Marka: Bogner Veličina: XL Materijal: Poliester 100% Dužina: 80 cm Ramena: 50 cm Rukavi: 58 cm Prečnik grudi: 61 cm Šifra: Ja0014

Marka: Bogner, Veličina: L Materijal: Poliester Dužina: 84 cm Ramena: 54 cm Rukavi: 68 cm Prečnik grudi: 66 cm Šifra: Ja0241

Marka: Bogner Veličina: 42/L Materijal: pamuk, elastin 5% Dužina: 64 cm Ramena: 43 cm Rukavi: 41 cm Prečnik grudi: 53 cm Šifra: Bk3408

Marka: Bogner Veličina: S/36 Materijal: Pamuk 66%, poliamid 34% Dužina: 70 cm Ramena: 40 cm Rukavi: 62 cm Prečnik grudi: 51 cm Šifra: Ja0021

Marka: Bogner Veličina: L/52 Materijal: Pamuk 98% Elastin 2% Dužina: 110 cm Prečnik struka: 47 cm Unutrašnja nogavica: 83 cm Prečnik nogavice dole: 23 cm Šifra: Bk5053

Marka: Bogner Veličina: L/42 Materijal: Pamuk 100% Dužina: 74 cm Ramena: 52 cm Prečnik grudi: 65 cm Šifra: Bk4487

Marka: Bogner Jeans Veličina: M Materijal: Pamuk 97%, Elastin 3% Dužina: 113 cm Prečnik struka: 40 cm Unutrašnja nogavica: 88 cm Prečnik nogavice dole: 21 cm Šifra: Bk4729

Marka: Bogner Veličina: L/42 Materijal: Pamuk 100% Dužina: 62 cm Ramena: 42 cm Prečnik grudi: 55 cm Šifra: Bk4186

Marka: Bogner Veličina: L Materijal: Poliester Dužina: 70 cm Ramena: 45 cm Rukavi: 62 cm Prečnik grudi: 55 cm Šifra: Bk3155

Marka: Bogner Veličina: M/38 Materijal: Poliester 100% Dužina: 72 cm Ramena: 50 cm Rukavi: 62 cm Prečnik grudi: 57 cm Šifra: Bk5018

Marka: Bogner Veličina: M/W30 L35 Materijal: Pamuk 98% Likra 2% Dužina: 100 cm Prečnik struka: 41 cm Unutrašnja nogavica: 75 cm Prečnik nogavice dole: 19 cm Šifra: Bk5355

Marka: Bogner Veličina: S/36 Materijal: Pamuk 100% Dužina: 66 cm Ramena: 41 cm Rukavi: 63 cm Prečnik grudi: 55 cm Šifra: Bk3390

Marka:Bogner Veličina:S/46 Materijal: Poliester Dužina: 116cm Prečnik struka: 46cm (može se suziti zatezačima) Unutrašnja nogavica:84cm Šifra: SK1021

Opis AMT Electronics B1 Legend Amps – JFET guitar preamp Features overview The B1 Legend Amp Series pedal, superior high gain quality distortion, as found in the Bogner Sharp Channel Amplifier*. The sound of the AMT B1 is monstrous in tone, aggression, and provides massive amounts of gain. Thunderous lows, screaming highs, and scoopable mids leave you with unbeatable heavy distortion sounds. This one could be the “kick” your guitar rig has been needing. – The AMT Legend Amp Series guitar pedals provide excellent dynamics, nuances, and characteristics similar to that of tube driven amplifiers. – Tube-like range of volume control provides great sound density, playability, and power when playing at full volume and also in conjunction with your guitars volume knob. – TRUE BYPASS. The preamps of the Legend Amp Series pedals use passive true bypass circuitry, therefore no loss of guitar signal is noticed in your pedal chain. Similar to if no pedal was there at all when bypassed. – Features high level of output signal (+10dB in extreme position of Level knob) corresponds to the output levels similar of tube preamps. Thus, you have adjustable signal level allowing to hook up your preamp AND direct input of a power amplifier. – Controls include LEVEL, GAIN, LOW, MID, and HIGH. – TWO signal outputs: DIRECT AMPLIFIER OUT for guitar amplifier use and CAB SIMULATION OUT for mixer, or studio use. – Power saving mode. When the speaker simulation output jack is not in use, the pedal automatically switches to power saving mode. Current consumption (from 9V power unit) is less than 6mА (in power saving mode it drops to 4mА). Video

Line 6's Spider Valve is the first-born in a breed of Modeling Tube Amplifiers that gives you the best of both worlds: the killer range of Line 6's award-winning amp and effects models, coupled with the warmth and performance of a tube amp. The company recently entered into a partnership with a true legend in tube amp design, Reinhold Bogner. Together they have designed Spider Valve, a world-class tube amp with the versatility of a Line 6 modeler. Reinhold Bogner had been designing and building amplifiers long before leaving Germany in 1989. Moving to Los Angeles he quickly gained the trust of many influential players, including Steve Stevens, Dan Huff, Allan Holdsworth, Mike Landau, and Steve Vai, who sought out his skill at modifying and custom building their amps. Eddie Van Halen entrusted Reinhold to overhaul and revitalize Eddie's arsenal of amps. Eddie was pleased. Bogner Amplification was born. To create the Spider Valve Amp series, Line 6's team of guitar-slinging engineers worked tirelessly with Reinhold. By tapping into his boutique design sensibilities, it was able to fully integrate its modeling front end into Bogner's world-class tube amp design, conjuring up the rich harmonics, subtle compression and signature attitude of a great vintage amplifier. The outcome of their work delivers an experience that is much more than the sum of its individual parts. The Spider Valve 112 consists of a complete Class AB tube amplifier fed by a digital front end, which houses all the magic of Line 6's amp and effect models. Make no mistake; these are not "marketing tubes." This is a real tube amp. 12AX7 pre-amp tubes, which are always working to provide the harmonic richness and compression of a great vintage tube amp, drive the phase splitter and 5881 power amp complement. The Line 6 Spider Valve 112 MKII delivers 12 channels of amp modeling—combined with several flavors of built-in modulation, delay and reverb—driven by an all tube, all Bogner amplification design boasting 6L6 power tubes, 12AX7 preamp tubes, and a premium Celestion Vintage 30 speaker. The Spider Valve guitar amp truly offers the "best of both worlds"—affording you a tremendous range of Line 6 tone and effects with the vibe and stage-proven performance of a world class tube amp. We hope you enjoy playing these amps as much as we enjoyed creating them. When you plug into a Line 6 tube amplifier, you're plugging into a stockpile of celebrated tones worn-in by time, inspired by sounds made immortal by generations of players. You're also recognizing your power to create something brand new, completely unique, and totally yours. 12 channels of amp modeling Bogner tube amp design 7 stunning built-in effects Perfectly matched 12AX7 preamp tubes and 6L6 power tubes Premium Celestion Vintage 30 speakers

Line 6's Spider Valve 212 combo is one of the premiere lines in modeling tube amplifiers. This kind of rig gives you the best of both worlds: the killer range of Line 6's award-winning guitar amp and effects models, coupled with the warmth and performance of a tube amp. The company recently entered into a partnership with a true legend in tube amp design, Reinhold Bogner. Together they have designed Spider Valve, a world-class tube amp with the versatility of a Line 6 modeler. Reinhold Bogner had been designing and building amplifiers long before leaving Germany in 1989. Moving to Los Angeles he quickly gained the trust of many influential players, including Steve Stevens, Dan Huff, Allan Holdsworth, Mike Landau, and Steve Vai, who sought out his skill at modifying and custom building their amps. Eddie Van Halen entrusted Reinhold to overhaul and revitalize Eddie's arsenal of amps. Eddie was pleased. Bogner Amplification was born. To create the Spider Valve amps, Line 6's team of guitar-slinging engineers worked tirelessly with Reinhold. By tapping into his boutique design sensibilities, it was able to fully integrate its modeling front end into Bogner's world-class tube amp design, conjuring up the rich harmonics, subtle compression and signature attitude of a great vintage amplifier. The outcome of their work delivers an experience that is much more than the sum of its individual parts. The Line 6 Spider Valve 212 consists of a complete Class AB tube amplifier fed by a digital front end, which houses all the magic of Line 6's amp and effect models. Make no mistake; these are not "marketing tubes." This is a real tube amp. 12AX7 pre-amp tubes, which are always working to provide the harmonic richness and compression of a great vintage tube amp, drive the phase splitter and 5881 power amp complement. This Spider Valve guitar amp delivers 12 channels of amp modeling—combined with several flavors of built-in modulation, delay and reverb—driven by an all tube, all Bogner amplification design boasting 6L6 power tubes, 12AX7 preamp tubes and premium Celestion Vintage 30 speakers. Spider Valve 212 truly offers the "best of both worlds"—affording you a tremendous range of Line 6 tone and effects with the vibe and stage-proven performance of a world class tube amp. We hope you enjoy playing these guitar amps as much as we enjoyed creating them. When you plug into a Line 6 amplifier, you're plugging into a stockpile of celebrated tones worn-in by time, inspired by sounds made immortal by generations of players. You're also recognizing your power to create something brand new, completely unique and totally yours. 12 channels of amp modeling Bogner tube amp design 7 stunning built-in effects Perfectly matched 12AX7 preamp tubes and 6L6 power tubes Premium Celestion Vintage 30 speakers

he NUX Mighty Plug is a portable headphone amplifier and modeling guitar processor. It is a small, lightweight device that can be easily carried around, making it a good choice for traveling musicians or people who want to practice silently. 13 amp models: Clean, Crunch, Lead, Metal, Acoustic, Bass, Vintage, Classic, Modern, Brown, Red, Iridium, and Bogner Uberschall.

Potpuni Bogner lampaški ton svetske klase i Line6 modeliranje zvuka u jednom uređaju! Dizajn pretpojačala: 2 x 12AX7 lampe, dizajn snage: 4 x 6L6 lampe s 100W izlaza AB klase, 12 biranih modela pojačala sa širokim izborom od najčišćeg do insane metal tona, 7 brzih efekt kontrola - do 3 efekta rade simultano, ugrađen štimer na prednjoj ploči, više od 300 pretprogramiranih vrhunskih zvukova napravljenih prema onima od najboljih svetskih gitarista, 36 user programskih mesta, pojedinačni i dvostruki 1/4" izlaz za zvučnike i konekciju na kabinete (4, 8 or 16 ohma), 1/4" ulazni jack za drugo pojačalo snage, POD® XLR direktni izlaz za snimanje, opcionalni kontroleri: FBV2, FBV Express i FBV Shortboard.

Izuzetan gitarski multi-efekt procesor sa mnoštvom zvukova i bezbrojnim kombinacijama! Ovaj gitarski procesor sadrži najnovije verzije svega onog što i treba sadržiti svaki gitarski procesor: overdrive, distorzije, kompresor, EQ, delay, reverb, flanger, phasing, vibrato i chorus efekte, ali pored svega nabrojanog on sadrži još i Seq Filter, Gold Drive, Reverse Delay, HD Hall i OSC Echo. Ovaj gitarski procesor možete uključiti u pojačalo ili direktno na razglasni sistem pa možete koristiti 10 potpuno novih simulacija pojačala i kabineta. Birajte između 5 standardnih modela pojačala (Marshall JCM800, Fender Twin Reverb, MESA Boogie Mk3, Bogner Ecstasy Blue Channel i British 30W Class A Combo). Postavljanje i programiranje zvukova je izuzetno jednostavno, takođe ovaj efekt procesor sadrži 68 visoko-kvalitetnih digitalnih efekata.

Opis AMT Electronics B-Drive mini AMT Electronics B-Drive mini je pedala iz serije Drive koje su dizajnirane da budu povezane ispred ulaza „clean“ kanala komba ili pojačala, a nemaju “cab sim” izlaz kao Legend Amp serija. Ove pedale omogućavaju gitaristima da dobiju topao, oštar lampaški zvuk svojih omiljenih high gain pojačala, uz očuvanje individualnosti i tona instrumenta i opreme. U seriji Drive, AMT koristi nova originalna rešenja strujnih kola razvijena od strane specijalista AMT-a zasnovana na stvarnoj lampaškoj emulaciji i odgovoru. Rezultat je svetao, bogat, pun i moćan zvuk distorzije. AMT Electronics B-Drive mini je dizajniran za gitariste koji traže zvuk distorzije sličan onom kod Bogner * pojačala. Kada koristite efekte Drive Series, rezultujući zvuk je najviše pod uticajem komba ili glave pojačala koje koristite, kao i zvučnika instaliranih u vašem kućištu. Serije Drive su dizajnirane za gitariste koji ne trebaju emulaciju zvučnika iz serije Legend Amp. Pedale serije Drive obezbeđuju masivni gain i perfekciju tona; baš kao lampaške glave koje predstavljaju! KONTROLE: – Količina osetljivosti pedale i drive / distortion-a, određuje se položajem GAIN kontrole. – Ukupni izlazni nivo određuje se položajem kontrole LEVEL. Opseg podešavanja obuhvata standardni minimalni nivo od -10dB i dostigne +8 dB na maksimalnoj poziciji. – Pedala takođe poseduje jednostavnu kontrolu TONE, koja je namenjena za generalno usklađivanje pedale sa vašim pojačalom. Dodatno podešavanje EQ-a može se izvršiti na proširenom preamp delu vašeg pojačala. – VOICE prekidač za delimično uklanjanje srednjih frekvencija. – Potrebna je standardna snaga adaptera 9vDC (-) u sredini. Potrošnja napona je niska, radi samo na snazi manjoj od 4mA. – TRUE BYPASS kolo. Bez bojenja tona, degradacije ili gubitka signala dok se pedale ne koriste. zemlja porekla: Rusija Video

Flextone™ III serija digitalnih gitarskih pojačala od Line 6-a sa digitalnim modelingom simulacija gitarskih pojačala iz zlatnog doba. Simulacije su neverovatno stvarne. 32 modela pojačala baziranih na Vetti. 12 digitalnih efekata baziranih na nagrađivanim Line 6 pedalama. 16 simulacija gitarskih kabineta. Flextone™ III je opremljen nagrađivanomPoint-to Point tehnologijom, a opremljen je i MIDI konekcijom za detaljno editovanje svakog tona i kreiranje detaljnje banke zvukova. Pojačalo je opremljeno 12" zvučnikom, a ukupna snaga mu je 75W. Tehnička specifikacija: * 32 Vetta-based amp models * 12 Effects based on our award-winning stompbox modelers * 16 Mix 'n' Match Speaker Cab options * Award-winning Point-to-Point modeling technology * 1x12 touring quality cabinet * Powerful 75-watt mono power amp * MIDI compatibility allowing access to deep editing and the CustomTone.com library * Flextone™ III Amp Models based on: Roland® Jazz Chorus 120 Hiwatt® 1973 Custom 100 Fender® 1964 Deluxe Reverb® Fender® 1953 Deluxe Reverb® Fender® 1958 Bassman® Fender® 1963 Vibroverb Fender® 1965 Twin Reverb® Budda 2001 Twinmaster Matchless 1996 Chieftain Cornford 2002 mk50h Vox® 1967 AC-30TB Vox® 1961 AC-15 Marshall® 1966 JTM-45 Marshall® 1968 Super Bass Marshall® 1968 Super Lead Marshall® 1987 Super Jubilee Marshall® 1987 JCM 800 Marshall® 2003 JCM 2000 Soldano® 1993 SLO-100 Mesa/Boogie® 2001 Dual Rectifier® Mesa/Boogie® 2001 Triple Rectifier® Bogner 2002 Extacy Gibson® 1960 GA-18 Explorer Supro® 1960's S6616 * Flextone™ III Cabinet Models based on: 6x9 Supro® S6616 1x10 Gibson® 1x12 1961 Vox® AC-15 1x12 1964 Fender® Blackface Deluxe Reverb® 2x10 Fender® 1963 Vibroverb 2x12 1965 Fender® Blackface Twin Reverb® 2x12 1995 Matchless Chieftain 2x12 Roland® JC-120 2X12 1967 Vox® AC-30 4x10 1959 Fender® Bassman® 4x12 1967 Marshall® Basketweave with Greenbacks 4x12 1968 Marshall® Basketweave with Greenbacks 4x12 1978 Marshall® with stock 70s 4x12 1996 Marshall® with Vintage 30s 4x12 Mesa/Boogie® * Flextone™ III Delay Effects based on: EP-1 Tube Echoplex Roland® RE-101 Space Echo Deluxe Memory Man Digital Delay Ping Pong Delay Sweep Echo * Flextone™ III Modulation Effects based on: Tremolo Chorus A/DA Flanger MXR® Phase 90 2x10 Fender® Vibroverb Uni-Vibe® Leslie® 145 * Flextone™ III Reverb Types: Spring Room Plate

Tehnička specifikacija Ulazi: * Dual 1/4" instrument inputs * Dual XLR microphone inputs (with phantom power, trim controls and low-cut filters) * Stereo 1/4" line inputs * S/PDIF digital input * AES/EBU digital input * Variax® Digital Interface (VDI) Izlazi: * Stereo unbalanced 1/4" outputs * Stereo balanced XLR outputs (mic or line level) * Multi-channel USB 2.0 * S/PDIF digital output * AES/EBU digital output Modeli gitarskih pojačala bazirani na: 1. "Wide panel" Fender® Deluxe Reverb® 2. Fender® Bassman® 3. Fender® Deluxe Reverb® 4. Vox® AC-30 5. Marshall® Super Lead 6. Marshall® Super Lead ("jumped" channels) 7. Roland® JC-120 8. Marshall® JCM-800 9. Soldano SLO-100 10. Mesa/Boogie® Dual Rectifier® 11. Marshall® 1974X (18W Reissue) 12. Orange AD30TC 13. L6 Treadplate 14. L6 Chemical X 15. L6 Insane 16. L6 Piezacoustic 2 17. L6 Spinal Puppet 18. L6 Tube Instrument Preamp 19. Bogner Uberschall 20. Cornford mk50h 21. Diezel VH4-Lead 22. Diezel Herbert 23. ENGL® Powerball 24. Marshall® Silver Jubilee 25. Marshall® JCM-900-Clean 26. Marshall® JCM-900-Dist 27. Marshall® JCM-2000 28. Mesa/Boogie® Triple Rectifier® 29. Peavey® 5150 II® 30. Bogner Ecstasy 31. Diezel VH4-Crunch 32. Fender® Vibroverb 33. Fender® Dual Showman® Head 34. Marshall® JMP-1 35. Vox® AC-15 36. Mesa/Boogie® Mark IIc+ 37. Fender® Bassman® Head 38. Gretsch® 6156 39. Fender® Mini Twin Reverb® 40. Gibson® GA-18 Explorer® 41. Marshall® Super Bass 42. Marshall® Major 43. Silvertone® Twin Twelve 44. Supro® Thunderbolt 45. Vox® Fawn Non-Top Boost AC30 46. Dumble® Clean 47. Soldano SP88 48. Marshall® JCM 2000 49. Marshall® Super Lead Variac 50. Matchless DC-30 51. Blackface Fender® Twin Reverb® 52. Marshall® "Block Logo" JTM-45 head 53. Matchless Chieftain 54. Supro® S6616 55. Fender® Tweed Champ® 56. Hiwatt® DR-103 57. L6 Big Bottom 58. L6 Fuzz 59. L6 Octone 60. L6 Smash 61. L6 Sparkle Clean 62. L6 Throttle 63. L6 Clean 64. L6 Mood 65. L6 Agro 66. L6 Class A 67. L6 Variax Acoustic 68. L6 JTS 45 69. L6 Lunatic 70. L6 Bayou 71. L6 Crunch 72. L6 Purge 73. L6 Sparkle 74. L6 Super Clean 75. L6 SuperSpark 76. L6 Twang 77. L6 Chunk Chunk 78. Budda® Twinmaster 2x12 Combo Modeli gitarskih kabineta bazirani na: 6x9 Supro® S6616 1x8 1961 Fender® Tweed Champ® 1x10 Gibson® 1x10 Gretsch® 6156 1x12 Line 6® 1x12 1953 Fender® Tweed Deluxe Reverb® 1x12 1964 Fender® Blackface Deluxe Reverb® 1x12 1960 Vox® AC-15 1x15 1962 Supro® Thunderbolt 2x2 Fender® Mini Twin Reverb® 2x12 Line 6® Fender® 2x12 1965 Fender® Blackface 2x12 1995 Matchless Chieftain 2x12 Roland® JC-120 2x12 1967 Vox® 2X12 1967 Silvertone® Twin Twelve 4x10 Line 6® 4x10 1959 Fender® Bassman® 4x12 Line 6® Marshall® 4x12 1967 Marshall® Basketweave with Greenbacks 4x12 1968 Marshall® Basketweave with Greenbacks 4x12 1978 Marshall® with stock 70s 4x12 1996 Marshall® with Vintage 30s 4x12 Mesa/Boogie® Efekti bazirani na: 1. Teletronics LA-2A® 2. EP-1 Tube Echoplex 3. Electro-Harmonix® Deluxe Memory Man 4. Uni-Vibe 5. MXR® Phase 90 6. Fender® Deluxe Reverb® Tremolo 7. Leslie® 145 8. Arbiter® Fuzz Face 9. Ibanez® Tube Screamer 10. Big Muff Pi® 11. ProCo Rat 12. Maestro® Bass Brassmaster 13. Sans Amp Bass Driver 14. Arbiter® Cry Baby 15. L6 Vetta Comp 16. L6 Sub Octaves 17. L6 Slap Plate Reverb 18. L6 Male De-Esser 19. L6 Female De-Esser 20. L6 Vetta Wah 21. L6 Digital Delay 22. L6 Six band semi-parametric EQ 23. L6 Flanger 24. L6 Sine Chorus 25. L6 Noise Gate 26. L6 Standard Spring Reverb 27. L6 Brite Room Reverb 28. L6 Medium Hall Reverb 29. L6 Cavernous Reverb 30. L6 Bender pitch effect 31. Boss® CS-1 Compressor (treble switch) 32. Tycobrahe Octavia® 33. Binson EchoRec 34. Maestro® EP-3 Echoplex 35. Boss® DM2 Analog Delay 36. Roland® RE-101 Space Echo 37. Square CE-1 Chorus 38. A/DA Flanger 39. Boss® CS-1 Compressor 40. MXR® Dyna Comp 41. Vox® V847 Wah 42. Custom Vox® V847 Wah 43. Colorsound® Wah-Fuzz 44. Maestro® Boomerang Wah 45. Cry Baby® Super - Jen Electronics 46. RMC Real McCoy 1 Wah 47. Mu-Tron® III Down 48. Moog and ARP style synth filters 49. Moog Lead 50. ARP Solina / Elka® Strings 51. Boss® Metal Zone MT-2 52. Chandler Tube Driver® 53. Fender® Vibratone 54. L6 Sweep Echo 55. L6 Reverse Delay 56. L6 Stereo Delay 57. L6 Ping Pong Delay 58. L6 Small Room 59. L6 Lux Spring 60. L6 Auto Swell 61. L6 Auto Pan 62. L6 Large Hall 63. L6 Vintage Plate 64. 64 Mu-Tron® III 65. 1960 Vox® AC15 Tremolo 66. L6 Tiled Room 67. L6 Rich Chamber 68. L6 Large Plate 69. Boss® CE-1 Chorus Ensemble 70. L6 King Spring 71. L6 Dark Hall 72. L6 Chamber 73. Boss® Metal Zone 74. L6 Vetta Juice 75. L6 Boost & EQ 76. L6 Clean Sweep 77. L6 Seizmik Synth 78. L6 Double Bass 79. L6 Buzz Wave 80. L6 Rez Synth 81. L6 Saturn 5 Ring Mod 82. L6 Synth FX 83. L6 Synth Harmony 84. L6 Squarge Chorus 85. L6 Expo Chorus 86. L6 Random Chorus 87. L6 Square Flange 88. L6 Expo Flange 89. L6 Lumpy Phase 90. L6 Hi-Talk 91. L6 Sweeper 92. L6 POD Purple X 93. L6 Random Sample and Hold 94. L6 Tape Eater 95. L6 Warble-matic 96. L6 Low Rez Delay 97. L6 Phaze Eko 98. L6 Bubble Eko Dodatne informacije Potpuno je napunjen modelima pojačala, efekata, kabineta, te je bogato opremljen ulazima i izlazima koji Vam omogućuju integraciju u profesionalno snimanje. Kao i svi članovi porodice POD ® X3, POD X3 Pro nudi snažno Dual Tone modeliranje i usmeravanje opcija. Gitarski ili bas signal ulazi odvojeno u dva različita pojačala i efekt lance koji istovremeno stvaraju nove sjajne hibride ili koriste svoj dvojni ulaz za zasebnu obradu dva instrumenta, mikrofona i gitare, naprimer, u isto vreme. Kompjuterski bazirana studija će željeti iskoristiti USB 2.0 povezivost POD-a X3 Pro za višekanalni zapis, kao i njegove S / PDIF ili AES / EBU Digital Stereo Audeo ulaze/izlaze za slanje digitalnog signala na njihove DAW sisteme. Tu je i digitalna Variax ® veza koja kombinuje akustične i električne gitarske modelinge Vašeg Variax-a s pojačalima, kabinetima i efektima POD-a X3 Pro. Pritiskom na footswitch, dobiti ćete praktično bilo koju komb

Multi-effects processor with incredible sounds and countless combinations. The G5n comes equipped with freshly-developed takes on not only the most-essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing, but also unique multi-effects such as Seq Filter, Gold Drive, Reverse Delay, HD Hall, and OSC Echo. Ultra-realistic amp/cabinet emulation You can connect the G5n directly to a PA system or audio interface, using the 10 brand new onboard amp and cabinet emulators. Choose from 5 classic amp models like the Marshall JCM800, Fender Twin Reverb, MESA Boogie Mk3, Bogner Ecstasy Blue Channel and British 30W Class A Combo, newly and faithfully created to be adjusted exactly as you would with the knobs and switches of the real thing. Pair your amp with one of the 5 newly-created cabinet emulators to complete the sound, choosing from Marshall 1960 A-type cabinet (4x12” Celestion speakers), Fender ’65 Twin Reverb (2x12” Jensen speakers), the UK2x12 that recreates the sound of early British combo amps (2x12” Celestion speakers), Mesa Boogie Mark III cab (1x12” Celestion Black Shadow speaker), or Bogner Ecstasy cabinet (4x12” Celestion speakers). NOTE: Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America. 100 custom-crafted combinations and counting To explore the wealth of possibilities that the G5n offers, Zoom continuously collaborate with inspirational, professional guitarists known for their taste and love of great guitar sounds. The G5n comes stocked with 100 newly custom-designed patches that both recreate decades of essential guitar tones—like the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May—and pioneer new territory with combinations exclusively created for G5n guitarists. Stand out with "Lead BGN," a modern lead sound folded into a modulated delay, or "Phazed," an intense tube amp sound through a phaser. The "UFO" patch harnesses parametric EQ in the style of the lead guitarist of the band of the same name, and then there's "DreamLand," an overdriven crunch enhanced with tape echo and hall reverb. With the free ZOOM Guitar Lab software, you can look for new effects and amp/cabinet emulators, as well as even more exclusive patches from the diverse and growing list of G5n creators, people like: Kyle Bolden (Stevie Wonder) Errol Cooney (Christina Aguilera, Stevie Wonder) Andrew Elstner (Torche, Riddle of Steel) Allen Epley (The Life and Times, Shiner) Wes Geer (Korn, hed PE) Adam Hawley (Joss Stone) Chuck Loeb (Fourplay) Richard Patrick (Filter, Army of Anyone) Jeff Schroeder (Smashing Pumpkins) Dan Spack (Volcano Choir, Group of the Altos, Collections of Colonies of Bees) Eric Struthers (Aaron Neville) Vinnie Valentino (Steve Smith & Vital Information) Craig Wedren (Shudder To Think, Baby) Easy editing Editing is simple and intuitive thanks to a unique, large overview display that allows you to quickly add, delete, or change the order of effects—something not easily accomplished with the average pedalboard. There are also four independent editing displays for zeroing in on the perfect sound, each bank providing the responsiveness and hands-on feel of a stompbox. Store up to 200 of your custom effects-chains as patches in memory, each instantly accessible at the touch of a footswitch. Powerful pedals The G5n's expression pedal gives you smooth real-time control over volume, tone, or selected effects parameters, with four stompbox-style footswitches to kick effects in and out on the fly. When you're ready to take a solo, get the bump you need with the G5n's output booster. And to synchronize rhythm patterns and delay times to the beat, just hit the G5n's dedicated Tap tempo footswitch to bring your sound in line. Complex tonalities It would take an arsenal of stompboxes, amplifiers, and speakers to duplicate everything you can do with a single G5n. Use up to nine effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards in one compact, easy to use device. Practice up, play out 68 built-in rhythm patterns make the G5n the perfect practice rig and enable "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. Plus there's a built-in chromatic tuner, always accessible at the touch of a footswitch—you can bypass the currently selected patch while tuning, or mute the signal altogether. The ins and outs The G5n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for the connection of smartphones or music players, plus a dedicated headphone jack for silent practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. ZOOM Guitar Lab software Use the free ZOOM Guitar Lab Mac/Windows software to instantly download new patches, effects, and amp/cabinet simulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over tweaking, building, and naming your custom patches. State of the art editing with every G5n The Zoom G5n comes with a free download license for Steinberg’s Cubase LE music production software, providing not just the ability to create incredible guitar sounds in every box, but to do spectacular things with it. Take your recordings to a more professional level. Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom G3, G3X, G5, and G5n purchase. Currently shipping with: Cubase LE8 for Mac OS X 10.9/10.10 and Windows 7/8/8. Specs Effect types: 78 (68 DSP effects, 5 amp emulators, 5 cabinet simulators) Number of simultaneous effects: 9 Number of user banks/patches: 200 Sampling frequency: 44.1 kHz A/D conversion: 24-bit with 128x oversampling D/A conversion: 24-bit with 128x oversampling Signal processing: 32-bit Frequency characteristics: 20 – 20 kHz +1 dB, -3 dB (10 kΩ load) Display: 128 x 32 dot-matrix LCD (x4), 256 x 32 dot-matrix LCD Inputs INPUT: Standard monaural phone jack, Rated input level: -20 dBu*, Input impedance(line): 470 kΩ AUX IN: Stereo mini jack, Rated input level: -10 dBu*, Input impedance(line) : 10 kΩ Outputs L/R: Standard monaural phone jack x 2 Maximum output level: Line +5 dBu* (with output load impedance of 10 kΩ or more) Phone: Stereo mini jack Maximum output level: 20 mW + 20 mW (into 32 Ω load) Equivalent input noise: -119 dBu* Noise floor (residual noise): -101 dBm Control input: Zoom FP01/FP02 Power: AC adapter DC9V (center minus plug), 500 mA USB: USB Audio Dimensions: 225 mm (D) X 454 mm (W) X 75 mm (H) Weight: 3.4 kg FEATURES 68 onboard high-quality digital effects, including distortion, overdrive, EQ, compression, delay, reverb, flanging, phasing, and chorusing 5 new amp emulators plus 5 cabinet emulators 100 custom-designed factory patches Free ZOOM Guitar Lab Mac/Windows software allows downloading of additional effects and patches Use up to 9 effects simultaneously, chained together in any order 4 stompbox switches allow effects to instantly be brought in and out Built-in expression pedal for real-time control over volume, tone, or selected effect parameters High output booster circuit for added volume and overdrive Intuitive user interface Ultra-fast (1.6 ms) patch change speed 4 independent editing displays, plus large overview display Auto Save function for automatic saving of all patch parameters Onboard chromatic tuner with dedicated footswitch supports all standard guitar tunings, including open and drop tunings Tuner range of 435 - 445 Hz Stereo/mono Looper allows recording of up to 80 seconds of phrase recording 68 built-in rhythm patterns that can be used in conjunction with the Looper Tap Tempo with dedicated footswitch Input jack accepts standard guitar cable Auxiliary stereo input jack for connection of smartphones and music players Dual output jacks for connection to guitar amps and mono or stereo PA systems Dedicated stereo headphone output Control input for external footpedal USB port for firmware updating and patch/effects downloading Use as a USB audio interface for Mac/Windows computers, with direct zero-latency monitoring of input signal Included AC adapter Included Accessories Operation manual Zoom AD-16 AC adapter

Širok spektar efekata G5n dolazi opremljen sa sveže razvijenim efektima ne samo za najvažnije zvukove gitare kao što su overdrive, distorzija, kompresija, EK, kašnjenje, reverb, flanging, phasing, vibrato i chorusing, već i jedinstveni multi-efekti kao što je Sek Filter , Gold Drive, Reverse Delay, HD Hall i OSC Echo. Ultra realistična emulacija pojačala / kabineta G5n možete direktno povezati sa PA sistemom ili audio interfejsom, koristeći 26 potpuno novih ugrađenih pojačala i kabineta za kućišta. Izaberite jedan od 13 klasičnih modela pojačala poput '59 Fender Bassman, Diezel Herbert Channel 2, Marshall JCM800, Fender Tvin Reverb i MESA Boogie Mk3, svi novo i verno stvoreni za podešavanje tačno onako kako biste to učinili pomoću dugmadi i prekidača. Uparite svoje pojačalo sa jednim od 13 novostvorenih emulatora kabineta da biste upotpunili zvuk, birajući iz kabineta poput kabineta tipa Marshall 1960 A (4k12 ”Celestion zvučnici), Fender ’65 DeluXe Reverb (1k12” Jensen C-12K zvučnici), Mesa Boogie Mark 1 (1k12 ”ALTEC 417-8H zvučnik) ili Bogner Ecstasi KABINET (4k12 ”Celestion zvučnici). NAPOMENA: Imena proizvođača i nazivi proizvoda su zaštitni znaci ili registrovani zaštitni znaci njihovih vlasnika. Imena se koriste samo da ilustruju zvučne karakteristike i ne ukazuju na bilo kakvu povezanost sa Zoom Corporation ili Zoom North America. 124 PRIMERNO OBRAĐENE KOMBINACIJE I BROJANJE Da bismo istražili bogatstvo mogućnosti koje G5n nudi, kontinuirano sarađujemo sa inspirativnim profesionalnim gitaristima poznatim po svom ukusu i ljubavi prema sjajnim zvucima gitare. G5n se isporučuje sa 124 prilagođenih pečeva koji obnavljaju decenije osnovnih gitarskih tonova - poput ikoničkih zvukova Eddi-ja Van Halena, Jimmy-ja Hendrixa, Jimmy-ja Pagea, Carlosa Santane, Foo Fighters-a i Led Zeppelina - i pionirska nova teritorija sa kombinacijama ekskluzivno stvorena za gitariste G5n. Istaknite se „Lead BGN“, modernim zvukom olova preklopljenim u modulisano kašnjenje ili „Phazed“, intenzivnim zvukom cevnog pojačala kroz fazer. Ped „UFO“ koristi parametarski EQ u stilu vodećeg gitariste istoimenog benda, a tu je i „DreamWorld“, i pogon koji je pojačan eho-trakom i reverbom dvorane. Pomoću našeg besplatnog softvera ZOOM Guitar Lab možete potražiti nove efekte i emulatore pojačala / kabineta, kao i još ekskluzivnije zakrpe sa naše raznolike i rastuće liste stvaralaca G5n, ljudi poput: Kile Bolden (Stevie Vonder) Eric Struthers (Aaron Neville) Richard Patrick (filter) Jeff Schroeder (Smashing Pumpkins) Luca Colombo Kiko Loureiro (Megadeth) Tommi Bolan (Njujork, Banzai, Varlock) Errol Cooney (Christina Aguilera, Stevie Vonder) Ves Geer (Korn, hed PE) Stvorite svoj zvuk Lako uređivanje Uređivanje je jednostavno i intuitivno zahvaljujući jedinstvenom, velikom preglednom ekranu koji vam omogućava da brzo dodate, izbrišete ili promenite redosled efekata - nešto što nije lako postići sa prosečnom pedalboard-om. Postoje i četiri nezavisna ekrana za uređivanje za nuliranje savršenog zvuka, a svaka banka pruža odziv i praktičan osećaj trbušnjaka. Sačuvajte do 200 svojih prilagođenih lanaca efekata kao pečeve u memoriji, a svaki im je odmah dostupan na dodir nožnog prekidača. Moćne pedale G5n-ova ekspresijska pedala pruža vam glatku kontrolu u realnom vremenu nad jačinom zvuka, tonom ili odabranim efektnim parametrima, sa četiri nožna prekidača u stilu stompbox-a za pokretanje i isključivanje efekata u letu. Kada budete spremni da krenete samostalno, uzmite pojačanu snagu pomoću G5n-ovog izlaznog pojačala. A da biste sinhronizovali obrasce ritma i vremena odlaganja u ritmu, samo pritisnite G5n-ov namenski tap tempo prekidač Tap tempo da biste uskladili svoj zvuk. Kompleksni tonaliteti Bio bi potreban arsenal stompboksa, pojačala i zvučnika da bi se dupliralo sve što možete učiniti sa jednim G5n. Sa izdanjem firmvera V2.0, G5n nudi efikasnije DSP napajanje. Ovo vam omogućava da lanac do devet efekata napravite lakše i bilo kojim redosledom. To je kao da imate stotine potpuno napunjenih pedalboard-a u jednom kompaktnom uređaju, jednostavnom za upotrebu. G5n pedala kosa VEŽBAJTE, SVIRAJTE 68 ugrađenih obrazaca ritma čine G5n savršenom opremom za vežbanje i omogućavaju nastupe "jednog čoveka". Looper sa dve jedinice funkcija, koja koristi namenske nožne prekidače za pokretanje i zaustavljanje fraza, omogućava vam snimanje i zapisivanje fraza dužine do 80 sekundi efekata po vašem izboru. Uz to postoji ugrađeni hromatski tjuner, uvek dostupan na dodir nožnog prekidača - možete zaobići trenutno odabrani ped tokom podešavanja ili potpuno isključiti signal. Ulazi i izlazi G5n se lako može integrisati u bilo koji performans uživo ili u studiju. Pored standardnog ulaza za gitaru, tu su i pomoćni stereo ulaz za povezivanje pametnih telefona ili muzičkih plejera, plus namenski priključak za slušalice za tihu vežbu i dvostruki izlazi za mono ili stereo L / R vezu sa gitarskim pojačalima, PA sistemima i audio interfejsima. ZOOM GUITAR LAB 3.0 SOFTWARE Sa novom aplikacijom Zoom Guitar Lab 3.0 za Mac / windoWs imate pristup Zoom-ovoj biblioteci modela pojačala, efekata i pečeva. Na jednom mestu za upravljanje efektima, korisnici mogu lako da uređuju parametre efekata, grade lance efekata i prave / prave / prave svoje zakrpe. Napredno korisničko sučelje programa Guitar Lab 3.0 nadgleda vašu upotrebu procesora dok uređujete radi maksimalne efikasnosti. Radi udobnosti korisnika, nova funkcija Clipboard pamti do četiri efekta sa prilagođenim parametrima, tako da ih možete kopirati i nalepiti na druge zakrpe. Konačno, odeljak NEWS sadrži novo dodane efekte i pečeve, kao i demo zvuke, sve dostupne za preuzimanje direktno iz aplikacije. Da biste preuzeli nove kombinacije Stombox-a i Amp + Cabinet, jednostavno priključite G5n u računar povezan sa Internetom, uključite pedalu i otvorite softver Zoom Guitar Lab. VRHUNSKI EDITING UZ G5N Zoom G5n dolazi sa besplatnom licencom za preuzimanje softvera za proizvodnju muzike Steinberg Cubase LE, pružajući ne samo mogućnost stvaranja neverovatnih zvukova gitare u svakoj kutiji, već i spektakularnih stvari s njom. Podignite svoje snimke na profesionalniji nivo. Steinbergov moćan i najsavremeniji audio softver koji koriste stvaraoci širom sveta sada dolazi uz svaku kupovinu Zoom G3, G3Xs, G5 i G5n. ISPORUČUJE SE SA: Cubase LE9 za Mac OS X 10.11/10.12/10.13 i Windows 7/8.1/10 DODATNA OPREMA EVO ŠTA DOLAZI UKLJUČUJE SA G5N: Uputstvo za upotrebu ZOOM AD-16 adapter naizmenične struje

The Torpedo Studio… … is the next generation of the world-acclaimed VB-101, this is the pinnacle of speaker and miking simulation – the ultimate loadbox! Its new features notably include a new loadbox with increased admissible power, a switchable impedance (4, 8, or 16 Ohms), and the possibility to choose between resistive and reactive loadbox. Its new, enhanced design makes it a more advanced, much lighter successor to The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Until now, the only available option was blasting your sound through a 4×12″ to properly excite a microphone. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained. You can even record silently late at night ! Gone is the backache from the loadout, complaints from neighbours, venue staff or even bandmates and the frustration of not being able to sound at one’s best trying to reduce the volume. Exclusive Torpedo technology Highly realistic speaker simulation is achieved by use of convolution. Two notes started from that technology and brought it much further, to accurately reproduce the characteristics of the whole miking chain (speaker, microphone, preamplifier, studio room acoustic). Many parameters influence the sound of your guitar or bass rig when it comes to recording. Taking good care of the cabinet selection and miking will dramatically improve the sound of your takes. The Torpedo simulation reproduces the tiniest variations of a cabinet behaviour such as frequency response and distortion. Move the microphone in the virtual studio room thanks to the Torpedo IR synthesis, control the phase with the Variphi: all the settings you need to achieve great recordings are here. Loadbox with adjustable impedance Use your amplifier without speaker cabinet thanks to the loadbox of the Torpedo Studio. Its adjustable impedance of 4, 8 or 16 Ohms and its high admissible power (150W) makes it suitable for any amp. The reactive impedance faithfully imitates a speaker, allowing the amp to work exactly as if it was connected to a speaker cabinet. Dual mono/stereo miking combined simulation of 2 cabinets + 2 microphones for optimal mixing. Position two different microphones before your speaker, or before two different speakers. Mix the two simulations to send them to the stereo outputs Post-FX section when recoding guitars and basses it is common to apply a few effects to shape the sound before it is sent to the PA or recorder. The Studio comes with a powerful semi-parametric EQ, and exciter, a compressor and a wonderful reverb. APPLICATIONS Control your Torpedo & access the Two notes Boutique With its clear and intuitive interface, Torpedo Remote will give you access to all parameters on your Torpedo, including loading and saving presets, loading new IRs, and updating the unit’s firmware. You can pick any speaker cabinets from the Two notes Store, preview them on your own tracks in real time, and choose to buy the ones you prefer. Arcade or Simulation mode We borrowed the concept of Arcade VS Simulation from the world of video games. The Arcade mode is usually the easy way to, for example, drive a race car. You can hit obstacles, other cars, you can still win the race. We recommend that for your first experience with The Torpedo Studio you start with the Arcade preset mode to get more familiar with the concept of virtual miking. The simulation mode is not for beginners and requires more experience and knowledge about how the car actually works, depending on many tiny but still important parameters (weather, type of tires, track design…). In that preset mode you will gain access to the full list of parameter, to fine tune your sound and make it perfect to your ears. Connections Connect your guitar or bass and effects to your amplifier as you are used to, then connect your amp to the Torpedo Studio instead of a speaker cabinet. The Torpedo Studio can then be connected to a mixing board and PA, or to a sound interface for recording, in the studio or at home. You can also use headphones for direct monitoring. An optional speaker cabinet can be connected to the Thru output. You can also use the Torpedo Studio with a preamplifier, or as an external effect processor in a studio or home studio environment. The large choice of available analog or digital inputs and outputs allows the Torpedo Studio to work in any situation. SPECIFICATIONS Connectivity Amplifier input: Jack 6.35 mm (1/4) unbalanced (TS, Tip/Sleeve), to connect the speaker output of your tube or solid state amplifier Speaker Thru: Jack 6.35mm (1/4”) unbalanced (TS), to connect an optional cabinet instead of using the internal loadbox) Line inputs: 2 x Combo XLR – Jack 6.35 mm (1/4”) balanced (TRS)/unbalanced (TS) Line outputs: 2 x XLR balanced Headphones output: Jack 6.35 mm (1/4”) balanced (TRS) stereo Digital inputs: AES & S/PDIF 2 channels input Digital outputs: AES & S/PDIF 2 channels output Wordclock sync BNC MIDI In, Out/Thru USB port MIDI The Torpedo Studio is fully controllable via MIDI. Program Changes are used to change presets. Control Changes are used to control the parameters of the Torpedo Studio. The Torpedo Studio comes with a selection of 50 Two notes cabinets and much more: Guitar Cabinets: 2Notes CSG : Two notes Custom 1×12″ ElectroVoice® EVM12L Alichino : Cornford® Harlequin 1×12″ OB Celestion® Vintage 30 UK Angl VintC : Engl® 4×12″ Celestion® V30 Bayou : Jenkins® Sound Lab 2×12″ OB Eminence® Patriot Swamp Thang BDeLuxe : Fender® Blues Deluxe 1×12″ Blonde 63 : Fender® Bassman ’63 Blonde Tolex Piggy Back 2×12″ Brit 65C : Marshall® 1965A 4×10″ Celestion® G10L-35 closed back Brit 650 : Marshall® 1965A 4×10″ Celestion® G10L-35 open back Brit Std : Marshall® JCM900 2×12″ Celestion® G12T Brit VintC : Marshall® Slash Signature 4×12″ Celestion® V30 closed back Brit VintO : Marshall® Slash Signature 4×12″ Celestion® V30 open back Calif C90 : Mesa/Boogie® 1×12″ Celestion® C90 (Black Shadow) Calif StdC : Mesa/Boogie® Rectifier® Standard 4×12″” Celestion® V30 closed back Calif StdO : Mesa/Boogie® Rectifier® Standard 4×12″ Celestion® V30 open back Eddie : Peavey® 5150 2×12″ Sheffield 1200 Forest : Elmwood® 2×12″ Celestion® V30 Free Rock : VHT® Deliverance 4×12″ Eminence® P50E Free Rock2 : VHT® Deliverance 2×12″ Eminence® P50E Green Tri : Hughes&Kettner® Triamp 4×12″ Celestion® Greenback Jazz 120 : Vintage Roland® JC120 2×12″ JubilGreen : Marshall® 2550 2×12″ Celestion® Greenback JubilV30 : Marshall® 2550 2×12″ Celestion® V30 Kerozen : Diezel® 4×12″ Celestion® G12K-100 R2D2 : Musicman® 112 RD 1×12″ Electro-Voice® EVM12L Silver77 : Vintage Fender® Twin Reverb® 2×12″ orange JBL® SilverJen : Vintage Fender® Twin Reverb® 2×12″ Jensen® C12K StrongBack : The One : Brunetti® Neo1512 1×15″ + 1×12″ Twill 15 : VHT® Fat Bottom 4×12″ Eminence® P50E Vibro Utah : Vintage 1961 Fender® Vibrolux® 1×12″ original Utah speaker Vibro V30 : Vintage 1961 Fender® Vibrolux® 1×12″ Celestion® V30 Voice 30 : Original Vox® AC30 JMI 2×12″” Celestion® « Silver Bell » Voice 65 : 1965 Vox® 2×12″ VoiceModrn : Vox® V212H, 2×12″ Celestion® Alnico Blue Watt FanC : Hiwatt® 2×12″ Fane closed back Watt FanO : Hiwatt® 2×12″ Fane open back XTCab : Bogner® 4×12″ Celestion® V30 Bass Cabinets: 2Notes CSB : Two notes Custom 1×15″ Alu XL : Hartke® XL 4×10″ AZ Ben : SWR® Big Ben 1×18″ AZ Work : SWR® WorkingMan 4×10″ Calif Low : Mesa/Boogie® 2×10″ Fridge : Ampeg® 8×10″ Heaven Bot : David Eden® 1×15″ Heaven Top : David Eden® 4×10″ Marco : Markbass® 2×10″ New York : Markbass® 4×6″ Rea One : AER® Cab One 2×10″ Voice V125 : Vox® V125 2×12″ WgrandBlvd : Ampeg® B15N 1×15″ CB Jensen® C15N, Vintage Ceramic Power Amp Simulation: 4 TUBES TYPE: EL84 EL34 6L6 KT88 2 CIRCUITS TYPE: class A / single ended class AB / push pull 2 DIFFERENT MODES: pentode triode SETTINGS: Volume Presence Depth MIKING Settings : Choice of speaker cab and microphone Microphone position (distance, axis, front/back) Variphi: phase control Overload: natural speaker distortion control Dry/Wet Post-FX : 6-band Semi parametric EQ Exciter (low, high) Compressor (threshold, ratio, attack and release time, make-up gain) Reverb (8 room + 1 custom) Loadbox Reactive or Resistive load (relay), Nominal impedance: 4 or 8 or 16 Ohms (switch) Maximum admissible power: 150 W (200 Watt peak) Cooled by temperature-controlled fan Inputs / Outputs Speaker Input : Jack 6.35 mm (1/4″) unbalanced (TS, Tip/Sleeve) Speaker Thru : Jack 6.35mm (1/4″) unbalanced (TS) Line Inputs : 2 X Combo XLR – Jack 6.35 mm (1/4″) balanced (TRS)/unbalanced (TS) – Maximum level: 8,7 dBu – Impedance : 20 kOhms Line Outputs : 2 x XLR balanced – Maximum level: 11 dBu – Impedance : 600 Ohms Phones : Jack 6.35mm stereo (TRS) AES/EBU numeric Input/Output S/PDIF numeric numeric Input/Output MIDI Input/Output USB Connexion Audio Performances ADC (input) : Sampling frequency : 192 kHz Resolution : 24 bits Noise level : -111 dB (A-weighted) THD : 0.0026% Stereo crosstalk : -109 dB DAC (output) : Sampling frequency : 192 kHz Resolution: 24 bits Noise levelt : -109 dB (A-weighted) THD : 0.0008% Stereo crosstalk : -106 dB 13Hz- 45 kHz AES/EBU and S/PDIF to 96 kHz Internal synchronization , AES/SPDIF ou Wordclock Latency: (mode Normal) 5.063 ms, (mode Low) 3.064 ms (Line Input à Line Output) Weight and dimension Width x Depth x Height: 483 x 250 x 90 (mm) Weight : 4,5 kg