 700mA) separately. *2 We strongly recommend using a TASCAM BP-6AA external battery pack. If using another external battery pack or mobile battery, purchase one that can supply 5V and a current of at least 700mA. Power consumption 1.8W Dimensions 146(W) × 55(H) × 120(D)mm (including protrusions) Weight 623g Operating temperature 5 to 35°C Accessories USB cable (Type-A to Type-C), Set of DAW software installation guides, Set of DAW plug-in software installation guides, Owner's Manual (including warranty)

Komplete Audio 2 sa uključenim softverom: Maschine Essentials: Kompletan Maschine softver (isti kao MIKRO, Maschine MK3, JAM) sa 1.6 GB Maschine fabričkom slelekcijom semplova, snimaka, lupova i instrumenata. Mogućnost apgrejdovanja na celu Maschine Factory Library i na Komplete 12 Select Replika: profesionalni kreativni dodatak za eho (odloženi zvuk) Solid Bus Comp: moćni kompresor za miksovanje i mastering Phasis: bezremeni fazni efekti za dodavanje pokreta bilo kom zvuku Monark: topli vintage tonovi od neospornog kralja mono zvuka do akustičnih analognih sintisajzera Komplete Start: NI’s besplatan paket za produkciju je automatski uključen Ableton Live Lite: softver za komponovanje muzike Besplatna dvomesečna pretplata na Sounds.com Native Instruments Komplete Audio 1 USB Audio interfejs sadrži: 2 XLR/DI kombinovana ulaza za mikrofon sa 48V fantomske snage za fleksibilno stereo snimanje Stereo izlazi džekovi za korišćenje kod kuće, u studiju i na bini VU Metar za precizno podešavanje nivoa Direktni Monitoring: bez kašnjenja (latencije), izlaz visoke snage Veliko dugme za jačinu zvuka za lako podešavanje nivoa izlaza Input/host miks omogućava opciju slušanja snimka tokom snimanja USB 2.0 prilagođen za maksimalnu prenosivost Prvoklasni audio kvalitet na 24-bit/192kHz Drajveri za Mac/PC (ASIO/Core Audio/DirectSound/WASAPI) Tehničke specifikacije Povezivanje sa kompjuterom:USB 2.0 Vrsta:Desktop Simultani I/O:2 x 2 Broj pretpojačala:2 Fantomska struja:Da A/D Rezolucija:24-bit/192kHz Analogni ulazi: 2 x XLR-1/4" combo (mic/line/Hi-Z) Analogni izlazi: 2 x 1/4" TRS Slušalice:1 x 1/4" USB:1 x Tip B Softver: Ableton Live 10 Lite, Maschine Essentials, Komplete Start Operativni sistem - Mac: MacOS 10.12 ili noviji, Intel Core i5 ili veći Operativni sistem - PC: Windows 10 ili noviji, Intel Core i5 ekvivalent ili veći Priključak preko USB:Da Dubina:51" Širina:41" Visina:04" Težina:79 lbs (0.35 kg) Fabrički broj:26148

This interface is designed to be paired with separately available Slate Digital microphones to deliver what slate calls the VRS, or Virtual Recording Studio. Using this preamp, the aforementioned microphones, and included software, the VRS aims to put heretofore cost-prohibitive, holy-grail mic/pre combinations at your fingertips, with each element in the chain contributing to that goal. Slate Digital is a company well-regarded for its modeling software, and the VRS8 offers almost all of this software, some of it on perpetual basis—as is the case with the Virtual preamp collection—and the rest of it via annual licenses. In fact, a complimentary one-year subscription to the Slate Everything Bundle is included with your purchase. This package of software comprises a continuously updated suite of emulations and plug-ins, including venerable compressors, equalizers, tube-circuit modules, tape machines, consoles, mastering processors, and more. Everything from vintage and modern buttons from the 76s are represented, as are channel strips from venerated boards, and a few proprietary designs such as an Air EQ by way of Eiosis and a harmonic enhancer by way of the Revival. Using the VRS8, an ML-1 Microphone, and the Everything Bundle, you can achieve the sound of a 67 through a variety of authentic-sounding gear, such as a British channel strip, a 73-style preamp, a 76-style compressor, a de-esser, and a tape machine emulation—all in real time. This software is compatible with Mac and Windows platforms, operating in AU, VST and AAX formats. On Mac computers, the interface connects via Thunderbolt. A PCIe card is provided for use with Windows machines and other compatible computing systems. VRS8 Interface 8 Linear Preamps The start of any signal chain is extremely important, which is why the VRS8 features eight high-bandwidth Ultra Linear microphone preamps. These are of the same blank canvas design as the VMS-One preamp, enabling you to use the modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp. High-Quality Converters The next step in the signal chain is the converter itself. The VRS8 offers AKM AK5578 converter chips that provide 124 dB of dynamic range. LLN Technology In order to achieve low-latency across multiple platforms, Slate developed LLN technology, which stands for Low Latency Native. LLN utilizes a custom hardwired converter chipset, which reduces managed components in the audio path and allows an 0.7 milliseconds of latency at 96K (with a 32-sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later. XTC Audio Clock The audio clock is the heart of any recording interface, and the VRS8 is no exception with its XTC clocking technology. This clock is satellite-grade, utilizing four temperature-compensated crystal oscillators for stability, keeping your audio jitter and distortion free. Discrete Headphone Amplifiers Most engineers listen to music on headphones when working in the studio, so Slate has implemented discrete amplifiers to ensure that your headphones sound robust and clear. Not only that, Slate also added two separate monitor mixes and the ability to use the VRS8 as a speaker switcher. Cross Platform Low-Latency Performance The world of audio interfaces is rarely cross-platform when it comes to performance, meaning that Mac devices (using Thunderbolt) usually far outperform Windows interfaces (using USB). While USB can be effective for two-channel designs, it requires more CPU overhead to manage, resulting in higher CPU usage and longer latency values than Thunderbolt. Thus, the VRS8 offers both Thunderbolt and PCIe connectivity for maximum cross-platform compatibility. The PCIe performance is the same as Thunderbolt, so you can decide for yourself which connection to use. You can also link up to 6 VRS8's via Thunderbolt to achieve 48 inputs and outputs. Native MIDI I/O Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic), MIDI I/O on the VRS8 never touches the USB bus. You can count on accurate MIDI timing. Included Preamp Models More preamp models will be released, but at the very least, you get the following: FG-73: The FG-73 preamp module is modeled after a famous, discrete solid-state preamp made in Britain and used on countless recordings from the 70s onwards. It has a bold, present, and warm sound that works great on any audio source, even full mixes. FG-76: The FG-76 preamp module is modeled after a vintage German tube preamp that has been used on many classic recordings. It has a thick, colorful tone that can help enliven tracks and mixes. The bottom-end saturates in a musical way, making it a great module for bass guitar. Everything Bundle Included Software The Everything Bundle is constantly updating with new products, but at its core are the following: Audified U73b FG-Stress Classic Tubes 1 Classic Tubes 2 Classic Tubes 3 Virtual Tube Collection Virtual Console Collection Virtual Preamp Collection FG-116 FET Blue Series FG-Bomber Custom Series Air & Earth Modules Mix Bundle (FG-N, FG-S, FG-401, FG-116) The Monster Revival Trimmer Virtual Buss Compressors Virtual Tape Machine FG-X Mastering Processor

NOW YOU CAN: Create classic-sounding music productions, livestreams, and podcasts on Mac, PC, iPad, and iPhone Record your voice or guitar with rich, full sound using Vintage Mic Preamp mode Produce with an essential suite of audio and music software including Ableton, Melodyne, UJAM's Virtual Drummer, Marshall, Ampeg, and more Build your desktop production studio around a stylish interface, built to withstand years of home and mobile recording Collaborate with Best-in-Class Audio Quality From the team that brought you the game‑changing Apollo interface, Volt 2 delivers superior studio sound quality, with more character and tone than any USB interface in its class. Capture Classic Vocals with Vintage Mic Preamp Mode Few sounds can compare to a vintage Universal Audio 610 tube preamp, as used to record everyone from Ray Charles to Van Halen. Volt 2 gives you the rich, full sound of this classic UA mic/line/instrument preamp, thanks to its built-in tube emulation circuitry, a UA exclusive. Stay Inspired with a Curated Suite of Audio Software Some audio interfaces give you a smattering of random audio apps. Not Volt. Instead, we put together a bundle of serious music production tools, virtual instruments, and plug‑ins from the industry's best. Easy In, Easy Out Volt 2 gives you simple 2-in/2-out audio connections. Just plug your mics or instruments into the front panel. Then connect your speakers or headphones to monitor your audio with no latency. With Volt, you’ll be creating like a pro, fast. iPad & iPhone Ready Traveling light? Plug Volt 2 into your iPad or iPhone, and you can easily create beats and samples, record your band’s rehearsals, and edit songs anywhere.* Capture Inspiration for Years to Come Featuring rugged all-metal construction and sleek, vintage-inspired industrial design, Volt 2 elevates your production space with impeccable style, built to last decades. Included Software Offering a powerful DAW, vintage guitar and bass amps, industry-leading virtual instruments, and much more, Volt gives you everything you need to start producing music, podcasts, and livestreams, right out of the box. Marshall Plexi Classic Amplifier Live 11 Lite Melodyne Essential Ampeg® SVT-VR Classic Bass Amp LX480 Essentials Virtual Drummer DEEP Virtual Bassist DANDY LABS Marshall Plexi Classic Amp Bundle by Softube Create with an expertly modeled version of the iconic British amp that invented the sound of rock. Plus, shape your tones further with the included Softube Time & Tone Bundle, featuring additional reverb, delay, compression, and saturation plug-ins. Ableton Live 11 Lite Packed with all the effects, instruments, and features you need to make professional music productions, Live is fast, fluid, and flexible software for music creation and performance. Melodyne Essential by Celemony Easily correct the pitch of recordings and samples with quick, intelligent note-based processing, and tune vocal and instrument tracks for more professional-sounding recordings and mixes. Ampeg^® SVT-VR Classic Bass Bundle by Plugin Alliance Get all the massive, earth-shaking tube tone of Ampeg’s iconic bass amp. Plus, use the bx_tuner for quick tuning and the powerful bx_masterdesk plug‑in to add the final touch to any source. LX480 Essentials by Relab Development Add lush dimension and ambience with Relab's expert model of this classic '80s digital reverb unit. You can also add complex delay and modulation textures for space and movement to your tracks. Virtual Drummer DEEP by UJAM From classic soul and funk rhythms of the ‘60s and ‘70s to contemporary pop and rock styles, DEEP sports UJAM’s dynamic "round-robin" algorithm, giving you drum tracks that sound like the real thing. Virtual Bassist DANDY by UJAM Get classic flatwound bass sounds for soul, pop, blues, and rock tracks with UJAM's custom-made DSP algorithms. DANDY automatically follows the key and chord you play, intelligently selecting musical bass articulations to make your tracks shine. LABS by Spitfire Audio Delivering on-the-spot inspiration for music productions, soundtracks, and podcasts, LABS is a curated virtual instrument library that features strings, pianos, percussion, synths, guitars, and more. Key Features Desktop 2-in/2-out USB 2.0 audio interface with class-leading 24-bit/192 kHz audio conversion for Mac, PC, iPad, and iPhone Vintage Mic Preamp mode for recording voice or guitar with the rich, full sound of a classic UA tube preamp Included software bundle features titles from Ableton, Melodyne, Virtual Drummer, Marshall, Ampeg, and more Studio-quality headphone amplifier for loud, clear monitoring Mic, line, and instrument inputs 48V phantom power for condenser microphones Direct Monitoring for latency-free recording Stylish, rugged construction built to withstand years of use 1-in/1-out MIDI connections USB-C to USB-A cable included System Requirements Mac & PC Available USB 2.0 (or higher) port USB cable (included) Intel, AMD, or Apple Silicon processor (PC) Windows 10 64-bit edition (macOS) 10.14 Mojave or later Internet connection for software downloads iPad & iPhone iPadOS / iOS 14 or later

Šifra 82965 Brand GEMBIRD Tip eksterna

Sučelje USB Chipset .

Kao nova, nikada korišćena (nije vađena iz kesice) PCI zvučna kartica za starije računare sa operativnim sistemima MS-DOS, Windows 98, ME, 2000, NT 4.0 i Linux. Nisam proverio na novijim verzijama. Ako ste ozbiljan kupac, mogu da izvadim iz kesice i probam ali onda će se videti da je otvarana. Svi detalji se vide na slikama.

Creative Sound Blaster Audigy Sb0290 External Hub. Od znakova korišćenja vide se dve manje ogrebotine na gornjem delu, inače bez ikakvih ozbiljnijih oštećenja. Prodaje se kao na fotografiji, bez kablova, zvučne karte i ostalih eventualnih dodataka. Tehničke informacije sa interneta: PACKAGE CONTENTS: External Sound blaster Audigy2 I/O Hub/Drive Product Features Studio Quality Audigy2 ZS External I/O Hub Superior Fidelity 24-bit ADVANCED HD Audio THX Certified Sound Card for Cinematic Audio Advanced Resolution 24-bit DVD-Audio Playback Ultra-realistic EAX 4.0 ADVANCED HD Effects Product Description The Definitive 24-bit ADVANCED HD Audio Solution with 8 Channel 108dB SNR for Unsurpassed Audio Fidelity and External I/O Hub with Remote Sound Blaster Audigy 2 ZS Platinum Pro delivers the most comprehensive audio capabilities and connectivity for the PC! Featuring 5 stereo Inputs/6 stereo Outputs, external I/O hub, and superior fidelity 24-bit ADVANCED HD audio, Sound Blaster Audigy 2 ZS Platinum Pro supports simultaneous recording of six channels of 24-bit/96kHz audio with low latency ASIO 2.0 support. Sound Blaster Audigy 2 ZS Platinum Pro is also the only PC platform to deliver Advanced Resolution 24-bit DVD-Audio playback in pristine 108dB SNR clarity across all channels. With the unique Creative THX Setup Console, you`ll be able to create cinematic quality speaker surround with DTS-ES, Dolby Digital EX movies and 3D games! Features and Benefits Studio Quality Audigy 2 ZS External I/O Hub Studio quality I/O with analog stereo connectors for six channel input, optical and coaxial digital I/O, full-sized MIDI I/O, microphone with gain control, headphone with volume control, and two 1394 FireWire ports for 10 Channel In/14 Channel Out support. Record 6 channel 24-bit/96kHz. Two Integrated High Speed 1394 FireWire Ports enable PC-to-PC networking and low latency gaming plus high speed data transfers with IEEE compliant devices including MP3 players, storage devices and DV Camcorders. Superior Fidelity 24-bit ADVANCED HD Audio Superior quality 24-bit/192kHz audio, ultra-realistic EAX ADVANCED HD GAME effects, and studio quality EAX ADVANCED HD MUSIC settings Sound Blaster Audigy 2 ZS is the ideal platform for Windows Media 9 content including full 24-bit/96kHz audio in discrete 5.1 surround sound. THX Certified Sound Card for Cinematic Audio Sound Blaster Audigy 2 ZS has received the prestigious THX Multimedia Certification making it the perfect choice for delivering cinematic quality audio on the PC. The unique Creative THX Setup Console provides accurate audio calibration for a precise speaker listening environment. Advanced Resolution 24-bit DVD-Audio Playback DVD-Audio offers 5 times the audio detail of CD audio in 24-bit/192kHz stereo and 24-bit/96kHz in 5.1 surround. Experience compelling music playback in pristine audio quality, clarity, and depth. `Lossy` compression formats like MP3 reduce file size by removing audio frequencies. The `Lossless` (MLP) compression format of DVD-Audio retains all the characteristics of the original ambient recording without compromising audio fidelity. Sound Blaster Audigy 2 ZS Platinum is the only available PC platform to deliver Advanced Resolution playback at 24-bit/192kHz in stereo or 24-bit/96kHz in 5.1 surround. Ultra-realistic EAX 4.0 ADVANCED HD Effects Multi-Environment delivers life-like sound as multiple environments are simultaneously processed in real-time. Enjoy ultra-realistic effects in today`s hottest games including Lara Croft Tomb Raider: The Angel of Darkness, Enter The Matrix, Tom Clancy`s Splinter Cell and more! EAX Music Console with Acoustic Enhancements Dramatically enhance your music experience with new EAX ADVANCED HD MUSIC features including Bass Boost, multi-band Graphic Equalizer on all 8 channels, Audio Clean-Up and Karaoke. Bass Boost: Punch up the bass with all PC audio Multi-Channel Graphic Equalizer: Personalize playback across all 8 channels Audio Clean-Up: Remove noise from MP3s of old recordings Karaoke: Remove vocals and sing along to your favorite music tracks Smart Volume Management (SVM): Automatically match volume levels across music tracks EAX Effects: Add acoustic effects like Concert Hall to your music Patented Creative CMSS 3D Audio Technology Allows all stereo recordings including MP3/WMA, CDs, VCD, and movies to be played back in captivating 5.1, 6.1, or 7.1 surround. Delivers virtual surround with headphones and stereo widening with stereo desktop speakers. Complete Cinematic Surround Sound with DTS-ES and Dolby Digital EX Movies Sound Blaster Audigy 2 ZS Platinum Pro features built-in DTS-ES and Dolby Digital EX decoding to deliver captivating audio playback in 5.1, 6.1 or 7.1 surround with DVD movies. Comprehensive Multi-Channel Surround with 3D Games Enjoy up to 7.1 surround in existing 3D games. Sound Blaster Audigy 2 ZS plays back DirectSound3D games in 5.1 surround, 6.1 surround with additional rear center channel, or 7.1 surround in rear center surround or side surround configurations. Product Description The Definitive 24-bit ADVANCED HD™ Audio Solution with 8 Channel 108dB SNR for Unsurpassed Audio Fidelity and External I/O Hub with Remote

CREATIVE SOUND BLASTER-SB0060.

Gamer-ska zvucna karta, sa optickim izlazima: Hercules Gamesurround Fortissimo II Ispravna i istestirana prodaje se bez bilo kakvih kablova i dodatne opreme

Profesionalna zvučna karta Audiotrak INCA88 5.1 sistem, 20-bitna 8 ulaznih kanala 8 izlaznih kanala Nemam njen boks sa konektorima, ali dajem uz nju odgovarajući D44 konektor, tako da entuzijasti mogu sebi napraviti ožičenje kako im odgovara.

CMEDIA 8738 PCI-SX audio kartica - 4 izlazna kanala - line in - mikrofonski ulaz - game port

USB zvučna kartica (spoljna)

KUPUJTE BEZBEDNO I KUPUJTE PROVERENO! POGLEDAJTE MOJE OCENE! SALJEM POSTEKSPRESOM i BEX-om SIROM SRBIJE! MOGUCE LICNO PREUZIMANJE I TESTIRANJE U INDJIJI I NOVOM SADU! Creative SoundBlaster Audigy SE 7.1 HD zvuk zvucna kartica na PCI slot. Model: SB0570 Sound Blaster SB 0570 Sound Card PCI card Vrhunska HD zvucna kartica neverovatno cistog zvuka! Radi na svim operativnim sistemima: Microsoft® Windows® 10 Windows 8.1 Windows 8 Windows 7 Windows® Vista (Drivers available on us. creative. com) Windows XP (SP2) Windows 2000 (SP4) Potpuno ispravan i testiran. Radna garancija 30 dana. Karakteristike: Tip Zvučna karta Proizvođač Creative Model Sound Blaster Audigy SB0570 Lokacija uređaja interni Audio čip Creative CA0106-DAT Audio sistem 7.1 (8 kanala) Sample rate 96 KHz Digital audio 24 -bit SNR 100 dB Izlazni konektori LINE IN, MIC, Front/Side/Rear/Centre/Subwoofer ili Headphone out, Digital I/O Ulazni konektori AUX IN, SPDIF Minimalni zahtevi Pentium CPU na 1000MHz, 128MB RAM, Microsoft Windows2000 SP4/XP SP 1/XP Pro x64 Mogucnosti: Uživajte u audio iskustvu koje jednostavno nije moguće s osnovnim audiozapisom matične ploče. Sound Blaster Audigy SE ima visokokvalitetan zvuk koji dramatično poboljšava slušanje muzike u MP3 formatu, podršku za EAX® ADVANCED HD ™ 3.0 efekte koji oživljavaju PC igre i višekanalni 5.1 ili 7.1 zvuk za umirujući surround zvuk u muzici, filmovima i igrama. Kada je u pitanju PC Audio ništa se uspoređuje s Sound Blasterom! Muzika Dramatično poboljšajte doživljaj slušanja MP3 muzike s jasnom, jasnom kvalitetom zvuka 24-bitne ADVANCED HD ™ . Izvedite najbolje u svojoj muzicii uz Bass Boost, Smart upravljanje glasnoćom, audio čišćenje i još mnogo toga! Slušajte svoju omiljenu MP3 muziku u 7.1 surround zvuku koja prekrivate CMSS® surround tehnologijom. Igre Osjećajte se kao da ste u igri s realnim EAX® ADVANCED HD ™ 3.0 zvučnim efektima. Slušajte svoje neprijatelje prije nego što vas pronađu s 3D pozicijskim zvukom preko višekanalnih zvučnika. Filmovi Uživajte u blokbaster filmovima u surround zvuku uz podršku za sve, od slušalica do višekanalnih 5.1 ili 7.1 zvučnika.

Na prodaju odlicna zvucna karta marka: CREATIVE, model: Sound Blaster Live! Digital(SB 0220) Poseduje 5.1 izlaz, kao i MIDI/GAME port, pomocu kog mozete povezati klavijaturu ili dzojstik za igrice sa racunarom. Slike u prilogu su originalne predmeta prodaje! Kupac kupuje i kupovinom dobija upravo zvucnu kartu sa prilozenih slika! Preporucujem licno preuzimanje i placanje kod mene. Po zelji, moze i slanje o Vasem trosku lepo i sigurno zapakovano u adekvatnoj ambalazi, iskljucivo Post-expresom, nakon prethodne uplate cele sume post-net-om i provere iste da je `legla`. Kupoprodaja po pravilima Kupinda! Ukoliko iz bilo kog razloga u predvidjenom roku ne dodje do realizacije kupoprodaje, ponovo postavljam oglas i takvu saradnju ocenjujem negativnom. Ne saljem u inostranstvo. Ukoliko Vas jos nesto interesuje u vezi ovog predmeta, pitajte pre isteka ovog oglasa. Srecno!

hama USB 5.1 CH Audio Converter USB zvucna kartica NOVO Isproban na Windows XP i Windows 7: Sam se prepoznaje, odmah instalira i radi. Driver-e na CD-u, nema. Bez driver-a i samo prepoznat na Win. XP, radi samo taster mute mikrofona, ostali ne. Prodaje se bez prava na bilo kakvu reklamaciju. ( detalji vidljivi na slici ) Plaćanje: Slanje posle uplate Slanje na teret kupca Postexpress-om ( najjeftinija postarina je 300 dinara ). *************************************************** Pogledajte moje ostale aukcije na: Limundo http://www.limundo.com/Clan/ljubaman/SpisakAukcija Kupindo http://www.kupindo.com/Clan/ljubaman/SpisakPredmeta Molim, uz svaku aukciju procitajte i Ukratko o clanu: http://www.limundo.com/Clan/ljubaman ***************************************************

Na prodaju vrhunska zvucna karta marka: CREATIVE, model: AUDIGY 2! (SB 0240) Poseduje 7.1 izlaz, kao i Fire-Wire 1394 konektor. Slike u prilogu su originalne predmeta prodaje! Kupac kupuje i kupovinom dobija upravo zvucnu kartu sa prilozenih slika! Preporucujem licno preuzimanje i placanje kod mene. Po zelji, moze i slanje o Vasem trosku lepo i sigurno zapakovano u adekvatnoj ambalazi, iskljucivo Post-expresom, nakon prethodne uplate post-net-om ili na t.r. i provere iste da je `legla`. Kupoprodaja po pravilima Kupinda! Ukoliko iz bilo kog razloga u predvidjenom roku ne dodje do realizacije kupoprodaje, ponovo postavljam oglas i takvu saradnju ocenjujem negativnom. Ne saljem u inostranstvo. Ukoliko Vas jos nesto interesuje u vezi ovog predmeta, pitajte pre isteka ovog oglasa. Srecno!

Analog or Digital - Options Galore The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio. The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases. As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance. Perfect Sound Capture and Reproduction Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact. The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate. For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used. High Resolution Display Operation RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages. Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display. Extreme Power Headphone Outputs There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar. Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu. The Anniversary Converter The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised. Analog Inputs XLR • Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 120.x dB RMS unweighted, 124.x dBA • Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz • Frequency response @ 384 kHz, -1 dB: < 1 Hz – 124 kHz • Frequency response @ 768 kHz, -3 dB: < 1 Hz – 180 kHz • THD @ -1 dBFS: -116 dB, 0.00016 % • THD+N @ -1 dBFS: -112 dB, 0.00025 % • Channel separation: > 110 dB TRS As input XLR, but: • Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA Analog Outputs 1/2 XLR • Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS • Signal to Noise ratio (SNR) @ +13/19/24 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz • Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz • THD @ -1 dBFS: -112 dB, 0.00025 % • THD+N @ -1 dBFS: -110 dB, 0.00032 % • THD @ -3 dBFS: -116 dB, 0.00016 % • Channel separation: > 110 dB • Output impedance: 200 Ohm balanced, 100 Ohm unbalanced 1/2 TS (rear) As output XLR, but: • Output: 6.3 mm TS jack, unbalanced • Maximum output level: +19 dBu • Signal to Noise ratio (SNR) @ +13/19 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA • Output impedance: 100 Ohm Phones 1/2 As Output 1/2 TS, but: • Output: 6.3 mm TRS jack, unbalanced, stereo • Output impedance: 0.1 Ohm • Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA • Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA • Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V) • Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V) • THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 % • THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 % • THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB Output Phones 3/4 As Output Phones 1/2, but: • Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu Balanced Phones mode As before, but: • Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V) • Output impedance: 0.2 Ohm • Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA • Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA • Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V) • Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V) • Max power @ 0.001% THD: 2.9 W per channel Digital Inputs General • Lock Range: 28 kHz – 200 kHz • Jitter suppression: > 50 dB (2.4 kHz) AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • SPDIF compatible (IEC 60958) SPDIF coaxial • 1 x RCA, transformer-balanced, according to IEC 60958 • AES/EBU compatible (AES3-1992) SPDIF optical • 1 x optical, according to IEC 60958 • ADAT compatible Digital Outputs AES/EBU • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF coaxial • 1 x RCA, according to IEC 60958 • Single Wire mode, sample rate 44 kHz up to 192 kHz SPDIF optical • 1 x optical, according to IEC 60958 • Sample rate 44 kHz up to 192 kHz Digital • Clocks: Internal, AES In, SPDIF In, ADAT In • Jitter suppression of external clocks: > 50 dB (2.4 kHz) • Supported sample rates for external clocks: 32 kHz up to 192 kHz • Internal Clocks: 44.1 kHz up to 768 kHz General • Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts • Standby power consumption: 50 mW • Idle power consumption: 10 Watts, Max. power consumption: 22 Watts • Idle current at 12 V: 850 mA (10 Watts) • Dimensions (WxHxD): 215 x 44 x 130 mm (8.5" x 1.73" x 5.1") Accessories Artikelnummer Beschreibung NT-RME-2 (lockable) Power supply for ADI-2 Pro. Robust and light-weight switching power supply, 100 V-240 V AC, 12 V 2 A DC. Lockable DC connector. BO968 Digital breakout cable (9-pin D-sub to 2 x XLR and 2 x RCA) RM-19-X 19" Rack Adapter, mounted on the sides of the ADI-2 Pro Unirack Universal rackmount adapter (tub for two 9.5" devices) AUTOK Cable for connection to car lighter socket AKKUK Cable for battery operation (6.3 mm flat connectors) Driver and Software Windows Driver for Windows 7 to 10. WDM/ASIO for ADI-2 Pro. Version 0.9680, 11/05/2018 driver_madiface_win_09680.zip Firmware Update Updates the ADI-2 Pro firmware to version 185 DSP 89 (shown on the display during boot). (11/27/2018). Windows 7/8/10 Mac OS X DIGICheck 5.92 / 0.73 Stereo- and Multichannel Level Meter, Analyzer, Bit Statistics & Noise, ITU1770 Meter, Goniometer, Surround Level Meter, Totalyzer. (09/2018). Windows 7/8/10 Mac OS X Bit Test WAV Files Stereo WAV files 16/24/32 bit, 44.1/96/192 kHz for Bit Test via USB, AES and SPDIF/ADAT with ADI-2 Pro (04/27/2017). bit_test_wavs.zip Manual ADI-2 Pro FS Latest version always online! adi2profs_e.pdf

Line or microphone sources can be connected via the eight XLR-1/4" combo inputs, while two front-panel 1/4" jacks accommodate instruments such as guitars or synthesizers. Phantom power is selectable as are the input pads and built-in limiters. The eight 1/4" line outputs are ideal for connection to speakers and power amps, while the front-panel 1/4" jacks offer dedicated level and mix controls for independent headphone monitoring. Additionally, digital connectivity includes RCA coaxial for S/PDIF or AES3, TOSLINK optical for S/PDIF or ADAT, and BNC for word clock. An RJ45 port is present for future AVB integration. The Atlas is compatible with Mac OS X and Windows systems via its class-compliant USB 2.0 connectivity. An IEC power cable, USB cable, rackmount ears, and XLR to RCA adapters are included. Signal Path Eight analog input channels and up to ten digital input channels are available as inputs for your audio workstation software through the host computer's audio driver. Similarly, eight analog output channels, up to ten digital output channels, and stereo headphone outputs can play 20 different channels. For low-latency monitoring to headphone or main outputs, each output pair can optionally be driven from the built-in DSP mixer with an individual local mix of any selection of inputs through the controller applet. All analog inputs are electronically balanced with automatic unbalanced operation. Analog outputs are electronically balanced with bootstrapping (level is maintained if one leg is grounded). Verifile Technology Verifile is a radical new proprietary technology exclusive to Prism Sound, which allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. Verifile is a fragile steganographic process, which embeds derivative data within the dither of the ADC, containing a rolling hash code which allows the audio data to be thoroughly and continuously checked. Recovery of this data from the audio stream or file enables verification that the stream or file contains exactly the audio data that was produced by the ADC at the time of recording. Any incorrect samples, missing or repeated audio segments, or any other audio errors in the resulting files can be reliably detected, providing complete confidence that the recorded file is error-free. Processing such as EQ, level changes, additional redithering, or sample-rate conversion done to a Verifile recording will result in a failure to decode the rolling hash code in the dither and hence indicate that the recording is not an original. Reliable Quality Prism Sound uses precise software calibration techniques in its converters to avoid the unreliability of pots and tweaks. Minimizing noise, interference, and hum was a priority in the design. All the analog circuits have galvanic isolation, while the unit's electronically balanced I/O allows it to handle common mode interference sources and trouble-free connection to unbalanced equipment. USB 2.0 Compatibility The Atlas is easy to connect to your computer and to your outboard gear. For both Mac and Windows platforms, there is a controller application to configure the unit and control its built-in mixer and various functions. Aside from the monitor and headphone level controls, everything else is operated solely from the Atlas controller application. The controller software opens on-screen as a separate panel alongside your existing editing software. Since the Atlas is UAC2 compliant, it will also work in recent Linux and Android builds, although no control panel is provided. Flexible I/O The Atlas offers eight high-grade mic preamps with software-controlled gain in 1 dB steps, individually switchable phantom power, 20 dB pads, and low noise and distortion. The XLR-1/4" combo jacks support both microphone and line input, with digitally-controlled mic gain in excess of 60 dB. Two front-panel 1/4" inputs also support direct-injection (DI) instrument connections. RIAA equalization can be selected in the controller applet on channels one and two so that turntables can be connected for archiving or sampling applications. By selecting the input type (Mic or DI), low- or high-impedance cartridges can be loaded with suitable termination impedances. All analog inputs have individually-selectable Prism Sound Overkiller peak limiters built in—just as on the ADA-8XR and Orpheus—to catch those fast transients. The Overkiller threshold automatically follows the operating line-level selection (+4 dBu or -10 dBV). Overkillers are ideal for percussive sounds, particularly drums, where headroom can be a problem. The coaxial digital I/O can be switched in the Atlas controller applet between S/PDIF and AES3 formats. This control changes the operating voltage and the channel status format, and is complemented by two supplied adapters that provide external XLR connections for AES3 devices. The optical digital I/O ports on Atlas can also be configured as ADAT I/O. Other connections include word clock sync I/O on BNC connectors. Low-Latency Digital Mixer A built-in digital mixer can be configured from the host computer to provide foldback feeds to performers, each with their own stereo mix of workstation playback and any of the inputs. This provides console quality local mixing—each output has its own independent mixer, with channel strips for all inputs and workstation feeds, complete with fader, pan/balance pot, solo and mute buttons, and full metering. Strips can be stereo or mono, and the mixes are dithered with filtered coefficients, just as in a top-end digital mixer. With the Prism Sound DSP mixer, the latency is as low as 0.08 ms at a 192 kHz sampling rate. Sample Rate Conversion & Noise Shaping Prism Sound's renowned synchronous sample-rate conversion allows outputting to various external devices at other sampling rates. The sample rate converter can be used at the outputs as well as the inputs, and can deal with unsynchronised or wrong-rate digital inputs. The Atlas can also generate, say, a live 44.1 kHz output from a 96 kHz session. The digital output is equipped with all four Prism Sound SNS noise-shaping curves, allowing you to reduce to 16-bits for CD at mastering-house quality. Standalone Operation Atlas can also operate in a standalone mode using its ADAT or coaxial digital I/O connections. Once configured via the Atlas controller applet, the unit can be disconnected from the host computer and used independently. Atlas will retain its settings when powered down; and even if it is switched off, Atlas can be repowered, and standalone operation can continue with the automatically stored settings. Comprehensive Indicators With ten multi-segment bargraphs with overload indication (assignable to inputs or outputs), Overkiller LEDs, digital input lock-status indication, sample rate conversion and host/master sync LEDs, and illuminated volume controls, the Atlas makes viewing interface activity easy. Expansion Slot The expansion slot supports Prism Sound's MDIO expansion cards, which provide alternative host connections. The host is usually a computer, and the Atlas interface provides a means of connection between the host and the external analog and digital audio I/O ports. Without an MDIO expansion card fitted, the host connection would always default to the USB connection. The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used. Prism Sound ATLAS Specs Form Factor Rackmount Display 1 x Color Channels of I/O 8 Input / 8 Output Built-In DSP None Maximum Sampling Rate 192 kHz / 24-Bit Number of Microphone Preamps 8 Preamps Built-In Microphone None Expansion Slots 1 x Digital I/O Slot Signal Processing Pad Mic: -20 dB (Switchable per Channel) Hi-Z: -18 dB Gain/Trim Range Mic Inputs: +10 dB to +65 dB (in 1 dB Steps) Hi-Z Inputs: +10 dB to +65 dB (in 1 dB Steps) High-Pass Filter Line Input: 80 Hz, 12 dB/Octave (-3 dB, on 4 Channels) Connectivity Analog Audio I/O 8 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 2 x 1/4" TS Unbalanced Hi-Z Input 8 x 1/4" TRS Balanced/Unbalanced Line Output 2 x 1/4" TRS Unbalanced Headphone Output Phantom Power 48 V, Selectable On/Off Digital Audio I/O 1 x TOSLINK Optical ADAT / S/PDIF Input 1 x RCA Coaxial AES3 / S/PDIF Input 1 x TOSLINK Optical ADAT / S/PDIF Output 1 x RCA Coaxial AES3 / S/PDIF Output Host Connection / USB 1 x USB-B Host Connection Protocol USB 2.0 Sync I/O 1 x BNC Word Clock Input 1 x BNC Word Clock Output Network I/O 1 x RJ45 AVB MIDI I/O 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output Wireless Connectivity None Performance Impedance BNC Word Clock : 75 Ohms Line Inputs: 14.5 Kilohms Mic Inputs: 5.5 Kilohms Hi-Z Inputs: 1 Megohm Outputs: 100 Ohms (Balanced) 50 Ohms (Unbalanced) Dynamic Range Line Inputs: 116 dB (-60 dBFS) Analog Outputs: 115 dB (-60 dBFS) THD Line Inputs: -117 dB / 0.00014% (at -0.1 dBFS) Mic Inputs: -116 dB / 0.00016% (+10 dB Gain, at -0.1 dBFS) -110 dB / 0.00032% (+40 dB Gain, at -0.1 dBFS) Analog Outputs: -107 dB / 0.00045% (at -1 dBFS) THD+N Line Inputs: -111 dB / 0.00028% (at -0.1 dBFS) Mic Inputs: -108 dB / 0.0004% (+10 dB Gain, at -0.1 dBFS) Analog Outputs: -106 dB / 0.0005% (at -0.1 dBFS) Crosstalk Line Inputs: < -140 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) Analog Outputs: < -135 dB (1 kHz) < -120 dB (20 Hz to 20 kHz) EIN Mic Inputs: -128.5 dBu (0-Ohm Source, +30 dB Gain) -126.3 dBu (150-Ohm Source, +30 dB Gain) -130.9 dBu (0-Ohm Source, +40 dB Gain) -127.6 dBu (150-Ohm Source, +40 dB Gain) -131.2 dBu (0-Ohm Source, +50 dB Gain) -127.7 dBu (150-Ohm Source, +50 dB Gain) -131.4 dBu (0-Ohm Source, +60 dB Gain) -127.8 dBu (150-Ohm Source, +60 dB Gain) CMRR Line Inputs: > 70 dB (20 Hz to 20 kHz) Mic Inputs: > 110 dB (50/60 Hz) > 100 dB (1 kHz) > 90 dB (20 kHz) Digital Audio Sample Rates Up to 192 kHz Sample Rate Conversion On S/PDIF I/O (Any Sample Rate) Bit Depths 24-Bit (A/D Conversion) 16 / 24-Bit (D/A Conversion) Latency 0.57 ms at 44.1 kHz 0.52 ms at 48 kHz 0.2 ms at 88.2 kHz 0.18 ms at 96 kHz 0.09 ms at 176.4 kHz 0.08 ms at 192 kHz Sync Sources ADAT, Internal, S/PDIF, Word Clock Clocking Word Clock: Accuracy: ±50 ppm Jitter Suppression: > 60 dB (above 100 Hz) Audio Storage & Playback Memory Card Slot None Compatibility OS Compatibility macOS 10.4 or Later Windows Vista Windows 7 Windows 8 (32/64-Bit) *As of June, 2022: Check with manufacturer for the most up-to-date compatibility Included Software None Supported Drivers/API & Plug-Ins Core Audio (Mac) ASIO Internet Connection Required for Software/Driver Download Power Power Requirements AC/DC Power Adapter (Included) AC Input Power 90 to 250 VAC, 50 / 60 Hz AC/DC Power Adapter 90 to 250 VAC (Included) Power Consumption 35 W Physical Rackmount Size 2 RU (with Included Hardware) Operating Humidity 0 to 85% Operating Temperature 32 to 95°F / 0 to 35°C Dimensions 17.3 x 11.4 x 3.7" / 440 x 290 x 95 mm (with Feet) 19 x 11.4 x 3.5" / 483 x 290 x 88 mm (with Rack Ears) Weight 11.0 lb / 5.0 kg