DAVID JONES, 1963. English Pronouning Dictionary, pages 538

Autor: David Buser, John Kauffman, Juan T. Llibre, Brian Francis, David Sussman, Chris Ullman, Jon Duckett Izdavac: CET - Beograd, 2001. Mek povez, 1198 str. nepodvlačena Pored detaljnog upoznavanja sa ASP tehnologijom, ova knjiga se bavi i novim razvojnim pravcima i integrisanjem ASP-a u najnovije verzije postojecih savremenih tehnologija kao sto su ADO, COM+ i XML. Cilj ove knjige je da korisnike osposobi da prave izazovne i prakticne Web aplikacije, sa inteligentnim, dinamickim stranicama. ASP je buducnost mreze, a ova knjiga kao idealan prvi korak za sve koji traze praktican i konkretan uvod u ASP i programiranje za Web, obuhvata: VBScript kao integralni dio obuke za ucenje ASP-a. Dinamicnije stranice uz pomoc HTML-a. Postavljanje ASP-a, koji se softver koristi i kako se administriraju stranice. Objektno orijentisano programiranje i koriscenje ASP objekata. Potpuno razradjen primjer aplikacije na kome je pokazana sva moc ASP-a; i jos mnogo toga... Kratak sadrzaj: Uvod 1 Pocetak rada sa ASP-om 2 Skriptovanje na strani servera i skriptovanje na strani klijenta 3 Osnovne ASP tehnike 4 Promenljive 5 ASP kontrolne strukture 6 Objekti, svojstva, metodi i dogadaji 7 Objekti Request i Response 8 Aplikacije, sesije i kolacici 9 Obrada gresaka 10 Skripting objekti 11 Active Server Pages komponente 12 ASP i pristup spremistu podataka 13 Koriscenje skupova zapisa 14 Napredne tehnike obrade podataka 15 Pisanje aplikacije 16 Formiranje skript komponenti za ASP 17 Uvod u transakcije i COM+ 18 Uvod u XML Dodatak A: ASP 3.0 objektni model Dodatak B: Objekti Scripting biblioteke izvrsnih rutina Dodatak C: Objektni model ADO 2.5 Dodatak D: Referentni prirucnik za VB Script Dodatak E: Saveti Johna Kauffmana za instalaciju Personal Web Servera na Win 9x plaformama Dodatak F: Formulari i ASP Dodatak G: Kodovi gresaka Dodatak H: Kodovi boja I specijalnih znakova u HTML-u POGLEDAJTE I OSTALE KNJIGE KOJE PRODAJEM KLIKNITE NA LINK http://www.kupindo.com/pretraga.php?Pretraga=&CeleReci=1&Prodavac=madena&Grupa=1&sSort=cena&sSmer=DESC 12

Prevod originalnog izdanja: Beginning C#, WROX PRESS LTD. 2001, First Edition. Puni Naslov: OD POČETKA... C#. Izdavač: CET, 2002, meki povez. Autori: Karli Watson, Marco Bellinaso, Ollie Cornes, David Espinosa, Yach Greenvoss, Christian Nagel, Jacob Hammer Pedersen, Jon Reid, Matthew Reynolds, Morgan Skinner, Eric White. Dimenzije: 23.50 x 5.30 x 16.50cm. ISBN-10: 86-7991-171-2. 1035 stranica. Korice su kompaktne i u odličnom stanju (vidljivo na slikama). Unutrašnjost knjige je takođe u odličnom stanju, bez ikakvih oštećenja ili žvrljotina.

BIBLIJSKE LEGENDE Zenon Kosidovski Zenon Kosidovski , Srpska književna zadruga Beograd 1983 , tvrd povez, format 14,5 x 19,5 cm , ćirilica, 530 strana + 20 strana sa tabalam i ilustracijama , sadržaj : Stvaranja sveta-Vavilon, Adam i Eva, Avram, Isak i Jakov, Josif, Mojsije, Isus i sudije, Samson, Dalila, Samuilo, Saul, David, Solomon, Izrailj i Judeja, Prorok Ilija i Jezavelja, Judita, Jestira, Tovija, Jov, Danilo, Jona stanje vrlo dobro, posveta na predlistu.

BIBLIJSKE LEGENDE Zenon Kosidovski Zenon Kosidovski , Srpska književna zadruga Beograd 1983 , tvrd povez, format 14,5 x 19,5 cm , ćirilica, 530 strana + 20 strana sa tabalam i ilustracijama , sadržaj : Stvaranja sveta-Vavilon, Adam i Eva, Avram, Isak i Jakov, Josif, Mojsije, Isus i sudije, Samson, Dalila, Samuilo, Saul, David, Solomon, Izrailj i Judeja, Prorok Ilija i Jezavelja, Judita, Jestira, Tovija, Jov, Danilo, Jona stanje vrlo dobro, posveta na predlistu.

Story: Substance, Structure, Style, and the Principles of Screenwriting Robert McKee`s screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In `Story`, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the `magic` of story construction and the relationship between structure and character than Robert McKee.

London, Velika Britanija 1974. Tvrd povez, zaštitni omot, bogato ilustrovano, veliki format (31 cm) , engleski jezik, 253 strane. Knjiga je odlično očuvana. Here in an explosion of sensational action and colour is the world of the greatest international stars and superstars of pop. Sadržaj: Introduction ROCK & ROLL Bill Haley Fats Domino Elvis Presley Little Richard Chuck Berry Jerry Lee Lewis The Everly Brothers Buddy Holly Gene Vincent Eddie Cochran Roy Orbison BLACK MUSIC Ray Charles James Brown Aretha Franklin The Four Tops Stevie Wonder Otis Redding Diana Ross Jimi Hendrix THE BEATLES & BRITISH ROCK Cliff Richard Paul McCartney The Rolling Stones John Lennon The Animals The Kinks George Harrison Tom Jones The Who Ringo Starr Bee Gees Cream DYLAN & AMERICAN ROCK The Beach Boys Bob Dylan The Byrds The Lovin` Spoonful Simon & Garfunkel Jefferson Airplane Janis Joplin The Band Creedence Clearwater Revival Crosby Stills Nash Young `70s ROCK Rod Stewart Marc Bolan Led Zeppelin Slade David Cassidy The Osmonds The Jackson Five Elton John Alice Cooper David Bowie Cat Stevens Gary Glitter Gilbert O`Sullivan The Sweet Index

David Graeber - Bullshit Jobs: The Rise of Pointless Work, and What We Can Do About It Penguin, 2019 368 str. meki povez stanje: vrlo dobro `Spectacular and terrifyingly true` Owen Jones `Explosive` John McDonnell, New Statesman, Books of the Year `Thought-provoking and funny` The Times FT BUSINESS BOOK OF THE YEAR 2018, THE TIMES BOOK OF THE YEAR 2018, NEW STATESMAN BOOK OF THE YEAR 2018 and CITY AM BOOK OF THE YEAR 2018 Be honest: if your job didn`t exist, would anybody miss it? Have you ever wondered why not? Up to 40% of us secretly believe our jobs probably aren`t necessary. In other words: they are bullshit jobs. This book shows why, and what we can do about it. In the early twentieth century, people prophesied that technology would see us all working fifteen-hour weeks and driving flying cars. Instead, something curious happened. Not only have the flying cars not materialised, but average working hours have increased rather than decreased. And now, across the developed world, three-quarters of all jobs are in services, finance or admin: jobs that don`t seem to contribute anything to society. In Bullshit Jobs, David Graeber explores how this phenomenon - one more associated with the Soviet Union, but which capitalism was supposed to eliminate - has happened. In doing so, he looks at how, rather than producing anything, work has become an end in itself; the way such work maintains the current broken system of finance capital; and, finally, how we can get out of it. This book is for anyone whose heart has sunk at the sight of a whiteboard, who believes `workshops` should only be for making things, or who just suspects that there might be a better way to run our world. Contents: Preface: On the phenomenon of bullshit jobs What is a bullshit job? What sorts of bullshit jobs are there? Why do those in bullshit jobs regularly report themselves unhappy? What is it like to have a bullshit job? Why are bullshit jobs proliferating? Why do we as a society not object to the growth of pointless employment? What are the political effects of bullshit jobs, and is there anything that can be done about this situation? `Does your job make a meaningful contribution to the world?` David Graeber asked this question in a playful, provocative online essay titled On the Phenomenon of Bullshit Jobs. He defined a bullshit job as `a form of paid employment that is so completely pointless, unnecessary, or pernicious that even the employee cannot justify its existence, even though as part of the conditions of employment, the employee feels obliged to pretend that this is not the case.` After a million views in seventeen different languages, people all over the world are still debating the answer. ... Graeber, in his singularly searing and illuminating style, identifies the five types of bullshit jobs and argues that when 1 percent of the population controls most of a society`s wealth, they control what jobs are `useful` and `important.` ... Graeber illustrates how nurses, bus drivers, musicians, and landscape gardeners provide true value, and what it says about us as a society when we look down upon them. Using arguments from some of the most revered political thinkers, philosophers, and scientists of our time, Graeber articulates the societal and political consequences of these bullshit jobs. Depression, anxiety, and a warped sense of our values are all dire concerns. He provides a blueprint to undergo a shift in values, placing creative and caring work at the center of our culture, providing the meaning and satisfaction we all crave.`--Jacket Nonfiction, Sociology, 0141983477

Julius Wiedemann - Illustration Now! Taschen, 2009 447 str. meki povez stanje: vrlo dobro The latest volume Illustration Now! presents a dazzling selection of groundbreaking work by 150 of the world`s most exciting illustrators. A fascinating mix of established master draftsmen and neophytes, working in a vast range of techniques, Illustration Now! Vol. 3 features illustrators from 30 countries, including information about their career paths, and lists of selected exhibitions. Also included is an introduction by specialist Steven Heller on current trends in the field. This book is perfect for graphic artists, creative professionals and illustration students, as well as anyone with an appreciation for draftsmanship and visual language. Table Of Contents Forward Introduction Adam Nik Ainley Douglas Alves Matei Apostolescu Pedro Avella Justin Bartlett Laurent Bazart Drew Beckmeyer Eduardo Bertone Blanquet R.O. Blechman Cathie Bleck Paul Blow Darren Booth Syd Brak Steve Brodner Brosmind Daniel Bueno Mitchy Bwoy Dave Calver Stephen Campbell Vevilia Carlstedt Esther Casas Roura Guilaumit Castagne Seounghyon Cho Ief Claessen Alejandro Colucci Alexandra Compain-Tissier James Cooper Etienne Delessert Jean-Philippe Delhomme Isabelle Dervaux David Despau Nick Dewar Nicholas Di Genova Mark Dickson Glauco Diogenes Veronique Dorey Valero Doval Christina Drejenstam Robin Eley Enkeling Randall Enos Erotic Dragon Pier Fichefeux Finger Industries Vince Fraser Owen Freeman Sean Freeman Miriam Frei Hope Gangloff Theo Gennitsakis Michael Gillette Carlo Giovani Stephane Goddard Good Wives and Warriors Rodney Alan Greenblat Sophie Griotto Robert Grossman Lisa Grue Santiago Guerrero Jon Han Jonny Hannah Tony Healey David Heatley Julia Sonmi Hegland Regina Heinlein Ryan Heshka Tiago Hoistel Seonna Hong Brian Hubble Rian Hughes Interact Creative Josie Jammet Mireia Juarez Noriega David Juniper Kako Jorn Kaspuhl Ian Kim Jonathan Klassen Koa Viktor Koen Ilana Kohn Signy Kolbeinsdottir Ronald Kurniawan Julien Langendorff Lapin Pablo Lobato Edna Lopes Ross Macdonald Emily Mackey Sara Antoinette Martin Francisco Martins Maxwell David Mclimans Gildo Medina Flavio Melchiorre Kenzo Minami Kari Moden My Dead Pony Fumi Nakamura Barbara Nessim Franziska Neubert Pawel Nolbert Oh Yeah Studio Patricio Oliver Onesidezero Mia Marie Overgaard Pietari Posti Ulla Puggard Cedric Quissola Natalie Ratkovski Rocco Andre Rosler Sonia Roy Loic Sattler Matthias Schardt Jason Seiler Natsko Seki Koren Shadmi Christiano Siqueira Elwood H. Smith Nina Soentgerath Kyung Soon Park Dugald Stermer Frank Stockton Barron Storey Studio Qube Sugar Power Takeshi Sharon Tancredi Jay Taklor Team Hawaii Mike Terry Alex Trochut Fuco Ueda Amanda Visell Marco Wagner Silke Werzinger Phil Wheeler Nick White Autumn Whitehurst Steve Wilson Jasper Wong Wilfrid Wood Matthew Woodson Yiorgos Yiacos Damyeong Yoo-Hartlaub Jaime Zollars Acknowledgments Graphic Design, Ilustracija, Dizajn, 3836514877

“Loving the Silent Tears” is based on the rich poetry anthology Silent Tears, written many years ago by world-renowned spiritual teacher, humanitarian, poet and artist Supreme Master Ching Hai. A team of composers, all of whom have won the Oscar, Tony, Grammy and/or Emmy Award, have set the poet’s masterpiece verses into unforgettable melodies. MUSIC BY *6-time Grammy winner & 2-time Oscar nominee Jorge Calandrelli *2-time Oscar winner Al Kasha *Emmy winner Doug Katsaros *2-time Grammy winner & 3-time Oscar nominee Henry Krieger *Tony & Emmy winner Don Pippin *Grammy winner Nan Schwartz *Oscar & 2-time Grammy winner David Shire *2-time Grammy winner Jon Secada In addition, the musical featured a special song whose lyrics and music were composed by Supreme Master Ching Hai. Loving the Silent Tears: The Musical was a phenomenal benefit show promoting cultural unity and inner peace at Los Angeles’ Shrine Auditorium on October 27, 2012. The audience was taken on a breathtaking journey to 16 countries across six continents through music, theater, dance, and poetry, as well as the exceptional artistry of Broadway stars, pop music stars, and top international artists. 2 knjige, u jednoj su note na 168 strana, u kartonskom omotu, žičani spiralni povez, bogato ilustrovana; U drugoj su tekstovi, faktografija, fotografije, bogato ilustrovana, tvrdi povez, 272 strane; + 4DVD-a Sve to u kartonskoj kutiji (malo zaprljanoj). Težina 3,3kg. ****

Naslov Stereo stihovi : antologija rok-poezije / u izboru i prevodu Dragoslava Andrića Vrsta građe poezija Ciljna grupa odrasli, opšte (lepa književnost) Jezik srpski Godina 1983 Izdanje [1.izd.] Izdavanje i proizvodnja Beograd : Narodna knjiga, 1983 Fizički opis 368 str. ; 21 cm Drugi autori - osoba Andrić, Dragoslav, 1923-2005 = Andrić, Dragoslav, 1923-2005 Zbirka ǂBiblioteka ǂGama (Karton sa omotom) Napomene Tiraž 15.000 Nekoliko uzgrednih napomena: str. 345-358. Ova antologija jedan je od prvih ovako obimnih izbora rok-poezije u svetu. Dragoslav Andrić se tako opet latio, na njemu svojstven način, novog otkrivalačkog posla, koji je ovoga puta, pored draži prevodilaštva, zahtevao i ogroman napor i obaveštenost, ali i upornost da se prikupe tekstovi sa mnogih izvora – a da to najčešće nisu knjige ni pisani materijali – i da se iz ogromne produkcije rok-muzike izdvoji ono što reprezentuje njen karakterističan duh, bogatstvo i raznovrsnost. U našem vremenu intenzivnog mešanja medija, antologija rok-poezije koju je sastavio Dragoslav Andrić je značajna, pionirska knjiga – knjiga koja će sigurno imati čitalaca kako među „običnim svetom« tako i među pesnicima – i samim tim knjiga koja će verovatno odigrati značajnu ulogu u daljem formiranju naše rok-poezije, pa i poezije uopšte. Njenim objavljivanjem otkriva se pred nama jedno doista zanemareno književno sazvežđe, područje stvaralaštva mladih (i ne samo mladih) koje je za kratko vreme prešlo put od narodne tvorevine do umetnosti u najstrožem smislu reči. David Albahari Woody Guthrie * Bob Dylan * The Beatles * Jimi Hendrix * The Doors – Jim Morrison * The Rolling Stones * The Who * The Jefferson Airplane * The Incredible String Band * Pink Floyd * King Crimson * Bernie Taupin * David Ackles * John Prine * Was (Not Was)* Billy Joel * Yello * Charles Mingus and the Clayton Squares — Adrian Henri * Pete Brown * Procol Harum * Tim Buckley * Leonard Cohen * Paul Simon * Joni Mitchell * Al Stewart * Tom Verlaine * The Cure * Squeeze * Psychedelic Furs * Randy Newman * Bruce Springsteen * Tom Waits * David Bowie * Jethro Tull * The Monkeys * Joy Division * Nico * Jim Carroll * Marc Bolan * Patti Smith * John Cooper Clarke * Gang of Four * Sex Pistols * XTC * X-Ray Spex * Skids * Crass * The Clash – Joe Strummer * The Boomtown Rats * Ultravox * The Stranglers * Theoretical Girls * Stiff Little Fingers * Linton Kwesi Johnson * Siouxsie and the Banshees * Richard Strange * Marquis de Sade * Jeanette Obstoj * The Passage — Dick Witts * Peter Gabriel * Fischer-Z * Peter Kaukonen * Human League * Talking Heads – David Byrne * The Plastics * Dome * Wire * Joanna Walton * Visage * Gary Numan * Bauhaus * File Under Pop * Peter Hammill * Birds with Ears * The Red Crayola and Art & Language * Pere Ubu* The Pedestrians * The Birthday Party * J. Gails Band* Laurie Anderson * Mothers of Invention – Frank Zappa * Flo & Eddie. Duško Trifunović * Teška industrija * Bijelo dugme – Goran Bregović * Riblja čorba – Bora Đorđević * Tomaž Pengov * Andrej Šifrer * Dr Spira i ljudska bića * Psiho * Prljavo kazalište * Haustor * Buldožer * Lačni Franc * Pankrti * Paraf * Modeli * Električni orgazam * Idoli * Laboratorija * Azra – Džoni Štulić. MG103 (N)

Lepo očuvano What if society wasn`t fundamentally rational, but was motivated by insanity? This thought sets Jon Ronson on an utterly compelling adventure into the world of madness. Along the way, Jon meets psychopaths, those whose lives have been touched by madness and those whose job it is to diagnose it, including the influential psychologist who developed the Psychopath Test, from whom Jon learns the art of psychopath-spotting. A skill which seemingly reveals that madness could indeed be at the heart of everything . . . Combining Jon Ronson`s trademark humour, charm and investigative incision, The Psychopath Test is both entertaining and honest, unearthing dangerous truths and asking serious questions about how we define normality in a world where we are increasingly judged by our maddest edges. The Psychopath Test: A Journey Through the Madness Industry is a 2011 book written by British author Jon Ronson in which he explores the concept of psychopathy, along with the broader mental health `industry` including mental health professionals and the mass media. It spent the whole of 2012 on United Kingdom bestseller lists and ten weeks on The New York Times Best Seller list.[1] The Psychopath Test The Psychopath Test (Jon Ronson book) cover.jpg Hardcover edition (US) Author Jon Ronson Country United Kingdom United States Language English Publisher Picador (UK) Riverhead (US) Publication date 12 May 2011 Media type Print (hardcover) Audiobook Pages 240 pp. (first edition, hardback, UK) ISBN 978-1-59448-801-6 Primary themes Edit Ronson visits purported psychopaths, as well as psychologists and psychiatrists who have studied them, particularly Canadian psychologist Robert D. Hare, the eponymous author of the Hare Psychopathy Checklist, a 20‑part test administered to detect psychopathy. Ronson explores the idea that many corporate and governmental leaders are psychopaths whose actions to others can only be explained by taking that fact into account, and he privately uses the Hare test to determine if he can discern any truth to it. He meets Toto Constant, who he speculates is a psychopath, corporate leader Albert J. Dunlap, who the magazine Fast Company speculated was a psychopath, as well as a young man detained in Broadmoor Psychiatric Hospital who states he is a victim of the psychiatric industry`s unfalsifiable diagnoses. He speaks to Anthony Maden, a professor and the forensic psychiatrist in charge of the Dangerous and Severe Personality Disorder (DSPD) unit at Broadmoor, who tells him that the controversial DSPD scheme would not have happened without Hare`s checklist, adding: `Personally I don`t like the way Bob Hare talks about psychopaths almost as if they are a different species` and `Even if you don`t accept those criticisms of Bob Hare`s work...it`s obvious, if you look at his checklist, you can get a high score by being impulsive and irresponsible or by coldly planning to do something. So very different people end up with the same score.`[2] Ronson also researches unorthodox or controversial treatments, such as nude group therapy in the 1960s or prescribing drugs for childhood bipolar disorder today. He meets Paul Britton, the former NHS clinical psychologist and criminal profiler who had played a key part in the erroneous arrest of Colin Stagg for the murder of Rachel Nickell. The subject of how journalistic coverage of psychopathology is pursued – and whether that pursuit itself is sociopathic – is covered as, also, are conspiracy theorists such as David Shayler. Ultimately, Ronson raises the question of where the line can be drawn between sanity, insanity, and eccentricity. He suggests that we should not judge individuals only by their `maddest edges`, or necessarily assume that `normal` society is as rational as some might like to think; on the other hand, real and serious problems that people can have should not be dismissed because it suits an ideology (such as Scientology). He considers the book a cautionary tale against diagnosing someone without really knowing them, and about the need to avoid confirmation bias. He thinks that is `part of the reason why there are so many miscarriages of justice in the psychopath-spotting field.` He does believe that Hare`s construct of psychopathy applies to some people, and that their victims deserve sympathy, but is concerned about the `alarming world of globe-trotting experts, forensic psychologists, criminal profilers, traveling the planet armed with nothing much more than a Certificate of Attendance, just like the one I had. These people might have influence inside parole hearings, death penalty hearings, serial-killer incident rooms, and on and on.`[3] Reception Edit The Psychopath Test was well received but also came in for criticism, largely from professional psychiatrists. Its writing style was lauded but the main criticism was a lack of depth in investigating psychopathy.[4][5][6][7][8][9][10][11][12] The Society for the Scientific Study of Psychopathy (SSSP) published a statement – signed by some of the scientists featured in Ronson`s book, including Robert D. Hare and Essi Viding – stating that certain interviews in it were exaggerated or fictionalised and that they `think that Ronson`s book trivializes a serious personality disorder and its measurement, which is not helpful to those who have the disorder or to their unfortunate victims`. Others` complaints focused on Ronson`s point of view which complainants thought was very one-sided throughout the book.[13] Dr. Hare also released a longer rebuttal of Ronson`s book, stating that it trivializes the work of clinical professionals and presents psychopathy in an unrealistic and overly simplistic manner. In contrast, he thought his own books Snakes in Suits and Without Conscience were more realistic, less sensationalist and more evidence-based depictions of sociopathy and psychopathy.[14] Film adaptation Edit It was announced in February 2015 that Universal Pictures and Imagine Entertainment would produce a film for adaptation of the book.[15] Kristin Gore was set to write the screenplay adaptation, with Scarlett Johansson in a leading role and direction from Jay Roach.[16] However, the tentative release date of 2017 has long passed and no relevant news outlets have mentioned this production since 2015. Sas ideologija i ludilo psihopate psihopatski misel fuko psihijatrijska moc antipsihijatrija proizvodnja ludila

POLITIKE LJUDSKIH PRAVA / POLITICS OF HUMAN RIGHTS - časopis Beogradski krug Broj 3-4/1995 - 1-2/1996 366 strana 28x20 cm ISSN - 0354-625X Uređivački odbor - David Albahari, Milorad Beančić, Bogdan Bogdanović, Ranko Bugarski, Ivan Čolović, Filip David, Vojin Dimitrijević, Nenad Fišer, Branko Horvat, Rada Iveković, Dragan Klaić, Vesna Krmoptić, Dušan Makavejev, Predrag Matvejević, Vladimir Milčin, Aljoša Mimica, Mirjana Miočinović, Rastko Močnik, Borka Pavićević, Vesna Pešić, Milorad Pupovac, Slobodan Simović, Svetlana Slapšak, Lazar Stojanović, Dubravka Ugrešić, Ivan Vejvoda, Dragan Velikić, Lino Veljak, Ugo Vlaisavljević, Tibor Varadi, Miladin Životić, Dušan Bijelić, Constantine Boudouris, Hauke Brunkhorst, Noam Chomsky, Nicholas Chronis, Patrick Conde, Donald Davidson, Terry Eagleton, Hans Magnus Enzensberger, Manfred Frank, Anthony Giddens, Jurgen Habermas, Celia Hawkesworth, Miklos Hubai, William Hunt, Russel Jacoby, Alison M. Jaggar, Paul Jalbert, Philippe Lacoue-Labarthe, Adam Michnik, Mihajlo Mihajlov, Jean Luc Nancy, David Noble, Lawrence Norfolk, Cristopher Norris, Jacques Poulain, Gerard Raulet, Richard Rorty, Pier Aldo Rovatti, Charles Simić, Susan Sontag, Gianni Vattimo, Sharon Zukin SADRŽAJ: Uvod Politike ljudskih prava POLITIKE LJUDSKIH PRAVA DŽON ROLS - Zakon naroda EMANUEL LEVINAS - Ljudska prava i dobra volja ŽAN-FRANSOA LIOTAR - Pravo drugoga RIČARD RORTI - Ljudska prava, racionalnost i sentimentalnost PITER DJUZ - Zakon, solidarnost i zadaci filozofije ČARLS TEJLOR - Uslovi za nenametnut konsenzus o ljudskim pravima JON ELSTER - Vladavina većine i individualna prava ANTONIO KASEZE - Jesu li ljudska prava zaista univerzalna? ROBERT DAL - Demokratija i ljudska prava u različitim uslovima razvoja ALEKSANDAR MOLNAR - Hobs, „strašljivi diskurs` i osnovno pravo na odbijanje vojne obaveze pod oružjem MARIJANA SANTRAČ - Pravni položaj nacionalnih manjina u SRJ ŠARLOT BANĚ - Prava žena kao ljudska prava: prilog re-viziji ljudskih prava OBRAD SAVIĆ - Bibliografija: Ljudska prava SUBVERZIVNI DISKURS ENTONI GIDENS - Politička teorija i problem nasilja TERI IGLTON - Lokalno i globalno RADŽEŠ SAMPAT - Vreme potrošnje i potrošnja vremena: Potrošačko društvo i „kraj” istorije ŽAN BODRIJAR - Savršeni zločin TEKSTUALNI INVENTAR NOAM ČOMSKI - „Bolni mir` POL ŽALBER - Kritika i analiza u medijskim studijama KRISTOFER NORIS - Metafora - ontologija i istina o nauci RAT U PLEMENSKOJ ZONI: JUGOSLAVIJA OBRAD Savić - Speed Memories (III) OBRAD SAVIĆ - Paralelni svet LITERARNE MAŠINE IGOR MAROJEVIĆ - 1847 KENET ROUZEN - Pesme HANA D. GEORG - Jack Nicholson - On the Road - Again PRIKAZI ALEKSANDRA PETROVIĆ - Problemi nauke o jeziku NENAD DAKOVIĆ - Paradoks jezika ALEKSANDAR BOŠKOVIĆ - U potrzi za dijalogom na Balkanu STEVAN VUKOVIĆ - Uzmicanje od celine IN MEMORIAM Ljuba Stojić Miladin Životić Vladan Vasilijević Ivan Đurić AUTOISTORIZACIJA Aktivnosti Beogradskog kruga u 1997. Međunarodna promocija Izdanja Beogradskog kruga Ju Introduction Politics of Human Rights POLITICS OF HUMAN RIGHTS JOHN RAWLS - The Law of Peoples EMMANUEL LÉVINAS - Droits de l`homme et bonne volonté JEAN-FRANCOIS LYOTARD - The Other`s Rights RICHARD RORTY - Human Rights, Rationality - and Sentimentality PETER DEWS - Law, Solidarity and the Tasks of Philosophy CHARLES TAYLOR - Conditions of an Unforced Consensus on Human Rights JON ELSTER - Majority Rule and Individual Rights ANTONIO CASSESE - Are Human Rights Truly Universal? ROBERT DAHL - Democracy and Human Rights under Different Conditions of Development ALEKSANDAR MOLNAR - Hobbes, `fearful discourse -` and the basic right to refuse to bear arms in military service MARIJANA SANTRAČ - Legal status of the national minorities in the FRY CHARLOTTE BUNCH - Woman`s Rights as Human Rights: Toward a Re-Vision of Human Rights OBRAD SAVIĆ - Bibliography: Human Rights SUBVERSIVE DISCOURSE ANTHONY GIDDENS - Political Theory and the Problem of Violence TERRY EAGLETON - Local and Global RAJESH SAMPATH - The Time of Consumption and the Consumption of Time: Consumer Society and the `End` of History JEAN BAUDRILLARD - Le crime parfait INVENTORY OF TEXTS NOAM CHOMSKY - `A Painful Peace` PAUL JALBERT - Critique and analysis in media studies CHRISTOPHER NORRIS - Metaphor - ontology and scientific truth WAR IN THE TRIBAL ZONE: YUGOSLAVIA OBRAD SAVIĆ - Speed Memories (III) OBRAD SAVIĆ - The Parallel World LITERARY MACHINES IGOR MAROJEVIĆ - 1847 KENNETH ROSEN - Poems HANNAH D. GEORG - Jack Nicholson - On the Road - Again REVIEWS ALEKSANDRA PETROVIĆ - Problems of linguistics NENAD DAKOVIĆ - The Paradox of language ALEKSANDAR BOŠKOVIĆ - Searching for a dialogue in the Balkans STEVAN VUKOVIĆ - Retreat from the whole IN MEMORIAM Ljuba Stojić Miladin Životić Vladan Vasilijević Ivan Đurić AUTOHISTORISATION Activities of The Belgrade Circle NGO for 1997 International Promotion Belgrade Circle Publications U odličnom stanju, tekst bez podvlačenja

FRIDRIH GERKE KASNA ANTIKA I RANO HRIŠĆANSTVO Prevod - Aleksandrina Cermanović-Kuzmanović Izdavač - Bratstvo jedinstvo, Novi Sad Godina - 1973 280 strana 24 cm Edicija - Umetnost u svetu: istorijske, društvene i religiozne osnove Povez - Tvrd Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: Predgovor Uvod I. POČECI (PRE KONSTANTINA) II. OD KONSTANTINA DO GRACIJANA Sudbonosna godina 313. u rimskoj carskoj umetnosti III. DOBA TEODOSIJA IV. DOBA JUSTINIJANA V. KRAJ — IRAKLIJEVA DINASTIJA DODATAK Objašnjenja uz ilustrovani dodatak (244). Ilustrovani dodatak (245). Spisak literature (253). Objašnjenje stručnih izraza (255). Geografska karta (258). Spisak slika u boji, podaci o poreklu slika (260). Spisak crteža (261). Registar (262) Ako Vas nešto zanima, slobodno pošaljite poruku. Friedrich Spätantike und frühes Christentum Adam I Eva Adventus Agnelus Akvileja Alarih Amor I Psihe Amvrosie Iz Milana Anastasije Antependije Apostoli Apoteoza Arhanđeli Arl Arkadije Avelj Avram Baldahin Bavit Bema Blagosiljanje Boetije Bogorodica Breša Carigrad Celus Christus Victor Crux Invicta Damasus Danilo David Diptisi Dobri Pastir Državna Umetnost Efes Elizijum Epifanija Evharistija Gala Placidija Galijen Gavrilo Golgota Građevinska Plastika Gracijan Helije Honorije Hristovo Krštenje Vaznsesenje Ignatije Iz Antiohije Ikone Imago Clipeata Imperator Ambulans Super Apsidem Inkarnacija Inkrustacija Isceljenje Slepih Jaganjci Jakov Jerusalim Jevanđelisti Jona Jevrejska Crkva Jov Jovan Zlatousti Juda Junije Basuss Justin Justinijan Kain Kana Kapua Kartagina Katakombe Kiprijan Knezovi Konstancije Konstantin Veliki Krstionice Krštenje Lav Veliki Lazar Logos Luna Magi Maksimilijan Marko Marsej Mihajlo Milano Milano Mojsije Mozaici Murano Narteks Nebeska Crkva Neon Noje Obožavanje Maga Oltar Oratorijum Pantokrator Pastoforije Pavle Petar Pilat Pons Milvius Postanje Prezviterijum Principat Prokpije Proroci Pula Rabulin Kodeks Rajski Breg Ravena Rim Sabina Sabor Sarkofazi Sarkofag Sergiopolis Sikst Sinagoga Sinaj Slonova Kost Solun Stradanje Hristovo Sveti Grob Štit Teodorih Veliki Teodora Teodosije Tetrarhijsko Doba Toma Traditio Legis Trijer Trijumfalni Luci Valentijan Vaskresenje Večera Viktorije Vitlejem Vonički Carevi Zemaljska Crkva Lopta Žena U Molitvi

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Mladinska knjiga! Velika ilustrovana enciklopedija SVEOBUHVATNА • AUTORITATIVNА • PUNА ŽIVOTA • VIZUELNO ZADIVLJUJUĆА • neverovatno vizuelno putovanje kroz životinjsko carstvo: na nebu, u vodi, na zemlji i pod njom • više od 2.000 divljih životinjskih vrsta na jednom mestu – od milimetarskih knjiških moljaca do džinovskih plavih kitova, velikih kao košarkaški teren • plod istraživanja međunarodnog tima od preko 70 zoologa i prirodnjaka NAUČITE kako da razlikujete afričkog slona od indijskog na osnovu surle. SAZNAJTE kako se kreću zmije i kako kornjače uvlače glavu u oklop. PRONAĐITE najveću kopnenu životinju ili najmanju pticu na svetu. PROVERITE da li svi delfini žive u slanoj vodi. OTKRIJTE koju poruku šimpanze šalju pokazivanjem zuba a koju keženjem. RASPOZNAJTE divlje mačke na osnovu šara na krznu. POGLEDAJTE IZBLIZA kako bogomoljke love plen, kako se rađa mladunče gnua, kako se slonovi posipaju prašinom, kako majmuni koriste prosto oruđe, kako izgleda svadbeni ples ždralova... OTKRIJTE koji sisari nose jaja, koje životinje lete a nemaju perje i koje ribe na mesto gde će položiti jaja putuju kopnenim putem! Zašto Vuk Bojović kaže da je ovo najbolja knjiga o životinjama koju je ikada imao u rukama? Čudesno carstvo životinja oživeće pred Vašim očima u ovoj knjizi koju ćete godinama čitati sa istim žarom! Enciklopedija Životinje je oda raznolikosti, lepoti i bogatstvu sveta životinja u vreme kada sa planete Zemlje nestaju mnoge vrste živih organizama. Uz mnoštvo vrhunskih fotografija i zanimljivih tekstova predstavljamo vam preko 2.000 vrsta životinja, od dobro poznatih koje svakodnevno srećemo pa sve do krajnje retkih koje je videlo svega nekoliko ljudi. Tu je i niz novih priloga svetskom katalogu životinja: novootkrivene vrste majmuna, treća vrsta slona, retke vrste kitova... sve do sićušnih, malo poznatih grupa beskičmenjaka i liste kritično ugroženih životinja. Knjiga je namenjena malim i velikim ljubiteljima prirode, stručnjacima i radoznalcima. Dragocena enciklopedija jedinstvena na našem tržištu - knjiga uz koju ćete naučiti puno toga, uz koju će se promeniti vaš pogled na svet. BOGATSTVO BOJA I PRIZORA Izuzetna, jedinstvena kolekcija originalnih fotografija životinja u njihovom prirodnom staništu, uključujući i nagrađivane portrete i slike retkih vrsta, snimljene kamerom profesionalnih fotografa nakon višemesečnih istraživanja. Enciklopedija Životinje dolazi sa čak 5.000 fenomenalnih fotografija u kojima ćete beskrajno uživati i diviti se lepoti prirode i živog sveta. DA NIŠTA NE PROPUSTITE Na kraju knjige nalaze se iscrpan pojmovnik, u kojem se tumače zoološki i tehnički pojmovi koji su korišćeni u knjizi i indeks, koji vam omogućava brzo pretraživanje. Svaki od opisa donosi očaravajuću priču o vrsti kao i kartu rasprostranjenosti i fotografiju u boji, čak i za najređe životinjske primerke. Ilustrovana enciklopedija Životinje će biti sjajan pratilac tokom svih istraživanja životinjskog sveta i prava riznica znanja. STRUKTURA ENCIKLOPEDIJE Knjiga je podeljena u tri glavna dela, od kojih svaki sistematično objašnjava obilje životinjskog sveta na jednostavan i svakom pristupačan način. Uvod U uvodnom delu knjige uopšteno se govori o životinjama i njihovom načinu života. Iako su se razvile posle ostalih živih bića, životinje danas predstavljaju dominantan oblik života na Zemlji. Jedan od faktora koji je to omogućio jeste njihova sposobnost prilagođavanja u ponašanju i kretanju. Ovaj deo knjige proučava izgled životinja, prikazuje puteve njihove evolucije, njihov odgovor na životne uslove i način na koji su ih biolozi klasifikovali. Na kraju, daje se i osvrt na glavne uzroke njihove ugroženosti i nestajanja. Staništa Jedino mesto u svemiru za koje se zna da je na njemu moguć život jeste Zemlja. Kao i ostala živa bića, životinje su zauzele sva područja između donjeg sloja Zemljine atmosfere i dna okeana . Bez obzira na to gde žive, životinje stupaju u međusobne odnose, odnose sa drugim živim bićima i sa svojom okolinom, stvarajući složeno okruženje koje se stalno menja i koje nazivamo stanište. U ovom poglavlju obrađuju se sva svetska staništa, kao i životinje koje u njima žive. Životinjsko carstvo Do danas je opisano oko dva miliona vrsta – smatra se da je stvaran broj nekoliko puta veći. Carstvo životinja obuhvata kako beskičmenjake jedva vidljive golim okom, tako i kičmenjake (kitove) duže od 30 m. Način života vrlo je raznolik: neke vrste su nepokretne, a druge su pokretne grabljivice, koje mogu da se kreću brzinom i do 100 km na sat. Ovo poglavlje pruža uvid u carstvo životinja, opisujući više od 2.000 vrsta – od najvećih i najpoznatijih do najmanjih i najređih. Životinjsko carstvo je u ovoj knjizi podeljeno na šest delova: sisari, ptice, gmizavci, vodozemci, ribe i beskičmenjaci. Svaki deo počinje uvodom za pojedinu grupu životinja a završava se spiskom ugroženih vrsta. Autori poglavlja: SISARI: dr Juliet Clutton-Brock PTICE: dr Francois Vuilleumier REPTILI: Chris Mattison VODOZEMCI: Professor Tim Halliday RIBE: Professor Richard Rosenblat BESKIČMENJACI: dr George C. McGavin, dr Richard Barnes, dr Frances Dipper Ostali saradnici: dr Richard Barnes, dr Paul Bates, dr Simon K. Bearder, Deborah Behler, John Behler, Keith Betton, dr Michael de L. Brooke, dr Charles R. Brown, dr Donald Bruning, George H. Burgess, dr Kent E. Carpenter, Norma G. Chapman, Ben Clemens, Dr. Richard Cloutier, Malcolm C. Coulter, Dominic M. Couzens, dr Timothy M. Crowe, dr Kim Dennis-Bryan, dr Christopher Dickman, Joseph A. DiConstanzo, dr Philip Donoghue, dr Nigel Dunstone, dr S. Keith Eltringham, Prof. Brock Fenton, Joseph Forshaw, Susan D. Gardieff, dr Anthony Gill, dr Joshua Ginsberg, dr Colin Groves, dr Jurgen H. Haffer, Prof. Tim Halliday, Gavin Hanke, dr Cindy Hull, dr Barry J. Hutchins, dr Paul A. Johnsgard, dr Angela Kepler, dr Jiro Kikkawa, dr Nigel Leader-Williams, dr Douglas Long, dr Manuel Marin, Chris Mattison, dr George C. McGavin, dr Jeremy McNeil, dr Rodrigo A. Medellin, dr Fridtjof Mehlum, Chris Morgan, Rick Morris, dr Bryan G. Nelson, dr Gary L. Neuchterlein, Jemima Parry-Jones, Malcolm Pearch, prof. Christopher Perrins, dr Ted Pietsch, dr Tony Prater, dr Galen B. Rathbun, dr Ian Redmond, dr James D. Rising, Robert H. Robins Jeff Sailer, dr Scott A. Schaeffer, dr Karl Schuchmann, prof. John D. Skinner, dr Andrew Smith, dr Ronald L. Smith, dr David D. Stone, dr Mark Taylor, dr David H. Thomas, dr Dominic Tollit, dr Jane Wheeler, dr Ben Wilson, dr David B. Wingate, dr Hans Winkler, dr Kevin Zippel

London / Njujork 1974. Tvrd povez, zaštitni omot, engleski jezik, ilustrovano, veliki format (30 cm), 160 strana. Knjiga je odlično očuvana. THE POP SCENE changes so rapidly that today`s greats are tomorrow`s has-beens, and yesterday`s old favourites are often completely forgotten until somebody says `whatever happened to...?` By looking at the top records and stars year by year since 1955, this book will not only revive memories and set the reader singing the old songs, it will also provide an outline of the development of the great explosion of interest in pop since the early days of Elvis Presley, Tommy Steele, Bill Haley and the rest. Rock `n` roll, skiffle, twist, Merseybeat, folk, country-and-western, heavy rock—all these and others have had periods of tremendous popularity. And with each change of style has come the new stars. Some like Elvis Presley, Cliff Richard, The Beatles, The Rolling Stones, seem to go on for as long as they like at the top; others shoot up the charts, enjoy brief spells of adulation, and as rapidly disappear. The author does not attempt to analyse the reasons records or artists were successful, nor does he express opinions on the relative merits of the hits he writes about: he is content to trace general trends and list the best-sellers year by year. Perhaps the most evocative aspect of the book is the photographs, of which there are over 250, including 16 full-page pictures in colour. The pictures show the artists in their hey-days: thus Cliff Richard is shown as he looked when he made Living Doll in 1959; The Beatles are shown with their 1963 hair-cuts (why was the `Beatle hair-cut` such a sensation at the time?) and these pictures can be compared with that of today`s high priest of pop, David Bowie. While the book can be used as a work of reference to the records made over the last nineteen years, it will bring most joy to readers who like an occasional nostalgic reminder of the pop heroes of younger days, and who like to remember the old tunes while enjoying the new. Sadržaj: 1955 Bill Haley and the Comets: Rock Around The Clock Tony Bennett: Stranger in Paradise Johnnie Ray: Hernando`s Hideaway Frankie Laine: Cool Water 1956 Elvis Presley: Heartbreak Hotel Bing Crosby: True Love Lonnie Donegan: Rock Island Line Johnny Mathis: Wonderful, Wonderful 1957 Buddy Holly: Peggy Sue Tommy Steele: Singing The Blues Jerry Lee Lewis: Great Balls of Fire Paul Anka: Diana 1958 Duane Eddy: Rebel Rouser Peggy Lee: Fever Connie Francis: Who`s Sorry Now Conway Twitty: Its Only Make Believe 1959 The Everly Brothers: Take A Message To Mary Cliff Richard: Living Doll Adam Faith: What Do You Want Russ Conway: Side Saddle Roy Orbison: Only The Lonely The Shadows: Apache Bobby Vee: Rubber Ball Chubby Checker: The Twist 1961 Helen Shapiro: Walking Back To Happiness Kenny Ball: Midnight in Moscow Gene Pitney: Town Without Pity Eden Kane: Well I Ask You 1962 Herb Alpert: Lonely Bull Frank Ifield: I Remember You Nat King Cole: Rambling Rose The Tornados: Telstar 1963 The Beatles: I Want To Hold Your Hand Trini Lopez: If I Had A Hammer Gerry And The Pacemakers: I Like It Dave Clark Five: Glad All Over 1964 The Rolling Stones: Not Fade Away Herman`s Hermits: I`m Into Something Good The Bachelors: Diane Billy J. Kramer and The Dakotas: Little Children 1965 Tom Jones: It`s Not Unusual Sonny and Cher: I Got You Babe Donovan: Catch The Wind Sandie Shaw: Long Live Love 1966 Simon and Garfunkel: Sounds Of Silence The Troggs: With A Girl Like You Cream: Wrapping Paper The Lovin` Spoonful: Daydream 1967 Engelbert Humperdinck: The Last Waltz The Doors: Light My Fire The Monkees: I`m A Believer The Beatles: All You Need is Love 1968 Mary Hopkin: Those Were The Days Esther and Abi Ofarim: Cinderella Rockafella Steppenwolf: Born To Be Wild Joe Cocker: With A Little Help From My Friends 1969 Marmalade: 0b La Di 0b La Da Peter Sarstedt: Where Do You Go To Clodagh Rogers: Come Back And Shake Me Stevie Wonder: Yester-Me, Yester- You, Yesterday 1970 Anne Murray: Snowbird Freda Payne: Band Of Gold James Taylor: Sweet Baby James Christie: Yellow River 1971 The Sweet: Co-Co Middle Of The Road: Chirpy Chirpy Cheep Cheep Rod Stewart: Maggie May Melanie: Brand New Key 1972 The Osmonds: Crazy Horses David Cassidy How Can I Be Sure Elton John: Crocodile Rock Nilsson: Without You 1973 Wizzard: Ball Park Incident Alice Cooper: Hello Hurray T. Rex: Solid Gold Easy Action Thin Lizzy: Whiskey in The Jar 1974 Elvis Presley, Gilbert O`Sullivan, Engelbert Humperdinck and Guess Who?

VIDEOSFERA video društvo umetnost , priredio Mihailo Ristić , Radionica SiC studenstski izdavački centar, Beograd 1986 Stranica : 219 STanje : Korice dosta dobre, unutrasnjost bez nekih mana, sasvim dobra za citanje. Sadržaj: Mihailo Ristić: Predgovor. UVOD Gene Youngblood: Videosfera. Aleksandar Todorović: Šta je video? Rene Berger: Od televizije ka televizijama. Peter Bloch i John Howkins: Video: kadar drugi. VIDEO /DRUŠTVO Dorothy Todd Henaut: Moćni katalizator. Ron Blumer: Video-interakcija. Michael Shamberg: Video u lokalnim zajednicama. Loretta Atienza: Primene videa. Graham Wade: Pretučene žene. Maureen McCue: Video u lokalnim zajednicama. Martha Stuart: Video kao oruđe razvoja. Michael Goldberg: Društveni komentari. Edward Moss: HI-OVIS interaktivna kablovska televizija. Nenad Puhovski: Jedan pomalo tužan pogled na američki video 1983.godine. Dan Graham: Video-arhitektura-televizija. Michael Murray: Video na delu. Norman Bethune Levine: Ko je gospođica J? Richard Kunnes: Sa kauča pred kamere. Mirčeta Danilović: Mogućnosti video-tehnike i tehnologije u osavremenjavanju univerzitetske nastave. Tony Dowmunt: Zbog čega koristiti video u radu sa mladima? VIDEO/UMETNOST Gene Youngblood: Televizija zatvorenog kruga i teledinamični ambijenti. Wulf Herzogenrath: Beleške o videu kao umetničkom mediju. Robert Stefanotty: Oproštajni poljubac unikatnom predmetu. Allison Simmons: Televizija i umetnost: istorijski pregled jednog malo verovatnog saveza. Jonathan Price: Šta je to video-umetnost i kako o njoj da razgovaramo? Dominique Belloir: Eksperimentalni video. Eugeni Bonet: Instalacije zatvorenog kruga, video-objekti ili video-skulpture, video-ambijenti i više-kanalne instalacije, video-performans. Helmut Friedel: Video narcis - novi autoportret. Richard Kostelanetz: Literarni video. Fred Forest: Sociološki video. Margaret Warwick: Novi narativni video. Wim van der Plas: Video i kompjuter. David Ross: Privremeni opšti pregled televizije koju stvaraju umetnici u SAD. Ješa Denegri: Video-umetnost u Jugoslaviji 1969-1984. Nam June Paik: O video-sintisajzeru i dalje. Ed Emshwiller: Stvaralac slika sreće video, ili od duhovnog do telesnog i natrag. Stan Vanderbeek: Društvena imažistika. Frank Gillette: Maska u stvarnom vremenu. Stuart Marshall: Umetnost videa, imaginarno i nema reč. Douglas Davis: Kraj videa: bela izmaglica. Shigeko Kubota: Video skulptura: dve faze. John G. Hahnhardt: Paikova video-skulptura. Mark Mendel: `Između redova` Antonija Muntadasa. Juan Downey: Povratna sprega. Peggy Gale: Video u Kanadi. Robert Stearns: The Kitchen. Bernd Kracke: Slika/proces. Randelli: `All You Need Is Love`: Ljubavne priče od Giotta do Randellija. Katherine Elwes: Iza lepog lica - britanske umetnice koje rade sa videom. Brian Eno: Četvrtkom popodne. Don Foresta: Umetnost na televiziji / kao televizija. Peter D`Agostino: Ka novoj televizijskoj estetici. Dalibor Martinis: Autorski video i televizija. Mihailo Ristić: Intervju sa Ursulom Wevers: Video na umetničkoj akademiji u Dizeldorfu. Nuša i Srečo Dragan: Traženi pogled Nuše i Sreče. Čedomir Vasić: Video - sredstvo intimnog izraza. Raša Todosijević: Video. Lazarov Miodrag Pashu: Video i struktura. Miša Savić: Elektroakustička muzika i video-umetnost. Sandra Goldbacher: Užitak nije ružna reč. Pat Sweeney: Pop non stop. Jon Savage: Video: visoka umetnost ili prevara? Michael Shore: Istorija muzičkog videa. Nenad Puhovski: Mali rječnik novih televizijskih tehnologija. PRILOZI Mihailo Ristić: Video-hronologija. Bibliografija. ter-sto

LORA MALVI VIZUELNA I DRUGA ZADOVOLJSTVA Pogovor - Nevena Daković Pogovor - Dijana Metlić Pogovor - Vesna Dinić Miljković Prevod - Aleksandra Kostić Izdavač - Filmski centar Srbije, Beograd Godina - 2017 234 strana 24 cm Edicija - Biblioteka Umetnost ekrana ISBN - 978-86-7227-096-9 Povez - Broširan Stanje - Kao na slici, tekst bez podvlačenja SADRŽAJ: Uvod u prvo izdanje UVOD U DRUGO IZDANJE I Vizuelno zadovoljstvo i narativni film: poreklo i konteksti Filmofilija i frankofilija Tada, feminizam i psihoanalitička teorija Kasnije - avangarda II Druga zadovoljstva: naznake, zagonetke, enigme III Godina 2008. DEO I - IKONOKLAZAM 1 Spektakl je ranjiv: Mis sveta 1970. godine 2 Strahovi, fantazije i muško nesvesno ili „Vi ne shvatate šta se događa, zar ne, gospodine?` Jezik straha od kastracije Kolekcija znakova jednog fetišiste 3 Vizuelno zadovoljstvo i narativni film I Uvod a) Politička upotreba psihoanalize b) Razaranje zadovoljstva kao radikalno oružje II Zadovoljstvo u gledanju - fasciniranost ljudskim obličjem III Žena kao slika, muškarac kao nosilac pogleda IV Sažetak Deo II - Melodrama 4 Naknadne misli o „Vizuelnom zadovoljstvu i narativnom filmu`, inspirisane filmom Dvoboj na suncu (1946) Kinga Vidora Frojd i žensko Narativna gramatika i identifikacija sa drugim polom Vestern i edipalne personifikacije Žena kao označilac seksualnosti 5 Beleške o Sirku i melodrami 6 Fasbinder i Sirk 7 Slike žena, slike seksualnosti: neki filmovi Ž.L. Godara 8 Melodrama u domu i van njega Ekonomija Mitologije Estetika DEO III - NA MARGINAMA 9 Frida Kalo i Tina Modoti Meksička renesansa Žene, umetnost i politika Revolucija i renesansa Unutrašnjost i spoljašnjost Koreni i pokreti I: Frida Kalo Koreni i pokreti II: Tina Modoti Diskurs tela DEO IV - AVANGARDA 10 Film, feminizam i avangarda Istraživanje prošlosti Napad na seksizam Prvi feministički filmovi Sažetak Potraga za teorijom Potraga za praksom 11 Dijalog sa gledaocima Barbara Kruger i Viktor Burgin 12 „Veličanstvena opsesija`: Uvod u rad pet fotografa 13 Preteće vreme: Corpus Meri Keli DEO V - GRANICE 14 Promene: Misli o mitu, narativu i istorijskom iskustvu Završeci Od parabola do narativa Polarizacije I: binarni obrasci i dekonstrukcija Polarizacije II: konceptualna topologija Polarizacije III: negativna estetika Negacija i polna razlika: žena je „ne-čovek/muškarac“ Društveno ugnjetavanje i mit „drugosti` Transgresija i zakon Narativ i promena I: poredak i nered Narativ i promena II: graničnost Narativ i promena III: festivali ugnjetenih Kolektivna fantazija: politika nesvesnog 15 A. Mit o Edipu: S one strane Sfinginih zagonetki Edip: osnovna priča 1. Proairetički kod 2. Hermeneutički kod B. Ispod površine: vreme i prostor C. S one strane priče u jezgru 1. Završetak: očevo zaveštanje 2. Početak: sinovljevo nasleđe D. Lajevo zaveštanje DEO VI - RAZMIŠLJANJA, I NAKNADNA RAZMIŠLJANJA 16 Razmišljanja o mladoj modernoj ženi dvadesetih godina i feminističkoj filmskoj teoriji Indeks imena NEVENA DAKOVIĆ - Lora Malvi ili neka naknadna razmišljanja o uživanju i tumačenju Feministička teorija filma - između psihoanalize i identiteta Melodrama, spektakl i suze ostvarene želje Kontra pogled smrti Literatura DIJANA METLIĆ - Feminističke teorije i prakse Lore Malvibes VESNA DINIĆ MILJKOVIĆ - Žena/slika ili Površinski ponori Žan-Lik Godara `Jednu od velikih knjiga teorije filma dobijamo sada u prevodu Aleksandre Kostić prvi put na srpskom jeziku. Ova knjiga je još od kada se pojavila 1989. godine postala nezaobilazna, i s pravom nosi epitet jedne od najboljih teorijskih knjiga iz pera jedne autorke. Eruditska, multidisciplinarna, lucidna, knjiga Lore Malvi je istovremeno, dragoceni udžbenik za studente filmskih škola, jedinstvena u jeziku i stilu, „Vizuelna i druga zadovoljstva“ su knjiga koja je u isto vreme polemična, borbena, beskomporimisna.. Bilo da piše o slikarstvu Fride Kalo, filozofskoj teoriji Luja Altisera, fotografiji Tine Modoti, stvaralšatvu Godara i Daglasa Sirka, Lora Malvi čini to znalački, funkcionalno i iznenađujuće jasno. U pokušaju da ova jedinstvena knjiga ima svoj konceptni adekvat u sadržaju, dragocen je doprinos njenih recenzentkinja, prof. dr Nevene Daković, prof doc Dijane Metlić i prof doc Vesne Dinić Miljković koje srpskom čitaocu na dragocen način približavaju teorijsku misao Lore Malvi.` Ako Vas nešto zanima, slobodno pošaljite poruku. Laura Mulvey Visual And Other Pleasures Šantal Akerman Chantal Luj Altiser Louis Althusser Rolan Bart Roland Barthes Valter Benjamin Walter Viktor Burgin Victor Klara Bou Clara Bow Bertolt Breht Brecht Andre Breton Piter Bruks Peter Brooks Tereza De Laurentis Teresa Maja Deren Maya Alen Džons Allen Jones Kler Džonston Claire Johnston Sergej Mihailovič Ejzenštajn Tomas Elseser Thomas Elsaesser Rajner Verner Fasbinder Rainer Werner Fassbinder Šošana Felman Shoshana Sigmun Frojd Freud Žan Lik Godar Džon Halidej Jon Halliday Mirijam Hansen Miriam Hansen Alfred Hičkok Hitchock Bob Houp Hope Frida Kalo Kahlo Meri Keli Mary Kelly Karen Knor Knorr Džoan Kraford Joan Crawford Julija Kristeva Julia Barbara Kruger Pem Kuk Cook Žak Lakan Jacques Lacan Klod Levi Stros Claude Strauss Mark Luis Lewis Džef Majls Jeff Miles Karl Marks Marx Džulijet Mičel Juliet Mitchell An Mari Mijevij Anne Marie Mieville Tina Modoti Modotti Kolin Mur Colin Moore Vladimir Prop Ivon Rejner Yvonne Riner Oliver Rišon Olivier Richon Dijego Rivera Diego David Alfaro Sikeiros Daglas Sirk Douglas Sofokle Sophocles Džozef Fon Šternberg Josef Von Sternberg Mitra Tabricijan Tabrizian Terens Tarner Terence Turner Lav Davidovič Trocki Viktor Tarner Victor Turner Edvard Veston Edward Weston King Vidor Piter Volen Peter Wollen

PREGOVARAČKE TEHNIKE ZA POSTIZANJE POSVEĆENOSTI ISPUNJAVANJU SPORAZUMA KOD SVIH STRANA I ISTOVREMENO OSIGURAVANJE DA SU VAŠI PRIMARNI CILJEVI POSTIGNUT! Veštine efikasnog pregovaranja su ključne u današnjem upravljačkom okruženju koje karakteriše davanje i uzimanje. Veštine pregovaranja za menadžere pružaju sredstva koja su vam potrebna da biste razumeli svaki pregovor i da biste se pripremili za njega, zajedno sa oprobanim metodama za suptilno i vešto vođenje pregovora ka uspešnom zaključku. Oslonite se na ovaj dodatak McGraw-Hillovoj Briefcase Books seriji za praktične tehnike koje možete koristiti da: • Otkrijete osetljiva pitanja za svaku stranu i pobrinete se da se ona razmotre i reše, • Premostite kulturološke prepreke da biste razvili razumevanje i sporazum između strana, • Koristite Mapu interesa – ključno sredstvo za pripremanje neprobojne predpregovaračke strategije. Efikasno pregovaranje ne bi trebalo biti teško osvojivo bojište, pri čemu se jedna strana namerila da uništi drugu. Dozvolite da vam Veštine pregovaranja za menadžere pokažu kako da pregovarate taktično i vešto, postizanjem sopstvenih ciljeva i ciljeva svoje ogranizacije dok istovremeno stvarate nesuparničke sporazume koji će se odupreti vremenu i destruktivnim pritiscima tržišta. „Kao neko ko se bavi pregovaranjem i proučava veštine pre­govaranja 30 godina, Veštine pregovaranja za menadžere sma­tram bogatim izvorom korisnih uvida i praktičnih saveta. Cohe­nova Mapa interesa (Interest Map©) je posebno korisna. Toplo preporučujem knjigu gospodina Cohena svima koji žele da unaprede svoje veštine pregovaranja.“ - David W. Ferguson, autor softvera za pregovaranje Win Squared „Toplo preporučujem Veštine pregovaranja za menadžere onima koji rade u privatnom i javnom sektoru. Ovladavanje tehnikama i metodama u ovoj knjizi može rezultovati jedino uspešnijim i dugotrajnijim sporazumima.“ - Jon Linden, magistar nauka (MBA), profesionalni ovlašćeni posrednik, Proactive Intervention, LLC „Veštine pregovaranja za menadžere govore vam ono što morate znati da biste uspešno pregovarali i to na praktičan, razuman i kreativan način. Ono što je neobično kod ove knjige jeste način na koji je prožeta s posebnim kućicama teksta posvećenim praktičnim primerima, ključnim idejama i pričama.“ - Jeremy Cassell, HRTeam, UK „Veštine pregovaranja za menadžere smatram vrlo dobro orga­nizovanom knjigom. Kao osobi koja se bavi nabavkom izuzetno mi je korisna i predstavlja mnoge ideje i sredstva koje sam i sam koristio da bih bio efikasniji.“ - Ronald W. Smith, komercijalni direktor Dana Corporation Fluid Systems Group Kratak sadržaj Natjecateljsko ili surađivačko donošenje odluka BATNA – Odabrati odustati ili ne Jesmo li spremni? Cijepljenje štiti stranke Prirema – prvi dio: Dionici, sastavne strane i interesi Priprema – drugi dio: Razvijanje strategije korištenjem Mape interesa Komunikacija: Ključ za učinkovito pregovaranje Emocije: Kako se nositi s vlastitim i tuđim emocijama Kako se nositi s nečime što vas uzrujava i izjednačiti odnos snaga Globalizacija počinje kod kuće: Kulturološka pitanja Kreativnost i aduti za cjenkanje Pregovarački proces Sedam stupova pregovaračke mudrosti STEVEN P. COHEN je osnivač je i šef firme The Negotiation Skills Company Inc., konsalting i edukativne organizacije koja je predstavila svoje kurseve o veštinama pregovaranja ljudima iz više od 40 zemalja. Njegovi klijenti su ljudi iz raznih poslovnih grana: od zdravstva do proizvođača nuklearnog oružja. Osnov­noje načelo firme The Negotiation Skills Company je: unaprediti nivo civilizovanosti u pregovorima u korist svih učesnika. Bogato iskustvo Stevea Cohena u pregovorima u privatnom i javnom sektoru i u radu s ljudima iz svih krajeva sveta omo­gućilo mu je jedinstven pogled na ono što treba raditi i što se ne sme raditi u pregovorima. U knjizi Veštine pregovaranja za menadžere Steve nudi svoje pregovaračko iskustvo, komunika­cione veštine i tehnike podučavanja široj publici. Nagrađivana internet stranica njegove firme je www.negotiationskills.com. Ideja serije knjiga Briefcasebooks je da vam da praktične infor­macije, napisane u neformalnom, prijateljskom tonu. Poglavlja su kratka, bave se taktičkim pitanjima i koriste pregršt prime­ra. Takođe, sadrže kućice koje će vam dati različite vrste specifičnih informacija.

PETNIČKE SVESKE broj 76 zbornik radova Istraživačka stanica Petnica, 2017. Udžbenički format, 830 strana. Veoma lepo očuvana. Sa donje strane malo uprljana - zanemarljivo. Astronomija Modelovanje i analiza krive sjaja cefeide sa egzoplanetom (Savić Nikola, Obradović Božidar, Herček Filip) Simulacija nastanka polar-ring galaksija (Ristić Danilo) Numeričko ispitivanje plimskog zagrevanja Encelada (Anastasijević Ilija) DSLR fotometrija promenljive zvezde V2455 Cyg (Jevtić Sava) Uticaj atmosfere i površine planete na njenu nastanjivost (Bulaja Luka) Posmatranje i analiza krive sjaja tranzita egzoplanete (Špegar Jelena) Teorijska analiza nastanka preèage kod spiralnih galaksija usled bliskog prolaza dve galaksije (Dodović Matija) Modelovanje i analiza gravitacionih talasa pri inspiralu crne rupe unutar imitatora supermasivne crne rupe (Jevtović Luka) Fizika Uticaj dipolne interakcije na oblik Fermijeve površi (Ristić Jelena, Ilić Anastasija) Numerički model distribucije kompanija po veličini (Đorđević Emilija, Đajić Anja) Primena Markovljevih procesa na problem širenja informacija u mreama (Jakovljević Andrej) Ispitivanje efikasnosti grafena u zaštiti metala od atoma vodonika metodom molekularne dinamike (Božanić Milica, Nikolić Kristina) Lokalizacija zvuka u metamaterijalima (Kukolj Trivko) Uticaj topologije neuronske mree na sinhronizaciju neurona (Ristivojević Aleksandar) Minimizator dejstva na sferi oblika (Cupać Milan, Raonić Bogdan) Kontrola kriostata (Pavlov Dimitrije, Đukić David) Detekcija kvantne uvezanosti korišćenjem POVM merenja sa primenom u komunikacionim protokolima (Vuković Vuk, Mijović Mia) Ispitivanje dinamike kvazičestica u neravnotežnoj superprovodnosti (Vukosavljević Katarina, Burmazović Ivana) Kvantni haos u faznim prelazima (Radović Vuk) Matematika Probabilistički metod i zero-sum Ramseyevi brojevi (Silađi Eva, Šobot Branislav) O lavirintima i ugradivanju stabala u grid grafove (Jakšić Tijana, Poznanović Isidora) Primenjena fizika i elektronika Lokalizacija na osnovu markera (Mićić Dragan, Tonić Danilo) Izdvajanje vokala iz audio zapisa (Radović Srđan, Stefanović Aleksa) Modeliranje, simulacija i implementacija samobalansirajućeg robota (Parag Filip, Stefanović Milomir) Simulacija rada piezo motora i ispitivanje njegovih performansi u zavisnosti od dimenzija (Bogdanović Anđela, Brestovački Lenka) Analiza parametara upravljačkog sistema Ballbota (Sekulić Diana, Bašić Mladen) Detekcija i klasifikacija saobraćajnih znakova (Aleksić Milica, Seke Ervin) Generisanje obučavajućih slika suparničkim neuronskim mreama (Grbić Mihailo) Računarstvo Traženje duplikata u kodu analizom apstraktnih sintaksnih stabala (Bebić Nikola) Konstrukcija unapređenog sigurnosnog protokola za bežičnu mrežnu komunikaciju (Šikuljak Igor) Predikcija sekvencijalnog kretanja u 2D ravni (Tešić Aleksa) Poređenje predviđanja vodostaja reke na osnovu istorijskih podataka upotrebom neuronske mreže i skrivenog Markovljevog modela (Gavrić Milenko) Biologija Uticaj kateholamina na rast, formiranje biofilma i pokretljivost bakterijskih sojeva gastrointestinalnog trakta (Pavlović Dunja) Efekat 1,8-cineola na faktore virulencije bakterijskog soja P. aeruginosa 15442 (Nedeljković Marija) Diverzitet kolembola Nacionalnog parka Fruška gora (Sántha Kinga) Ispitivanje protektivnog dejstva ekstrakta koprive na modelu humanih hepatocita tretiranih benzo[a]pirenom i benz[a]antracenom (Šolaja Sofija, Torbica Teodora, Mitrović Lazar) Potencijal vrste Alyssum murale Waldst & Kit s. l. za hiperakumulaciju nikla na ultramafitima Maljena (Joković Nikola) Selekcija bakterije Escherichia coli za rezistenciju na ultrazvučnu sonifikaciju (Stojković Pavle) Uticaj temperature na uspostavljanje napona kod mikrobioloških gorivnih ćelija sa biokatodom (Simić Milena) Ispitivanje uticaja dibutil ftalata (DBP) na endotelne ćelije krvnih sudova na modelu humane ćelijske linije EA.hy926 (Gordić Vuk) Biomedicina Sinergističko dejstvo ekstrakta belog luka (Allium sativum) i amfotericina B na gljivu Candida Albicans (Kocić Ana) Optimizacija tretmana kurkuminom inkapsuliranim u kompleks želatina i arapske gume u odbrani melanoma B16 od UV-A zračenja (Sušić Vladana) Biološka kontrola biljnog parazita Fusarium graminearum pomoću sinergističkog odnosa Bacillus subtilis i ekstrakta Pellia endiviifolia (Banić Biljana) Ispitivanje uticaja gingerola na vijabilnost ćelijske linije mišijeg melanoma B16 (Milošević Anđela) Testing the Hepatotoxicity of Single Walled and Multi Walled Carbon Nanotubes (Gjoshevska Kristina) Geologija Mogućnost sanacije zagađenja rečne vode glinama (Vizi Aleksa, Karanović Snežana) Hidrohemijske osobine površinskih i podzemnih voda na području planine Avale (Vulović Maša) Razlike u petrografskim karakteristikama kvarclatita planine Rudnik (Ninić Anastasia) Hemijske karakteristike vode Kuršumlijske banje (Lazić Dušica) Uticaj padavina na promenu kvaliteta prirodnih voda u gornjem delu sliva reke Dragobiljice (Dmitrović Jovan) Geneza minerala arsena i gvožđa u slivu reke Ribnice (Kostić Branko, Belotić Branislav) Koncentracije olova i antimona u podzemnim i površinskim vodama reke Štire na području Zajače (Rašević Marijana) Ispitivanje efikasnosti i optimizacija procesa hemijske koagulacije za preradu komunalnih otpadnih voda (Antić Sara) Geološki razvoj centralnog dela planine Kosmaj (Ćirić Nikolina) Procena intenziteta erozije na teritoriji opštine Beočin (Tadić Elena) Hemija Sinteza i solvatohromizam diazo boja derivatizovanih iz pirazolo[1,5-a]pirimidina (Nikoletić Anamarija) Biosorpcija boje Acid orange 7 biomasom hrasta kitnjaka (Quercus Petraea L.) (Topalović Igor) Spektrofotometrijska metoda za određivanje kobalta na bazi njegove reakcije sa 4-(2-pirimidilazo)-rezorcinolom (Čižik Hana) Deponovanje nanočestica srebra na grafen i ispitivanje katalitičkog dejstva dobijenog kompozita na redukciju nitroaromata (Milosavljević Momčilo) Biosorpcija jona olova (Pb2+) iz vodenih rastvora upotrebom ljuski kikirikija kao biosorbenta (Ivković Jelena) Ispitivanje katalitičkog dejstva jona bakra(II) adsorbovanih na površini klinoptilolita na reakciju kuplovanja aril-bromida i alifatičnih diola (Mijatović Aleksa) Kinetička metoda za određivanje nanokoličina kobalta i milikoličina oksalata zasnovana na katalizi i inhibiciji reakcije oksidacije rezorcinola vodonik-peroksidom (Tomić Miona) Antropologija Šta nas odvaja od drugih: Definisanje etničkog identiteta i etničke distance na primeru Slovaka iz Stare Pazove (Kostić Katarina) Antropološka analiza tech veštičarenja na sajtu Tumblr (Čapko Isidora) Semiotička analiza epizode serije The 100 (Šamaraj Ana) Arheologija Predstave muzičkih instrumenata na freskama iz zadužbina kralja Milutina (Pantić Nevena) Dentalna analiza skeleta sa nekropole u okviru objekta 1 na lokalitetu Anine u Ćelijama (Babinjec Dušana, Maksimović Tamara) Interpretacija nekropole iz XVII–XVIII veka sa lokaliteta Anine (Andrić Nenad) Tipološko-hemijska analiza rimskih staklenih narukvica sa lokaliteta Anine u Ćelijama (Đerković Predrag) Analiza ivotinjskih kostiju iz vile sa stambenim i ekonomskim delom sa lokaliteta Anine u Ćelijama (Bogojević Maša, Brančić Anastasija) Društveno-humanističke nauke Uticaj upoznatosti sa materijalom i dužine izlaganja na estetsku procenu renesansnih i slika iz apstraktnog ekpresionizma (Majerle Mia) Istorija Crveni krst u Novom Pazaru od 1976. do 1987. godine: delatnost organizacije u socijalizmu i uticaj ideologije na rad (Antonijević Pavle) Humanitarni rad kraljice Marije Karađorđević u periodu od 1921. do 1941. godine (Bogićević Aleksandar) Udruženje nosilaca Albanske spomenice u Leskovcu 1967–1982. (Milovanović Aleksandar) Beogradski odbor Jadranske straže 1922–1941: Između elitizma i nacionalizma (Milenković Ivan) Konfiskacija i nacionalizacija imovine pod uticajem kolonizacije i potreba KPJ u Opštini Odžaci 1945–1948. (Beronja Branko) Opštinska konferencija SSRN Stara Pazova 1966–1980. (Mirosavljević Igor) Rad Saveza udruženja estradnih umetnika i izvođača Vojvodine na suzbijanju neprofesionalnosti i šunda (1973–1990) (Pajtić Alisa) Lingvistika Da li dijalekatske osobine opstaju i danas: procena i samoprocena kod govornika kosovsko-resavskog dijalekta (Milošević Mina) Uticaj objektivne produktivnosti derivacionih sufiksa na brzinu obrade imenica srpskog jezika (Terzić Milana) Psihologija Depresija u adolescenciji: Koliko znamo i kakvi su nam stavovi? (Lazić Una) Uticaj broja i glasnoće prikazivanih zvukova i veličine kontrasta između mete i pozadine na pojavu iluzije vizuelnog treperenja (Miličić Ivana, Bajić Marina) Akademsko laganje: uticaj nagrade i relacija sa akademskim self-konceptom (Devedžić Darja) Razlike u stavovima adolescenata prema rodnim ulogama u odnosu na raspodelu rodnih uloga u porodici i dominatan pol prijatelja (Osmani Dajana) PIKSNAP: Konstrukcija i validacija skale neakademske prokrastinacije (Tomić Konstantin, Mačkić Pavle) Svesno nesavesni: Ispitivanje prediktora stava adolescenata prema rizičnom seksualnom ponašanju (Damjanović Milica, Žunjić Nevena, Karaman Mina) Dizajn Ljuljaške i zastave (Seminar dizajna 2017) k

U dobrom/vrlo dobrom stanju Tvrdi povez, bez oštećenja Šesta serija, dvadeset godina jednog od najznačajnijih istorijskih časopisa u Velikoj Britaniji. Cambridge University Press, London. Black hardback cloth cover. 220mm x 140mm The Royal Historical Society Transactions offers readers an annual collection of major articles representing some of the best historical research by some of the world`s most distinguished historians. Vol I Volume I (1991) Thompson, F.M.L., ‘Presidential Address: English Landed Society in the Twentieth Century: II. New Poor and New Rich’, p. 1-20 Reynolds, Susan, ‘Social Mentalities and the case of Medieval Scepticism’, pp. 21-42 Croft, Pauline, ‘The Reputation of Robert Cecil: libels, political opinion and popular awareness in the early seventeenth century’, pp. 43-70 Bethell, Leslie, ‘The Decline and Fall of Slavery in Nineteenth Century Brazil’, pp. 71-88 Lockwood, Shelley, ‘Marsilius of Padua and the case for the Royal Ecclesiastical Supremacy (The Alexander Prize Essay)’, pp. 89-120 Glanton, Lord Dacre of, ‘The Continuity of the English Revolution (The Prothero Lecture)’, pp. 121-136 Bossy, John, ‘Christian Life in the Later Middle Ages: 1. Prayers’, pp. 137-150 Dobson, Barry, ‘Christian Life in the Later Middle Ages: 2. English Monastic Cathedrals in the Fifteenth Century’, pp. 151-172 Rosser, Gervase, ‘Christian Life in the Later Middle Ages: 3. Parochial Conformity and Popular Religion in Late medieval England’, p. 173-190 Davies, Richard G., ‘Christian Life in the Later Middle Ages: 4. Lollardy and Locality’, pp. 191-212 Lannon, Frances, ‘Women and Images of Women in the Spanish Civil War’, pp. 213-228 Vincent, David, ‘The Origins of Public Secrecy in Britain’, pp. 229-248 Vol II Included is `England, Britain and the Audit of War` by Kenneth Morgan and `The Peoples of Britain and Ireland 1100-1400` by Professor Davies. Vol III This 1995 third volume of the sixth series includes `English Landed Society in the Twentieth Century: IV, Prestige without Power?` by F. M. L. Thompson, ``Between the Sea Power and the Land Power`: Scandinavia and the Coming of the First World War` by Patrick Salmon, `Confession before 1215` by Alexander Murray, ``Les Engleys Nées en Irlande`: The English Political Identity in Medieval Ireland` by Robin Frame, `The Origins of the Gothic Revival: A Reappraisal` by Giles Worsley, `Providence, Protestant Union and Godly Reformation in the 1690s` by Craig Rose, `A Thirty Years War? The Two World Wars in Historical Perspective` by Michael Howard and `Bristol West India Merchants in the Eighteenth Century` by Kenneth Morgan. Vol IV Volume 4 includes Presidential Address: The People of Britain and Ireland, 1100–1400, 1.Identities; R. R. Davies; General Franco as Military Leader; Paul Preston; Symbolic Meanings of Hair in the Middle Ages; Robert Bartlett; ; Men`s Dilemma: The Future of Patriarchy in England 1560–1660; Anthony Fletcher; ; Edward III and the Dialectics of Strategy, 1327–1360 (The Alexander Prize Essay); Clifford J. Rogers; ; Monasteries and their Patrons at Foundation and Dissolution* (The Alexander Prize Essay); Benjamin Thompson; ; Prince and States General: Charles V and The Netherlands (1506–1555) (The Prothero Lecture); H. G. Koenigsberger; ; Political Ideologies in Twentieth Century Britain; Select The Failure of Socialist Unity in Britain c. 1893–1914; The Failure of Socialist Unity in Britain c. 1893–1914; Keith Laybourn; ; Liberal Toryism in the Twentieth Century; Michael Bentley; ‘Harvesting the Cupboards’: Why Britain has Produced no Administrative Theory or Ideology in the Twentieth Century; Peter Hennessy; ; Women and the Norman Conquest; Pauline Stafford; ; Metaphors of the Middle: the Discovery of the Petite Bourgeoisie 1880–1914; Geoffrey Crossick; ; Report of Council, Session 1993–1994; ; Officers and Council; Vol V `The Peoples of Ireland, 1110-1400: II. Names and Boundaries`, Rees Davies; `My special friend`? The Settlement of Disputes and Political Power in the Kingdom of the French, tenth to early twelfth centuries`, Jane Martindale; `The structures of politics in early Stuart England`, Steve Gunn; `Liberalism and the establishment of collective security in British Foreign Policy`, Joseph C. Heim; `Empire and opportunity in later eighteenth century Britain`, Peter Marshall; History through fiction: British lives in the novels of Raymond Wilson, David B. Smith; and `Institutions and economic development in early modern central Europe: proto-industrialisation in Württemburg, 1580-1797`, Sheila Ogilvie. Vol VI Volume six of the sixth series, first published in 1997, includes: `The Peoples of Ireland, 1110–1400: III. Laws and Customs`, the third Presidential Address from Rees Davies; the winner of the Alexander Prize, `Isabeau of Bavaria, Queen of France (1385–1422)`, Rachel Gibbons; and the 1995 Prothero Lecture ”An Airier Aristocracy”: The Saints of War`, Christopher Holdsworth. Also included, contributions from Sarah Foot, Nicholas Orme and John Stevenson, a special collection of papers taking the theme `Honour and Reputation in Early-Modern England`, and the annual Report of Council. Vol VII volume seven of the sixth series will include: `The Peoples of Britain and Ireland, 1100–1400: IV Language and Historical Mythology`, Rees Davies; `The Limits of Totalitarianism: God, State and Society in the GDR`, Mary Fulbrook; `History as Destiny: Gobineau, H. S. Chamberlain and Spengler`, Michael Biddiss; `Constructing the Past in the Early Middle Ages: The Case of the Royal Frankish Annals`, Rosamond McKitterick; `England, Britain and the Audit of War`, Kenneth Morgan; `The Cromwellian Decade: Authority and Consent`, C. S. L. Davies; `Place and Public Finance`, R. W. Hoyle; `The Parliament of England`, Pauline Croft; `Thomas Cromwell`s Doctrine of Parliamentary Sovereignty`, Conrad Russell; `Religion`, Christopher Haigh; `Sir Geoffrey Elton and the Practice of History`, Quentin Skinner. Vol VIII Volume 8 of the sixth series takes the theme `identities and empires` as its main focus and includes the Presidential Address on `Britain and the World in the Eighteenth Century: Reshaping the Empire` by Professor P. J. Marshall, `Russia, Imperial and Soviet Identities` by Dominic Lieven, and `Frontiers of the Mind: Conceptions of Community in Colonial Southeast Asia` by A. J. Stockwell. Vol IX Volume 9 takes the theme `oral history, memory and written tradition` as its main focus and includes the Presidential Address on `Britain and the World in the Eighteenth Century: Reshaping the Empire` by P. J. Marshall and `Thatcherism: an historical perspective` by E. H. H. Green. Vol X Volume ten of the sixth series takes the theme `the British-Irish Union of 1801` as its main focus and includes the Presidential Address on `Britain and the World in the Eighteenth Century: Reshaping the Empire` by P. J. Marshall, `Court cases and Legal Arguments in England c.1066–1166` by John Hudson, `The Union in European Context` by William Doyle, `Alliances and Misalliances in the politics of the Union` by L. M. Cullen, `Ireland, India and the Empire, 1780–1914` by C. A. Bayley and `The Divergence of England: The Growth of the English Economy in the Seventeenth and Eighteenth Centuries` by E. A. Wrigley. Vol XI Articles include Britain and the World in the Eighteenth Century; A Profane History of Early Modern Oaths; Churchill in the Twenty-First Century; The Three Careers of Winston Churchill; Churchill and Democracy; Churchill and the British Monarchy; Churchill and the Trade Unions; Churchill and the Premiership; Churchill and the Conservative Party. Vol XII Articles in Volume 12 include: England and the Continent in the Ninth Century: I, Ends and Beginnings; Travellers and the Oriental City, c.1840-1920; The Myths of the South Sea Bubble; The Place of Tudor England in the Messianic Vision of Philip II of Spain. There is also a collection of papers on `English politeness: conduct, social rank and moral virtue, c.1400-c.1900`, which includes the following papers: From Civilitas to Civility: Codes of Manners in Medieval and Early Modern England; Topographies of Politeness; Polite Consumption: Shopping in Eighteenth-Century England. Vol XIII Volume thirteen includes: England and the Continent in the ninth century: II. Vikings and Others; According to ancient custom: the restoration of altars in the Restoration Church of England; Migrants, immigrants and welfare from the Old Poor Law to the Welfare State; Jack Tar and the gentleman officer: the role of uniform in shaping the class- and gender-related identities of British naval personnel, 1930-1939; Resistance, reprisal and community in Occupied France, 1941-1944. Vol XIV Contents; England and the Continent in the Ninth Century 1; The Legacy of the Nineteenth-Century Bourgeois Family and 25; Liberty and the AngloSaxons Revisited 47; Travel Exploration and Knowledge 73; Culture 93; A CONFERENCE HELD 117 ; A Painting and its Afterlife 123; Pepys and the Elizabethan Navy 141; Queen Elizabeth and the Myth of Seapower in English History 153; The Advance of Scientific 175; Was Elizabeth I Interested in Maps and Did It Matter? 185; The Politics of Translation in 199; France and Elizabethan England 223; James Stuarts True Law of Free 243; A Sense of Place in Stone Print and Paint 261; Scotland Elizabethan England and the Idea of Britain 279; Queen Elizabeth and Ireland 295; Elizabeth I and the Sovereignty of the Netherlands 15761585 309 Vol XV The volume includes the following articles: Presidential address: England and the Continent in the Ninth Century, The Triumph of the Doctors: Medical Assistance to the Dying, c. 1570-1720, Marmoutier and its Serfs and the Eleventh Century, Housewives and Servants in Rural England 1440-1650, Putting the English Reformation on the Map, The Environmental History of the Russian Steppes: Vasilii Dokuchaev and the Harvest Failure of 1891, A `Sinister and Retrogressive` Proposal: Irish Women`s Opposition to the 1937 Draft Constitution Vol XVI The volume includes the following articles: Potential Address: Britain and Globalisation since 1850: I. Creating a Global Order, 1850-1914; Land, Freedom and the Making of the Medieval West; The Origins of the English Hospital (The Alexander Prize Essay); Trust and Distrust: A Suitable Theme for Historians?; Witchcraft and the Western Imagination; Africa and the Birth of the Modern World; The Break-Up of Britain? Scotland and the End of the Empire (The Prothero Lecture); Report of Council for 2005-2006. Vol XVII The volume includes the following articles: Presidential Address: Britain and Globalisation since 1850: II. The Rise of Insular Capitalism, 1914-1939, King Henry I and Northern England, Aristocratic Widows and the Medieval Welsh Frontier: The Shropshire Evidence, The Burden and Conscience of Government in the Fifteenth Century, `Representing` Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608, How Scientific Conversation Became Shop Talk and Théodore Vacquer and the Archaeology of Modernity in Haussmann`s Paris. Vol XVIII The volume includes the following articles: Presidential Address: Britain and Globalisation since 1850: III. Creating the World of Bretton Woods, 1939-1958 Martin Daunton; High and Low: Ties of Dependence in the Frankish Kingdoms (The Alexander Prize Essay) Alice Rio; Text, Visualisation and Politics: London, 1150-1250 Derek Keene; Centre and Periphery in the European Book World Andrew Pettegree; A Tale of Two Episcopal Surveys: The Strange Fates of Edmund Grindal and Cuthbert Mayne Revisited (The Prothero Lecture) Peter Lake; The Language and Symbolism of Conquest in Ireland, c. 1790-1850 Jacqueline Hill; Writing War: Autobiography, Modernity and Wartime Narrative in Nationalist China, 1937-1946 Rana Mitter; The Death of a Consumer Society Matthew Hilton; Report of Council for 2007-2008. Vol XIX Volume 19 includes the following articles: Presidential Address: Britain and Globalisation since 1850: IV: The Creation of the Washington Consensus by Martin Daunton, Representation c.800: Arab, Byzantine, Carolingian by Leslie Brubaker, Humanism and Reform in Pre-Reformation English Monasteries by James G. Clark, Lord Burghley and il Cortegiano: Civil and Martial Models of Courtliness in Elizabethan England (The Alexander Prize Lecture) by Mary Partridge, Communicating Empire: The Habsburgs and their Critics, 1700-1919 (The Prothero Lecture) by Robert Evans, The Slave Trade, Abolition and Public Memory by James Walvin, Cultures of Exchange: Atlantic Africa in the Era of the Slave Trade by David Richardson, and Slaves Out of Context: Domestic Slavery and the Anglo-Indian Family, c.1780-1830 by Margot Finn. Vol XX This volume includes the following articles: `Presidential Address: French Crossings I: Tales of Two Cities` by Colin Jones, `Living Like the Laity? The Negotiation of Religious Status in the Cities of Late Medieval Italy` by Frances Andrews, `Oliver Cromwell and the Protectorate` by Blair Worden, `Refashioning Puritan New England: The Church of England in British North America, c.1680–c.1770` by Jeremy Gregory, `Irish Social Thought and the Relief of Poverty, 1847–1880` by Peter Gray, ``Facts Notorious to the Whole Country`: The Political Battle over Irish Poor Law Reform in the 1860s` by Virginia Crossman, `The Age of Prothero: British Historiography in the Long Fin de Siecle, 1870–1920` (The Prothero Lecture) by Michael Bentley.

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Još jedan bestseler jednog od najinspirativnijih pisaca o nauci uspeha svih vremena. Naučite praktične tehnike uspešne prodaje, bilo da se bavite trgovinom ili ne. Jer, u svakom poslu, prvenstveno je važno dobro prodati sebe... pa tek onda uslugu ili proizvod! Oliver Napoleon Hill (rođen 26. listopada 1883.-8. studenog 1970.) bio je američki autor za samopomoć. Najpoznatiji je po svojoj knjizi Think and Grow Rich (1937) koja je među 10 najprodavanijih knjiga za samopomoć svih vremena. [1] [2] Hillova djela inzistirala su na tome da su žarka očekivanja bitna za poboljšanje nečijeg života. [3] [4] Većina njegovih knjiga promovirana je kao izlaganje načela za postizanje `uspjeha`. Hill je, u moderno doba, kontroverzna ličnost. Optuženi za prijevaru, moderni povjesničari također sumnjaju u mnoge njegove tvrdnje, poput one da je upoznao Andrewa Carnegieja i da je bio odvjetnik. Gizmodo ga je nazvao `najpoznatijim prevarantom za kojeg vjerojatno nikada niste čuli`. Hill je rođen u jednosobnoj kolibi u blizini apalačkog grada Pound u jugozapadnoj Virginiji. [6] Njegovi su roditelji bili James Monroe Hill i Sarah Sylvania (Blair), a on je bio unuk Jamesa Madison Hilla i Elizabeth (Jones). Njegov djed došao je u Sjedinjene Američke Države iz Engleske i nastanio se u jugozapadnoj Virginiji tijekom 1847. [7] Hillina majka umrla je kad je imao devet godina, a otac se dvije godine kasnije ponovno oženio s Marthom. Maćeha je na njega imala dobar utjecaj: `Hill-ova pomajka, udovica ravnatelja škole, civilizirala je Napoleona s divljim djetetom, tjerajući ga da ide u školu i ide u crkvu.` [8] U dobi od 13 godina Hill je počeo pisati kao `planinski izvjestitelj`, u početku za očeve novine. [9] U dobi od 15 godina oženio se mještankom koja ga je optužila da joj je otac; djevojka je odustala od tužbe, a brak je poništen. [10] Početak karijere Sa sedamnaest godina Hill je završio srednju školu i preselio se u Tazewell, Virginia, kako bi pohađao poslovnu školu. Godine 1901. Hill se prihvatio posla radeći za odvjetnika Rufusa A. Ayersa, magnata ugljena i bivšeg državnog odvjetnika u Virginiji. Autor Richard Lingeman napisao je da je Hill dobio ovaj posao nakon što je dogovorio da povjerljivo zadrži smrt crnog zvonara na kojeg je prethodni upravnik rudnika slučajno pucao dok je bio pijan. [8] Hill je ubrzo nakon toga napustio posao upravljanja rudnikom uglja i upisao pravni fakultet prije nego što se povukao zbog nedostatka sredstava. Kasnije u životu, Hill će koristiti naslov `odvjetnik`, iako Hillova službena biografija napominje da `nema podataka o tome da je on za bilo koga zapravo obavljao pravne usluge.` [11] Neuspjeli poslovni poduhvati i optužbe za prijevaru Hill se 1907. preselio u Mobile u Alabami i suosnivač tvrtke Acree-Hill Lumber Company. U listopadu 1908., Pensacola Journal izvijestio je da se tvrtka suočava sa stečajnim postupkom i optužbom za prijevaru pošte zbog kupovine drvne građe izvan Mobilea, iz drugih okruga u Alabami i Floridi, te prodaje ispod cijene, čime nije uspjela ostvariti povrat. [12 ] U svibnju 1909., Hill se preselio u Washington, DC, i pokrenuo Automobile College u Washingtonu, gdje je upućivao studente u gradnju, šofer i prodaju motornih automobila. [13] Koledž je sklapao automobile za Carter Motor Corporation, koja je početkom 1912. proglasila bankrot. Tijekom travnja 1912., automobilski časopis Motor World optužio je Hill`s fakultet za prijevaru i ismijavao njegove marketinške materijale kao `šalu za svakoga prosječne inteligencije`. [ 14] Automobilski fakultet zatvorio je svoja vrata kasnije te godine. [Potreban citat] Tijekom lipnja 1910. Hill se oženio Florence Elizabeth Horner [15] s kojom je imao tri sina: Jamesa, rođenog 1911. godine; Napoleon Blair, rođen 1912 .; i David, rođen 1918. [16] Nakon što se njegov automobilski fakultet raspao, Hill se preselio u Lumberport, Zapadna Virginija, kako bi bio sa obitelji svoje žene. [Potreban citat] Nakon toga se preselio u Chicago i prihvatio posao na Sveučilištu La Salle Extension, prije nego što je suosnivač Betsy Ross Candy Shop. [17] U rujnu 1915. osnovao je George Washington Institute of Advertising, gdje je namjeravao podučavati načela uspjeha i samopouzdanja. Dana 4. lipnja 1918., Chicago Tribune izvijestio je da je država Illinois izdala dva naloga za njegovo uhićenje, optužujući ga za kršenje zakona o plavom nebu lažnim pokušajem prodaje dionica njegove škole po kapitalizaciji od 100.000 dolara, unatoč procijenjenoj imovini škole samo na 1200 USD. [18] Škola se ubrzo nakon toga zatvorila. [Potreban citat] Hill je kasnije tvrdio da je ovo vrijeme proveo savjetujući predsjednika Woodrowa Wilsona usred Prvog svjetskog rata; međutim, zapisi Bijele kuće ne spominju njegovo postojanje. [19] Nakon zatvaranja Instituta George Washington, Hill se upustio u druge poslovne pothvate, među kojima su bili osobni časopisi Hill`s Golden Rule i Napoleon Hill`s Magazine. Godine 1922. otvorio je Intra-Wall Correspondence School, dobrotvornu zakladu namijenjenu pružanju obrazovnog materijala zatvorenicima u Ohiu. Zakladu je, među ostalim, vodio krivotvoritelj čekova i bivši osuđenik Butler Storke, koji će biti vraćen u zatvor tek godinu dana kasnije. [20] Prema Hillovoj službenoj biografiji, u tom je razdoblju stotine dokumenata koji dokazuju Hillovu povezanost s raznim poznatim ličnostima uništeno u požaru u skladištu u Chicagu. [21] Zakon uspjeha Tijekom 1928. Hill se preselio u Philadelphiju i uvjerio izdavača sa sjedištem u Connecticutu da objavi njegovo osmotomno djelo Zakon uspjeha (1925). Knjiga je Hill bila prvi veliki uspjeh, dopuštajući Hillu da usvoji bogat životni stil. Do 1929. već je kupio Rolls-Royce i imanje od 240 jutara (240 hektara) u planinama Catskill, uz pomoć nekih zajmodavaca. [22] Početak Velike depresije, međutim, negativno je utjecao na Hillove financije, prisiljavajući njegovu imovinu u Catskillsu na ovrhu prije kraja 1929. [16] Hillovo sljedeće objavljeno djelo, Čarobne ljestve za Uspjeh (1930) pokazao se komercijalnim neuspjehom. Tijekom sljedećih nekoliko godina Hill je putovao cijelom zemljom, vraćajući se svojim navikama iz prethodnog desetljeća pokretanja raznih kratkotrajnih poslovnih poduhvata. [Potreban citat] Tijekom 1935. Hillova supruga Florence podnijela je zahtjev za razvod braka na Floridi. [Potrebno pojašnjenje] [potreban citat] Razmišljaj i obogati se Tijekom 1937. Hill je objavio najprodavaniju knjigu Think and Grow Rich, koja je postala Hill-ovo najpoznatije djelo. Hillina nova supruga Rosa Lee Beeland značajno je doprinijela stvaranju i uređivanju knjige Think and Grow Rich. Hillovi biografi kasnije će reći da je ova knjiga prodana u 20 milijuna primjeraka tijekom 50 godina, iako, kako primjećuje Richard Lingeman u svojoj kratkoj biografiji, `70 godina bestselera` Alice Payne Hackett sugerira da je iznos bio znatno manji. `[8] Još jednom bogat, Hill je ponovno pokrenuo svoj raskošni način života i kupio novo imanje u Mount Dora, Florida. Par se razveo oko 1940., a velik dio bogatstva iz knjige pripao je njegovoj supruzi Rosi Lee Hill, pa je Napoleon Hill ponovno započeo svoju potragu za uspjehom....

Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju! Misli i obogati se je klasik samopomoći i motivacione literature autora Napoleon Hila koji se bavi pitanjem kako ostvariti finansijski uspeh. Kroz ovu knjigu, Hil nas uči o važnosti pozitivnog razmišljanja, samodiscipline i istrajnosti u postizanju ciljeva. Sa praktičnim savetima, motivacionim pričama i tehnikama za razvijanje bogatstva, Misli i obogati se je postao klasik u oblasti samorazvoja. Sada možete kupiti ovu knjigu na srpskom jeziku u online knjižari Sigma. Uzmite svoj primerak i naučite kako da razvijete novi način razmišljanja koji će vam pomoći da ostvarite vaše ciljeve i postignete finansijski uspeh. Oliver Napoleon Hill (rođen 26. listopada 1883.-8. studenog 1970.) bio je američki autor za samopomoć. Najpoznatiji je po svojoj knjizi Think and Grow Rich (1937) koja je među 10 najprodavanijih knjiga za samopomoć svih vremena. [1] [2] Hillova djela inzistirala su na tome da su žarka očekivanja bitna za poboljšanje nečijeg života. [3] [4] Većina njegovih knjiga promovirana je kao izlaganje načela za postizanje `uspjeha`. Hill je, u moderno doba, kontroverzna ličnost. Optuženi za prijevaru, moderni povjesničari također sumnjaju u mnoge njegove tvrdnje, poput one da je upoznao Andrewa Carnegieja i da je bio odvjetnik. Gizmodo ga je nazvao `najpoznatijim prevarantom za kojeg vjerojatno nikada niste čuli`. Hill je rođen u jednosobnoj kolibi u blizini apalačkog grada Pound u jugozapadnoj Virginiji. [6] Njegovi su roditelji bili James Monroe Hill i Sarah Sylvania (Blair), a on je bio unuk Jamesa Madison Hilla i Elizabeth (Jones). Njegov djed došao je u Sjedinjene Američke Države iz Engleske i nastanio se u jugozapadnoj Virginiji tijekom 1847. [7] Hillina majka umrla je kad je imao devet godina, a otac se dvije godine kasnije ponovno oženio s Marthom. Maćeha je na njega imala dobar utjecaj: `Hill-ova pomajka, udovica ravnatelja škole, civilizirala je Napoleona s divljim djetetom, tjerajući ga da ide u školu i ide u crkvu.` [8] U dobi od 13 godina Hill je počeo pisati kao `planinski izvjestitelj`, u početku za očeve novine. [9] U dobi od 15 godina oženio se mještankom koja ga je optužila da joj je otac; djevojka je odustala od tužbe, a brak je poništen. [10] Početak karijere Sa sedamnaest godina Hill je završio srednju školu i preselio se u Tazewell, Virginia, kako bi pohađao poslovnu školu. Godine 1901. Hill se prihvatio posla radeći za odvjetnika Rufusa A. Ayersa, magnata ugljena i bivšeg državnog odvjetnika u Virginiji. Autor Richard Lingeman napisao je da je Hill dobio ovaj posao nakon što je dogovorio da povjerljivo zadrži smrt crnog zvonara na kojeg je prethodni upravnik rudnika slučajno pucao dok je bio pijan. [8] Hill je ubrzo nakon toga napustio posao upravljanja rudnikom uglja i upisao pravni fakultet prije nego što se povukao zbog nedostatka sredstava. Kasnije u životu, Hill će koristiti naslov `odvjetnik`, iako Hillova službena biografija napominje da `nema podataka o tome da je on za bilo koga zapravo obavljao pravne usluge.` [11] Neuspjeli poslovni poduhvati i optužbe za prijevaru Hill se 1907. preselio u Mobile u Alabami i suosnivač tvrtke Acree-Hill Lumber Company. U listopadu 1908., Pensacola Journal izvijestio je da se tvrtka suočava sa stečajnim postupkom i optužbom za prijevaru pošte zbog kupovine drvne građe izvan Mobilea, iz drugih okruga u Alabami i Floridi, te prodaje ispod cijene, čime nije uspjela ostvariti povrat. [12 ] U svibnju 1909., Hill se preselio u Washington, DC, i pokrenuo Automobile College u Washingtonu, gdje je upućivao studente u gradnju, šofer i prodaju motornih automobila. [13] Koledž je sklapao automobile za Carter Motor Corporation, koja je početkom 1912. proglasila bankrot. Tijekom travnja 1912., automobilski časopis Motor World optužio je Hill`s fakultet za prijevaru i ismijavao njegove marketinške materijale kao `šalu za svakoga prosječne inteligencije`. [ 14] Automobilski fakultet zatvorio je svoja vrata kasnije te godine. [Potreban citat] Tijekom lipnja 1910. Hill se oženio Florence Elizabeth Horner [15] s kojom je imao tri sina: Jamesa, rođenog 1911. godine; Napoleon Blair, rođen 1912 .; i David, rođen 1918. [16] Nakon što se njegov automobilski fakultet raspao, Hill se preselio u Lumberport, Zapadna Virginija, kako bi bio sa obitelji svoje žene. [Potreban citat] Nakon toga se preselio u Chicago i prihvatio posao na Sveučilištu La Salle Extension, prije nego što je suosnivač Betsy Ross Candy Shop. [17] U rujnu 1915. osnovao je George Washington Institute of Advertising, gdje je namjeravao podučavati načela uspjeha i samopouzdanja. Dana 4. lipnja 1918., Chicago Tribune izvijestio je da je država Illinois izdala dva naloga za njegovo uhićenje, optužujući ga za kršenje zakona o plavom nebu lažnim pokušajem prodaje dionica njegove škole po kapitalizaciji od 100.000 dolara, unatoč procijenjenoj imovini škole samo na 1200 USD. [18] Škola se ubrzo nakon toga zatvorila. [Potreban citat] Hill je kasnije tvrdio da je ovo vrijeme proveo savjetujući predsjednika Woodrowa Wilsona usred Prvog svjetskog rata; međutim, zapisi Bijele kuće ne spominju njegovo postojanje. [19] Nakon zatvaranja Instituta George Washington, Hill se upustio u druge poslovne pothvate, među kojima su bili osobni časopisi Hill`s Golden Rule i Napoleon Hill`s Magazine. Godine 1922. otvorio je Intra-Wall Correspondence School, dobrotvornu zakladu namijenjenu pružanju obrazovnog materijala zatvorenicima u Ohiu. Zakladu je, među ostalim, vodio krivotvoritelj čekova i bivši osuđenik Butler Storke, koji će biti vraćen u zatvor tek godinu dana kasnije. [20] Prema Hillovoj službenoj biografiji, u tom je razdoblju stotine dokumenata koji dokazuju Hillovu povezanost s raznim poznatim ličnostima uništeno u požaru u skladištu u Chicagu. [21] Zakon uspjeha Tijekom 1928. Hill se preselio u Philadelphiju i uvjerio izdavača sa sjedištem u Connecticutu da objavi njegovo osmotomno djelo Zakon uspjeha (1925). Knjiga je Hill bila prvi veliki uspjeh, dopuštajući Hillu da usvoji bogat životni stil. Do 1929. već je kupio Rolls-Royce i imanje od 240 jutara (240 hektara) u planinama Catskill, uz pomoć nekih zajmodavaca. [22] Početak Velike depresije, međutim, negativno je utjecao na Hillove financije, prisiljavajući njegovu imovinu u Catskillsu na ovrhu prije kraja 1929. [16] Hillovo sljedeće objavljeno djelo, Čarobne ljestve za Uspjeh (1930) pokazao se komercijalnim neuspjehom. Tijekom sljedećih nekoliko godina Hill je putovao cijelom zemljom, vraćajući se svojim navikama iz prethodnog desetljeća pokretanja raznih kratkotrajnih poslovnih poduhvata. [Potreban citat] Tijekom 1935. Hillova supruga Florence podnijela je zahtjev za razvod braka na Floridi. [Potrebno pojašnjenje] [potreban citat] Razmišljaj i obogati se Tijekom 1937. Hill je objavio najprodavaniju knjigu Think and Grow Rich, koja je postala Hill-ovo najpoznatije djelo. Hillina nova supruga Rosa Lee Beeland značajno je doprinijela stvaranju i uređivanju knjige Think and Grow Rich. Hillovi biografi kasnije će reći da je ova knjiga prodana u 20 milijuna primjeraka tijekom 50 godina, iako, kako primjećuje Richard Lingeman u svojoj kratkoj biografiji, `70 godina bestselera` Alice Payne Hackett sugerira da je iznos bio znatno manji. `[8] Još jednom bogat, Hill je ponovno pokrenuo svoj raskošni način života i kupio novo imanje u Mount Dora, Florida. Par se razveo oko 1940., a velik dio bogatstva iz knjige pripao je njegovoj supruzi Rosi Lee Hill, pa je Napoleon Hill ponovno započeo svoju potragu za uspjehom....

Odlično stanje Cekade Ervin Piskator Zagreb, 1985. 14 x 22 cm, tvrd povez sa omotom, 198 strana Erwin Friedrich Maximilian Piscator (17 December 1893 – 30 March 1966) was a German theatre director and producer. Along with Bertolt Brecht, he was the foremost exponent of epic theatre, a form that emphasizes the socio-political content of drama, rather than its emotional manipulation of the audience or the production`s formal beauty.[2] Biography[edit] Youth and wartime experience[edit] The Volksbühne Berlin, scene of Piscator`s early successes as a stage director in 1924 Erwin Friedrich Max Piscator was born on 17 December 1893 in the small Prussian village of Greifenstein-Ulm, the son of Carl Piscator, a merchant, and his wife Antonia Laparose.[3] His family was descended from Johannes Piscator, a Protestant theologian who produced an important translation of the Bible in 1600.[4] The family moved to the university town Marburg in 1899 where Piscator attended the Gymnasium Philippinum. In the autumn of 1913, he attended a private Munich drama school and enrolled at University of Munich to study German, philosophy and art history. Piscator also took Arthur Kutscher`s famous seminar in theatre history, which Bertolt Brecht later also attended.[5] Piscator began his acting career in the autumn of 1914, in small unpaid roles at the Munich Court Theatre, under the directorship of Ernst von Possart. In 1896, Karl Lautenschläger had installed one of the world`s first revolving stages in that theatre.[6] During the First World War, Piscator was drafted into the German army, serving in a frontline infantry unit as a Landsturm soldier from the spring of 1915 (and later as a signaller). The experience inspired a hatred of militarism and war that lasted for the rest of his life. He wrote a few bitter poems that were published in 1915 and 1916 in the left-wing Expressionist literary magazine Die Aktion. In summer 1917, having participated in the battles at Ypres Salient and been in hospital once, he was assigned to a newly established army theatre unit. In November 1918, when the armistice was declared, Piscator participated in the November Revolution, giving a speech in Hasselt at the first meeting of a revolutionary Soldiers` Council (Soviet).[6] Early success in the Weimar Republic[edit] Piscator returned to Berlin and joined the newly formed Communist Party of Germany (KPD). He left briefly for Königsberg, where he joined the Tribunal Theatre. He participated in several expressionist plays and played the student, Arkenholz, in the Ghost Sonata by August Strindberg. He joined Hermann Schüller in establishing the Proletarian Theatre, Stage of the Revolutionary Workers of Greater Berlin.[7] The Piscator-Bühne in Berlin (1927–29), formerly known as Neues Schauspielhaus In collaboration with writer Hans José Rehfisch, Piscator formed a theatre company in Berlin at the Comedy-Theater on Alte Jacobsstrasse, following the Volksbühne (`people`s stage`) concept. In 1922–1923 they staged works by Maxim Gorky, Romain Rolland, and Leo Tolstoy.[8] As stage director at the Volksbühne (1924–1927), and later as managing director at his own theatre (the Piscator-Bühne on Nollendorfplatz), Piscator produced social and political plays especially suited to his theories. His dramatic aims were utilitarian — to influence voters or clarify left-wing policies. He used mechanized sets, lectures, movies, and mechanical devices that appealed to his audiences. In 1926, his updated production of Friedrich Schiller`s The Robbers at the distinguished Preußisches Staatstheater in Berlin provoked widespread controversy. Piscator made extensive cuts to the text and reinterpreted the play as a vehicle for his political beliefs. He presented the protagonist Karl Moor as a substantially self-absorbed insurgent. As Moor`s foil, Piscator made the character of Spiegelberg, often presented as a sinister figure, the voice of the working-class revolution. Spiegelberg appeared as a Trotskyist intellectual, slightly reminiscent of Charlie Chaplin with his cane and bowler hat. As he died, the audience heard The Internationale sung. Piscator founded the influential (though short-lived) Piscator-Bühne in Berlin in 1927. In 1928 he produced a notable adaptation of the unfinished, episodic Czech comic novel The Good Soldier Schweik. The dramaturgical collective that produced this adaptation included Bertolt Brecht.[9] Brecht later described it as a `montage from the novel`.[10] Leo Lania`s play Konjunktur (Oil Boom) premiered in Berlin in 1928, directed by Erwin Piscator, with incidental music by Kurt Weill. Three oil companies fight over the rights to oil production in a primitive Balkan country, and in the process exploit the people and destroy the environment. Weill`s songs from this play, such as Die Muschel von Margate, are still part of the modern repertoire of art music.[11] In 1929 Piscator published his The Political Theatre, discussions of the theory of theatre .[12] In the preface to its 1963 edition, Piscator wrote that the book was `assembled in hectic sessions during rehearsals for The Merchant of Berlin` by Walter Mehring, which had opened on 6 September 1929 at the second Piscator-Bühne.[13] It was intended to provide `a definitive explanation and elucidation of the basic facts of epic, i.e. political theatre`, which at that time `was still meeting with widespread rejection and misapprehension.`[13] Three decades later, Piscator said that: The justification for epic techniques is no longer disputed by anyone, but there is considerable confusion about what should be expressed by these means. The functional character of these epic techniques, in other words their inseparability from a specific content (the specific content, the specific message determines the means and not vice versa!) has by now become largely obscured. So we are still standing at the starting blocks. The race is not yet on ...[14] International work, emigration, and late productions in West Germany[edit] Piscator was theater manager of The Freie Volksbühne Berlin from 1962 until his death. In 1931, after the collapse of the third Piscator-Bühne, Piscator went to Moscow in order to make the motion picture Revolt of the Fishermen with actor Aleksei Dikiy, for Mezhrabpom, the Soviet film company associated with the International Workers` Relief Organisation.[15] As John Willett wrote, throughout the pre-Hitler years Piscator`s `commitment to the Russian Revolution was a decisive factor in all his work.`[16] With Hitler`s rise to power in 1933, Piscator`s stay in the Soviet Union became exile.[17] In July 1936, Piscator left the Soviet Union for France. In 1937, he married dancer Maria Ley in Paris. Bertolt Brecht was one of the groomsmen. During his years in Berlin, Piscator had collaborated with Lena Goldschmidt on a stage adaptation of Theodore Dreiser`s bestselling novel An American Tragedy; under the title The Case of Clyde Griffiths. With American Lee Strasberg as director, it had run for 19 performances on Broadway in 1936. When Piscator and Ley subsequently immigrated to the United States in 1939, Piscator was invited by Alvin Johnson, the founding president of The New School, to establish a theatre workshop. Among Piscator`s students at this Dramatic Workshop in New York were Bea Arthur, Harry Belafonte, Marlon Brando, Tony Curtis, Ben Gazzara, Judith Malina, Walter Matthau, Rod Steiger, Elaine Stritch, Eli Wallach, Jack Creley, and Tennessee Williams.[18] Established in New York, Erwin and Maria Ley-Piscator lived at 17 East 76th Street, an Upper East Side townhome, sometimes remembered as the Piscator House.[19] After World War II and the break-up of Germany, Piscator returned to West Germany in 1951 due to McCarthy era political pressure in the United States against former communists in the arts.[20] In 1962 Piscator was appointed manager and director of the Freie Volksbühne in West Berlin. To much international critical acclaim, in February 1963 Piscator premièred Rolf Hochhuth`s The Deputy, a play `about Pope Pius XII and the allegedly neglected rescue of Italian Jews from Nazi gas chambers.`[21] Until his death in 1966, Piscator was a major exponent of contemporary and documentary theatre. Piscator`s wife, Maria Ley, died in New York City in 1999. Effects on theatre[edit] This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: `Erwin Piscator` – news · newspapers · books · scholar · JSTOR (December 2017) (Learn how and when to remove this template message) Piscator, a sculpture in the London Borough of Camden by Eduardo Paolozzi In lieu of private themes we had generalisation, in lieu of what was special the typical, in lieu of accident causality. Decorativeness gave way to constructedness, Reason was put on a par with Emotion, while sensuality was replaced by didacticism and fantasy by documentary reality. Erwin Piscator, 1929.[22] Piscator`s contribution to theatre has been described by theatre historian Günther Rühle as `the boldest advance made by the German stage` during the 20th century.[23] Piscator`s theatre techniques of the 1920s — such as the extensive use of still and cinematic projections from 1925 on, as well as complex scaffold stages — had an extensive influence on European and American production methods. His dramaturgy of contrasts led to sharp political satirical effects and anticipated the commentary techniques of epic theatre.[citation needed] In the Federal Republic of Germany, Piscator`s interventionist theatre model enjoyed a late second zenith. From 1962 on, Piscator produced several works that dealt with trying to come to terms with the Germans` Nazi past and other timely issues; he inspired mnemonic and documentary theatre in those years until his death. Piscator`s stage adaptation of Leo Tolstoy`s novel War and Peace[24] has been produced in some 16 countries since 1955, including three productions in New York City.[citation needed] Legacy and honors[edit] Opening of an exhibition on the occasion of the 50th anniversary of Erwin Piscator`s death, Berlin, 2016 In 1980, a monumental sculpture by Scottish artist Eduardo Paolozzi was dedicated to Piscator in central London.[25] In the fall of 1985, an annual Erwin Piscator Award was inaugurated in New York City, the adopted home of Piscator`s widow Maria Ley. Additionally, a Piscator Prize of Honors has been annually awarded to generous patrons of art and culture in commemoration of Maria Ley since 1996. The host of the Erwin Piscator Award is the international non-profit organisation `Elysium − between two continents` that aims to foster artistic and academic dialogue and exchange between the United States and Europe. In 2016, a Piscator monument was erected in his birthplace of Greifenstein-Ulm.[26] Piscator`s artistic papers are held by the archive of the Academy of Arts, Berlin (since 1966) and the Southern Illinois University Carbondale (Morris Library, since 1971).[27] Broadway productions[edit] Gotthold Ephraim Lessing, Nathan the Wise (Belasco Theatre, April 1942) Irving Kaye Davis, The Last Stop (Ethel Barrymore Theatre, September 1944) Films[edit] Revolt of the Fishermen (Восстание рыбаков). Director: Erwin Piscator, Screenplay: Georgi Grebner, Willy Döll, Producer: Mikhail Doller, USSR 1932–1934. Works[edit] Piscator, Erwin. 1929. The Political Theatre. A History 1914–1929. Translated by Hugh Rorrison. New York: Avon, 1978. ISBN 978-0-380401-88-8 (= London: Methuen, 1980. ISBN 978-0-413335-00-5). The ReGroup Theatre Company (ed.): The `Lost` Group Theatre Plays. Volume 3. The House of Connelly, Johnny Johnson, & Case of Clyde Griffiths. By Paul Green and Erwin Piscator. Prefaces by Judith Malina & William Ivey Long. New York, NY: CreateSpace, 2013. ISBN 978-1-484150-13-9. Tolstoy, Leo. War and Peace. Adapted for the Stage by Alfred Neumann, Erwin Piscator, and Guntram Prüfer. English adaptation by Robert David MacDonald. Preface by Bamber Gascoigne. London: Macgibbon & Kee, 1963. Literature[edit] Connelly, Stacey Jones. Forgotten Debts: Erwin Piscator and the Epic Theatre. Bloomington: Indiana University 1991. Innes, Christopher D. Erwin Piscator`s Political Theatre: The Development of Modern German Drama. Cambridge: Cambridge University Press 1972. Ley-Piscator, Maria. The Piscator Experiment. The Political Theatre. New York: James H. Heineman 1967. ISBN 0-8093-0458-9. Malina, Judith. The Piscator Notebook. London: Routledge Chapman & Hall 2012. ISBN 0-415-60073-1. McAlpine, Sheila. Visual Aids in the Productions of the First Piscator-Bühne, 1927–28. Frankfurt, Bern, New York etc.: Lang 1990. Probst, Gerhard F. Erwin Piscator and the American Theatre. New York, San Francisco, Bern etc. 1991. Rorrison, Hugh. Erwin Piscator: Politics on the Stage in the Weimar Republic. Cambridge, Alexandria VA 1987. Wannemacher, Klaus. Moving Theatre Back to the Spotlight: Erwin Piscator’s Later Stage Work. In: The Great European Stage Directors. Vol. 2. Meyerhold, Piscator, Brecht. Ed. by David Barnett. London etc.: Bloomsbury (Methuen Drama) 2018, pp. 91–129. ISBN 1-474-25411-X. Willett, John. The Theatre of Erwin Piscator: Half a Century of Politics in the Theatre. London: Methuen 1978. ISBN 0-413-37810-1. External links[edit] Biography portal Erwin Piscator at IMDb Website on Erwin Piscator, including `Annotated Erwin Piscator Bibliography` with more than 1300 title entries (German) Erwin Piscator Papers, 1930–1971 at Southern Illinois University Carbondale, Special Collections Research Center Information on the annual Erwin Piscator Award Photo of Piscator at Find a Grave Tags: Politika i knjizevnost bertolt Breht angažovana knjizevnost sartr avangarda

Kao na slikama Deluje nekorišćeno Cekade Ervin Piskator Zagreb, 1985. 14 x 22 cm, tvrd povez sa omotom, 198 strana Erwin Friedrich Maximilian Piscator (17 December 1893 – 30 March 1966) was a German theatre director and producer. Along with Bertolt Brecht, he was the foremost exponent of epic theatre, a form that emphasizes the socio-political content of drama, rather than its emotional manipulation of the audience or the production`s formal beauty.[2] Biography[edit] Youth and wartime experience[edit] The Volksbühne Berlin, scene of Piscator`s early successes as a stage director in 1924 Erwin Friedrich Max Piscator was born on 17 December 1893 in the small Prussian village of Greifenstein-Ulm, the son of Carl Piscator, a merchant, and his wife Antonia Laparose.[3] His family was descended from Johannes Piscator, a Protestant theologian who produced an important translation of the Bible in 1600.[4] The family moved to the university town Marburg in 1899 where Piscator attended the Gymnasium Philippinum. In the autumn of 1913, he attended a private Munich drama school and enrolled at University of Munich to study German, philosophy and art history. Piscator also took Arthur Kutscher`s famous seminar in theatre history, which Bertolt Brecht later also attended.[5] Piscator began his acting career in the autumn of 1914, in small unpaid roles at the Munich Court Theatre, under the directorship of Ernst von Possart. In 1896, Karl Lautenschläger had installed one of the world`s first revolving stages in that theatre.[6] During the First World War, Piscator was drafted into the German army, serving in a frontline infantry unit as a Landsturm soldier from the spring of 1915 (and later as a signaller). The experience inspired a hatred of militarism and war that lasted for the rest of his life. He wrote a few bitter poems that were published in 1915 and 1916 in the left-wing Expressionist literary magazine Die Aktion. In summer 1917, having participated in the battles at Ypres Salient and been in hospital once, he was assigned to a newly established army theatre unit. In November 1918, when the armistice was declared, Piscator participated in the November Revolution, giving a speech in Hasselt at the first meeting of a revolutionary Soldiers` Council (Soviet).[6] Early success in the Weimar Republic[edit] Piscator returned to Berlin and joined the newly formed Communist Party of Germany (KPD). He left briefly for Königsberg, where he joined the Tribunal Theatre. He participated in several expressionist plays and played the student, Arkenholz, in the Ghost Sonata by August Strindberg. He joined Hermann Schüller in establishing the Proletarian Theatre, Stage of the Revolutionary Workers of Greater Berlin.[7] The Piscator-Bühne in Berlin (1927–29), formerly known as Neues Schauspielhaus In collaboration with writer Hans José Rehfisch, Piscator formed a theatre company in Berlin at the Comedy-Theater on Alte Jacobsstrasse, following the Volksbühne (`people`s stage`) concept. In 1922–1923 they staged works by Maxim Gorky, Romain Rolland, and Leo Tolstoy.[8] As stage director at the Volksbühne (1924–1927), and later as managing director at his own theatre (the Piscator-Bühne on Nollendorfplatz), Piscator produced social and political plays especially suited to his theories. His dramatic aims were utilitarian — to influence voters or clarify left-wing policies. He used mechanized sets, lectures, movies, and mechanical devices that appealed to his audiences. In 1926, his updated production of Friedrich Schiller`s The Robbers at the distinguished Preußisches Staatstheater in Berlin provoked widespread controversy. Piscator made extensive cuts to the text and reinterpreted the play as a vehicle for his political beliefs. He presented the protagonist Karl Moor as a substantially self-absorbed insurgent. As Moor`s foil, Piscator made the character of Spiegelberg, often presented as a sinister figure, the voice of the working-class revolution. Spiegelberg appeared as a Trotskyist intellectual, slightly reminiscent of Charlie Chaplin with his cane and bowler hat. As he died, the audience heard The Internationale sung. Piscator founded the influential (though short-lived) Piscator-Bühne in Berlin in 1927. In 1928 he produced a notable adaptation of the unfinished, episodic Czech comic novel The Good Soldier Schweik. The dramaturgical collective that produced this adaptation included Bertolt Brecht.[9] Brecht later described it as a `montage from the novel`.[10] Leo Lania`s play Konjunktur (Oil Boom) premiered in Berlin in 1928, directed by Erwin Piscator, with incidental music by Kurt Weill. Three oil companies fight over the rights to oil production in a primitive Balkan country, and in the process exploit the people and destroy the environment. Weill`s songs from this play, such as Die Muschel von Margate, are still part of the modern repertoire of art music.[11] In 1929 Piscator published his The Political Theatre, discussions of the theory of theatre .[12] In the preface to its 1963 edition, Piscator wrote that the book was `assembled in hectic sessions during rehearsals for The Merchant of Berlin` by Walter Mehring, which had opened on 6 September 1929 at the second Piscator-Bühne.[13] It was intended to provide `a definitive explanation and elucidation of the basic facts of epic, i.e. political theatre`, which at that time `was still meeting with widespread rejection and misapprehension.`[13] Three decades later, Piscator said that: The justification for epic techniques is no longer disputed by anyone, but there is considerable confusion about what should be expressed by these means. The functional character of these epic techniques, in other words their inseparability from a specific content (the specific content, the specific message determines the means and not vice versa!) has by now become largely obscured. So we are still standing at the starting blocks. The race is not yet on ...[14] International work, emigration, and late productions in West Germany[edit] Piscator was theater manager of The Freie Volksbühne Berlin from 1962 until his death. In 1931, after the collapse of the third Piscator-Bühne, Piscator went to Moscow in order to make the motion picture Revolt of the Fishermen with actor Aleksei Dikiy, for Mezhrabpom, the Soviet film company associated with the International Workers` Relief Organisation.[15] As John Willett wrote, throughout the pre-Hitler years Piscator`s `commitment to the Russian Revolution was a decisive factor in all his work.`[16] With Hitler`s rise to power in 1933, Piscator`s stay in the Soviet Union became exile.[17] In July 1936, Piscator left the Soviet Union for France. In 1937, he married dancer Maria Ley in Paris. Bertolt Brecht was one of the groomsmen. During his years in Berlin, Piscator had collaborated with Lena Goldschmidt on a stage adaptation of Theodore Dreiser`s bestselling novel An American Tragedy; under the title The Case of Clyde Griffiths. With American Lee Strasberg as director, it had run for 19 performances on Broadway in 1936. When Piscator and Ley subsequently immigrated to the United States in 1939, Piscator was invited by Alvin Johnson, the founding president of The New School, to establish a theatre workshop. Among Piscator`s students at this Dramatic Workshop in New York were Bea Arthur, Harry Belafonte, Marlon Brando, Tony Curtis, Ben Gazzara, Judith Malina, Walter Matthau, Rod Steiger, Elaine Stritch, Eli Wallach, Jack Creley, and Tennessee Williams.[18] Established in New York, Erwin and Maria Ley-Piscator lived at 17 East 76th Street, an Upper East Side townhome, sometimes remembered as the Piscator House.[19] After World War II and the break-up of Germany, Piscator returned to West Germany in 1951 due to McCarthy era political pressure in the United States against former communists in the arts.[20] In 1962 Piscator was appointed manager and director of the Freie Volksbühne in West Berlin. To much international critical acclaim, in February 1963 Piscator premièred Rolf Hochhuth`s The Deputy, a play `about Pope Pius XII and the allegedly neglected rescue of Italian Jews from Nazi gas chambers.`[21] Until his death in 1966, Piscator was a major exponent of contemporary and documentary theatre. Piscator`s wife, Maria Ley, died in New York City in 1999. Effects on theatre[edit] This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: `Erwin Piscator` – news · newspapers · books · scholar · JSTOR (December 2017) (Learn how and when to remove this template message) Piscator, a sculpture in the London Borough of Camden by Eduardo Paolozzi In lieu of private themes we had generalisation, in lieu of what was special the typical, in lieu of accident causality. Decorativeness gave way to constructedness, Reason was put on a par with Emotion, while sensuality was replaced by didacticism and fantasy by documentary reality. Erwin Piscator, 1929.[22] Piscator`s contribution to theatre has been described by theatre historian Günther Rühle as `the boldest advance made by the German stage` during the 20th century.[23] Piscator`s theatre techniques of the 1920s — such as the extensive use of still and cinematic projections from 1925 on, as well as complex scaffold stages — had an extensive influence on European and American production methods. His dramaturgy of contrasts led to sharp political satirical effects and anticipated the commentary techniques of epic theatre.[citation needed] In the Federal Republic of Germany, Piscator`s interventionist theatre model enjoyed a late second zenith. From 1962 on, Piscator produced several works that dealt with trying to come to terms with the Germans` Nazi past and other timely issues; he inspired mnemonic and documentary theatre in those years until his death. Piscator`s stage adaptation of Leo Tolstoy`s novel War and Peace[24] has been produced in some 16 countries since 1955, including three productions in New York City.[citation needed] Legacy and honors[edit] Opening of an exhibition on the occasion of the 50th anniversary of Erwin Piscator`s death, Berlin, 2016 In 1980, a monumental sculpture by Scottish artist Eduardo Paolozzi was dedicated to Piscator in central London.[25] In the fall of 1985, an annual Erwin Piscator Award was inaugurated in New York City, the adopted home of Piscator`s widow Maria Ley. Additionally, a Piscator Prize of Honors has been annually awarded to generous patrons of art and culture in commemoration of Maria Ley since 1996. The host of the Erwin Piscator Award is the international non-profit organisation `Elysium − between two continents` that aims to foster artistic and academic dialogue and exchange between the United States and Europe. In 2016, a Piscator monument was erected in his birthplace of Greifenstein-Ulm.[26] Piscator`s artistic papers are held by the archive of the Academy of Arts, Berlin (since 1966) and the Southern Illinois University Carbondale (Morris Library, since 1971).[27] Broadway productions[edit] Gotthold Ephraim Lessing, Nathan the Wise (Belasco Theatre, April 1942) Irving Kaye Davis, The Last Stop (Ethel Barrymore Theatre, September 1944) Films[edit] Revolt of the Fishermen (Восстание рыбаков). Director: Erwin Piscator, Screenplay: Georgi Grebner, Willy Döll, Producer: Mikhail Doller, USSR 1932–1934. Works[edit] Piscator, Erwin. 1929. The Political Theatre. A History 1914–1929. Translated by Hugh Rorrison. New York: Avon, 1978. ISBN 978-0-380401-88-8 (= London: Methuen, 1980. ISBN 978-0-413335-00-5). The ReGroup Theatre Company (ed.): The `Lost` Group Theatre Plays. Volume 3. The House of Connelly, Johnny Johnson, & Case of Clyde Griffiths. By Paul Green and Erwin Piscator. Prefaces by Judith Malina & William Ivey Long. New York, NY: CreateSpace, 2013. ISBN 978-1-484150-13-9. Tolstoy, Leo. War and Peace. Adapted for the Stage by Alfred Neumann, Erwin Piscator, and Guntram Prüfer. English adaptation by Robert David MacDonald. Preface by Bamber Gascoigne. London: Macgibbon & Kee, 1963. Literature[edit] Connelly, Stacey Jones. Forgotten Debts: Erwin Piscator and the Epic Theatre. Bloomington: Indiana University 1991. Innes, Christopher D. Erwin Piscator`s Political Theatre: The Development of Modern German Drama. Cambridge: Cambridge University Press 1972. Ley-Piscator, Maria. The Piscator Experiment. The Political Theatre. New York: James H. Heineman 1967. ISBN 0-8093-0458-9. Malina, Judith. The Piscator Notebook. London: Routledge Chapman & Hall 2012. ISBN 0-415-60073-1. McAlpine, Sheila. Visual Aids in the Productions of the First Piscator-Bühne, 1927–28. Frankfurt, Bern, New York etc.: Lang 1990. Probst, Gerhard F. Erwin Piscator and the American Theatre. New York, San Francisco, Bern etc. 1991. Rorrison, Hugh. Erwin Piscator: Politics on the Stage in the Weimar Republic. Cambridge, Alexandria VA 1987. Wannemacher, Klaus. Moving Theatre Back to the Spotlight: Erwin Piscator’s Later Stage Work. In: The Great European Stage Directors. Vol. 2. Meyerhold, Piscator, Brecht. Ed. by David Barnett. London etc.: Bloomsbury (Methuen Drama) 2018, pp. 91–129. ISBN 1-474-25411-X. Willett, John. The Theatre of Erwin Piscator: Half a Century of Politics in the Theatre. London: Methuen 1978. ISBN 0-413-37810-1. External links[edit] Biography portal Erwin Piscator at IMDb Website on Erwin Piscator, including `Annotated Erwin Piscator Bibliography` with more than 1300 title entries (German) Erwin Piscator Papers, 1930–1971 at Southern Illinois University Carbondale, Special Collections Research Center Information on the annual Erwin Piscator Award Photo of Piscator at Find a Grave Tags: Politika i knjizevnost bertolt Breht angažovana knjizevnost sartr avangarda